Graphic Interlude
Abstracts
This graphic interlude features a selection of pictures and videos illustrating the topic of this issue: “The Torn Object”.
Index terms
Mots-clés :
expérimentation, littérature expérimentale, film expérimental, Grande-Bretagne, art expérimental, avant-gardeKeywords:
experimentation, experimental literature, experimental film, Great-Britain, experimental art, avant-gardeFull text
Lis Rhodes, Light Reading, 1978 (film still)
Source: https://lux.org.uk/writing/moving-on-michael-opray-2002
Portrait of Ann Quin
Source: https://newhumanist.org.uk/articles/5298/rediscovering-britains-avant-garde
John Smith, The Girl Chewing Gum, #3, 1976
Source: http://johnsmithfilms.com/selected-writing/books/
Portrait of B.S. Johnson holding the manuscript of The Unfortunates, 1968
Source: Macmillan. https://www.theguardian.com/books/2018/mar/05/british-avant-garde-literature
Ian Breakwell, Ian Breakwell’s Christmas Diary, 1984 (film still)
See source to view the film.
Source: https://lux.org.uk/online-exhibition/ian-breakwells-christmas-diary
Portrait of Christine Brooke-Rose
Source: Alexa Brunet, https://www.theguardian.com/books/2012/mar/23/christine-brooke-rose
London Film-Makers Co-op
Production still from the National Theatre of Scotland’s 2015 production of Muriel Spark’s The Driver’s Seat (1970)
Morven Christie (Lise), directed by Laurie Sansom at Edinburgh’s Lyceum Theatre.
List of illustrations
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References
Electronic reference
Anonymous, Samuel Beckett, Ian Breakwell, Alexa Brunet, Stewart Home, Macmillan, Lis Rhodes and John Smith, “Graphic Interlude”, Angles [Online], 13 | 2021, Online since 15 December 2021, connection on 06 December 2024. URL: http://journals.openedition.org/angles/4877; DOI: https://doi.org/10.4000/angles.4877
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The text only may be used under licence CC BY 4.0. All other elements (illustrations, imported files) are “All rights reserved”, unless otherwise stated.
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