Sources
Bouchardon Edmé et Huquier Jean-Gabriel, Premier livre de vases inventés par Edme Bouchardon Sculpteur du Roy, Paris, 1737.
Boucher François et Huquier Jean-Gabriel, Livre de vases, Paris, 1738-1749.
Buffon George Louis et Daubenton Louis-Jean-Marie, Histoire naturelle générale et particulière : avec la description du Cabinet du Roy, tome 1, 1749.
Demarteau Gilles, Premier Livre de Dessins (d’ornement) au crayon, 1759 ; Second Livre de Leçons d’Ornements dans le goût du Crayon, 1759 ; Sixieme Livre de Leçon d’Ornement dans le gout du Crayon, 1759 ; Autre Suite de Leçons d’ornements Dans le gout du Crayon, 1759.
Elliot William, Ferry et Glazier P., The compleat drawing-master: containing many curious specimens ; as the several parts of the human body, whole figures, landskips, cattle, buildings, &c. Neatly engraved on copper-plates, after the designs of the greatest masters ; wherein the principles of drawing are laid down after a natural and easy manner: to which is prefix’d some general instructions, to form the judgment of young beginners ; by which that useful art may be attained in a short time without a master, Londres, Printed for Henry Parker, opposite Birchin-Lane, Cornhill, 1763.
Heckel Augustin et Bowles John, The florist, or, An extensive and curious collection of flowers, for the imitation of young ladies, either in drawing or in needle-work, Londres, J. Bowles and Son, at the Black Horse in Cornhill, 1757.
Lairesse Gérard de, Boucher François, Bowles John, et al., The principles of drawing, or, An easy and familiar method for the improvement of youth in the practice of that useful art : being a compleat drawing book, containing a curious collection of examples in all the variety of cases, as the several parts of the human body, whole figures, landskips, cattle, &c. curiously engraved on copper-plates, after the designs of Albert Durer, Abrah. Bloemart, Carlo Morac, Le Clerc, Hollar, and other great masters : to which is prefix’d an introduction to drawing ..., Londres, John Bowles, at the Black Horse in Cornhill, and Carington Bowles, in St. Paul’s Church Yard, 1764.
Lock Mathias, The Principles of Ornament ; Or the Youth’s Guide to Drawing of Foliage ..., Robert Sayer, 1770.
Peyrotte Alexis et Huqier Jean-Gabriel, Divers Ornemens Dédiés à Monsieur Tavenot Architecte du Roi par son T. H. S. Peyrotte, Seconde Partie, ca. 1749.
Pillement Jean, The Ladies amusement; or, Whole art of japanning made easy, London : Printed for Robert Sayer, 1762.
RSA, A Register of Premiums and Bounties given by the Society of Arts, 1754-1814, RSA/PR/GE/112/13/225-226.
RSA, John Trotter, Apollon, 1759, RSA/PR/AR/103/14/622.
RSA, Premium and Program Committees: minutes of various committees, Londres.
RSA/PR/GE/112/12.
RSA, Society of Artists of Great Britain : printed catalogues of exhibitions, 1761-1769, RSA/PR/AR/114/3.
RSA, Submissions and prize-winning prints, paintings, engravings, etchings and drawings including « trial pieces », 1754, RSA/PR/AR/103/14.
RSA, Templeman’s Transactions 1754-1758 (transactions manuscrites), RSA/PR/GE/118/134.
RSA, William Pars, Faunus, 1758, RSA RSA/PR/AR/103/14/618.
Sayer, Robert, The artist’s vade mecum : being the whole art of drawing taught in a new work, elegantly engraved on one hundred folio copper plates : containing great variety of examples in every branch of that noble art, as parts of the face, heads, hands, feet, academy, antiques, and groups of figures, beasts, birds, insects, flowers, fruit, shells, ornaments, buildings, landscapes, &c. &c. &c. collected from the works of the greatest masters : to which is prefixed an essay on drawing, with introductory rules for the use of learners, in which the first principles of that useful and noble art are explained in such manner that it may be attained in a short time without a master, Londres, Printed and published according to Act of Parliament, and sold by R. Sayer, at the Golden-Buck, in Fleet-Street, 1762.
Bibliographie
Allan David Guy Charles, « The Society for the Encouragement of Arts, Manufactures and Commerce - Organization, membership, objectives in the first three decades (1755-1784): An example of voluntary economic and social policy in the eighteenth century », thèse, Londres, University of London, 1979.
Allan David Guy Charles, William Shipley : Founder of the Royal Society of Arts : a Biography with Documents, Scolar Press, Londres, 1979.
Barker Hannah, Women’s History: Britain, 1700-1850: an Introduction. Psychology Press, Londres, 2005.
Baudino Isabelle, « Vie des femmes artistes à Londres au xviiie siècle : de l’ombre à la lumière ? », XVII-XVIII, Revue de la Société d’Études anglo-américaines des xviie et xviiie siècles, 1999, vol. 1, n° 1, p. 245-259.
Bennett Susan (dir.), Cultivating the human faculties: James Barry (1741-1806) and the Society of Arts, Lehigh University Press, Bethlehem, 2008.
Berg Maxine, Luxury and Pleasure in Eighteenth-century Britain, Oxford University Press, Oxford, 2007.
Bermingham Ann, Learning to Draw : Studies in the Cultural History of a Polite and Useful Art, Yale University Press, New Haven, 2000.
Clifford Helen, Berg Maxine, Consumer and Luxury : Consumer Culture in Europe 1650-1850, Manchester University Press, Manchester, 1999.
Clifford Helen, « Key document from the archives: The awards of premiums and bounties by the Society of Arts », Royal Society of Arts Journal, août 1997, n° 78-80.
Craske Matthew, Art in Europe 1700-1830: A History of the Visual Arts in an Era of Unprecedented Urban Economic Growth, Oxford University Press, Oxford, 1997.
Darlington Anne Carol, « The Royal Academy of Arts and its anatomical teachings: with an examination of art-anatomy practices during the eighteenth and early nineteenth centuries in Britain », thèse, University of London, 1990.
Davidoff Leonore, Hall Catherine, Family Fortunes, 2e éd, Routledge, New York, 2002.
Decrossas Mickaël, Fléjou Lucie (dir), Ornements. xve-xviiie siècles. Chefs d'œuvre de la collection Jacques Doucet, INHA, Paris, 2014.
D’Enfert Renaud, L’enseignement du dessin en France : figure humaine et dessin géométrique (1750-1850), Belin, Paris, 2003.
Fox Celina, The Arts of Industry in the Age of Enlightenment, Yale University Press, New Haven, 2009.
Friedman Joan, « Every Lady Her Own Drawing Master », Apollo, avril 1977, p. 262-266.
Goldstein Carl, Teaching Art : Academies and Schools from Vasari to Albers, Cambridge University Press, Cambridge, 1996.
Guichard Charlotte, « Les “livres à dessiner” à l’usage des amateurs à Paris au xviiie siècle », Revue de l’Art, n° 143, 2004-1, p. 49-58.
Guichard Charlotte, Les Amateurs d’art à Paris au xviiie siècle, Champ Vallon, Seyssel, 2008.
Hilaire-Pérez Liliane, L’Invention technique au siècle des Lumières, Albin Michel, Paris, 2000.
Hilaire-Pérez Liliane, Nègre Valérie, Spicq Delphine, Vermeir Koen (dir.), Le livre technique avant le xxe siècle. À l’échelle du monde, CNRS Éditions, Paris, 2017.
Hsieh Chia-Chuan, « The emergence and impact of the “Complete Drawing Book” in mid-eighteenth-century England », Journal for Eighteenth-Century Studies, 2013, vol. 36, no 3.
Hargraves Matthew, « Candidates for Fame » : The Society of Artists of Great Britain, 1760-1791, Yale University Press, New Haven, 2005.
Hughes Anthony et Ranfft Erich, Sculpture and Its Reproductions, Reaktion Books, Londres, 1997.
Khan Zorina B., Prestige and Profit: The Royal Society of Arts and Incentives for Innovation, 1750-1850. Working Paper no23042 : National Bureau of Economic Research, 2017.
Lahalle Agnès, Les Écoles de dessin au xviiie siècle : entre arts libéraux et arts mécaniques, Presses universitaires de Rennes, Rennes, 2006.
Lembré Stéphane et Millet Audrey, « Le bruit du dessin. À l’écoute de la fabrique, entre production et conservation », Revue d’histoire du xixe siècle, 2014, no 48, p. 165‑179.
Millet Audrey, « Le dessinateur de fabrique (xviiie‑xixe siècle). Dans l’ombre de l’atelier », Biens symboliques, n°1, 2017. https://www.biens-symboliques.net/75 consulté le 6 juin 2019.
O’day Rosemary, “Family galleries: Women and art in the seventeenth and eighteenth centuries”n Huntington Library Quarterly. 2008, vol. 71, no 2, p. 323‑349.
Owens Susan, The Art of Drawing : British Masters and Methods since 1600, Victoria & Albert Museum. Londres, 2013.
Paradis Swann, « Imaginer pour “démerveiller” l’histoire naturelle », Québec français, 2008, no 148.
Paskins Matthew, « Sentimental Industry : the Society of Arts and the Encouragement of Public Useful Knowledge, 1754-1848 », thèse, University College of London, 2014.
Perry Gillian, Femininity and Masculinity in Eighteenth-century Art and Culture. Manchester University Press, 1994.
Puetz Anne, « Design instruction for artisans in eighteenth-century Britain ». Journal of Design History, 1999, vol. 12, no 3.
Puetz Anne, « The Society and the “Polite Arts” 1754-1778 : “best drawings”, “High” Art and designs for the Manufactures », dans Bennett Susan (dir.), Cultivating the human Faculties: James Barry (1741-1806) and the Society of Arts, Lehigh University Press, Bethlehem, 2008.
Puetz Anne, « The Emergence of a Print Genre : the Production and Dissemination of the British Design Print 1730s-1830s », thèse, Manchester Metropolitan University, 2007.
Rothstein Natalie, Silk Designs of the Eighteenth Century: From the Victoria and Albert Museum, Thames & Hudson Ltd, New York, 1996.
Salmon Xavier, Alexis Peyrotte, 1699-1769, ou les grâces du rocaille à Fontainebleau, Société des Amis et Mécènes du château de Fontainebleau, Fontainebleau, 2012.
Sennett Richard, Ce que sait la main : la culture de l’artisanat, Albin Michel, Paris, 2010.
Simonton Deborah, A History of European Women’s Work : 1700 to the Present, Routledge, New York, 1998.
Simonton Deborah, Women in European Culture and Society: Gender, Skill and Identity from 1700, Routledge, New York, 2010.
Sloan Kimberly Mae, The Teaching of Non-professional Artists in Eighteenth Century England, 1986 https://qmro.qmul.ac.uk/xmlui/handle/123456789/1713.
Sutton Gordon, Artisan or Artist? : A History of the Teaching of Art and Crafts in English Schools, Elsevier, Oxford-New York, 2014.
Thunder Moira, « Improving design for woven silks – The contribution of William Shipley’s school and the Society of Arts ». Journal of Design History, 2004, vol. 17, no 1.
Vérin Hélène et Dubourg Glatiny Pascal (dir.), Réduire en art. La technologie de la Renaissance aux Lumières, Éditions de la Maison des sciences de l’homme, Paris, 2008.