Juan R. I. Cole. « The imagined embrace: gender, identity, and Iranian ethnicity in Jahangiri paintings », in : Michel Mazzaoui, ed., Safavid Iran and Her Neighbors. Salt Lake City, University of Utah Press, 2003, pp. 49-61.
Texte intégral
1Naming it an essay in psychoanalytic fantasy, Cole takes an album of paintings ordered by the Mughal ruler Jahāngīr that depict him together with Šāh ‘Abbās I to discuss Irano-Indian identities and gender reversals. Playing with the hidden imagery of homoerotic symbolism, Jahāngīr, the “effeminate dandy castrated by a domineering Nur Jahan”, is seen embracing the small, dark skinned ‘Abbās who is “reaching out for Jahangir’s crotch” in one of the pictures. This is a highly stimulating contribution, where the difficulty to differentiate between the fantasies of the author and those ascribed to Jahāngīr adds considerably to the pleasure of reading.
Pour citer cet article
Référence électronique
Christoph Werner, « Juan R. I. Cole. « The imagined embrace: gender, identity, and Iranian ethnicity in Jahangiri paintings », in : Michel Mazzaoui, ed., Safavid Iran and Her Neighbors. Salt Lake City, University of Utah Press, 2003, pp. 49-61. », Abstracta Iranica [En ligne], Volume 27 | 2006, document 211, mis en ligne le 02 janvier 2007, consulté le 08 novembre 2025. URL : http://journals.openedition.org/abstractairanica/6032 ; DOI : https://doi.org/10.4000/abstractairanica.6032
Haut de pageDroits d’auteur
Le texte seul est utilisable sous licence CC BY-SA 4.0. Les autres éléments (illustrations, fichiers annexes importés) sont susceptibles d’être soumis à des autorisations d’usage spécifiques.
Haut de page





