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  <channel rdf:about="http://journals.openedition.org/acost">
    <title>Les Carnets de l’ACoSt</title>
    <link>http://journals.openedition.org/acost</link>
    <description>Revue internationale promouvant les études sur les figurines en terre cuite, toutes périodes et toutes régions confondues</description>        
    <items>    
      <rdf:Seq>      
        <rdf:li resource="http://journals.openedition.org/acost/4406" />
        <rdf:li resource="http://journals.openedition.org/acost/4588" />
        <rdf:li resource="http://journals.openedition.org/acost/4546" />
        <rdf:li resource="http://journals.openedition.org/acost/4502" />
        <rdf:li resource="http://journals.openedition.org/acost/4451" />
        <rdf:li resource="http://journals.openedition.org/acost/4364" />
        <rdf:li resource="http://journals.openedition.org/acost/4335" />
        <rdf:li resource="http://journals.openedition.org/acost/4258" />
        <rdf:li resource="http://journals.openedition.org/acost/4212" />
        <rdf:li resource="http://journals.openedition.org/acost/4183" />
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  <item rdf:about="http://journals.openedition.org/acost/4406">
    <title>M/OTHERING</title>
    <description><![CDATA[
      <p class="resume">A data set containing the concept of motherhood as found in figurative terracottas from ancient Italy and Sicily. This includes an extensive bibliography and typological lists.</p>]]></description> 
    <dc:creator>Jaimee Uhlenbrock</dc:creator>
    <link>http://journals.openedition.org/acost/4406</link>
    <dc:date>2025-12-19</dc:date>
  </item>
  <item rdf:about="http://journals.openedition.org/acost/4588">
    <title>Ambiguïté sémantique d’une image. Bref retour sur les femmes assises en terre cuite de l’Artémision de Thasos</title>
    <description><![CDATA[
      <p class="resume">À l’époque archaïque et au début de l’époque classique, les représentations de femmes assises dominent très nettement parmi les milliers de terres cuites figurées mises au jour dans l’Artémision de Thasos. La majorité de ces figurines reproduit le schéma banal et largement diffusé à travers la Méditerranée d’une femme montrée assise de face avec les mains posées à plat sur les genoux, le plus souvent coiffée d’un diadème associé à un voile. Rares sont celles qui sont mieux caractérisées par le port d’une coiffe particulière, la présence d’un objet tenu dans une main ramenée sur la poitrine ou d’un animal posé sur les genoux. En se fondant sur l’analyse de tous les éléments de composition, à considérer comme des marqueurs révélateurs d’une identité, d’une fonction ou d’un domaine d’action, on essaiera de comprendre le sens de cette image dans toutes ses variantes et d’expliquer sa présence en aussi grand nombre dans le contexte précis de l’Artémision thasien. </p>]]></description> 
    <dc:creator>Stéphanie Huysecom-Haxhi</dc:creator>
    <link>http://journals.openedition.org/acost/4588</link>
    <dc:date>2025-12-19</dc:date>
  </item>
  <item rdf:about="http://journals.openedition.org/acost/4546">
    <title>New Book on the Greek and Roman Terracottas of the Aegean: Antik Cagda Pişmis Toprak Figurinler Nasil Yapildilar? Ne Anlattilar? [Terracotta Figurines in Antiquity: How Were They Made? What Do They Reveal?] </title>
    <description><![CDATA[
      <p class="resume"><span xml:lang="en" lang="en">Terracotta figurines with their dimensions, materials, production techniques, and wide geographical distribution, stand out as some of the most significant carriers of social, cultural, and economic memory. Produced over approximately 5,000 years across almost every part of the ancient world, these figurines were not only objects of economic value but also visible representations of societies’ belief systems and cultural practices. Within this broad framework, this study focuses on the figurative terracottas of the ancient Aegean basin. This serves as a cultural and artistic bridge between the Greek mainland and Anatolia. Focusing on this region allows for a coherent analysis of stylistic and technological developments within a shared coroplastic tradition. This focus was chosen for methodological reasons, as the area presents a diverse, yet internally comparable, corpus of figurines that reflects both local and cross-regional artistic interactions. This approach ensures typological...</span></p>]]></description> 
    <dc:creator>Elçin Doğan Gürbüzer</dc:creator>
    <link>http://journals.openedition.org/acost/4546</link>
    <dc:date>2025-12-19</dc:date>
  </item>
  <item rdf:about="http://journals.openedition.org/acost/4502">
    <title>Terracotta Male Head Found in the Sea off the Coast of Nora, Sardinia</title>
    <description><![CDATA[
      <p class="resume"><span xml:lang="en" lang="en">The </span><em><span xml:lang="en" lang="en">Archaeology News Network</span></em><span xml:lang="en" lang="en">, an online open access, pro-community news site that brings together people in archaeological and related fields, has reported the underwater discovery of a terracotta head off the coast of Nora, Sardinia. Press release by the Superintendence of Archaeology, Fine Arts and Landscape for Cagliari.</span></p>]]></description> 
    <dc:creator>Grazia Sclaverano</dc:creator>
    <link>http://journals.openedition.org/acost/4502</link>
    <dc:date>2025-12-19</dc:date>
  </item>
  <item rdf:about="http://journals.openedition.org/acost/4451">
    <title>At the Museums - Met Museum Surrenders Artifacts Thought Looted from Iraq</title>
    <description><![CDATA[
      <p class="resume">Two terracotta Babylonian heads, a male and a female, were two of three objects restituted to the Republic of Iraq on May19, 2025, by The Metropolitan Museum of Art following an investigation by the Manhattan district attorney’s office.</p>]]></description> 
    <dc:creator>Graham Bowley</dc:creator>
    <link>http://journals.openedition.org/acost/4451</link>
    <dc:date>2025-12-19</dc:date>
  </item>
  <item rdf:about="http://journals.openedition.org/acost/4364">
    <title>A Satyr and His Figurine</title>
    <description><![CDATA[
      <p class="resume">An unusual terracotta group from Sicily of a satyr running off with a terracotta figurine leads to questions about the meaning of its iconography and its possible relationship to cultural developments in Sicily in the first half of the fifth century.</p>]]></description> 
    <dc:creator>Jaimee Uhlenbrock</dc:creator>
    <link>http://journals.openedition.org/acost/4364</link>
    <dc:date>2025-12-19</dc:date>
  </item>
  <item rdf:about="http://journals.openedition.org/acost/4335">
    <title>Book Review: Between Deity and Dedicator: The Life and Agency of Greek Votive Terracotta Figurines. By Sanne Hoffmann</title>
    <description><![CDATA[
      <p class="resume">Sanne Hoffmann, <em>Between Deity and Dedicator: The Life and Agency of Greek Votive Terracotta</em> <em>Figurines</em>, Berlin: De Gruyter (Image and Context 23). 2023. Pp. xi, 347 is reviewed by Jaimee Uhlenbrock.</p>]]></description> 
    <dc:creator>Jaimee Uhlenbrock</dc:creator>
    <link>http://journals.openedition.org/acost/4335</link>
    <dc:date>2025-12-08</dc:date>
  </item>
  <item rdf:about="http://journals.openedition.org/acost/4258">
    <title>Un modèle de catalogage numérique pour la production dérivée des terres cuites moulées</title>
    <description><![CDATA[
      <p class="resume">Cet article présente un modèle numérique de catalogage pour l’étude de la production dérivée, élaboré dans le cadre du projet européen PNRR-CHANGES (2023–2026) à partir du cas de Catane. Inspiré des protocoles de l’ICCD et de la méthodologie de l’École française, le modèle repose sur trois types de fiches interconnectées (RA, module d’approfondissement coroplastique, fiche-type) conçues pour organiser les données typologiques, techniques et contextuelles des terres cuites figurées. Appliqué au dépôt votif de la Piazza San Francesco à Catane, ce système vise à reconstruire les processus de production coroplastique et à proposer un outil de référence pour la classification numérique des corpus méditerranéens.</p>]]></description> 
    <dc:creator>Flavio Ferlito</dc:creator> 
    <dc:creator>Antonella Pautasso</dc:creator>
    <link>http://journals.openedition.org/acost/4258</link>
    <dc:date>2025-10-27</dc:date>
  </item>
  <item rdf:about="http://journals.openedition.org/acost/4212">
    <title>At the Museums. An Exhibition on Whistler and Tanagras, Ruth Allen and Linda Merrill</title>
    <description><![CDATA[
      <p class="resume">James McNeil Whistler’s interest in Tanagra figurines was the focus of an exhibition of his works on paper that was held at the Michael C. Carlos Museum at Emory University, in Atlanta, Georgia, from February 3–May 19, 2024. Titled <em>Recasting Antiquity: Whistler, Tanagra, &#38; the Female Form</em>, it was curated by Ruth Allen and Linda Merrill.</p>]]></description> 
    <dc:creator>Jaimee Uhlenbrock</dc:creator>
    <link>http://journals.openedition.org/acost/4212</link>
    <dc:date>2024-12-18</dc:date>
  </item>
  <item rdf:about="http://journals.openedition.org/acost/4183">
    <title>New Book. Marianna Castiglione and Ida Oggiano, Giving Voice to Silence: Material and Immaterial Evidence of the Female World and Childhood from the Coroplastic Perspective. Proceedings of the Webinar (September 21–22, 2022), (Transformations and Crisis in the Mediterranean, 1), Roma: CNR Edizioni, 2024, DOI:https://doi.org/10.19282/tcm.01.2024</title>
    <description><![CDATA[
      <p class="titreillustration">Fig. 1. Cover of the book</p>
      <p class="texte"><img src="docannexe/image/4183/img-1-small200.jpg" alt="Image 100000000000033C00000490D6950AAEA1488D7A.jpg" /></p>
      <p class="texte"><span xml:lang="en" lang="en">This volume, available in open access, gathers the contributions presented during the webinar entitled “</span><em><span xml:lang="en" lang="en">Voice to the Silence. Materiality and Immateriality of the Female World and Childhood from the Coroplastic Perspective</span></em><span xml:lang="en" lang="en">” held on September 21–22, 2022, at the Institute of Heritage Science of the National Research Council of Italy (CNR). This international event was organized within the framework of the PRIN2017 Project “</span><em><span xml:lang="en" lang="en">Peoples of the Middle Sea: Innovation and Integration in the Ancient Mediterranean (1600–500 B.C.E.)</span></em><span xml:lang="en" lang="en">” with the aim of giving a voice to women and children through archaeological evidence, particularly coroplastic materials, dated from the Bronze Age to the Hellenistic period. Despite their clear significance in ancient societies, these two groups have often been overlooked by “official history” and in the reconstructions of their communities. </span></p>
      <p class="texte"><span xml:lang="en" lang="en">During the webinar and in the ten contributions included in the volume—addressing terracotta figuri...</span></p>]]></description> 
    <dc:creator>Marianna Castiglione</dc:creator> 
    <dc:creator>Ida Oggiano</dc:creator>
    <link>http://journals.openedition.org/acost/4183</link>
    <dc:date>2024-12-18</dc:date>
  </item>
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