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HomeAbstracta IranicaVolume 42-4313. Musique et Arts du spectacleFarzaneh Hemmasi. Tehrangeles Dre...

13. Musique et Arts du spectacle
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Farzaneh Hemmasi. Tehrangeles Dreaming: Intimacy and Imagination in Southern California's Iranian Pop Music

Laetitia Nanquette
Bibliographical reference

Farzaneh Hemmasi. Tehrangeles Dreaming: Intimacy and Imagination in Southern California's Iranian Pop Music. Durham: Duke University Press, 2020, 264p., 40 illust. ISBN: 978-1-4780-0836-1

Full text

1This book explores the production of pop music in Tehrangeles, a name given to Los Angeles by the Iranian diaspora, through its impact on Iranian identity. This form of pop music has been circulating widely abroad and in Iran for decades, and it is particularly relevant when considering cultural exchanges between Iran and its diaspora. Hemmasi explores how music producers have positioned themselves to reflect on the question of the Iranian nation. The book is particularly interesting when it discusses the impact of Tehrangeles pop on Iranians within, in political, social and moral terms, and how pop offers different ways of being Iranian from those proposed by the Iranian state.

2The writing is engaging, filled with stories about fieldwork and encounters. Pop music might be seen as superficial by some, but it touches upon many political issues and brings about conflicts that Hemmasi convincingly analyses.

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References

Electronic reference

Laetitia Nanquette, “Farzaneh Hemmasi. Tehrangeles Dreaming: Intimacy and Imagination in Southern California's Iranian Pop MusicAbstracta Iranica [Online], Volume 42-43 | 2021, document 2, Online since 15 April 2021, connection on 20 June 2025. URL: http://journals.openedition.org/abstractairanica/52754; DOI: https://doi.org/10.4000/abstractairanica.52754

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Copyright

CC-BY-SA-4.0

The text only may be used under licence CC BY-SA 4.0. All other elements (illustrations, imported files) are “All rights reserved”, unless otherwise stated.

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