About, Ilsen, and Clément Chéroux. “L’histoire par la photographie.” Études photographiques, no. 10. November 2001: 8–33. https://journals.openedition.org/etudesphotographiques/261
Abron, JoNina. “‘Serving the People’: The Survival Programs of the Black Panther Party.” In Charles E Jones. Black Panther Party Reconsidered: Reflections and Scholarship, New York: Black Classic Press, 1998.
Adorno, Theodor Wiesengrund, and Jay M Bernstein. The Culture Industry: Selected Essays on Mass Culture. London; New York: Routledge, 2007
Alabama Public Radio. “How The Media Covered The Civil Rights Movement: The Children.” 2013. https://www.apr.org/post/how-media-covered-civil-rights-movement-childrens-march, 2013.
Anderson, Devery S, and Julian Bond. Emmett Till: The Murder That Shocked the World and Propelled the Civil Rights Movement. Jackson, Ms.: UP of Mississippi, 2015.
Baruch, Ruth-Marion, and Pirkle Jones. The Vanguard: A Photographic Essay on the Black Panthers. Boston: Beacon Press, 1970.
Becker, Howard S. “Sociologie visuelle, photographie documentaire et photojournalisme.” Communications 71 (1) 2001: 333–51. doi: 10.3406/comm.2001.2091.
Bednarek, Monika, and Helen Caple. News Discourse. London: Bloomsbury.
Berger, Martin A. 2011. Seeing through Race: A Reinterpretation of Civil Rights Photography. Berkeley: U. of California P., 2012.
Berger, Martin A. Freedom Now! Forgotten Photographs of the Civil Rights Struggle. Berkeley: U. of California P., 2014.
Berger, Maurice. For All the World to See: Visual Culture and the Struggle for Civil Rights. New Haven, Conn.: Yale UP, 2010.
Bezner, Lili Corbus. Photography and Politics in America: From the New Deal into the Cold War. Baltimore, Md.: The Johns Hopkins UP, 1999
Black Panther Party. Once Again: Free Breakfast Program: Start Oct. 25, 1971. Philadelphia: Black Panther Party, 1971.
Blackstock, Nelson. COINTELPRO: The FBI’s War on Political Freedom. New York; London: Pathfinder, 2001.
Bond, Julian. “The Media and the Movement: Looking Back from the Southern Front.” In Brian Ward. Media, Culture, and the Modern African American Freedom Struggle, Gainesville, Fl.: UP of Florida, 2001.
Bond, Julian, Clayborne Carson, Matt Herron, and Charles E. Jr Cobb. This Light of Ours: Activist Photographers of the Civil Rights Movement. Leslie G. Kelen (ed.). Jackson, Ms.: UP of Mississippi, 2011.
Brown, Elaine. A Taste of Power: A Black Woman’s Story. New York: Pantheon Books, 1992.
Brunet, François. “L’histoire photographique de l’Amérique selon Robert Taft (Photography and the American Scene, 1938).” E-rea. Revue électronique d’études sur le monde anglophone 8.3 (June) 2011. doi : 10.4000/erea.1777.
Brunet, François. L’Amérique des images: histoire et culture visuelles des États-Unis. Paris: Hazan / Université Paris 7 Diderot, 2013.
Brunet, François, and Jean Kempf.. “Avant-propos au dossier l’Amérique-image.” Revue Française d’Études Américaines, no. 89. 2001: 3–9.
Chappell, Marisa, Jenny Hutchinson, and Brian Ward. “‘Dress Modestly, Neatly — as If You Were Going to Church’: Respectability, Class, and Gender in the Montgomery Bus Boycott and the Early Civil Rights Movemen.” In Peter Ling and Sharon Monteith (eds.). Gender and the Civil Rights Movement. New Brunswick, N.J.: Rutgers UP, 2004 69-100.
Chomsky, Noam, and Edward S. Herman. Manufacturing Consent: The Political Economy of the Mass Media. Londres: Random House, 1988.
Cleaver, Kathleen, and George N Katsiaficas. Liberation, Imagination, and the Black Panther Party: A New Look at the Panthers and Their Legacy. New York: Routledge, 2001.
Cobb, Charles E. This Nonviolent Stuff’ll Get You Killed: How Guns Made the Civil Rights Movement Possible. New York: Basic Books, 2014.
Crosby, Emilye. Civil Rights History from the Ground Up: Local Struggles, a National Movement. Athens, Ga.: U. of Georgia P., 2011.
Cuny, Cécile, and Héloïse Nez. “La photographie et le film : des instruments de pouvoir ambivalents.” Participations 7 (3) 2013: 7–46. doi: 10.3917/parti.007.0005
Dennis, Everette E and Pease Edaward. The Media in Black and White. New Brunswick, NJ: Transaction Publishers, 2011.
Dibari, Michael Jr. Advancing the Civil Rights Movement. Race and Geography of Life Magazine’s Visual Representation, 1954-1965. Lexington: Lexington Books, 2017.
Du Bois, William Edward Burghardt. Les âmes du peuple noir. Paris: La Découverte, 2007.
Duncan, Mary. “Emory Douglas and the Art of the Black Panther Party.” Spectrum: A Journal on Black Men 5 (1) 2016: 117–35. doi: 10.2979/spectrum.5.1.06
Farmer, Ashley D. Remaking Black Power: How Black Women Transformed an Era. U. of North Carolina P., 2017.
Fila-Bakabadio, Sarah. “Photographier depuis la marge : Notes sur l’histoire politique afro-américaine.” GRAAT On-Line Issue 18 (2015). http://www.graat.fr/margin09.pdf
Frizot, Michel. “Faire Face, Faire Signe. La Photographie, Sa Part d’histoire.” In Jean-Paul Ameline. Face à l’histoire 1933-1996. L’artiste Moderne Devant l’événement Historique. Paris: Flammarion/Centre Georges-Pompidou, 1996: 49–57.
Galtung, Johan, and Mari Holmboe Ruge. “The Structure of Foreign News.” Journal of Peace Research 1965 (1) 1965: 64–92. https://www.jstor.org/stable/423011
Garrow, David J. “Foreword.” In Martin A. Berger (ed.). Seeing through Race: A Reinterpretation of Civil Rights Photography. Berkeley, Ca.: U. of California P., 2011: ix-xii.
Gayle, Addison. The Black Aesthetic. Garden City, N.Y.: Doubleday, 1971.
Genet, Jean. Un captif amoureux. Paris: Gallimard, 2009.
Giordano, Michele. “Fotografia e storia.” Studi Storici 22 (4) 1981: 815–32.
Glover, Danny, Bobby Seale, Sam Durant, Sonia Sanchez, Kathleen Cleaver, Colette Gaiter, Greg Jung Morozumi, Amiri Baraka, and St. Clair Bourne. Black Panther: The Revolutionary Art of Emory Douglas. New York: Rizzoli, 2014.
Goldstein, Robert Justin. Political Repression in Modern America: From 1870 to 1976. Urbana: U. of Illinois P., 2001.
Gore, Dayo F., Jeanne Theoharis, and Komozi Woodard. Want to Start a Revolution? Radical Women in the Black Freedom Struggle. New York: NYU Press, 2009
Gusdorf, Georges. “Réflexions sur la civilisation de l’image.” Recherches et débats du Centre catholique des intellectuels français, Nouvelle Série 33 (1960): 11–34.
Hall, Stuart. Encoding and Decoding in the Television Discourse. Birmingham: Univ. of Birmingham, 1973. https://www.birmingham.ac.uk/Documents/college-artslaw/history/cccs/stencilled-occasional-papers/1to8and11to24and38to48/SOP07.pdf
Hamdan, Leila I. “Culture and Resistance: Civil Rights Photography: Memphis, 1968.” Fire!!! 2 (2) 2013: 109–48. doi: 10.5323/fire.2.2.0109
Henderson, Errol A. “Shadow of a Clue” In Kathleen Cleaver and George N Katsiaficas (eds.). Liberation, Imagination, and the Black Panther Party: A New Look at the Panthers and Their Legacy, New York: Routledge, 2001: 197-207..
Heynen, Nik. “Revolutionary Cooks in the Hungry Ghetto: The Black Panther Party’s Biopolitics of Scale from Below.” In Roger Keil and Rianne Mahon (eds.). Leviathan Undone? Towards a Political Economy of Scale. Vancouver: UBC, 2009: 265-80.
Higginbotham, Evelyn Brooks. Righteous Discontent: The Women’s Movement in the Black Baptist Church, 1880-1920. American Mathematical Soc., 1993.
Hooks, Bell. Black Looks: Race and Representation. New York: Routledge, 2015.
Horne, Gerald. Black and red: W.E.B. Du Bois and the Afro-American response to the Cold War: 1944-1963. New York: State University of New York Press, 1986.
Huggins, E., and Angela D LeBlanc-Ernest. “Revolutionary Women, Revolutionary Education: The Black Panther Party’s Oakland Community School.” In Dayo F. Gore, Jeanne Theoharis, and Komozi Woodard (eds.). Want to Start a Revolution? Radical Women in the Black Freedom Struggle. New York: NYU Press, 2009: 161-84.
Jones, Charles E. “The Political Repression of the Black Panther Party 1966-1971: The Case of the Oakland Bay Area.” Journal of Black Studies 18 (4) 1988: 415–34. https://www.jstor.org/stable/2784371
Joseph, Peniel E. “Black Liberation Without Apology: Reconceptualizing the Black Power Movement.” Black Scholar 31 (3/4) 2001: 2-19. https://www.jstor.org/stable/41069810
Joseph, Peniel E. “The Black Power Movement: A State of the Field.” The Journal of American History 96 (3) 2009: 751–776. doi: 10.1093/jahist/96.3.751
Kaplan, John. “The Life Magazine Civil Rights Photography of Charles Moore.” Journalism History 25 (4) 1999: 126–39. doi: 10.1080/00947679.2000.12062526
King, Martin Luther. Why We Can’t Wait. Boston: Beacon Press, 2011.
King, Mary. Freedom Song: A Personal Story of the 1960s Civil Rights Movement. New York: Morrow, 1988.
Lazarsfeld, Paul F, Bernard Berelson, and Hazel Gaudet. The People’s Choice: How the Voter Makes up His Mind in a Presidential Campaign. New York: Duell, Sloan and Pearce, 1944.
LeBlanc-Ernest, Angela D, and Charles E. Jones. “The Most Qualified Person to Handle the Job.” In Jones Charles Earl (ed.). Black Panther Party Reconsidered: Reflections and Scholarship. Batimore, Md.: Black Classic Press, 1998: 161-84.
Letort, Delphine. “Sweet Sweetback’s Baadasssss Song de Melvin Van Peebles (1971) : exégèse d’un film militant.” Revue LISA/LISA e-journal. Littératures, Histoire des Idées, Images, Sociétés du Monde Anglophone – Literature, History of Ideas, Images and Societies of the English-speaking World VII.1 (January) 2009: 74–88. doi: 10.4000/lisa.790.
Levinson, Stanley. Letter to King, 7 April 1965. Archives / King Center. http://www.thekingcenter.org/archive
Lewin, Kurt. Frontiers in Group Dynamics: Concept, Method and Reality in Social Science: Social Equilibria and Social Change. Indianapolis: Bobbs-Merrill, 1947.
Lowrey, Wilson. “Routine News: The Power of the Organization in Visual Journalism.” Visual Communication Quarterly 6 (2) 1999: 10–15. doi: 10.1080/15551399909363404
Manceaux, Michèle, and Jean Genet. “Jean Genet chez les ‘Panthères noires.’”. L’Obs. May 25 1970. https://www.nouvelobs.com/opinions/00004724.EDI0001/jean-genet-chez-les-pantheres-noires.html
Margolick, David. Elizabeth and Hazel: Two Women of Little Rock. New Haven, Conn.: Yale UP, 2012.
Martindale, Carolyn. The White Press and Black America. New York: Greenwood Press, 1986.
Mary Phillips, and Angela Leblanc-Ernest. “The Hidden Narratives: Recovering and (Re)Visioning the Community Activism of Men in the Black Panther Party.” Spectrum: A Journal on Black Men 5 (1) 2016: 63–89. Doi: 10.2979/spectrum.5.1.04
McDuffie, Erik S. “Black and Red: Black Liberation, the Cold War, and the Horne Thesis.” Journal of African American History 96 (2) 2011: 236–47. doi: 10.5323/jafriamerhist.96.2.0236
McQuail, Denis. Mass Communication Theory: An Introduction. London: Sage, 1983
Meyer, Michaël. “De l’objet à l’outil: la photographie au service de l’observation en sciences sociales.” RECHERCHES QUALITATIVES, Hors-Série 22 (2017): 8-23. http://www.recherche-qualitative.qc.ca/documents/files/revue/hors_serie/HS-22/rq-hs22-meyer.pdf
Morley, Dave, and Stuart Hall. Family Television: Cultural Power and Domestic Leisure. Hoboken, NJ: Taylor & Francis Ltd, 1986.
Nora, Pierre. Les Lieux de Mémoire, Tome 1 : La République. Paris: Gallimard, 1984.
Nunnelley, William A. Bull Connor. Tuscaloosa, Al.: U. of Alabama P., 1991
O’Hara, Mackie. Beyond Central, toward Acceptance: A Collection of Oral Histories from Students of Little Rock Central High. Little Rock, Ark.: Butler Center Books, 2010.
Ohrn, Karin Becker. How Photographs Become News: Photojournalists at Work. Corvallis, Or.: Association for Education in Journalism and Mass Communication Convention, 1983.
Patton, Stacey. Spare the Kids: Why Whupping Children Won’t Save Black America. Boston, Ma.: Beacon press, 2017.
Payne, Charles M. “‘Sexism Is a Helluva Thing’: Rethinking Our Questions and Assumptions.” In Emilye Crosby (ed.). Civil Rights History from the Ground Up: Local Struggles, a National Movement. Athens, Ga.: U. of Georgia P., 2011: 319-29
Phu, T. N. “Shooting the Movement: Black Panther Party Photography and African American Protest Traditions.” Canadian Review of American Studies 38 (1) 2008: 165–89. doi: 10.1353/crv.0.0008
Raiford, Leigh. Imprisoned in a Luminous Glare: Photography and the African American Freedom Struggle. Chapel Hil, NC: U. of North Carolina P., 2011.
Rhodes, Jane. Framing the Black Panthers: The Spectacular Rise of a Black Power Icon. New York: New Press, 2007. http://www.jstor.org/stable/10.5406/j.ctt1m3216t .
Richardson, Riché. Black Masculinity and the U.S. South: From Uncle Tom to Gangsta. Athens, Ga.: U. of Georgia P., 2007.
Rustin, Bayard. “From Protest to Politics: The Future of the Civil Rights Movement | Commentary.” Commentary Magazine, February 1, 1965. https://www.commentarymagazine.com/articles/from-protest-to-politics-the-future-of-the-civil-rights-movement/
Scannell, Paddy. Culture and Power: A Media, Culture & Society Reader. London: SAGE, 1994.
Shames, Stephen. The Black Panthers. New York; London: Thames & Hudson, 2006.
Shapiro, Herbert. White Violence and Black Response from Reconstruction to Montgomery. Amherst: U. of Massachusetts P., 1988.
Shoemaker, Pamela J, and Stephen D Reese. Mediating the Message in the 21st Century: A Media Sociology Perspective. Hoboken, NJ: Taylor & Francis, 2013.
Smaele, Hedwig de, Eline Geenen, and Rozane De Cock. “Visual Gatekeeping – Selection of News Photographs at a Flemish Newspaper.” Nordicom Review 38 (s2) 2017: 57–70. Doi : 10.1515/nor-2017-0414
Snégaroff, Thomas. Little Rock, 1957: l’histoire des neuf lycéens noirs qui ont bouleversé l’Amérique. Paris: Taillandier, 2018.
Speltz, Mark. North of Dixie: Civil Rights Photography Beyond the South. Los Angeles: The J. Paul Getty Museum, 2016
Spencer, Robyn C. The Revolution Has Come: Black Power, Gender, and the Black Panther Party in Oakland. Durham / London: Duke UP, 2016.
Spratt, Margaret, Cathy Ferrand Bullock, Gerald Baldasty, Fiona Clark, Alex Halavais, Michael McCluskey, and Susan Schrenk. “News, Race, and the Status Quo: The Case of Emmett Louis Till.” Howard Journal of Communications 18 (2) 2007: 169–92. doi: 10.1080/10646170701309924
Strain, Christopher B. Pure Fire: Self-Defense As Activism In The Civil Rights Era. Athens, Ga.: U. of Georgia P., 2005.
Strand, Paul. “Photography.” Alfred Stieglitz (ed.). Camera Works 49–50 (1917): 3–4.
Taft, Robert. Photography and the American Scene : A Social History, 1839-1889. New York, Macmillan, 1938.
Theoharis, Jeanne. “Black Freedom Studies: Re-Imagining and Redefining the Fundamentals.” History Compass 4 (2) 2006: 348–67. Doi: 10.1111/j.1478-0542.2006.00318.x
Tisdale, John R. “Different Assignments, Different Perspectives: How Reporters Reconstruct the Emmett Till Civil Rights Murder Trial.” The Oral History Review 29 (1) 2002: 39–58. https://www.jstor.org/stable/3675800
Van Deburg, William L. “Black Villains and Social. Bandits in American Life; White Fear of the Black Cultural Revolution.” In Brian Ward (ed.). Media, Culture, and the Modern African American Freedom Struggle. Gainesville: UP of Florida, 2001: 197-210.
Van Deburg, William L. Hoodlums: Black Villains and Social Bandits in American Life. Chicago, Ill.: U. of Chicago P., 2004.
Van Peebles, Melvin, and Kanopy (Firm). Sweet Sweetback’s Baadasssss Song. Xenon Pictures, 1971. https://torontopl.kanopy.com/node/2411231
Walker, Jenny. “A Media-Made Movement.” In Brian Ward (ed.). Media, Culture, and the Modern African American Freedom Struggle. Gainesville: UP of Florida, 2001: 41-66.
Ward, Brian (ed.). Media, Culture, and the Modern African American Freedom Struggle. Gainesville: UP of Florida, 2001.
Weill, Susan. In a Madhouse’s Din: Civil Rights Coverage by Mississippi’s Daily Press, 1948-1968. Westport, Conn.: Praeger, 2002
Williams, Jakobi. “‘Don’t No Woman Have to Do Nothing She Don’t Want to Do’: Gender, Activism, and the Illinois Black Panther Party.” Black Women, Gender + Families 6 (2) 2012: 29–54. doi: 10.5406/blacwomegendfami.6.2.0029
Willis, Deborah. “Visualizing Political Struggle: Civil Rights-era Photography.” In John Beck and David Holloway (ed.). American Visual Cultures. London: Continuum, 2005: 166-73