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On Margins: Feminist Architectural Histories of Migration

En marge d'une histoire féministe d'architecture et de migration
Sous la direction de Anooradha Iyer Siddiqi et Rachel Lee
“A Future Architect?” pencil on paper drawing by S.M. Pithawalla, and “Women Should Not Become Architects!” remarks by G.B. Kahirasagar to the Sir J.J. College of Art School of Architecture Literary and Debating Society.
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Crédits : Photo by Anooradha Iyer Siddiqi, from the archives of the Sir J.J. College of Architecture (Mumbai, India).

“On Margins: Feminist Architectural Histories of Migration,” builds on the following two premises: that the dynamic of a situated and re-situated perspective is foundational to feminist histories of architecture, and that feminist historiographical approaches destabilize presumptions of fixity that have propelled the writing of architectural histories. Through histories of architectures that emerged from individual or collective acts and experiences of migration, the texts in this collection investigate migration and confinement as drivers for modern architecture and its histories, focusing on works by professionally qualified women architects as well as uncredited makers of the built environment. These architectures of migration bring into view margins—whether architectural, structural, cultural, (geo)political, environmental, or economic. This themed section, as one intervention in the broader “Feminist Architectural Histories of Migration” collection sited on three open-access platforms—namely the Canadian Centre for Architecture and Aggregate as well as ABE—posits expanded historiographies that emerge from intersections of architecture, migration, and margins. These offer possibilities to restore absences and silences in the historical record and open onto new theorizations and perspectives situated around the world.

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