Aoki Diane, 1994. Moving images of the Pacific Islands: a guide to films and videos, Honolulu, Center for Pacific Islands Studies, School of Hawaiian, Asian, and Pacific Studies, University of Hawai’i.
Baeque (de) Antoine et Christian Delage (éds), 1998. De l’histoire au cinéma, Bruxelles, Éd. Complexe.
Ballard Chris, 2010. Watching First Contact, Journal of Pacific History 45 (1), pp. 21-36 (DOI : 10.1080/00223344.2010.484164).
Balvay Arnaud et Nicolas Cabos, 2015. John Ford et les Indiens, Paris, Séguier.
Bazin André, 1976. Qu’est-ce que le cinéma ? Paris, Le Cerf.
Bazin André, 2002. L’anthropologie en question : altérité ou différence ?, in Y. Michaud (éd.), Université de tous les savoirs. L’Histoire, la sociologie et l’anthropologie, Paris, Odile Jacob, pp. 77-91.
Benali Abdelkader, 1998. Le cinéma colonial au Maghreb : l’imaginaire en trompe-l’œil, Paris, Cerf.
Berger Bernard, 1983-2005. La Brousse en folie, série de bande dessinée, 24 albums, Paris, éd. Télé 7 jours puis Les Nouvelles Hebdo.
Bhattacharya Rini, Metha and Rajeshwari V. Pandharipande (eds), Bollywood and Globalization: Indian popular cinema, nation, and diaspora, London & New York, Anthem Press, 2010.
Bosa Bastien et Eric Wittersheim, 2009. L’irruption de la question indigène, in B. Bosa et E. Wittersheim (éds), Luttes autochtones, Trajectoires post-coloniales : Amériques, Pacifique, Paris, Karthala, pp. 9-16.
Boukary Sawadogo, 2019. African Film Studies: an introduction, Abingdon, Oxon, New York, NY, Routledge, 2019.
Boulay Roger, 2000. Kannibals et vahinés : imagerie des mers du Sud, La Tour d’Aigues, éditions de l’Aube.
Bryson Ian, 2002. Bringing To Light: A History of Ethnographic Filmmaking at the Australian Institute of Aboriginal and Torres Strait Islander Studies, Canberra, Aboriginal Studies Press.
Castro-Koshy Estelle et Géraldine Le Roux, 2016. Introduction. Creative Collaborations, Dialogues, and Reconfigurations: Rethinking Artistic, Cultural, and Sociopolitical Values and Practices with Indigenous people in Australia, French Polynesia, New Caledonia-Kanaky, and Papua New Guinea, Anthrovision 4.1, 12 p. (http://journals.openedition.org/anthrovision/2191).
Chiva Isac, 1985. Georges-Henri Rivière, un demi-siècle d’ethnologie de la France, Terrain 5, pp. 76-83.
Clifford James, 1996. Malaise dans la culture. L’ethnographie, la littérature et l’art au xxe siècle, Paris, éditions de l’école nationale supérieure des Beaux-Arts.
Clifford James and George Marcus (eds), 1986. Writing Culture. The Poetics and Politics of Ethnography, Berkeley, University of California Press.
Colleyn Jean-Paul, 2012. Champ et hors-champ de l’anthropologie visuelle, L’Homme 203-204, pp. 457-480 (DOI : 10.4000/lhomme.23256).
Connelly Andrew, 2016. Pikisi Kwaiyai! (pictures tonight!): The screening and reception of ethnographic film in the Trobiand Islands, Papua New Guinea, The Australian Journal of Anthropology 27 (1), pp. 3-29.
Connolly Bob and Robin Anderson, 1989. Premier contact. Les Papous découvrent les Blancs, Paris, Gallimard.
Connolly Bob and Alain Morel, 1992. Rigueur et passion. Entretien avec le cinéaste Bob Connolly, Terrain 19, pp. 159-170.
Deger Jennifer, 2006. Shimmering Screens. Making Media in an Aboriginal Community. Minneapolis, London, University of Minnesota Press.
De Largy Healy Jessica, 2013. Yolngu Zorba meets Superman: Australian Aboriginal people, mediated publicness and the culture of sharing on the Internet, Anthrovision [En ligne] 1 (1), 21 p. (http://anthrovision.revues.org/362 ; DOI : 10.4000/anthrovision.362).
De Largy Healy Jessica, 2016. Archives sonores et médiation de l’ancestral dans le film Two Brothers at Galarra (Terre d’Arnhem, Australie), Gradhiva 24, pp. 51-81.
De Largy Healy Jessica, 2017. Retours sur images. Nouveaux médias et transmission du secret dans les rituels du nord de l’Australie, ethnographiques.org [En ligne] 33, 32 p. (http://www.ethnographiques.org/2016/De-Largy-Healy).
De Largy Healy Jessica et Barbara Glowczewski, 2014. Valeurs et réappropriations patrimoniales, des musées à la Toile: exemples australiens et polynésiens, in L. Dousset, M. Salaün & B. Glowczewski (éds), Les sciences humaines et sociales dans le Pacifique Sud, Marseille, Pacifique-credo publications, pp. 183-205.
Delpuech André, Christine Laurière et Carine Peltier-Caroff (éds), 2017. Les années folles de l’ethnographie. Trocadéro 28-37, Paris, publications scientifiques du Muséum national d’histoire naturelle.
Diawara Manthia, 1992. African Cinema. Culture and Politics, Bloomington, Indiana University Press.
Dunlop Ian, 1979. Ethnographic film-making in Australia : the first seventy years (1898-1968), Aboriginal History 3, pp. 111-119.
Dwyer Rachel, 2006. Filming Gods. Religion and Indian Cinema, London, Routledge, 2006.
Edwards Elizabeth, 1998. Performing science: still photography and the Torres Strait expedition, in S. Rouse et A. Herle (eds), Cambridge and the Torres Strait: centenary essays on the 1898 Anthropological Expedition, Cambridge, Cambridge University Press, pp. 106-135.
Faurie Mathias et Mélissa Nayral, 2012. L'Ordre et la morale : Quand l’industrie du cinéma bouscule la coutume kanak, Journal de la Société des Océanistes 134, pp. 121-136 (https://journals.openedition.org/jso/6641).
Feigelson Kristian et Monique Dagnaud (éds), 2012. Bollywood : industrie des images, Paris, Presses Sorbonne Nouvelle.
Ferro Marc, 1993. Cinéma et histoire, Paris, Gallimard.
Flaherty Frances, 1970. Préface, in Premier catalogue sélectif international de films ethnographiques sur la région du Pacifique, Paris, unesco publications (http://unesdoc.unesco.org/images/0000/000031/003117fb.pdf).
Gandin Eliane, 1998. Le voyage dans le Pacifique de Bougainville à Giraudoux, Paris, L’Harmattan.
Ginsburg Faye, 2002. Screen memories: resignifying the traditional in Indigenous Media, in F. Ginsburg, L. Abu-Lughod & B. Larkin (eds), Media worlds: anthropology on new terrain, London, Berkeley, University of California Press, pp. 39-57.
Ginsburg Faye, 2005. The Parallax Effect: the Impact of Aboriginal Media on Ethnographic Film, Visual Anthropology Review 11 (2), pp. 64-76 (DOI : 10.1525/var.1995.11.2.64).
Glowczewski Barbara, 2014. Beyond the frames of film and Aboriginal fieldwork, in C. Pasqualino et A. Schneider (eds), Experimental film and Anthropology, London, Bloomsbury Books, pp. 147-164.
Goerg Odile, 2015. Fantômas sous les tropiques : aller au cinéma en Afrique coloniale, Paris, Vendémiaire.
Griffiths Alison, 1997. Knowledge and Visuality in Turn of the Century Anthropology : the Early Ethnographic Cinema of Alfred Cort Haddon and Walter Baldwin Spencer, Visual Anthropology Review 12 (2), pp. 18-43 (DOI : 10.1525/var.1996.12.2.18).
Griffiths Alison, 2002. Wondrous Difference. Cinema, Anthropology, and Turn-of-the-Century Visual Culture, New York, Columbia University Press.
Hau’ofa ’Epeli, 1994. Our Sea of Islands, The Contemporary Pacific 6 (1), pp. 147-161. (trad. française : Notre mer d’îles, Papeete, Pacific Islanders editions, 2013).
Henry Rosita and Daniela Vávrová, 2016. An Extraordinary Wedding: Some reflections on the ethics and aesthetics of authorial strategies in ethnographic filmmaking, Anthrovision 4 (1), 20 p. (http://journals.openedition.org/anthrovision/2237).
Hinkson Melinda, 2002. New Media Projects at Yuendumu: inter-cultural engagement and self-determination in an era of accelerated globalization, Continuum: Journal of Media & Cultural Studies 16 (2), pp. 201-220 (DOI : 10.1080/10304310220138769).
Jackson Moana, 2009. Once Were Gardners. On the scientific method and the "warrior gene" [keynote address at 2009 Cutting Edge conference discusses research done on Maori], New Zealand Drug Foundation, vidéo de 9 min 54 s. (https://www.youtube.com/watch?v=HfAe3Zvgui4).
Jolly Margaret, 1997. White Shadows in the Darkness : representations of Polynesian women in early cinema, Pacific Studies 20 (4), pp. 125-150 (DOI : 10.1353/cp.2007.0054).
Jolly Margaret, 2007. Imagining Oceania: indigenous and foreign representations of a sea of islands, Contemporary Pacific 19 (2), pp. 508-545.
Jordan Pierre-Léonce, 1992. Cinéma = Cinema = Kino, Paris, Ramsay-La Villette.
Kabutaulaka Tarcisius, 2015. Re-Presenting Melanesia: Ignoble Savages and Melanesian Alter-Natives, The Contemporary Pacific 27 (1), pp. 110-146 (DOI : 10.1353/cp.2015.0027).
Kihara Shigeyuki, 2008. Kihara: Living photographs, série de photographies et de cartes postales (https://www.metmuseum.org/exhibitions/listings/2008/shigeyuki-kihara).
Kirsten Sven A., 2014. Tiki Pop, Köln, Taschen Verlag.
Laferté Gilles, 2017. Le film ethnographique comme archives. L'œuvre de Jean-Dominique Lajoux, Études rurales 199, pp. 15-32.
Landman Jane et Chris Ballard, 2010. An Ocean of Images. Film and History in the Pacific, The Journal of Pacific History 45 (1), pp. 1-20.
Langton Marcia, 1993. 'Well I heard it on the Radio and I saw it on the Television…': An essay for the Australian Film Commission on the Politics and Aesthetics of Filmmaking by and about Aboriginal People and Things, Sydney, Australian Film Commission.
Larkin Brian, 2008. Signal and Noise. Media, Infrastructure, and Urban Culture in Nigeria, Durham, Duke University Press.
Laroche Marie-Charlotte, 1966. Films d’information et documentaires scientifiques réalisés par des cinéastes français dans la région du Pacifique sud, rapport de la Société des Océanistes à l’unesco (https://unesdoc.unesco.org/ark:/48223/pf0000143812fre).
Leblic Isabelle, 2012. Le film de Mathieu Kassovitz, L’Ordre et la morale. Quand la fiction se confronte à la réalité, Journal de la Société des Océanistes 134, pp. 111-120 (https://journals.openedition.org/jso/6640 ; DOI : 10.4000/jso.6640).
Lelièvre Samuel, 2013. Les cinémas africains dans l’histoire. D’une historiographie (éthique) à venir, 1895. Mille huit cent quatre-vingt-quinze [En ligne] 69, pp. 136-147 (http://journals.openedition.org/1895/4614 ; DOI : 10.4000/1895.4614).
Lindstrom Lamont, 2016. Shooting Melanesians: Martin Johnson and Edward Salisbury in the Southwest Pacific, Visual Anthropology 29 (4-5), pp. 360-381 (DOI : 10.1080/08949468.2016.1191929).
Louvat Marc Emmanuel, 2017. Petite histoire du cinéma en Polynésie française : Cinematamua, Paris, L’Harmattan.
MacDougall David, 1991. Whose Story Is It?, Visual Anthropology Review 7 (2), pp. 2-10 (DOI : 10.1525/var.1991.7.2.2).
MacDougall David, 1995. Subtitling Ethnographic Films: Archetypes into Individualities, Visual Anthropology Review 11 (1), pp. 83-91 (DOI : 10.1525/var.1995.11.1.83).
MacDougall David, 2004. L’anthropologie visuelle et les chemins du savoir, Journal des anthropologues 98-99, pp. 279-233.
Malthête Jacques, 1990. Biographie de Gaston Méliès, 1895, Revue d’histoire du cinéma 7, pp. 85-90.
Martens, Emiel, 2012. Maori on the Silver Screen, International Journal of Critical Indigenous Studies.
Mawyer Alexander, 1998. From photons to electrons: the film guide Moving Images of the Pacific Islands, Contemporary Pacific 10 (2), pp. 457-465.
Mellon James, 1994. Representations of Micronesia on film, video and television, East–West Film Journal 8 (1), pp. 86-120.
Merle Isabelle, 1998. Le Mabo case. L’Australie face à son passé colonial, Genèses 53 (2), pp. 209-229 (DOI : 10.3406/ahess.1998.279661).
Michaels Eric, 1986. The Aboriginal Invention of Television in Central Australia 1982-1986, Canberra, Australian Institute of Aboriginal Studies.
Michaels Eric, 1994. Bad Aboriginal Art: Tradition, Media and Technological Horizons, St Leonards NSW, Allen & Unwin.
Michaels Eric et Francis Kelly, 1984. The social organisation of an Aboriginal video workplace, Australian Aboriginal Studies 1, pp. 26-34.
Morphy Howard, 2012. Becoming a Visual Anthropologist, Humanities Research 18 (1), pp. 5-20 (DOI : 10.22459/HR.XVIII.01.2012.01).
Nelson Hank, 1992. Write history: reel history, in B. Lal (ed.), Pacific Islands History: journeys and transformations, Canberra, Pacific Islands History, pp. 184-202.
Ngata Tina, 2018 (19 déc.). Once were gardeners, lovers, poets… and warriors, The Spinoff [New Zealand online magazine] (https://thespinoff.co.nz/atea/19-12-2018/once-were-gardeners-lovers-and-poets-not-warriors/).
Noiriel Gérard, 2003. Penser avec, penser contre. Itinéraire d’un historien, Paris, Éditions Belin.
O’Reilly Patrick, 1949. Le « documentaire » ethnographique en Océanie, Journal de la Société des Océanistes 5, pp. 117-144 (https://www.persee.fr/doc/jso0300-953x1949num551630).
Patrick Rhianna, 2018. The Cambridge Anthropological Expedition to the Torres Strait (1898), Curator’s notes (https://aso.gov.au/titles/music/1898-torres-strait-recordings/notes/).
Paulet Jean-Pierre, 2002. Les représentations mentales en géographie, Paris, Anthropos.
Pouillon François et Jean-Claude Vatin, 2011. Après l’Orientalisme : l’Orient créé par l’Orient, Paris, iism, éd. Karthala.
Raheja Michelle, 2007. Reading Nanook’s Smile: Visual Sovereignty, Indigenous Revisions of Ethnography, and Atanarjuat (The Fast Runner), American Quarterly 59 (4), pp. 1159-1185 (DOI : 10.1353/aq.2007.0083).
Reyes Luis, 1995. Made in Paradise: Hollywood’s films of Hawai’i and the South Seas, Honolulu, Mutual Pub.
Rouch Jean, 1967 [1961]. Situation et tendance du cinéma en Afrique, in Premier catalogue sélectif international de films ethnographiques sur l’Afrique noire, Paris, unesco, pp. 374-408.
Rouch Jean, 1970. Avant-propos, in Premier catalogue sélectif international de films ethnographiques sur la région du Pacifique, Paris, unesco publications, pp. 13-16 (http://unesdoc.unesco.org/images/0000/000031/003117fb.pdf).
Rouch Jean, 2009. Cinéma et anthropologie (textes réunis par J.-P. Colleyn), Paris, Cahiers du Cinéma.
Rousso Henry, 1987. Le syndrome de Vichy (1944-198..), Paris, Le Seuil.
Screen Australia, 2010. The Black List, a catalogue of film and tv projects since 1970 with Indigenous Australians in key creative roles, Sydney, Screen Australia (https://www.screenaustralia.gov.au/getmedia/a321de20-911c-448b-8afa-f29bc82f16e6/Black-list.pdf).
Smith Bernard, 1985. European Vision and the South Pacific, Sydney, Harper & Row (DOI : 10.2307/750143).
Smith Linda Tuhiwai, 1999. Decolonizing Methodologies. Research and Indigenous Peoples, Londres et Dunedin, Zed Books et University of Otago Press.
Smyth Rosaleen, 1992. Reel Pacific history: the Pacific Islands on film, video and television, in B. Lal (ed.), Pacific Islands History: journeys and transformations, Canberra, Pacific Islands History, pp. 203-224.
Spencer Baldwin and Francis James Gillen, 1899. Native Tribes of Central Australia, London, New York, Macmillan and Co (DOI : 10.2307/2842887).
Staszak Jean-François, 2003. Carte mentale, in J. Lévy, M. Lussault (éds), Dictionnaire de la géographie et de l’espace des sociétés, Paris, Belin, pp. 132-133.
Stoler Ann, 2009. Along the Archival Grain. Epistemic Anxieties and Colonial Common Sense, Princeton, Princeton University Press.
Taouma Lisa, 2004. Gauguin is dead … there is no paradise, Journal of Intercultural Studies 25 (1), pp. 35-46 (DOI : 10.1080/07256860410001687009).
Teaiwa Teresa, 1994. Bikinis and other S/Pacific N/Oceans, The Contemporary Pacific 6 (1), pp. 87-109.
Tengan Ty, 2008. Native men remade: Gender and Nation in Contemporary Hawai’, Durham, Duke University Press.
Thomas Nicholas, 1997. In Oceania: Visions, Artifacts, Histories, Durham, Duke University Press.
Thomas Nicholas, 2010. Islanders, The Pacific in the Age of Empire, New Haven, Yale University Press.
unesco, 1967. Premier catalogue sélectif international de films ethnographiques sur l’Afrique noire, Paris, unesco.
Vieyra Soumanou Paulin, 1975. Le cinéma africain, des origines à nos jours, Paris, Présence africaine.
Wittersheim Eric, 1999. Les chemins de l’authenticité. Les anthropologues et la renaissance mélanésienne, L’Homme 151, pp. 181-206 (DOI : 10.3406/hom.1999.453625).
Zéau Caroline, 2008. Cinéaste ou propagandiste ? John Grierson et « l’idée documentaire », 1895. Mille huit cent quatre-vingt-quinze [En ligne], 55, pp. 52-74 (http://journals.openedition.org/1895/4104).
Filmography
Balshofer Fred J., 1911. An Indian Love Story, usa, short film (unknown length).
Borgeaud Belle and Adam Robinson, 2009. Meet the Natives, usa, Keo Films, 5 x 50 min (http://www.keofilms.com/projects/meet-the-natives/).
Breton Stéphane, 2001. Eux et moi/Them and me, France, Les Films d’Ici, 63 min.
Caro Niki, 2002. Paï / Whale Rider, New Zealand and Germany, 101 min.
Cole Beck, Craig Anderson and Erica Glynn, 2014-2018. Black Comedy, series, Australia, Scarlett Pictures Pty Limited/Australian Broadcasting Production, 3 seasons, 18 x 30 min.
Connolly Bob and Robin Anderson, 1983, 1989 and 1992. The Highland Trilogy [First Contact, Joe Leahy’s Neighbours and Black Harvest], Australia/Papua New Guinea, 58+90+90 min.
Dagneau Gilles, 2008. Le gendarme Citron. Une aventure cinématographique en Nouvelle-Calédonie, France, aaa productions, 52 min.
Dean Bentley and Martin Butler, 2015. Tanna, Australia, Vanuatu, 104 min.
Diamond Neil, Catherine Bainbridge andet Jeremiah Hayes, 2009. Real Injuns, Canada, 85 min.
Dozier Marc and Jean-Marie Barrère, 2007. L’exploration inversée : le tour de France de deux Papous, France, Bonne Pioche Production, 101 min.
Dunlop Ian, 2007. Yirrkala Film Project, 18 dvds, Sydney, Film Australia.
Fer Yannick and Gwendoline Malogne-Fer, 2010. Pain ou coco. Moorea ou les deux traditions, Wapiti Production, France-Télévision/rfo Polynésie, Canal Overseas Production, 63 min (https://vimeo.com/104943192).
Flaherty Robert, 1922. Nanook of the North, usa/France, 78 min.
Flaherty Robert, 1925. Moana, The Love Life of a South Sea Siren, usa, 77 min.
Ford John, 1939. Stagecoach, usa, 97 min.
Ford John, 1964. Cheyenne Autumn, usa, 154 min.
Griffen Ryan, Jon Bell, Jonathan Gavin et al., 2016-2017. Cleverman, series, New Zealand, 2 seasons, 12 x 50 min.
Haddon Alfred Cort, c. 1898. Torres Strait Islanders, Australia, 3 black and white films (1 min 3 s, 40 s and 1 min 15 s) (https://aso.gov.au/titles/historical/torres-strait-islanders/clip1/).
Hereniko Vilsoni, 2004. Pear Ta Ma ’On Maf: The Land Has Eyes, USA/Fiji, 87 min.
Hurley Frank, 1921. Pearls and Savages, Australia, 56 min.
Imag'in Productions, 2008-… Chez Nadette, series, France [Nouvelle-Calédonie], 2 seasons, 160 x 3 min.
Iteanu André andet Eytan Kapon, 2009. Reviens Demain, France, 70 min.
Kassovitz Matthieu, 2011. Rebellion / L’Ordre et la morale, France, 136 min.
Malick Terence, 1998. The Thin Red Line,usa, 170 min.
Méliès Georges, 1902. A Trip to the Moon / Le voyage dans la lune, France, 74 min.
Méliès Gaston, 1912, A Tale of Old Tahiti, usa, short film, black and white, silent.
Millet Raphaël, 2014. Le voyage cinématographique de Gaston Méliès à Tahiti, France, Nocturnes Productions et France Télévision, 51 min.
Millet Raphaël, 2015. Le voyage cinématographique de Gaston Méliès dans les mers du Sud et en Extrême-Orient, France, Nocturnes Productions et Polynésie 1e, 60 min.
Mitchell Elizabeth, 2004-2009. Bro’Town, series, New Zealand, 5 seasons, 32 x 22 min.
Murnau Friedrich Wilhelm, 1922. Nosferatu the Vampire, Germany, 92 min.
Murnau Friedrich Wilhelm, 1927. Sunrise, usa, 95 min.
O’Reilly Patrick, 1935. Bougainville, Solomon Islands, 36 min.
O’Rourke Dennis, 1988, Cannibal Tours, Australia, CameraWork, 72 min.
Parsons Charlie, 2007-2009. Meet the Natives: England and usa, reality series, Travel Channel, uk/usa, 2 seasons (3+6 x 45 min).
Perkins Rachel et al., 2012-2015. Redfern Now, series, Australia, Blackfella Films, 2 seasons (6 x 52 min).
Perkins Rachel et al., 2008. First Australians, Australia, Blackefella Films, 1 x 70 min and 6 x 52 min.
Pike Andrew, Hank Nelson and Gavan Daws, 1982. Angels of War, Australia, Ronin Films, 52 min.
Quinton Hita, Kiel McNaughton and Hanelle Harris, 2017. Ahikāroa, web series, New Zealand, 2 seasons, 14 x 26 min (https://www.ahikaroa.nz).
Reihana Lisa, 2015-17. In the Pursuit of Venus [Infected], video, 2 min 38 s (https://vimeo.com/233491752).
Spencer Baldwin, 1901. Rain Ceremony, Australia (http://spencerandgillen.net/objects/4fac6ade023fd704f475bf23).
Standring Glenn, 2019-... The Dead lands, New-Zealand, 8 episodes.
Tamahori Lee, 1994. Once were warriors, New Zealand, 102 min.
Tamahori Lee, 2002. Die Another Day, usa, 134 min.
Taitusi Anthony, 2016-… Foha Tau, series, Wallis and Futuna, Kalala Magne, 3 x 30 min.
Taulapapa McMullin Dan, 2016. 100 Tikis. An Appropriation Video, 43 min 13 s.
Taurog Norman (dir.), 1961. Blue Hawaii, produced by Hal B. Wallis, screenplay by Hal Kanter, Hollywood CA, Paramount Pictures, 102 min.
Tefaatau Marie-Eve and Yves Edouard Malakai, 2017-… Maui et Coco, series, France, Vitalis, 60 x 4 min.
Thornton Warwick, 2009. Samson & Delilah, Australia, 101 min.
Vaiaoga-Ioasa Stallone, 2016. Three Wise Cousins, New Zealand/ Samoa, 89 min.
Wan James, 2018. Aquaman, DC Entertainment, Warner Bros, usa, 148 min.
Wan Smolbag Theater, 2007-… Love Patrol, series, Vanuatu, 7 seasons, 80 episodes.
Wittersheim Eric, 2003. Grassroots, Those Who Vote, 85 min (Philux DVD, 2007 https://www.youtube.com/watch?v=RXRHBPPFjw).
Wittersheim Eric, 2009. The Poet’ Salary, France, Blacksand Association – cnrs, 59 min (dvd: Écouter le monde, La Huit productions – web: https://www.youtube.com/watch?v=fawBBjP0PYo).
Wittersheim Eric and Cécile Kielar, 2011. Man Vila, Fonds Pacifique – East-West Center – Blacksand Association, 17 min (https://www.youtube.com/watch?v=hfNbet-vSrY).