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Albright Ann Copper (1997), Choreographing Difference: The Body and Identity in Contemporary Dance, Hanover, Wesleyan University Press.

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Dunham Katherine (1947/ 1983), Dances of Haiti, Los Angeles: Center for Afro-American Studies, University of California

Henriques Julian (2011), Sonic Bodies: Reggae Sound Systems, Performance Techniques and Ways of Knowing, London & New York, Continuum Books.

Henriques Julian (2012), “Global Ear Kingston”, The Wire, no 340, p. 16.

Henriques Julian (2014), “Rhythmic Bodies: Amplification, Inflection and Transduction in the Dance Performance Techniques of the ‘Bashment Gal’”, Body & Society, vol. 20, no 364, p. 79-112.

Hitchins Ray (2014), Vibe Merchants: The Sound Creators of Jamaican Popular Music, London, Routledge.

Huxtable Paul (2014), Sound System Culture, Celebrating Huddersfield’s Sound Systems, London, One Love Books.

Merleau-Ponty Maurice (1964), The Primacy of Perception, Evanston, IL, Northwestern University Press.

Veal Michael (2007), Dub. Soundscapes and Shattered Songs in Jamaican Reggae, Middletown, Wesleyan University Press.

White Joy (2016), Urban Music and Entrepreneurship. Beats, Rhymes and Young People's Enterprise, London, Routledge.

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Notes

1 https://soundsystemouternational.wordpress.com/ (accessed 8th March 2017).

2 See “Sound Systems Unplugged,” Ras Muffet in conversation with Julian Henriques,

http://www.thewire.co.uk/audio/in-conversation/off-the-page-2014_julian-henriques-with-ras-moffat_bristol-dub-club_the-sound-system-unplu-33914 (accessed 8th March 2017).

3 There is a well-established official exchange relationship between Goldsmiths and L’Orientale for PhD student exchange and staff participation in seminars.

4 This may be exemplified by the huge popularity of South London sound system Saxon International during the 1980s and 1990s. This popularity eventually had an impact on records sales in the UK and abroad, with Saxon MC Papa Levi topping Jamaican Single Chart in 1982 with “Mi God Mi King.” Another prominent Saxon MC, Smiley Culture hit UK charts in the 1980s with hit singles “Cockney Translation” and “Police Officer” which blended British and Jamaican cultures, eventually leading him to host a TV show on Channel Four.

5 https://www.theguardian.com/uk-news/2016/mar/11/croydon-bar-accuses-police-banning-jamaican-bashment-music (accessed 8th March  2017).

6 See http://www.nae.org.uk/exhibition/rockers-soulheads-and-lovers-sound/91 (accessed 17th march 2017) http://www.onelovebooks.com/Sound-System-Culture-1 (accessed 8th March 2017). The concept for the book comes from Mandeep Samra and it was edited and designed by Al Fingers.

7 For the programme in full see https://soundsystemouternational.wordpress.com/ (accessed 8th March 2017).

8 The full programme is available on our blog, https://soundsystemouternational.wordpress.com/2016/06/24/sound-system-international-schedule/ (accessed 8th March 2017).

9 Conversation in a music bar in Tottenham, 8th September 2016. Lewis recognized D'Aquino as one of the speakers at the two events he had attended and wanted to share his positive comments.

10 Live Facebook streaming by Reggae Britannia, Outernational 1, 16th Jan. 2016, https://www.facebook.com/youngwarrioruk/videos/vb.184121970371/10156554081430372/?type=2&theater (accessed 15th May 2016).

11 http://www.skindeepmag.com/online-articles/skin-deep-meets-sound-system-culture/ (accessed 8th March 2017).

12 Ibid.

13 http://gtr.rcuk.ac.uk/projects?ref=AH/N001826/1, and http://www.ahrc.ac.uk/newsevents/events/calendar/reggae-research-network-symposium/; http://philharmoniedeparis.fr/en/museum-exhibitions/exhibitions/jamaica-jamaica (accessed 8th March 2017).

14 Recording of the live streaming on the day still available at https://www.facebook.com/Sound-System-Outernational-740364419397765/?ref=settings (accessed 8th March 2017) and Goldsmiths Sound System Research, see https://vimeo.com/180154347 (accessed 8th March 2017).

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Table des illustrations

Titre Figure 1: First Sound System Outernational poster, 16th January 2016
URL http://journals.openedition.org/volume/docannexe/image/5249/img-1.jpg
Fichier image/jpeg, 1,6M
Titre Figure 2: Sound System Outernational social media logo
Crédits Designed by Liv Santos
URL http://journals.openedition.org/volume/docannexe/image/5249/img-2.jpg
Fichier image/jpeg, 6,8M
Titre Figure 3: Young Warrior addressing the first Sound System Outernational
URL http://journals.openedition.org/volume/docannexe/image/5249/img-3.jpg
Fichier image/jpeg, 4,6M
Titre Figure 4: Poster for Outernational 2, 2nd July 2016
URL http://journals.openedition.org/volume/docannexe/image/5249/img-4.jpg
Fichier image/jpeg, 13M
Titre Figure 5: Sir Lloyd Coxsone in a plenary session, Outernational 2
URL http://journals.openedition.org/volume/docannexe/image/5249/img-5.jpg
Fichier image/jpeg, 2,0M
URL http://journals.openedition.org/volume/docannexe/image/5249/img-6.jpg
Fichier image/jpeg, 756k
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Pour citer cet article

Référence papier

Brian D’Aquino, Julian Henriques et Leonardo Vidigal, « A Popular Culture Research Methodology: Sound System Outernational », Volume !, 13 : 2 | 2017, 163-175.

Référence électronique

Brian D’Aquino, Julian Henriques et Leonardo Vidigal, « A Popular Culture Research Methodology: Sound System Outernational », Volume ! [En ligne], 13 : 2 | 2017, mis en ligne le 21 avril 2017, consulté le 18 décembre 2017. URL : http://journals.openedition.org/volume/5249

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Auteurs

Brian D’Aquino

Brian D’Aquino poursuit une thèse en études internationales à l’université de Naples L’Orientale. Sa recherche porte sur les liens entre musiques noires, culture populaire et technologies sonores. Il dirige par ailleurs le sound system et label Bababoom Hi Fi depuis 2004. Il va bientôt publier certains de ses travaux sur les musiques caribéennes en Europe dans l’Encyclopedia of Popular Music of the World (Bloomsbury, 2012).

Julian Henriques

Julian Henriques est professeur à l’université de Londres, Goldsmiths, organisateur du programme de Master en écriture scénaristique et directeur du Topology Research Unit du Département de Médias et Communications. Auparavant, il dirigeait le département audiovisuel au Caribbean Institute of Media and Communication de l’University of the West Indies, Kingston. Il a écrit et réalisé la comédie musicale reggae Babymother et We the Ragamuffin. Sa recherche porte sur les cultures de rue, les liens entre musique et technologie, et se penche sur le son comme outil critique et créatif. Parmi ses sculptures sonores, on compte « Knots & Donuts » (2011) présentée à la Tate Modern. Il a notamment publié Changing the Subject (Routledge, 1998) et Sonic Bodies (Bloosmbury, 2011). Enfin, son ouvrage Sonic Media sera bientôt publié.

Leonardo Vidigal

Leonardo Vidigal, docteur en communications de masse (Universidade Federal de Minas Gerais, Brésil), enseigne l’animation et les arts numériques ainsi que les études filmiques à l’École des Beaux-Arts de l’UFMG. En 2015 et 2016, il fut visiting researcher à l’université de Londres, Goldsmiths, dans le cadre d’un postdoctorat dirigé par Julian Henriques. Il a réalisé un documentaire sur la culture des sound systems en Grande-Bretagne, Weapin is my Mouth (avec Delmar Mavignier, 2016). Il a publié le chapitre « Reggae Documentaries in Brazil » dans l’ouvrage Global Reggae dirigé par Carolyn Cooper (UWI Press, 2012).

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Droits d'auteur

L'auteur & les Éd. Mélanie Seteun

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