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Chroniques des travaux archéologiques en Turquie 2024

Mapping Transformations in Central Anatolia: Interim Report of the Second Season of the Museum Survey Project in Akşehir/Philomelion (2024 season)

Armin Bergmeier, Ayşe Ercan Kydonakis et Alessandra Ricci
p. 175-195

Texte intégral

  • 1 “The route between Çay and Akşehir resembles a large garden landscape.” Sarre, 1896.

1When in 1890, Friedrich Sarre travelled along the slopes of the Sultandağları (or Sultan’s mountains) from Çay to Akşehir, he likened the stretch of land to a large garden landscape: “Überhaupt gleicht die Strecke von Tschai bis Akschehir einem einzigen Gartenland.”1 Certainly, the difference between the largely dry plain and the fertile land at the feet of the Sultan’s Mountains is a stark contrast. In the summer of 1898, J. G. C. Anderson describes the landscape in more negative terms when he crossed over the hills just south of Turgut (ancient Klaneos), which separate the middle Byzantine bishopric from the plain of Akşehir (Philomelion):

  • 2 Anderson, 1897-8, 59.

In the dim light of evening, it looks a promising country, but when the traveller begins to wander over it, he meets with an unpleasant surprise. He finds it is sparsely inhabited: the villages are few and far between: the soil is dry, sandy and bare, and the patches of cultivated land which he sees here and there yield but a poor increase. Then he realises that he is already on the edge of that great barren, treeless waste which fills the centre of the peninsula and has from all time merited the name of Axylos. The character of this vast tract of country is very inadequately described by such vague expressions as “Salt Desert”, “Great Salt Plains”, and so forth. Few parts of it are absolutely desert, for villages are to be found all over it at intervals, where any fair water supply is available; and except on the south and south-east the proportion of level plain is by no means above the average. On the contrary, the landscape is ever varied by gently undulating ground, rolling country, hill, and mountain; but all alas! are equally bare, equally dreary and forbidding.2

  • 3 Geç Antik Çağ ve Bizans Dönemi Philomelion'unu Keşfetmek: Akşehir/Konya'da bir Arkeolojik Belgeleme (...)

2In the 2024 season of our campaign, we continued to study museum objects and reused parts on various Seljuk-era buildings in order to establish the location of historical structures and urban and rural patterns, as well as a chronology for the settlement of the city and its region using inscriptions, rescue excavation reports, and GIS maps based on the museum holdings. Generous permits to study the museum holdings and the Seljuks buildings in the region of Akşehir were granted by the Kültür Varlıkları ve Müzeler Genel Müdürlüğü and the Vakıflar Genel Müdürlüğü, keeper of the Seljuk-era buildings in Akşehir, respectively.3 The campaign was generously funded by the Mary Jaharis Center for Byzantine Art and Culture and AKMED (Suna & İnan Kıraç Akdeniz Medeniyetleri Araştırmaları Merkezi).

I. Greek Inscriptions in and around the city of Akşehir4

  • 4 The transliterations and translations in this chapter have been compiled by Armin Bergmeier with th (...)
  • 5 Sterrett, 1888.

3Given the early onset of epigraphical explorations, the neglect and partly negative view of Akşehir and its surrounding region may have been a result of the relative dearth of inscriptions when compared to nearby centres. John Robert Sitlington Sterrett, who travelled through the region of Yalvaç, Akşehir, Koçaş, and Konya in the summer of 1884 specifically to study inscriptions, recorded only a single example from Akşehir.5 His publication combines a travel account with extensive transcriptions of the inscriptions. Despite the dearth of inscriptions, he praises the beauty of the region. The single inscription recorded for Akşehir was, at that point, no longer kept in the city itself and instead in the possession of a certain Dr Diamantides in Konya. Regarding the trip, he writes:

  • 6 Sterrett, 1888, 164–165.

But few remains of Greek antiquity are to be found at Philomelium; but, on the other hand, the traveller is surprised by some Seljuk ruins of exquisite beauty. The accurate workmanship displayed, even in the execution of details, will compare favourably with Greek buildings of a good period.6

  • 7 Bergmeier, Ercan Kydonakis, and Ricci, 2024.
  • 8 For the early epigraphical compilations, see Jonnes, 2002, 30. See also Sarre and Petersen, 1898. F (...)
  • 9 IGSK 62, Bonn 2002.
  • 10 Since then, some inscriptions have been published in journal articles, such as Arslan and Gökalp, 2 (...)
  • 11 Mitchell, 2023, 300.
  • 12 Breytenbach and Zimmermann, 2017, 318 note 1370, 321.
  • 13 Ibid., 322.
  • 14 Ibid., 315.

4In our first campaign report7, we have already noted the presence of late antique and some middle Byzantine inscriptions. Several of these are preserved on the surviving Seljuk buildings. They give evidence of the complex cultural entanglements between Greek and Islamic communities in the region. Additionally, numerous inscribed objects can be found in the local museum collection. Very few of these, however, have provenances that record specific places where these objects were installed or reused. Most of them were likely found by locals buried in the soil. Scholars such as W. M. Ramsay, William Moir Calder, and Thomas Drew-Bear have repeatedly published studies on epigraphy with a focus on centres around Yalvaç and Amorium as well as localities in Phrygia and Lykaonia (the MAMA project, Monumenta Asiae Minoris Antiqua).8 The most comprehensive study for our region is Lloyd Jonnes' The Inscriptions of the Sultan Dağı I.9 Jonnes compiled evidence from earlier travel accounts and epigraphic studies on the towns along the northern slopes of the Sultan Mountains, including Philomelion (Akşehir), Hadrianopolis (Koçaş), Tyriaion (Ilgın), and Neapolis (Doğanhisar).10 The entire region of Phrygia is rich in (late ancient) inscriptions. By contrast, the region to the north has almost none. Mitchell observed that “Early Christian texts were an extreme rarity in the territories of Nacolea and Dorylaeum. Almost none has been found in the villages north of the middle Tembris valley or in the highland territory to the north, which extended to the sanctuary of Zeus Sarnendenos, on the boundary between Phrygia and Bithynia.”11 In Philomelion, there is no epigraphic evidence for Christians before the 3rd century, and only six Christian inscriptions predate the 5th century.12 One more will be added to this list below under No. 7. This relative epigraphic scarcity would suggest a negligible Christian presence. However, thanks to the mid-2nd-century Martyrium Polycarpi, which details the martyrdom of Bishop Polykarp of Smyrna and was addressed to the Christian population of Philomelion, there is evidence of a significant early Christian presence in the town and of Philomelion’s relationship with faraway Smyrna.13 Later inscriptions give clearer evidence for the Christian population during late antiquity and the Byzantine period. While early epigraphers and travellers noted few inscriptions in Akşehir and the surrounding area, these have since increased to over 100.14

  • 15 Körte, 1900, 443–44. See also Merkelbach and Stauber, 2001, cat. 16/55/01, 391.

5This chapter studies some thus far unedited inscriptions, particularly those Greek inscriptions surviving in Seljuk mescids and türbes. Some have been edited, but small corrections will be proposed here. Finally, another thus far unpublished funerary inscription that entered the museum collection in 2012 will be discussed at the end. Almost all Seljuk structures in the city and in the villages around preserve at least one Greek inscription. Today, none survived in the Taş Medrese; however, Alfred Körte recorded a prayer to Apollon and other Gods displayed on the façade of Taş Medrese during campaigns in 1893–95.15 Apollon and Helios are likened to the two local gods Hosios and Dikaios. Its current location is unknown. Other inscriptions survive in situ. The most stunning Byzantine inscription that has thus far not been published is walled in over the door of the Altunkalem Mescidi in the northern part of ancient, Byzantine, and Seljuk Philomelion - between the mountains and the assumed line of the city wall.

I.1. Altunkalem Mescid, Akşehir

  • 16 Bakırer, 2017, 73–4.

6This Seljuk mescid from the 13th century incorporates a horizontal, centrally-placed epistyle beam with an inscription on its façade. (Fig. 1) The building inscription dates the small mosque to the year 1223.16 The reused Byzantine inscription is installed at ca. 2 meters from the ground, making it easily possible to read:

ἐκαληεργήθησαν τὰ κάνκελα τοῦ ἁγήου Εὐσταθήου παρὰ Βλ[ασίου]…

Translation: “The chancel screen of Saint Eustathios was finely wrought by Blasios (?)...”

  • 17 For this doorframe/lintel, see a forthcoming article publication by Ahmet Oğuz Alp.

7The inscription praises the craftsmanship of the kankela (screens or grilles), likely part of a former church and now incorporated into the mosque. Based on the paleography, it may be dated to the 11th or 12th century. Nothing is known about a church dedicated to Eustathios in or around Philomelion, but the presence of that name in an 11th-century inscription from Antioch in Pisidia/Yalvaç (Inv. No. A 2975) suggests that the saint was venerated in more than one church in the region.17

Fig. 1. Epistyle beam with inscription, Altunkalem Mescid, Akşehir.

Fig. 1. Epistyle beam with inscription, Altunkalem Mescid, Akşehir.

I.2. Ferruhşah Mescid, Akşehir

  • 18 Jonnes, 2002, cat. no. 52, 25.

8Several inscriptions can be found on the façade of the Ferruhşah Mescid. These have all been edited. A particularly interesting one is a two-part inscription – in Greek and Neo-Phrygian – an Indo-Germanic language spoken in the region until the end of the late antique period.18 Another interesting inscription has been edited (ICG 621) but shall be given here with slight corrections to the last – but very important – word. (Fig. 2) It is also an interesting example of reuse because before it was installed in the Seljuk building in 1224 CE, the Greek inscription had reused a middle Byzantine (10th century?) epistyle beam or impost block. The inscription was added on the undecorated rim surrounding a braid-like motif. It reads:

Κ(ύρι)ε σόσοι) τὶν δούλι(ν) σου Ἄν(ν)α Πλακιδ(ινὴν) ἱπάτισ(σαν) Π

Translation: “Lord, save Your servant Anna Plakidine, wife of a hypatos …”

  • 19 Oikonomides, 1972, 296.

9This is a personal prayer inscription. The inscription misspells ἱπατισ(αν) instead of ὑπάτισσαν. Anna Plakidine is the wife of a hypatios, a local consul. This title was in use between c. 1039 and the early 12th century.19 The presence of a Byzantine aristocratic title (Hypatissa, wife of a hypatos) and a family name (Plakindinos) suggests the commemoration of a prominent woman.

Fig. 2. Inscription on the entrance wall (image turned by 90 degrees), Ferruhşah Mescid, Akşehir.

Fig. 2. Inscription on the entrance wall (image turned by 90 degrees), Ferruhşah Mescid, Akşehir.

I.3. Aya Sofya Mescid, Akşehir

10Two fragmented inscriptions are walled in at Aya Sofya Mescid and have thus far not been edited. The larger one (Fig. 3) of the two includes the following lines:

1/... ἐπιμελὴς

2/... μένων φλ…

3/... εὐγνωμο…

11The first line, epimelēs, implies care or diligence, possibly referring to a benefactor or architect. The second line is ambiguous; Menon might be a name or the end of a participial genitive plural form. The third line, eugnomō, likely abbreviates εὐγνωμοσύνη (“gratitude” or “thankfulness”). The remaining lines are indecipherable, yet the vocabulary and phrasing evoke a dedicatory context, again possibly linked to an earlier Christian use or commemoration. Angular Sigma and angular epsilon appear in the imperial era, while the rounded omega only appears in the 4th century or slightly before. This makes a date in the 4th century the most likely.

Fig. 3. Inscription on the south wall, Aya Sofya Mescid, Akşehir.

Fig. 3. Inscription on the south wall, Aya Sofya Mescid, Akşehir.

12A second – very fragmentary – inscription, reading ΘΕΟΝΟΥΝΟ (Fig. 4), can be tentatively transcribed as:

Θεὸν οὖν Ο…

Fig. 4. Inscription on the north wall, Aya Sofya Mescid, Akşehir.

Fig. 4. Inscription on the north wall, Aya Sofya Mescid, Akşehir.

I.4. Kileci Mescid, Akşehir

13This small mosque close to the Belediye building does not have an inscription walled into its façades. However, a fountain in front of it is framed on one side by a late ancient funerary marker showing a man and a woman (Fig. 5). The date of the fountain is unclear and may well be modern. It can only be partially deciphered. The second line reads:

EIMOΘΕΟΥ

Transliteration: (Τ)ειμοθέου

  • 20 Breytenbach and Zimmermann, 2017, 330.

14The name Timotheos was very popular in the region north of Akşehir (surrounding the bishopric of Klaneos, modern Turgut) during late antiquity.20

Fig. 5. Fountain with inscription, Kileci Mescid, Akşehir.

Fig. 5. Fountain with inscription, Kileci Mescid, Akşehir.

I.5. Yavaşgel Türbe, Reis

  • 21 Jonnes, 2002, cat. no. 90.

15The small town of Reis lies along the Philomelion (Akşehir)–Hadrianopolis (Koçaş)–Ikonium (Konya) road. A 13th-century türbe (1268 CE) records the importance of this waystation during the medieval period. It is the mausoleum of Emir Cemaleddin Yavaşgel and was erected using ancient spolia at the bottom and brick for the main body of the türbe in the form of an iwan, open towards the street. On the lower right front façade, just above the stairs leading into the iwan, a late ancient inscription has been placed prominently and on its side. (Fig. 6) It has been published by Jonnes and others21, but a small correction shall be given here: The first line reads Λεύκιος instead of Λούκιος.

16As seen in the fifth line, the Attic form ματρὶ was used instead of the Doric/Koiné μητρὶ. This appears to have been a recurring theme in the epigraphic works from the region, which give preference to the older dialect over the contemporary Koiné.

Fig. 6. Inscription on the front façade, Yavaşgel Türbe, Reis.

Fig. 6. Inscription on the front façade, Yavaşgel Türbe, Reis.

I.6. Yunus Emre Mosque, Koçaş

  • 22 On the published inscriptions from this structure, see Jonnes, 2002, cat. nos. 209–212.

17A stone with an inscription likely found during agricultural work in the fields surrounding the mosque has been put on display in front of the Yunus Emre Mosque in Koçaş.22 (Fig. 7) Traces of a plough can be seen across the surface:

(Ζ)ωτικὸς Ἡλίου καὶ

(Ἔ)βα γυνὴ αὐ-

τοῦ [οἵ]ἐαυ-

τοῖς ζῶν-

τες (ἐ)ννεὰς

…ου

Translation: Zotikos – son of Helios – and his wife Eva, living in union/in themselves for nine (years) …

Fig. 7. Tombstone naming Zotikos, Yunus Emre Mosque, Koçaş.

Fig. 7. Tombstone naming Zotikos, Yunus Emre Mosque, Koçaş.
  • 23 Breytenbach and Zimmermann, 2017, 332.

18There may be a word missing (οἵ?) that was destroyed by a modern plough when the stone was found. There may also have been a small gap between the words. The mystic concept of living together in themselves may be echoed in the name Zotikos, which Breytenbach and Zimmermann have noted was common in the area of Klaneos/Turgut, north of Akşehir and Koçaş, and may have been given to individuals to express “participation in the new life given by Christ.”23 Based on the paleography, the date can be assigned roughly to the 6th–9th century.

19We hope that future research campaigns will include in-depth studies of sites such as Koçaş, Reis, Savaş, and Çamlı that lie along a very important road connecting Akşehir and Konya, thereby allowing for a more systematic understanding of the inscriptions and marble finds in this micro-region.

I.7. Unpublished Inscriptions in the Akşehir Museum

  • 24 Bergmeier, Ercan Kydonakis, Ricci, 2024, fig. 7.

20The museum preserves a fragmentary inscription (Inv. No. 66-3) that has been published in our previous report24, but shall be repeated here to give a more complete account. It reads:

Οἰκαίτῃ Εὐθυμήον…

21The name Euthymios is clearly visible. The second line is grammatically odd because of the presence of τῇ before Euthymion (the dative form of a masculine name), suggesting a phrase such as “to Euthymios.” However, τῇ is feminine. It may reflect a scribal error or a more complex syntactic structure. The line might be part of a longer dedication by multiple individuals to Euthymios, possibly a local cleric or donor.

  • 25 On Staurograms, see Breytenbach and Zimmermann, 2017, 13–20; Niewöhner, 2021, 65. Staurograms can b (...)

22Another inscribed tombstone (4th century) that entered the museum in 2012 (Inv. No. 12-66) has no clear provenance, and according to the object file, it was sold to the museum by a local person. (Fig. 8) Its surface has an appearance of being newly carved, and the letters are very sharp without any traces of wear. Unless the stone has been kept in a sheltered spot for most of its existence, which cannot be established anymore, it may also be a modern forgery. The ornaments surrounding the inscription furthermore attract notice. The central motif is a staurogram, which is rare on tombstones, but parallels can be found in the region.25

Παύλης σῆμα τόδ’ ἔστιν ὅ

οἷ πόσις ἐσθλῇ ἔθηκεν μου-

νο-           vacat vacat vacat

γενῇ παναώρῳ ἄπαιδι

5     τε ἀ-      vacat vacat

χνύμενος κῆρ τοίης

Θειοδότου Μακεδό-

νιος ἡ δὲ καὶ ἐσθλῷ κη-

δεστῇ φιλίῳ Μακεδονίῳ

10     Ἀμμία τε μήτηρ τῆς Παύλης

θύγατερ χαίροις παρὰ μητρός.

Translation: “This is the tombstone of Paule, which her husband, Makedonios, the son of Theodotos, set up for this noble wife – one of a kind, in her prime, and childless – grieving in his heart for such a woman. And (he set it up) for (himself), the noble son-in-law, the beloved Makedonios. And Ammia, the mother of Paula (says), farewell daughter – from your mother.”

23The perspective changes in the course of the inscription. While the first part centres on the husband Makedonios, who had the stone made in his wife’s and his memory, in the second part, Ammia, the mother of Paule speaks, addressing her deceased daughter in the vocative and voicing her wish for a good life in the other world. There are several syntactic and metric mistakes in the inscription, particularly in the last verse. It is written in the older Attic dialect (instead of the Koiné) and in Iambic meter.

Fig. 8. Tombstone, Akşehir Museum, Akşehir.

Fig. 8. Tombstone, Akşehir Museum, Akşehir.

24The Greek inscriptions found in Akşehir's Seljuk architecture and museum holdings point to the persistence of Greek-speaking Christian communities and the reuse of sacred spaces and materials across religious transitions. These traces of Roman identity and Greek linguistic heritage, many of which were embedded in Islamic monuments, underscore the multicultural dynamics of medieval Anatolia. The large number of findings, particularly from the second half of the 20th century, highlight the historical importance of Akşehir for early Christianity and the later medieval period.

II. Historical Topography of Byzantine Philomelion in Light of the Urban Archaeology

  • 26 Özsait and Özsait, 2010, 593-612; Özsait, 1992, 377-395; Özsait, 2005, 587-607.

25Despite the large number of archaeological excavations and surveys conducted in the Lake Region in Burdur and Isparta, few have focused on the region defined as the eastern outskirts of the Sultan Mountains Range, where Akşehir is located. The archaeological survey led by Mehmet Özsait in the Isparta- Burdur Lake region was the first fieldwork to document the Bronze Age settlements in the hinterland of Akşehir in the summers of 1990, 1998 and 2003, identifying a plethora of previously unknown mounds (Fig. 9). Based on surface finds consisting predominantly of pottery shards, Özsait recorded evidence of the ‘Roman and Medieval periods’ at several sites initially identified as Bronze Age settlements. These include Eski Altıntaş (Altuntaş), Arap Tepesi (near Yaşarlar Village en route to Ortaköy), Karabulut Mound, Yazla -Mezarlık Tepe, Yuğ Tepesi, Reis- Yörük Mezarı- Evliya Mezarı, Reis Höyük, and Tuzlukçu Höyük.26 Due to the absence of Bronze Age evidence, the old town of Akşehir was not included in Özsait’s survey.

26One of the main reasons for the lack of scholarly research on the pre-Seljuk urban landscape of Akşehir is the dominant presence of Seljuk-period monuments. Today, the extensive use of spolia from the Classical and Byzantine periods in these Seljuk monuments is the only hint about the pre-12th-century urban topography of Philomelion.

27The scarce architectural remains of the fortification walls, combined with the town’s geographical features, allow us to propose a tentative layout of the fortification system of Medieval Philomelion (Fig. 10). For instance, the Akşehir River likely formed the southern boundary of the citadel (Eski Hisar or Old Fortress) during both the Byzantine and Seljuk periods. The architectural remains of a circular tower (Fig. 11) serve as a reliable landscape marker for the southern fortification line that followed the river. The tower is characterized by various construction phases, with a lower level constructed by rectangular ashlar blocks, with extensive architectural marble spolia and rubble inclusions. One of these spolia pieces is an inscribed marble piece (the inscription, which can be dated to the Roman Imperial-Late Roman period, reads as ΚΛΑΥΔΙΟCKE(Λ?A?)… in nominative form. To the northwest, the mountain range defines the town’s boundary. Yet no material evidence has been found to determine the exact course of this fortification line.

Fig. 9. Map of Bronze Age, Hellenistic, and Roman-period archaeological settlements in the hinterland of Akşehir by Mehmet Özsait.

Fig. 9. Map of Bronze Age, Hellenistic, and Roman-period archaeological settlements in the hinterland of Akşehir by Mehmet Özsait.

Fig. 10. Archaeological map of Akşehir, rescue excavation areas marked by blue zones, archaeological finds by yellow pins, Seljuk monuments by green and purple pins.

Fig. 10. Archaeological map of Akşehir, rescue excavation areas marked by blue zones, archaeological finds by yellow pins, Seljuk monuments by green and purple pins.
  • 27 İsmail Hakkı Konyalı (1945) argues for two lines of fortification with the inner citadel, which is (...)

28The accidental discovery of elaborate Seljuk-period decorative tiles in 1964 in Akşehir kindled scholarly interest in the town (Fig. 12). As one of the earliest systematically documented rescue excavations in Akşehir, the fieldwork took place on a building plot (on Afyon Sokak, within the Sarayaltı neighbourhood), located just outside the fortification line.27 According to the excavation reports, an abundance of delicately decorated tiles was found in this very area, and the archaeologists associated them with palatial tradition due to their high level of craftsmanship. This interpretation led to the hypothesis that the site may have been a Seljuk-period summer palace or an imperial pavilion used for hunting—an alternative retreat to Konya, given Akşehir’s milder climate resulting from its location on the outskirts of the Sultan Mountains.

Fig. 11. Photographs of the circular tower in the walls and the spolia piece used in the construction.

Fig. 11. Photographs of the circular tower in the walls and the spolia piece used in the construction.
  • 28 Aslanapa, 1965; Yetkin, 1964-65, 60–101; Öney, 2005, 225–240; Öney, 1976; Öney, 1978.
  • 29 Öney compares the tiles found in Aksehir to the tile assemblage called ‘Antalya Saray Cinileri’, as (...)
  • 30 Öney, 2005, 228.
  • 31 Otto-Dorn and Önder, 1967, 237–243; Arık, 2000.

29Following their discovery, the Akşehir tiles were examined and discussed in various publications by Oktay Aslanapa, Serare Yetkin, and Gönül Öney.28 One of the most intriguing conclusions came from Öney, who argued for the existence of a local tile workshop in Akşehir. Her argument was supported by the discovery of kiln shelf supports, kiln slags, and the town’s proximity to known kiln sites.29 Based on the exceptional quality of the tiles, Öney also proposed that they were produced for a summer palace or hunting kiosk commissioned during the reign of Alaeddin Keykubad I.30 However, the subsequent excavations at Kubadabad, led by K. Otto Dorn, shifted scholarly attention away from Akşehir, overshadowing its significance within the Seljuk realm. As a result, the town was largely neglected by archaeologists in the following decades.31

Fig. 12. Seljuk period ceramics discovered in the rescue excavations conducted at Sarayaltı, Akşehir.

Fig. 12. Seljuk period ceramics discovered in the rescue excavations conducted at Sarayaltı, Akşehir.

Archives of the Akşehir Museum.

  • 32 Fieldwork report dated to 17.09.2004, Archives of the Akşehir Nasreddin Hoca Museum, analysed with (...)

30A series of rescue excavations conducted in the early 2000s significantly contributed to a better understanding of Akşehir’s urban history. Supervised by the Archaeological Museum, the excavations took place at the eastern end of the outer citadel, in today’s Anıt Mahallesi, on several building plots (7 pafta, 104 ada, parcels 25, 26, 30, 32) located parallel to one of the town’s main public squares, Anıt (Cumhuriyet) Meydanı (Fig. 13). Between 2000 and 2004, at a depth of approximately five meters, the fieldwork uncovered several fragments of the eastern fortification, as well as a multi-phased tower structure preserved within a rich archaeological context.32 These wall fragments adjoined an earlier section of the fortification wall, which had been excavated in 1978 and subsequently registered as a protected historical monument —though the documentation from that earlier excavation remains limited.

Fig. 13. Plan and photograph from the rescue excavation at Anit Square, Akşehir, showing the fortification and its tower

Fig. 13. Plan and photograph from the rescue excavation at Anit Square, Akşehir, showing the fortification and its tower

Archives of the Akşehir Museum.

31The fieldwork in Parcels 30 and 32 is particularly significant, as the trenches correspond to the location where a segment of the fortification system ran in a northwest–southeast direction. The wall, measuring 3.25 meters in preserved width and 12.60 meters in length, was constructed of rubble stone and stood to a preserved height of 4.50 meters. Within the sealed archaeological context of the excavation, a large quantity of ceramic shards was uncovered at a depth between 1 to 5 meters, with the majority of the pottery fragments excavated from the extramural section. The ceramic assemblage included various kiln stilts, fragments of lamps, amphorae, monochrome and slipped ceramic ware, and spindle whorls, along with a considerable number of Ottoman-period tobacco pipes.

32Parcel 30 (currently the location of the Grand Hotel, formerly Grand Bal Hotel) is the site where one of the towers of the fortification system was documented. At a depth of approximately five meters, the excavation revealed an important chronological detail regarding the tower’s construction phases, indicating a two-stage building campaign.

  • 33 Fieldwork report dated to 17.09.2004, Archives of the Akşehir Nasreddin Hoca Museum, analysed with (...)
  • 34 Gök-Gürhan, 2007, 3; Fieldwork reports, Archives of the Akşehir Nasreddin Hoca Museum.

33The lower level featured a rectangular plan built with ashlar masonry and included marble spolia blocks used for levelling (with the highest preserved elevation at -276 cm).33 At a later stage, the rectangular tower must have been reconstructed with a circular plan and a thinner wall (1.70 meters in width, diameter 630 cm) that sat immediately on the rectangular tower.34 The wall fragment and tower display extensive use of spolia at both construction phases.

  • 35 The 13th-century date is also supported by the archaeologists who carried out the fieldwork under t (...)

34One of the marble spolia blocks bears a late antique inscription, possibly reading ‘..ΥΜΕΝΟΥC’, providing a terminus post quem for the construction after the Roman Imperial period, likely after the 2nd or 3rd century CE. Nevertheless, the notable similarity in masonry and construction techniques between the two phases makes precise dating difficult. Based on these findings, it can be argued that both phases fall within a relatively short time span—perhaps in the 12th and 13th centuries—when the town may have been destroyed by the Komnenoi and later reconstructed by the Seljuks following its reoccupation, possibly in the 13th century.35

  • 36 Final report of the 2001-2004 excavations (19.09.2004) Figure 42 for Parsel 30.
  • 37 LBYZ/FR 4/2 after Papanikola-Bakirtzi, Maurikiou, and Bakirtzis 1999, 193 (Vroom, 2014, 114).

35The archaeological context of the trenches opened along the eastern fortification line is notably rich in finds from the Byzantine, Seljuk, and Ottoman periods, as well as late antique ceramics. According to the excavation reports, archaeologists observed a high concentration of Late Roman-period red slip ware within the tower at a depth of 4.20 meters. The archaeological layer where most of the Byzantine-period finds were documented (between elevations -4.20 and -3 meters) yielded two bronze coins (Fig. 14) dating back to the 11th century (both Anonymous A and C types) and various pottery shards dating to the 11th-12th centuries (Fig. 15–17).36 A preserved fragment of monochrome sgraffito ware from this layer closely resembles Middle to Late Byzantine examples from Thessaloniki.37 Based on the excavation reports, the majority of ceramic fragments found in this trench were monochrome slipped ware and sgraffito ware, alongside Seljuk-period oil lamps and conical objects whose function remains disputed. In addition to the ceramic assemblage, a collection of pharmaceutical metal tools, a glass bracelet, and kiln stilts were also discovered.

Fig. 14. Byzantine period bronze coins found in the Anit Square excavations, attributed to the Byzantine period construction phase for the tower

Fig. 14. Byzantine period bronze coins found in the Anit Square excavations, attributed to the Byzantine period construction phase for the tower

Archives of the Akşehir Museum.

Fig. 15. Photographs of a ceramic assemblage from the Anit Square excavations

Fig. 15. Photographs of a ceramic assemblage from the Anit Square excavations

Archives of the Akşehir Museum.

Fig. 16. Photographs of ceramic sherds with the archaeobotanical evidence

Fig. 16. Photographs of ceramic sherds with the archaeobotanical evidence

Grape and fig seeds? according to the excavation reports, Archives of Akşehir Museum.

Fig. 17. Ceramic sherd with sgrafitto technique

Fig. 17. Ceramic sherd with sgrafitto technique

Archives of Akşehir Museum.

  • 38 Final report of the 2001-2004 excavations (19.09.2004) Figure 57 for Parsel 30.

36At a depth of -3 to -3.20 meters, palaeobotanical remains—specifically grape and fig seeds—were discovered within Seljuk-period shards (Fig. 16).38 To our knowledge, no archaeometric analysis has yet been conducted on these carbonized seeds, despite the fact that such analysis could provide a more precise date and valuable information on palaeobotanical aspects, such as grape varieties, which in turn could shed light on provenance, trade links, and related topics.

  • 39 Kırmızı, Demirci, Bakırer, and Yaşar, 2005.
  • 40 In Akşehir ceramics, quartz has been identified as the dominant mineral, and the presence of biotit (...)

37A comprehensive study employing archaeometric analysis is the PhD dissertation by Gök-Gürhan. As part of a project titled Archaeometric Analysis of Glazed Ceramics from Akşehir, the ceramics were examined by faculty members of the METU Department of Archaeometry.39 Based on the analysis of the pottery shards, the author attributes the origin of the clay to a potential kiln located in Doğanhisar, supported by a comparison with soil samples collected from kilns in Akşehir’s hinterland.40

38The course of the fortification wall, particularly in the northern part of the town, remains a subject of debate. Nevertheless, several indications allow us to approximate the boundary of the intramural area. Fieldwork conducted in 2003 and 2011 in the neighbourhood known as Yarenler helped identify the necropolis of Roman and late antique Philomelion. In 2003, prior to road construction, a marble sarcophagus was discovered near the area later excavated in 2011. The 2011 excavation uncovered 23 burials, dated between the 2nd and 6th centuries based on the associated small finds (Figs. 18–21). With this archaeological deduction in mind, the following question arises: Was the cemetery of Byzantine Philomelion located further east, or on the opposite side of the Akşehir River?

Fig. 18. Late Antique sarcophagus from the fieldwork conducted at Yarenler

Fig. 18. Late Antique sarcophagus from the fieldwork conducted at Yarenler

Archives of the Akşehir Museum.

Fig. 19. The tower and its spolia pieces from the Anit Square excavations

Fig. 19. The tower and its spolia pieces from the Anit Square excavations

Archives of the Akşehir Museum.

Fig. 20. Burial from the necropolis excavated at Yarenler

Fig. 20. Burial from the necropolis excavated at Yarenler

Archives of the Akşehir Museum.

Fig. 21. Aerial view of the Yarenler Necropolis

Fig. 21. Aerial view of the Yarenler Necropolis

Archives of the Akşehir Museum.

III. GIS Mapping and the Historical Geography of Akşehir and Its Hinterland

39As part of the 2024 archaeological field campaign in Akşehir, a collaborative project was undertaken to systematically document and map late antique and Byzantine objects from the collection of the Akşehir Archaeological Museum with secure provenance. It focused on cataloguing post-Byzantine reuse of architectural materials—primarily within Seljuk-era mosques and civic buildings. This initiative aimed to spatially reconstruct the historical landscape of Byzantine presence in central-western Anatolia.

40Our data collection began with the systematic review of the museum's inventory. Objects with confirmed or confidently attributed provenance—such as architectural fragments, inscriptions, and sculptural elements—were recorded in a structured Excel spreadsheet. Each entry included typological classification, chronological attribution (late antique, early Byzantine, or middle Byzantine), and specific findspot data.

Map 1. Provenance of objects from the Archaeological Museum, Akşehir.

Map 1. Provenance of objects from the Archaeological Museum, Akşehir.

41Using the program QGIS, the spreadsheet was then imported into a GIS (Geographic Information Systems) platform. GIS allowed us to visualize spatial distributions, analyse clustering and dispersion, and correlate patterns across multiple chronological layers. Reused materials identified during architectural surveys of Seljuk-era monuments were entered as a separate layer, under the category of post-Byzantine reuse. All datasets were georeferenced using WGS84 coordinates.

42The first map (Map 1) provides a view of the distribution of securely provenanced objects within the city of Akşehir. Among these, late antique and Byzantine artifacts that were reused during the Seljuk and Ottoman periods – mostly in the form of tombstones – make up the largest percentage (23). However, given their reused nature, they do not provide information about the pre-Seljuk urban topography. Other artifacts include a milestone from the excavation at the army depot, a baptismal font from the Yeni Belediye Sarayı rescue excavation in the city centre, and a late antique tombstone from the Altunkalem necropolis. Three key chronological layers were distinguished:

  • Late antique objects (purple triangles) appear widely across central districts such as Altunkalem, Anıt, and Kuşçu, indicating a dispersed yet continuous pattern of urban occupation.

  • Early Byzantine finds (cyan triangles) show a notable concentration around the area of the former citadel and modern cemetery of Nasreddin Hoca, likely correlating with ecclesiastical or administrative structures active in the 5th–7th centuries.

  • Middle Byzantine materials (pink diamonds), though fewer in number, are present within historically strategic quarters, suggesting isolated nodes of continuity or renewed occupation during the 9th–11th centuries.

Map 2. Provenance of objects from the Archaeological Museum, Akşehir region.

Map 2. Provenance of objects from the Archaeological Museum, Akşehir region.

43The second map (Map 2) illustrates the distribution of provenanced museum objects in the villages and rural hinterland surrounding Akşehir. Here, the spatial pattern reinforces the picture of Byzantine-era settlements dotting the landscape, mostly along the trade routes and the former shores of the lake. Early Byzantine finds dominate, with several clustered in villages to the northeast and southeast of the town. Besides the finds from the city of Akşehir that correspond to Map 1, there are finds from the following modern towns: a cornice, a tomb inscription, and a parapet slab from Yazla (Apsarı), four column capitals, an epistyle beam, and a parapet slab from Alanyurt, an inscribed block from Çamlı, and a parapet slab from Yaylabelen.

44Late antique materials are scattered more widely, suggesting a broader diffusion of settlement or reuse. Notably, the presence of both early and middle Byzantine materials in outlying settlements highlights the continued occupation and regional integration of these communities.

45The third map (Map 3) only includes those objects in the museum collection that survive thanks to their post-Byzantine reuse. Concentrations of reused architectural elements—particularly capitals, column shafts, and spolia blocks—are visible in Akşehir’s Seljuk mosques. These include key monuments such as the Ulu Cami and the smaller local mescids. Other important find spots are the Ottoman-era cemeteries. The find spots highlight the fact that the late antique and Byzantine city limits continued into the Seljuk and Ottoman phases, with buildings within the walls and cemeteries just outside the walls. One reused late antique tombstone with an Ottoman inscription (cat. no. 98-13) was not found on religious buildings or in a known cemetery but in the Kileci neighbourhood in Akşehir. This neighbourhood lies just to the south of the Akşehir River and the city limits. However, in the 13th century, Kileci Mescid was erected on that side, suggesting that the area along the riverbank may have been settled as well. The tombstone may derive from a cemetery belonging to this neighbourhood.

Map 3. Reused late antique and Byzantine artifacts in post-Byzantine structures, Akşehir.

Map 3. Reused late antique and Byzantine artifacts in post-Byzantine structures, Akşehir.

46The integration of museum data with in situ architectural evidence and GIS spatial analysis has yielded new insights into the diachronic landscape of Akşehir. Our findings confirm that:

  • Akşehir functioned as a significant Byzantine urban node with continuity across at least three major chronological phases.

  • Reuse of Byzantine materials in Seljuk architecture was both extensive and strategic, underscoring the enduring material and symbolic value of the past in shaping Islamic architectural identity.

  • The surrounding rural zones show signs of sustained Byzantine-era activity, complementing the urban record and emphasizing the region's long-term connectivity.

47This GIS-based approach has enabled us to construct a layered, diachronic map of Byzantine cultural production as well as later reuse in the Akşehir region. The synthesis of provenanced museum artifacts with field-documented spolia provides a replicable model for examining Byzantine legacies across Anatolia. Future campaigns will build upon this foundation to include more systematic surveys of rural architectural remains and further their integration with textual sources.

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Arslan, M. and N. Gökalp. “New Inscriptions from Tyraion and Philomelion.” Gephyra 4 (2007): 127–132.

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Öney, G. Türk Çini Sanatı. Türkiye İş Bankası Kültür Yayınları, 1976.

Öney, G. Selçuklu Mimarisinde Süsleme ve El Sanatları. Kültür Bakanlığı Yayınları, 1978.

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Notes

1 “The route between Çay and Akşehir resembles a large garden landscape.” Sarre, 1896.

2 Anderson, 1897-8, 59.

3 Geç Antik Çağ ve Bizans Dönemi Philomelion'unu Keşfetmek: Akşehir/Konya'da bir Arkeolojik Belgeleme Projesi, permit no. permit E-76252222-155.02-5413654. Vakıflar Genel Müdürlüğü, Konya Vakıflar Bölge Müdürlüğü, permit E-17818981-199[150.05]-656091. The authors would like to thank the Mayor of Akşehir, Sn. Dr A. Nuri Köksal and the Kaymakam, Sn. Dr Mehmet Özel for their hospitality. Special thanks are due to the director of the Akşehir Archaeological Museum, Mr. Sevcan Çavdar, for the generous support.

4 The transliterations and translations in this chapter have been compiled by Armin Bergmeier with the support of Christos Stavrakos (University of Ioannina) to whom great thanks are expressed.

5 Sterrett, 1888.

6 Sterrett, 1888, 164–165.

7 Bergmeier, Ercan Kydonakis, and Ricci, 2024.

8 For the early epigraphical compilations, see Jonnes, 2002, 30. See also Sarre and Petersen, 1898. For the MAMA project, see https://mama.csad.ox.ac.uk.

9 IGSK 62, Bonn 2002.

10 Since then, some inscriptions have been published in journal articles, such as Arslan and Gökalp, 2007, 127–132.

11 Mitchell, 2023, 300.

12 Breytenbach and Zimmermann, 2017, 318 note 1370, 321.

13 Ibid., 322.

14 Ibid., 315.

15 Körte, 1900, 443–44. See also Merkelbach and Stauber, 2001, cat. 16/55/01, 391.

16 Bakırer, 2017, 73–4.

17 For this doorframe/lintel, see a forthcoming article publication by Ahmet Oğuz Alp.

18 Jonnes, 2002, cat. no. 52, 25.

19 Oikonomides, 1972, 296.

20 Breytenbach and Zimmermann, 2017, 330.

21 Jonnes, 2002, cat. no. 90.

22 On the published inscriptions from this structure, see Jonnes, 2002, cat. nos. 209–212.

23 Breytenbach and Zimmermann, 2017, 332.

24 Bergmeier, Ercan Kydonakis, Ricci, 2024, fig. 7.

25 On Staurograms, see Breytenbach and Zimmermann, 2017, 13–20; Niewöhner, 2021, 65. Staurograms can be found in the 6th-century inscription from Ikonium/Eğribayat (ICG 121), the 4th-century inscription from Laodikea Katakekaumene (ICG 440), and another from the 5th century from the same place (ICG 441). See also the fragmentary inscription ICG 1336 from the Yalvaç Museum, as depicted in Mitchell, 2023, fig. 73, 449.

26 Özsait and Özsait, 2010, 593-612; Özsait, 1992, 377-395; Özsait, 2005, 587-607.

27 İsmail Hakkı Konyalı (1945) argues for two lines of fortification with the inner citadel, which is not preserved to this day, as it was demolished in 1381 under the reign of Murad I. This citadel used to be located above the Hıdırlık Hill to the south of the old town of Akşehir.

28 Aslanapa, 1965; Yetkin, 1964-65, 60–101; Öney, 2005, 225–240; Öney, 1976; Öney, 1978.

29 Öney compares the tiles found in Aksehir to the tile assemblage called ‘Antalya Saray Cinileri’, as well as examples used in a couple of Seljuk monuments in Aksehir, such as Akşehir Ulu Cami (1213), Güdük Minare Mescidi (1226-27), and Ferruh Şah Mescidi (1224) (Öney, 2005, 226–227). On the other hand, Öney argues for a closer resemblance between Kubadabad tiles and those used in Seyit Mahmut Hayrani’s tomb monument (1251).

30 Öney, 2005, 228.

31 Otto-Dorn and Önder, 1967, 237–243; Arık, 2000.

32 Fieldwork report dated to 17.09.2004, Archives of the Akşehir Nasreddin Hoca Museum, analysed with the official permission granted by the Ministry of Culture and Tourism.

33 Fieldwork report dated to 17.09.2004, Archives of the Akşehir Nasreddin Hoca Museum, analysed with the official permission granted by the Ministry of Culture and Tourism.

34 Gök-Gürhan, 2007, 3; Fieldwork reports, Archives of the Akşehir Nasreddin Hoca Museum.

35 The 13th-century date is also supported by the archaeologists who carried out the fieldwork under the auspices of the Akşehir Museum. For further details, see the final fieldwork report of the 2001-2004 excavations (19.09.2004) for Parsel 30.

36 Final report of the 2001-2004 excavations (19.09.2004) Figure 42 for Parsel 30.

37 LBYZ/FR 4/2 after Papanikola-Bakirtzi, Maurikiou, and Bakirtzis 1999, 193 (Vroom, 2014, 114).

38 Final report of the 2001-2004 excavations (19.09.2004) Figure 57 for Parsel 30.

39 Kırmızı, Demirci, Bakırer, and Yaşar, 2005.

40 In Akşehir ceramics, quartz has been identified as the dominant mineral, and the presence of biotite and hematite minerals has also been detected in the majority of the samples (Gök-Gürhan, 2007, 95–96).

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Table des illustrations

Titre Fig. 1. Epistyle beam with inscription, Altunkalem Mescid, Akşehir.
URL http://journals.openedition.org/anatoliaantiqua/docannexe/image/5278/img-1.jpg
Fichier image/jpeg, 685k
Titre Fig. 2. Inscription on the entrance wall (image turned by 90 degrees), Ferruhşah Mescid, Akşehir.
URL http://journals.openedition.org/anatoliaantiqua/docannexe/image/5278/img-2.jpg
Fichier image/jpeg, 214k
Titre Fig. 3. Inscription on the south wall, Aya Sofya Mescid, Akşehir.
URL http://journals.openedition.org/anatoliaantiqua/docannexe/image/5278/img-3.jpg
Fichier image/jpeg, 457k
Titre Fig. 4. Inscription on the north wall, Aya Sofya Mescid, Akşehir.
URL http://journals.openedition.org/anatoliaantiqua/docannexe/image/5278/img-4.jpg
Fichier image/jpeg, 298k
Titre Fig. 5. Fountain with inscription, Kileci Mescid, Akşehir.
URL http://journals.openedition.org/anatoliaantiqua/docannexe/image/5278/img-5.jpg
Fichier image/jpeg, 320k
Titre Fig. 6. Inscription on the front façade, Yavaşgel Türbe, Reis.
URL http://journals.openedition.org/anatoliaantiqua/docannexe/image/5278/img-6.jpg
Fichier image/jpeg, 335k
Titre Fig. 7. Tombstone naming Zotikos, Yunus Emre Mosque, Koçaş.
URL http://journals.openedition.org/anatoliaantiqua/docannexe/image/5278/img-7.jpg
Fichier image/jpeg, 111k
Titre Fig. 8. Tombstone, Akşehir Museum, Akşehir.
URL http://journals.openedition.org/anatoliaantiqua/docannexe/image/5278/img-8.jpg
Fichier image/jpeg, 307k
Titre Fig. 9. Map of Bronze Age, Hellenistic, and Roman-period archaeological settlements in the hinterland of Akşehir by Mehmet Özsait.
URL http://journals.openedition.org/anatoliaantiqua/docannexe/image/5278/img-9.jpg
Fichier image/jpeg, 97k
Titre Fig. 10. Archaeological map of Akşehir, rescue excavation areas marked by blue zones, archaeological finds by yellow pins, Seljuk monuments by green and purple pins.
URL http://journals.openedition.org/anatoliaantiqua/docannexe/image/5278/img-10.jpg
Fichier image/jpeg, 346k
Titre Fig. 11. Photographs of the circular tower in the walls and the spolia piece used in the construction.
URL http://journals.openedition.org/anatoliaantiqua/docannexe/image/5278/img-11.jpg
Fichier image/jpeg, 319k
Titre Fig. 12. Seljuk period ceramics discovered in the rescue excavations conducted at Sarayaltı, Akşehir.
Crédits Archives of the Akşehir Museum.
URL http://journals.openedition.org/anatoliaantiqua/docannexe/image/5278/img-12.jpg
Fichier image/jpeg, 63k
Titre Fig. 13. Plan and photograph from the rescue excavation at Anit Square, Akşehir, showing the fortification and its tower
Crédits Archives of the Akşehir Museum.
URL http://journals.openedition.org/anatoliaantiqua/docannexe/image/5278/img-13.jpg
Fichier image/jpeg, 239k
Titre Fig. 14. Byzantine period bronze coins found in the Anit Square excavations, attributed to the Byzantine period construction phase for the tower
Crédits Archives of the Akşehir Museum.
URL http://journals.openedition.org/anatoliaantiqua/docannexe/image/5278/img-14.jpg
Fichier image/jpeg, 127k
Titre Fig. 15. Photographs of a ceramic assemblage from the Anit Square excavations
Crédits Archives of the Akşehir Museum.
URL http://journals.openedition.org/anatoliaantiqua/docannexe/image/5278/img-15.jpg
Fichier image/jpeg, 104k
Titre Fig. 16. Photographs of ceramic sherds with the archaeobotanical evidence
Crédits Grape and fig seeds? according to the excavation reports, Archives of Akşehir Museum.
URL http://journals.openedition.org/anatoliaantiqua/docannexe/image/5278/img-16.jpg
Fichier image/jpeg, 185k
Titre Fig. 17. Ceramic sherd with sgrafitto technique
Crédits Archives of Akşehir Museum.
URL http://journals.openedition.org/anatoliaantiqua/docannexe/image/5278/img-17.jpg
Fichier image/jpeg, 60k
Titre Fig. 18. Late Antique sarcophagus from the fieldwork conducted at Yarenler
Crédits Archives of the Akşehir Museum.
URL http://journals.openedition.org/anatoliaantiqua/docannexe/image/5278/img-18.jpg
Fichier image/jpeg, 159k
Titre Fig. 19. The tower and its spolia pieces from the Anit Square excavations
Crédits Archives of the Akşehir Museum.
URL http://journals.openedition.org/anatoliaantiqua/docannexe/image/5278/img-19.jpg
Fichier image/jpeg, 228k
Titre Fig. 20. Burial from the necropolis excavated at Yarenler
Crédits Archives of the Akşehir Museum.
URL http://journals.openedition.org/anatoliaantiqua/docannexe/image/5278/img-20.jpg
Fichier image/jpeg, 129k
Titre Fig. 21. Aerial view of the Yarenler Necropolis
Crédits Archives of the Akşehir Museum.
URL http://journals.openedition.org/anatoliaantiqua/docannexe/image/5278/img-21.jpg
Fichier image/jpeg, 111k
Titre Map 1. Provenance of objects from the Archaeological Museum, Akşehir.
URL http://journals.openedition.org/anatoliaantiqua/docannexe/image/5278/img-22.jpg
Fichier image/jpeg, 422k
Titre Map 2. Provenance of objects from the Archaeological Museum, Akşehir region.
URL http://journals.openedition.org/anatoliaantiqua/docannexe/image/5278/img-23.jpg
Fichier image/jpeg, 457k
Titre Map 3. Reused late antique and Byzantine artifacts in post-Byzantine structures, Akşehir.
URL http://journals.openedition.org/anatoliaantiqua/docannexe/image/5278/img-24.jpg
Fichier image/jpeg, 178k
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Armin Bergmeier, Ayşe Ercan Kydonakis et Alessandra Ricci, « Mapping Transformations in Central Anatolia: Interim Report of the Second Season of the Museum Survey Project in Akşehir/Philomelion (2024 season) »Anatolia Antiqua, XXXIII | 2025, 175-195.

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Armin Bergmeier, Ayşe Ercan Kydonakis et Alessandra Ricci, « Mapping Transformations in Central Anatolia: Interim Report of the Second Season of the Museum Survey Project in Akşehir/Philomelion (2024 season) »Anatolia Antiqua [En ligne], XXXIII | 2025, mis en ligne le 01 mai 2026, consulté le 09 août 2026. URL : http://journals.openedition.org/anatoliaantiqua/5278 ; DOI : https://doi.org/10.4000/16bgx

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