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Atefeh Seyed Mousavi

Atefeh Seyed Mousavi. Narrative Illustration on Qajar Tilework in Shiraz

Compte-rendu réalisé par Yuka Kadoi
Référence(s) :

Atefeh Seyed Mousavi. Narrative Illustration on Qajar Tilework in Shiraz. Dortmund: Verlag für Orientkunde, 2018, Vol. 1, 335 p. (texts); Vol. 2, 268 p. (coloured images), ISBN: 9783936687463

Texte intégral

1This book is the forty-sixth volume of an interdisciplinary series in Islamic and Middle Eastern studies, Beiträge zur Kulturgeschichte des Islamischen Orients, published by Verlag für Orientkunde since 1949. Based on the author’s doctoral dissertation, Narrative Illustration on Qajar Tilework in Shiraz, explores a group of illustrated tiles from nineteenth-century public and private buildings in Shiraz.

2This unique artistic phenomenon has received little scholarly attention, compared with a growing number of publications on the Persian manuscript painting of the pre-modern period. Together with recent publications on related subjects (see Hadi Seif, Persian Painted Tile Work from the 18th and 19th Centuries: The Shiraz School, 2014), this book is another notable contribution to the Persian visual culture of the nineteenth century, when tilework played an integral role as another medium of narrative illustration.

3This book consists of two volumes: Volume 1 is composed of the following six chapters: 1) Introduction; 2) Shiraz Tile Painting; 3) The Production of Tile Paintings; 4) Themes of Shiraz Tile Paintings; 5) Detailed Descriptions of the Surveyed Sites; and 6) Conclusion. The chapters are followed by a summary of themes and a bibliography. Volume 2 is a catalogue of the material collected during the author’s extensive fieldwork in Shiraz. It contains a large number of photographs and ten maps, all published in colour.

4The author has chosen 42 historical buildings (e.g., private residences, bazaars, bathes, gardens) in Shiraz with the variety of architectural style and tile decoration. Each catalogue entry documents a tiled building and analyses every detail of imagery, while identifying and classifying iconographic themes, as well as featuring craftsmen and their technological achievements. Among the notable chapters are Chapter 3 (pp. 57-68), which is based on interviews with the last generation of traditional craftsmen in Shiraz, and Chapter 4 (pp. 69-148), where various iconographic themes from some 700 tile paintings are classified according to religious and non-religious subjects.

5Any researchers who are interested in the art of Qajar tilework will see Narrative Illustration on Qajar Tilework in Shiraz as an essential resource for understanding diverse aspects of Persian visual culture, both modern and pre-modern.

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Référence électronique

Yuka Kadoi. Atefeh Seyed Mousavi, « Atefeh Seyed Mousavi. Narrative Illustration on Qajar Tilework in Shiraz », Abstracta Iranica [En ligne], Volume 40-41 | 2019, document 28, mis en ligne le 30 décembre 2019, consulté le 27 juillet 2021. URL : http://journals.openedition.org/abstractairanica/52126 ; DOI : https://doi.org/10.4000/abstractairanica.52126

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