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– Aaron Douglas, 2007 : Aaron Douglas: African American Modernist, Susan Earle éd., (cat. expo., Lawrence, Spencer Museum of Art, University of Kansas, 2007), Lawrence, 2007.
– African American Art, 2012 : African American Art: Harlem Renaissance, Civil Rights Era and Beyond, Richard J. Powell, Virginia Meckenburg, (cat. expo., Washington, D.C., Smithsonian American Art Museum, 2012), Washington, D.C., 2012.
– Afro-Modern, 2010 : Afro-Modern: Journeys through the Black Atlantic, Tanya Barson, Peter Gorschluter éd., (cat. expo., Liverpool, Tate Liverpool, 2010), Liverpool, 2010.
– After 1968, 2008 : After 1968: Contemporary Artists and the Civil Rights Legacy, Jeffrey D. Grove, (cat. expo., Atlanta, High Museum of Art, 2008), Atlanta, 2008.
– Als, 2013 : Hilton Als et al., Kara Walker: Dust Jackets for the Niggerati, New York, 2013.
– Amaki, Barnwell Brownlee, 2007 : Amalia Amaki, Andrea Barnwell Brownlee, Hale Woodruff, Nancy Elizabeth Prophet, and the Academy, Seattle, 2007.
– American People…, 2011 : American People, Black Light: Faith Ringgold’s Paintings of the 1960s, Michele Wallace, (cat. expo., Purchase, Neuberger Museum of Art, 2011), Purchase, 2011.
– Archibald Motley, 2014 : Archibald Motley: Jazz Age Modernist, Richard J. Powell éd., (cat. expo., Durham, Nasher Museum of Art at Duke University, 2014), Durham, 2014.
– Arnett, 2006a : Paul Arnett éd., Gee’s Bend: The Architecture of the Quilt, Atlanta, 2006.
– Arnett, 2006b : Paul Arnett éd., Thornton Dial in the 21st Century, Atlanta, 2006.
– Ater, 2011 : Renee Ater, Remaking Race and History: The Sculpture of Meta Warrick Fuller, Berkeley, 2011.
– Back to Black, 2005 : Back to Black: Art, Cinema & the Racial Imaginary, Richard J. Powell éd., (Londres, Whitechapel Art Gallery, 2005), Londres, 2005.
– Backer, 2013 : Yona Backer, Radical Presence: Black Performance in Contemporary Art, Houston, 2013.
– Barkley L. Hendricks, 2008 : Barkley L. Hendricks: Birth of the Cool, Trevor Schoonmaker éd., (cat. expo., Durham, Duke University, Nasher Museum of Art, 2008), Durham, 2008.
– Barnwell, Oliver, 2008 : Andrea Barnwell, Valerie Cassel Oliver, Cinema Remixed and Reloaded: Black Women Artists and the Moving Image since 1970, Seattle, 2008.
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– Berry, 2007 : Ian Berry et al., Kara Walker: Narratives of a Negress, New York, 2007.
– Bill Traylor, 2005 : Bill Traylor, William Edmondson and the Modernist Impulse, Josef Helfenstein, (cat. expo., Urbana, University of Illinois, Krannert Art Museum, 2005), Urbana, 2005.
– Bill Traylor, 2012 : Bill Traylor: Drawings from the Collections of the High Museum of Art and the Montgomery Museum of Fine Arts, Susan Crawley, (cat. expo., Atlanta, High Museum of Art, 2012), Atlanta, 2012.
– Bindman, Gates, 2014 : David Bindman, Henry Louis Gates Jr. éd., The Image of the Black in Western Art, V, 2, The Twentieth Century: The Rise of Black Artists, Cambridge, 2014.
– Black Folk Art…, 1982 : Black Folk Art in America, 1930-1980, Jane Livingston, John Beardsley, (cat. expo., Washington, D.C., Corcoran Gallery of Art, 1982), Washington, D.C., 1982.
– Black Light/White Noise, 2007 : Black Light/White Noise: Sound and Light in Contemporary Art, Marti Mayo et al., (cat. expo., Houston, Contemporary Art Museum, 2007), Houston, 2007.
– Black Panther, 2007 : Black Panther: The Revolutionary Art of Emory Douglas, Sam Durant éd., (cat. expo., Los Angeles, Museum of Contemporary Art, 2007), Los Angeles, 2007.
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– Brawley, 1918 : Benjamin G. Brawley, The Negro in literature and art in the United States, New York, 1918.
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– Calo, 2007 : Mary Ann Calo, Distinction and Denial: Race, Nation and the Critical Construction of the African American Artist, 1920-1940, Ann Arbor, 2007.
– Carrie Mae Weems, 2012 : Carrie Mae Weems: Three Decades of Photography and Video, Kathryn E. Delmez éd., (cat. expo., New York, Guggenheim Museum, 2012), New York, 2012.
– Charles Ethan Porter, 2008 : Charles Ethan Porter: African American Master of Still Life, Hildegard Cummings, (cat. expo., New Britain, New Britain Museum of Art, 2008), New Britain, 2008.
– Collins, Crawford, 2006 : Lisa Gail Collins, Margo Natalie Crawford éd., New Thoughts on the Black Arts Movement, New Brunswick, 2006.
– Common Wealth, 2015 : Common Wealth: Art by African Americans in the Museum of Fine Arts, Lowery Stokes Sims éd., (cat. expo., Boston, Museum of Fine Arts, Boston, 2015), Boston, 2015.
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– Dawoud Bey…, 2012 : Dawoud Bey Harlem USA, Matthew S. Witkovsky éd., (cat. expo., Chicago, Art Institute of Chicago, 2012), Chicago, 2012.
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– Energy/Experimentation, 2006 : Energy/Experimentation: Black Artists and Abstraction, 1964-1980, Kellie Jones, (cat. expo., New York, Studio Museum in Harlem, 2006), New York, 2006.
– English, 2007 : Darby English, How to See a Work of Art in Total Darkness, Cambridge, 2007.
– Enwezor, 2006 : Okwui Enwezor, Lorna Simpson, New York, 2006.
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– Fleetwood, 2011 : Nicole Fleetwood, Troubling Vision: Performance, Visuality and Blackness, Chicago, 2011.
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– A Force for Change, 2009 : A Force for Change: African American Art and the Julius Rosenwald Fund, Daniel Schulman (Chicago, Spertus Institute for Jewish Learning and Leadership, 2009), Chicago, 2009.
– Fore, 2013 : Fore, Thelma Golden éd., (cat. expo., New York, Studio Museum in Harlem, 2013), New York, 2013.
– Francis, 2012 : Jacqueline Francis, Making Race: Modernism and Racial Art in America, Seattle, 2012.
– Freestyle, 2001 : Freestyle, Thelma Golden éd., (cat. expo., New York, Studio Museum in Harlem, 2001), New York, 2001.
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– From the Margins, 2014 : From the Margins: Lee Krasner/Norman Lewis, 1945-1952, Norman L. Kleeblatt, (cat. expo., New York, Jewish Museum, 2014), New York, 2014.
– Glenn Ligon, 2011 : Glenn Ligon: AMERICA, Scott Rothkopf, (cat. expo., New York, Whitney Museum of American Art, 2011), New York, 2011.
– Goeser, 2007 : Caroline Goeser, Picturing the New Negro: Harlem Renaissance Print Culture and Modern Black Identity, Lawrence, 2007.
– Golden, 2010 : Thelma Golden éd., Re: Collection; Selected Works from The Studio Museum in Harlem, New York, 2010.
– Golden, 2012 : Thelma Golden éd., Kehinde Wiley, New York, 2012.
– Gonzalez, 2011 : Jennifer A. Gonzalez, Subject to Display: Reframing Race in Contemporary Installation Art, Cambridge, 2011.
– ‘Great and Mighty Things’…, 2013 : ‘Great and Mighty Things’: Outsider Art from the Jill and Sheldon Bonovitz Collection, Ann Percy éd., (cat. expo., Philadelphia, Philadelphia Museum of Art, 2013), Philadelphia, 2013.
– Gundaker, McWillie, 2005 : Grey Gundaker, Judith McWillie, No Space Hidden: The Spirit of African American Yard Work, Knoxville, 2005.
– Guzman, 2008 : Rene de Guzman, Hank Willis-Thomas: Pitch Blackness, New York, 2008.
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– Hassan, Crawford, 2012 : Salah Hassan, Margo Crawford éd., numéro thématique « The Black Arts Movement: Testimonials/Documents/Conversations », Nka: Journal of Contemporary African Art, 30, 2012.
– Henry Ossawa Tanner, 2012 : Henry Ossawa Tanner: Modern Spirit, Anna O. Marley éd., (cat. expo., Philadelphia, Pennsylvania Academy of the Fine Arts, 2012), Philadelphia, 2012.
– Hills, 2009 : Patricia Hills, Painting Harlem Modern, The Art of Jacob Lawrence, Berkeley, 2009.
– Horace Pippin, 2015 : Horace Pippin: The Way I See It, Audrey Lewis et al., (cat. expo., Chadds Ford, Brandywine River Museum of Art, 2015), Chadds Ford, 2015.
– Jacob Lawrence, 2015 : Jacob Lawrence: The Migration Series, Leah Dickerman, Elsa Smithgall éd., (cat. expo., New York, Museum of Modern Art, 2015), New York, 2015.
– Jean-Michel Basquiat, 2010 : Jean-Michel Basquiat, Dieter Buchhart éd., (cat. expo., Paris, Musée d’art moderne, 2010), Paris, 2010.
– Jones, 2011 : Kellie Jones, Eye-Minded, Durham, 2011.
– Kara Walker, 2007 : Kara Walker: My Complement, My Enemy, My Oppressor, My Love, Philippe Vergne éd., (cat. expo., Minneapolis, Walker Art Center, 2007), Minneapolis, 2007.
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– Ketner, 2011 : Joseph D. Ketner, « Struggles many and great: James P. Ball, Robert Duncanson, and other artists of color in antebellum Cincinnati », dans Magazine Antiques, 178, 2011, p. 108-115.
– Kirschke, 2014 : Amy Helene Kirschke éd., Women Artists of the Harlem Renaissance, Jackson, 2014.
– Lamm, 2011 : Kimberly Lamm, « Seeing Sex and Racism in Lorna Simpson’s You’re Fine », dans n.paradoxa: International Feminist Art Journal, 28, 2011, p. 88-93.
– Lewis, 2009 : Samella Lewis, Barthé: His Life in Art, Los Angeles, 2009.
– Lois Mailou Jones…, 2009 : Lois Mailou Jones: A Life in Vibrant Colors, Carla M. Hanzal éd., (cat. expo., Charlotte, Mint Museum of Art, 2009), Charlotte, 2009.
– Martin Puryear, 2007 : Martin Puryear, John Elderfield éd., (cat. expo., New York, Museum of Modern Art, 2007), New York, 2007.
– Maus, Donahue, 2014 : Derek C. Maus, James J. Donahue éd., Post-Soul Satire: Black Identity After Civil Rights, Jackson, 2014.
– Mayer, 2005 : Marc Mayer éd., Basquiat, New York, 2005.
– Mercer, 2005 : Kobena Mercer éd., Cosmopolitan Modernisms, Cambridge, 2005.
– Mercer, 2006 : Kobena Mercer éd., Discrepant Abstraction, Cambridge, 2006.
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– Mercer V.J., 2012 : Valerie J. Mercer, « Introduction », dans Bulletin of the Detroit Institute of Arts, numéro thématique « African American Art », 86, 1/4, 2012, p. 1-123.
– Mickalene Thomas, 2012 : Mickalene Thomas: Origin of the Universe, Lisa Melandri éd., (cat. expo., Santa Monica, Santa Monica Museum of Art, 2012), Santa Monica, 2012.
– Morton, 2012 : Tom Morton, « Infinite Blackness », dans Parkett, 90, 2012, p. 122-128.
– Murray, 2007 : Derek Conrad Murray, « Post Post-Black: Some Politically Incorrect Thoughts on the Reception and Contemplation of African American Art », dans Art Journal, 66/4, 2007, p. 112-114.
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– NeoHoodoo, 2008 : NeoHoodoo: Art for a Forgotten Faith, Franklin Sirmans éd., (cat. expo., Houston, Menil Collection, 2008), Houston, 2008.
– ‘Now Dig This!’, 2013 : ‘Now Dig This!’: Art and Black Los Angeles, 1960-1980, Kellie Jones, (cat. expo., Los Angeles, University of California, Hammer Museum, 2013), Los Angeles, 2013.
– Ott, 2008 : John Ott, « Labored Stereotypes: Palmer Hayden’s The Janitor Who Paints », dans American Art, 22/1, 2008, p. 102-115.
– Patton, 1998 : Sharon F. Patton, African American Art, New York, 1998.
– Pinder, 2011 : Kymberly N. Pinder, « Painting the Gospel Blues », dans American Art, 25/3, 2011, p. 76-99.
– Portraits of a People, 2006 : Portraits of a People: Picturing African Americans in the 19th Century, Gwendolyn DuBois Shaw, (cat. expo., Andover, Addison Gallery of American Art, 2006), Andover, 2006.
– Powell, 2002 : Richard J. Powell, Black Art: A Cultural History, Londres, 2002.
– Powell, 2008 : Richard J. Powell, Cutting a Figure: Fashioning Black Portraiture, Chicago, 2008.
– Rashid Johnson, 2012 : Rashid Johnson: Message to Our Folks, Julie Rodrigues Widholm, (cat. expo., Chicago, Museum of Contemporary Art, 2012), Chicago, 2012.
– Represent, 2014 : Represent: 200 years of African American Art in the Philadelphia Museum of Art, Gwendolyn DuBois Shaw éd., (cat. expo., Philadelphia, Philadelphia Museum of Art, 2014), Philadelphia, 2014.
– Rising Up, 2012 : Rising Up: Hale Woodruff’s Murals at Talladega College, Stephanie Heydt éd., (cat. expo., Atlanta, High Museum of Art, 2012), Atlanta, 2012.
– Romare Bearden, 2011 : Romare Bearden: American Modernist, Ruth Fine, Jacqueline Francis éd., (cat. expo., Washington, D.C., National Gallery of Art, 2011), Washington, D.C., 2011.
– Rothenberg, Fine, 2008 : Julia Rothenberg, Gary Alan Fine, « Art Worlds and their ethnographers », dans Éthnologie française, 38, 2008, p. 31-37.
– Russell, 2011 : Charles Russell, Groundwaters: A Century of Art by Self-Taught And Outsider Artists, New York, 2011.
– Schur, 2007 : Richard Schur, « Post-Soul Aesthetics in Contemporary African American Art », dans African American Review, 41/4, 2007, p. 641-654.
– Shaw, 2005 : Gwendolyn DuBois Shaw, « Moses Williams, Cutter of Profiles”: Silhouettes and African American Identity in the Early Republic », dans Proceedings of the American Philosophical Society, 149/1, 2005, p. 22-39.
– Smith, 2011 : Cherise Smith, Enacting Others: Politics of Identity in Eleanor Antin, Nikki S. Lee, Adrian Piper, and Anna Deavere Smith, Durham, 2011.
– Sobel, 2009: Mechal Sobel, Painting a Hidden Life: The Art of Bill Traylor, Bâton-Rouge, 2009.
– Taylor, 2007 : Paul C. Taylor, « Post-Black, Old Black », dans African American Review, 41/4, 2007, p. 625-640.
– They Seek a City, 2013 : They Seek a City: Chicago and the Art of the Great Migration, 1910-1950, Sarah Kelly Oehler, (cat. expo., Chicago, Art Institute of Chicago, 2013), Chicago, 2013.
– Thompson C., 2013: Cheryl Thompson, « Contesting the Aunt Jemima Trademark through Feminist Art: Why is She Still Smiling? », dans n.paradoxa: International Feminist Art Journal, 31, 2013, p. 65-72.
– Thompson K., 2007 : Krista Thompson, « Preoccupied with Haiti: The Dream of Diaspora in African American Art », dans American Art, 21/3, 2007, p. 74-97.
– Thompson K., 2009 : Krista Thompson, « The Sound of Light: Reflections on Art History in the Visual Culture of Hip-Hop », dans Art Bulletin, 91/4, 2009, p. 481-505.
– Thompson K., 2011 : Krista Thompson, « The Practice of African Diaspora Art History in the United States », dans Art Journal, 70/3, 2011, p. 6-31.
– Thompson K., 2015 : Krista Thompson, Shine: The Visual Economy of Light in African Diasporic Aesthetic Practice, Durham, 2015.
– The Treasure of Ulysses Davis, 2008 : The Treasure of Ulysses Davis, Susan Mitchell Crawley, (cat. expo., Atlanta, High Museum of Art, 2008), Atlanta, 2008.
– Tribe, 2007 : Tania Tribe, « Visual Narrative and the Harlem Renaissance », dans Word and Image, 23/3, 2007, p. 391-413.
– Tribe, 2013 : Tania Tribe, « Slavery to Hiroshima and Beyond: African American art and the Apocalypse », dans Word and Image, 29, 2013, p. 354-384.
– Vendryes, 2008 : Margaret Rose Vendryes, Barthé: A Life in Sculpture, Jackson, 2008.
– Vincenti, 2006 : Marissa Vincenti, « A Matter of Spirit: Aaron Douglas, Gurdjieffian Thought, and the Expression of ‘Conscious Art’ », dans International Review of African American Art, 21/3, 2006, p. 11-15.
– Walker H., 2013 : Hamza Walker, Black Is, Black Ain’t, Chicago, 2013.
– Walker K., 2007 : Kara Walker, After the Deluge, New York, 2007.
– Wall, 2010 : David Wall, « Transgression, Excess, and the Violence of Looking in the Art of Kara Walker », dans Oxford Art Journal, 33, 2010, p. 277-299.
– Wangechi Mutu, 2013 : Wangechi Mutu: A Fantastic Journey, Trevor Schoonmaker éd., (cat. expo., Durham, Nasher Museum of Art at Duke University, 2013), Durham, 2013.
– When the Stars…, 2014 : When the Stars Begin to Fall: Imagination and the American South, Thomas L. Lax éd., (cat. expo., New York, Studio Museum in Harlem, 2014), New York, 2014.
– Whitehead, Shiver, 2012 : Tom Whitehead, Art Shiver, Clementine Hunter: Her Life and Art, Bâton-Rouge, 2012.
– Williams, 2007 : Carla Williams, « Maudelle Bass: A Model Body », dans Nka: Journal of Contemporary African Art, 21, 2007, p. 34-46.
– Willis, 2009 : Deborah Willis, Posing Beauty: African American Images from the 1890s to the Present, New York, 2009.
– Witness, 2014 : Witness: Art and Civil Rights in the Sixties, Theresa Carbone, Kellie Jones, (cat. expo., Brooklyn, Brooklyn Museum, 2014), Brooklyn, 2014.
– Wolfskill, 2009 : Phoebe Wolfskill, « Caricature and the New Negro in the Work of Archibald Motley Jr. and Palmer Hayden », dans Art Bulletin, 91, 2009, p. 343-365.
– Woods, 2009 : Naurice Frank Woods Jr., « An African Queen at the Philadelphia Centennial Exposition 1876: Edmonia Lewis’s Death of Cleopatra », dans Meridians: Feminism, Race, Transnationalism, 9/1, 2009, p. 62-82.
– Zorach, 2011 : Rebecca Zorach, « Art & Soul: An Experimental Friendship between the Street and a Museum », dans Art Journal, 70/2, 2011, p. 66-87.