Trieste and Edirne: A Literary Perspective on the Balkan Boundaries
Résumés
La frontière représente l’image de la limite et de l’interdit, mais aussi de l’altérité, du défi et de l’opportunité. Pendant la guerre froide, la majorité des pays des Balkans se situaient derrière le Rideau de fer et il existait alors deux frontières principales à franchir vers l’ouest : une frontière souple entre la Yougoslavie et l’Italie, et une presque infranchissable entre la Bulgarie communiste, d’une part, la Grèce et la Turquie, membres de l’OTAN, d’autre part. L’objet de cet article est d’analyser l’imagologie de Trieste et Edirne, deux villes frontalières, en prenant en considération les essais de trois auteurs de la région : Fulvio Tomizza, Slavenka Drakulić et Kapka Kassabova.
Entrées d’index
Mots-clés :
frontières, Trieste, Edirne, limites, littérature balkanique, Istrie, Thrace, Tomizza, Drakulić, KassabovaKeywords:
borders, Trieste, Edirne, boundaries, Balkan literature, Istria, Thrace, Tomizza, Drakulić, KassabovaPlan
Haut de pageTexte intégral
Introduction
- 1 Hajdú Zoltán, Illés Iván, Raffay Zoltán, Southeast Europe: State Borders, Cross-Border Relations, S (...)
1Considering any of the contested delimitations of the Balkans such as the Danube and Sava rivers, the Carpathian and Balkan mountains, or the Trieste-Odessa line,1 the Italian border city of Trieste represents the gateway to the Balkan Peninsula. Being a multicultural city of Austrian heritage, Trieste has often been depicted as the place where the Latin and Slavic worlds converge, meaning the boundary between West and East and, during the Cold War, the boundary between capitalism and communism.
2To the southeast of the region, the Bosphorus is the boundary between Europe and Asia, and the European part of Istanbul is geographically the end of the Balkans. However, considering the aforementioned dichotomy between West/capitalism–East/communism during the Cold War, the Turkish border with Greece and Bulgaria, and especially its border city, Edirne, is, like Trieste, where these two ideologies collide. Both Trieste and Edirne are at crossroads and hold an important role in their respective regions (the Julian March and Thrace), representing two important crossing points of the Balkans on the way to Western Europe or Asia throughout history. They are on the edge of both their own countries and the peninsula.
3In this article, we focus on the importance and symbolism of Trieste and Edirne in the collective imaginary of the regional literature from the Cold War to the present day: how these two cities are regarded by the neighbouring countries and how they identify themselves, paying particular attention to the features that make them the gateway to the Balkans. To that end, we have selected three main authors from the huge selection of those who write about these boundaries: Fulvio Tomizza (1935-1999), from the Italian minority of Istria; Slavenka Drakulić (1949), from Croatia; and Kapka Kassabova (1973), a Bulgarian author who writes in English. Even though these authors are from different countries and generations and write in different languages (Italian, Croatian, and English), they have in common their interest in the regions from which, for different reasons that we will mention later, they had to flee. Tomizza lived his last forty years in Trieste, Slavenka Drakulić divides her time between Croatia and Sweden, and Kapka Kassabova, having migrated first to New Zealand, now lives in Scotland. This article also underlines the importance of migration experiences for the ways in which these three authors address history and identity. We have preferred the study of essays to fictional works because this literary form offers first-person narratives that directly express how these authors see their homelands through the lens of their own experiences.
Trieste (Trst/Triest)
- 2 Ballinger Pamela, History in Exile: Memory and Identity at the Borders in the Balkans, Princeton, P (...)
- 3 Ibid., p. 18.
- 4 Tomaz Luigi, Il confine d’Italia in Istria e Dalmazia: Duemila anni di storia [The border of Italy (...)
- 5 Horel Catherine, Multicultural Cities of the Habsburg Empire. 1880-1914: Imagined Communities and C (...)
- 6 Tomaz, Il confine, op. cit., p. 283.
- 7 Ara Angelo, Magris Claudio, Trieste, un’identità di frontiera [Trieste, a border identity], Turin, (...)
4Trieste is the biggest city in the historical region of the Julian March (Venezia Giulia), a broad region that extends from Gorizia in Italy and includes the whole peninsula of Istria, divided in the present day into Slovenia, Croatia, and the Italian village of Muggia.2 Trieste was a free port for centuries while Istria was part of the Republic of Venice, until 1797,3 the year that Napoleon signed the Treaty of Campo Formio and these lands passed to the Austrian Empire, ending with the Serenissima.4 Trieste and Istria were united for the first time in several centuries and, under Austrian rule, the city became the main harbour of the Empire. It was a multicultural place, a mix of a predominantly Italian-speaking population under Germanic rule and with a Slavic presence.5 Italy achieved unification in 1861 but could not include this region, which remained under the Austrian government. The outbreak of World War I was taken as an opportunity for Italy to declare war on Austria in 1915, and by the end of the conflict, these lands became Italian.6 The rise of fascism and Italian nationalism revived aversions towards non-Italian minorities and especially the Slavs. The Slovenian and Croatian languages were forbidden, their schools were closed, and their names and surnames were forcibly Italianised.7 The exclusive use of Italian toponyms such as Fiume, Abbazia, or Capodistria instead of Rijeka, Opatija, or Koper (Kopar in Croatian) was imposed.
- 8 Ballinger, History in exile, op. cit., p. 10.
5Important events took place, like the burning of the Narodni Dom (Slovene Cultural Centre) by the Blackshirts on 13 June 1920 and the subsequent pogrom of the Slavs. This conflict became increasingly tense during World War II when Yugoslav partisans took revenge on the Italian population of Istria with the foibe massacres, among others, where victims were thrown alive into the region’s karstic pits.8
- 9 Tomaz, Il confine, op. cit., p. 292.
6After a short Nazi occupation, Trieste and Istria were under Yugoslav partisan control, and, helped by the allies, the Free Territory of Trieste was created in 1947, separated into two zones: Zone A, under an Anglo-American government, including the whole city of Trieste up to Muggia; and Zone B, under the Yugoslav authorities, including the northwest part of Istria. The rest of this small peninsula passed to Federal Yugoslavia after the conflict. In 1954, the London Memorandum was signed: Zone A was given to Italy and Zone B to Yugoslavia. This memorandum became definitive in 1975 with the Treaty of Osimo.9
- 10 Locatelli Alessandra, “Fulvio Tomizza, écrivain de frontière,” Cahiers de la Méditerranée, vol. 86, (...)
- 11 Crkvenčić Ivan, “Emigration of Italians and Germans from Croatia during and immediately after the S (...)
- 12 “I was an Italian and a Slav, so neither Italian nor Slav, but ‘other’: A hybrid, born free and wea (...)
- 13 Deganutti Marianna et al., Rileggendo Tomizza [Rereading Tomizza], Roma, Aracne, 2014, p. 16.
- 14 Ballinger, History in Exile, op. cit., p. 24.
- 15 “We no longer speak one language, but two dialects which are interchangeable with each other and wh (...)
7These events made an important impression on the famous author Fulvio Tomizza (1935-1999), who was born in a small village of Istria called Juricani (Giurizzani in Italian) in today’s Croatia. In the thirties, the whole peninsula belonged to fascist Italy. The population of the coast, heir of Venetian dominance, was mostly Italian, while the inland was mostly Slav.10 In 1910, the Italian population in Istria was 45.3 per cent, decreasing to 18.8 per cent in 1948 and then to 8.1 per cent in 1961, years after the exodus.11 Tomizza was part of this hybrid community: “Ero italiano e slavo, in definitiva né italiano né slavo, ma ‘altro’: un ibrido, nato libero e benestante in un angolo di campagna rigoglioso ma umilissimo.”12 The mixed population was able to speak equally and alternatively not only Italian, Slovenian, and Croatian, but also Venetian dialects like Istro-Venetian and Slavic dialects like Čakavian,13 both heavily inflected with Italian and Slavic words and expressions and Germanic terms,14 a fact that shows their centuries-old presence in the territory: “Non si parla più una lingua, ma due dialetti intercambiabili tra loro e che per forza di cose tutti conoscono: in uno prevale il veneto, nell’altro lo sloveno-croato; ma esistono oggetti, animali, piante, atti, sensazioni, comandi, esortazioni, che impongono quel solo vocabolo e non un altro, sia esso italiano, croato, sloveno e perfino tedesco.”15
- 16 “My man from Materada eats Austrian-style on Sundays, Italian-style on the sidelines of the field, (...)
8Although we focus on the book Alle spalle di Trieste [Behind Trieste] in this article, it is worth mentioning that the characters in his novels are also mixed by name and represent the double identity of the region. They usually have an Italian name and a Slavic surname, sometimes Italianised but still clearly identifiable as Slav, such as Francesco Coslovich, the main character in his first work, Materada. At home, they speak “po našu” (in our way), the Slavic dialect, meaning that the character has arrived in his most intimate atmosphere. The culture of these characters is double or even triple: “il mio uomo di Materada la domenica mangia all’austriaca, sui bordi del campo all’italiana, nelle sere d’inverno alla slovena.”16
- 17 “[It was] no longer Austria and a Germanic culture, but Yugoslavia and the new communist verb arisi (...)
9In the author’s understanding, becoming Yugoslav and, as a consequence, communist, the framework of Istria is changed from a Central European environment of Germanic influence to a Balkan one: “Non più Austria e cultura germanica, ma Jugoslavia e il nuovo verbo comunista insorgente da un oscuro e riscoperto substrato di anima slava che prolungavano il mio confine almeno fino all’Ucraina.”17 The ethnic Italians remaining in Zone B (including Tomizza himself) were treated as traitors and fascist collaborators by the Yugoslav institutions, even though their presence in Istria was centuries old and many of them had fought with the partisans against the Nazi occupation. Speaking Italian or showing Italian identity was then considered a provocation. For that reason, this hybrid population, suspect for not entirely belonging to Slavic ethnicity, was forced to show its collaboration with the new regime:
- 18 Tomizza Fulvio, Materada, translated by Russell Scott Valentino, Evanston, Northwestern University (...)
10It was just like ‘48, when the Allied delegation had passed through to draw the Istrian borders and there was not a single Italian flag to be seen, not even with a red star. No, there were signs saying “We want Yugoslavia” and “We are all Croats” all over the place.18
- 19 Locatelli, “Fulvio Tomizza,” art. cit., p. 4.
- 20 Tomizza, Alle spalle, op. cit., p. 205.
11Many remained; many others fled to Italy in different waves, especially to Trieste, only fifty kilometres from home but a totally different political and social atmosphere. The city became in that moment of history a refugee centre. Shacks were built on the outskirts until the Council of Trieste could receive the thousands of displaced people. The esuli (exiled) were not always welcomed by the Triestines due to the allowances granted them by the authorities in such an economically difficult moment as the post-war period.19 Furthermore, this double identity was not always understood or accepted. Those who fled to Trieste were called by locals s’ciavi, or slaves, the etymological origin of Slavs. Those who remained in Yugoslavia, the rimasti, were called talianazi – that is, fascist.20
12This is known as the Istrian exodus, and they were not the only ones: the Italian population was also expelled from other parts of the Julian March and from Dalmatia, especially from Zadar (Zara in Italian). Tomizza was part of the Istrian exodus in 1955, a fact that marked absolutely his literature, and he lived the rest of his life in Trieste.
- 21 “Everything is double or triple in Trieste, starting with the flora and ending with ethnicity” (Aut (...)
- 22 “You know I am a Slav, a German, and an Italian” (Author’s translation). Ara, Magris, Trieste, op. (...)
13According to the young poet Scipio Slataper, “ogni cosa è duplice o triplice a Trieste, cominciando con la flora e finendo con l’etnicità,”21 which shows the plurality of his identity: “Tu sai che io sono slavo, tedesco e italiano.”22 The Triestine identity has produced its own literature in the last two centuries with important authors like Italo Svevo, Giani Stuparich, the poet Umberto Saba, and, more recently, the famous writer Claudio Magris. Even foreigners like James Joyce showed interest in the city. Trieste, as seen by Triestines, has its own imaginary and its own perception of itself. Its particular geographic position, always on the periphery, on the edge of every country to which it belonged, is a crossroads of different influences: Venetian (Italian), Austrian (Germanic/Mitteleuropean), and Slavic (Eastern/Balkan).
- 23 “The guest already has the impression of having set foot in the country to which s/he is headed” (A (...)
- 24 Ara, Magris, Trieste, op. cit., p. 17.
- 25 Bosetti Gilbert, De Trieste à Dubrovnik. Une ligne de fracture de l’Europe, Grenoble, ELLUG, 2006, (...)
- 26 Ballinger, History in Exile, op. cit., p. 28.
- 27 Ibid., p. 13.
- 28 Ibid., p. 29.
14Its particular history, more related to the Habsburgs than to Rome itself, and being the gateway to the Balkans made Trieste totally estranged from Italy: “L’ospite in questa città ha l’impressione di aver già messo piede nel Paese a cui è diretto.”23 This fact, together with the fear of being Balkanised in the sense of being “invaded” by the neighbours, created a strong nationalism and a feeling of Italianness. According to Angelo Ara and Claudio Magris, this Triestine Italianness is the product of a continuous fight rather than a peaceful fact.24 Many travellers, among them Chateaubriand and Stendhal, considered the city the edge of Western civilization where the “barbarity” begins,25 while Russell considered it the geographic terminus of the modern European order.26 Trieste is the last city, where the trains make their last stop, and on account of its position, there is an unrequited love for the country to which it belongs.27 Its belonging to Italy completely changed not only its geographical position, but also its status: “Trieste went from being the cosmopolitan entrepôt of a Hapsburg imperial center at the end of the nineteenth century to the provincial, nationalist periphery of an Italian center at the end of the twentieth century.”28
- 29 “The more it feared being phagocytised by neighbouring Yugoslavia, the more it became the commercia (...)
- 30 Ibid., p. 133.
15During the Cold War, Trieste became a very important commercial place for its proximity to the communist bloc, especially Yugoslavia, as Tomizza said at a conference in June 1991: “Più temeva di venir fagocitata dalla confinante Jugoslavia e più diventava capoluogo commerciale e oasi di pacifico ritrovo di sloveni, croati, serbi, bosniaci, macedoni e montenegrini, notoriamente in cattivo riporto dentro il loro territorio.”29 Tomizza, as he identified himself, was a border writer.30 His peripheral region had more in common with Trieste, the city where he lived for more than forty years, than with Rome, Ljubljana, or Zagreb, and he was a firm defender of the regionalism of a borderless Istria.
16A writer very closely related to this region is well-known Slavenka Drakulić, born in Rijeka in 1949. She is a journalist and a writer, and her works, mainly essays, are related to feminism, communism, and post-communist daily life, as well as the breakup of Yugoslavia. She fled to Sweden in the early nineties for political reasons.
- 31 Petrović Tanja, “Ponterosso i moralna ekonomija sećanja na jugoslovenski socijalizam” [Ponterosso a (...)
17Unlike citizens of other communist countries, Yugoslavs had the privilege of holding a passport that let them travel abroad. Consequently, many of them, especially Croats and Slovenes (for proximity reasons), were able to cross the border to Trieste for shopping.31 For this section, we take into consideration Drakulić’s essay Café Europa: Life after Communism, published in 1996:
- 32 Drakulić Slavenka, Café Europa: Life after Communism, Middlesex, Penguin Books, 1996, p. 71.
God only knows if these sales, or sconti, in Trieste were genuine sales. I always suspected that they were not, and I felt cheated. I thought then, as I do today, that shop owners had discovered the magic attraction the word “sale” held for us poor Balkan suckers. Piles of underwear, T-shirts, shoes, dresses – anything labelled “sale”, drew us like flies. There was also a ritual in the way you shopped: you went in the morning, early enough to be able to check all the usual places (Giovanni, Standa, Ponte Rosso) early, because, you told yourself, you would be able to snap up the “bargains” before anyone else.32
- 33 petrović, “Ponterosso,” art. cit., p. 387.
18Trieste is the nearest Italian city coming from the Balkans. According to the imagology that this city evoked, not only in Yugoslavia but in the whole communist bloc, it represented, as the author says in Alessio Bozzer’s 2017 documentary Trieste, Yugoslavia, “the showcase of capitalism,” where Yugoslavs acquired a European sense of taste, beauty, and elegance33 through the label “Made in Italy.” Being the biggest supermarket in the Balkans, Triestines looked down on Yugoslavs for “polluting” their city every weekend, even though the local economy was absolutely dependent on this shopping tourism.
- 34 “The fact that small trade across the border develops to become the main sector of the Trieste econ (...)
Il fatto che il piccolo commercio attraverso il confine si sviluppi sino a diventare il settore portante dell’economia triestina è quindi anche il segno della stagnazione della vita produttiva della città, tanto più che esso è troppo dipendente dagli orientamenti jugoslavi in materia della politica economica e commerciale.34
- 35 Petrović, “Ponterosso,” art. cit., p. 392.
- 36 Ibid., p. 394.
19The shoppers normally did not spend money on leisure or on tourism.35 There was also an economy of smuggling and resale of goods from Trieste, especially jeans and coffee, on which Yugoslavs made money.36
20The outbreak of the war in 1991 and the creation of the Schengen Area made it more difficult to cross the border, even though, according to Drakulić, the collective imaginary of the city as a capitalist oasis remained after the independence of Croatia:
- 37 Drakulić, Café Europa, op. cit., p. 167.
To go shopping in Trieste is quite normal here. You would like to think that it would be the norm to go to Rijeka, because the distance is the same and you don’t have to pass any state borders, and the language is Croatian there. But this is not the logic in Istria, and the reason is simple. During communism, people went to Trieste because in Yugoslavia there was not much to buy. Nowadays, they go because there is still a better choice, and everything is cheaper.37
21Queuing, interrogations, and being treated with suspicion were part of everyday life at the checkpoints. In Drakulić’s opinion, this mistrust was part of the communist legacy. At the time she wrote this chapter (1995), there was a $100 value limit on goods brought to Croatia. Citizens entering Croatia could be challenged to show the bill of sale, even though it was worth paying a fine rather than buying the same products inside the country.
- 38 Ibid., p. 113.
In that respect, nothing has changed since the communist times. But obviously such traffic poses a problem for our already devastated national economy (hundreds of thousands, perhaps even millions, of German marks are spent abroad each month), so much so that one representative of the Croatian parliament proposed the abolition of even the paltry $100 limit, forbidding citizens to bring anything at all into the country. This story ended with a ridiculous appeal to the Croatian citizens: be a patriot, buy Croatian products! Fine, but who can afford them?38
- 39 Ibid., p. 114.
22It was common to get a fake bill of sale in Trieste, as the sellers there were used to clients coming from former Yugoslav countries: “The usual way to go about this is to get a fake bill from the shop where you buy your goods. This is not a problem in Italy, especially in Trieste or in any of the shops close to the Italian border.”39
23With the independence of Croatia and Slovenia in June 1991, two new borders were created in Istria, where the author used to spend her summers.
- 40 Ibid., p. 160.
My house is in the middle of a peninsula in the northern Adriatic, between the bay of Trieste and the bay of Rijeka. Since the collapse of Yugoslavia, the biggest part of the peninsula belongs to Croatia, the smaller part to Slovenia, but there is also a tiny little strip of land that belongs to Italy. Thus, the 4,500 square kilometers of the peninsula are divided among three states, I live in one, and I can almost see the other two from my window.40
24Slavenka Drakulić, like the previous writer, defends the identity of the people of the region. She comes from Rijeka, a historically Italian irredentist city (Fiume), a place that, not being geographically in Istria, shares the past of the peninsula.
- 41 Ibid., p. 161-162.
I too feel the burden of the question that Istrians are asked today [1995]: who are you? Not in the metaphysical sense, but in a very concrete one. People are asked directly or indirectly. It means are you a Croat? Are you a proper Croat? Are you patriotic enough – that is, are you a nationalist?41
25Like Tomizza, she defends the double or triple identity of the population (Italian, Croatian and Slovene). They can speak at will any of the languages in a bar or at the table. They can define themselves as Croats, Slovenes, or Italians, or even only as Istrians, encompassing all of the above nationalities:
- 42 Ibid., p. 162.
Istria is the most western part of Croatia, the most southern part of Slovenia and the most north-eastern part of Italy. It is on the edge of these countries, as it used to be on the edge of the Austro-Hungarian Empire or Yugoslavia. The pressure to define, to categorize, to choose one particular nationality has been here before, and the same practice is part of the new political reality.42
26Even if the region of Istria has three borders, nowadays the three countries are members of the European Union, and with the incorporation of Croatia in the Schengen Area on 1 January 2023, it is possible to cross freely with no passport controls. In the time of Drakulić’s article, this was only a distant hope:
- 43 Ibid., p. 169.
Imagine [...] one day, perhaps only a few years from now, both Slovenia and Croatia will become members of the European Union. All these papers and tensions, all our fears and insecurity, will suddenly become obsolete. And no one will force us to identify with just one part of what we experience as our identity. I dream about that day, when nobody will hate me because of the food I prefer, my memory, or the language I speak.43
Edirne and the Triple Border
27The second border addressed in this article is the one between Bulgaria, Greece, and Turkey in the region of Thrace. For this triple boundary, we are taking into consideration the Bulgarian author Kapka Kassabova, born in Sofia in 1973. After the collapse of communism in the early nineties, she left her country for New Zealand, where she lived for twelve years. She is currently living in the highlands of Scotland and writes her works in English. In her essay Border: A Journey to the Edge of Europe, she writes of her journey to this region in 2014:
- 44 Kassabova Kapka, Border: A Journey to the Edge of Europe, Minneapolis, Graywolf Press, 2017, p. xv.
This book tells the human history of the last border of Europe. It is where Bulgaria, Greece, and Turkey converge and diverge, borders being what they are. It is also where something like Europe begins and something else ends which isn’t quite Asia […] However, this border region hums with an especially siren-like tone, and distinguishes itself for three reasons. One, because of unfinished business from the Cold War; two, because it is one of Europe’s great wildernesses; three, because it has been a continental confluence ever since there have been continents.44
28During the Cold War, this was one of the hardest borders in Europe, as it separated Greece and Turkey, NATO nations with a very tense relationship, from Bulgaria, a Warsaw Pact member and the only USSR ally in the Balkans for the whole period. In addition, Greece has been in the European Union since 1981:
- 45 Ibid., p. 123.
The Turks were nervous about the Soviets and the Greeks, the Greeks were nervous about the Soviets and the Turks, and the Bulgarians were nervous about everyone. A military buffer zone for half a century, this was the point where one ideology stopped and another began.45
- 46 Ibid., p. 49.
- 47 Ibid., p. 10.
29Given its peripheral position, this triple boundary was mistakenly considered by citizens of the socialist countries as a border that was easier to cross than the Berlin Wall itself, a “green border.”46 In consequence, many people from communist countries, especially East Germans (locally called “the sandals”47), took advantage of their holidays on the Black Sea or Red Riviera and tried to cross to capitalist Turkey, normally via the Rezovo River. Some of them were successful, but many others were not.
30Also in her introduction, Kassabova points out the following:
- 48 Ibid., p. xvi-xvii.
If we divide political borders into soft and hard, the border of this book has half a century of Cold War hardness: Bulgaria to the north versus Greece and Turkey to the south marked the cut-off line between the Warsaw Pact countries of the Soviet bloc and NATO member states in the Western sphere of influence. In short, it was Europe’s southernmost Iron Curtain, a forested Berlin Wall darkened by the armies of three countries.48
31By the time Kapka Kassabova returned to her country in 2014, the Berlin Wall had long since fallen, the Soviet bloc had disappeared, and the economy had changed from planned to capitalist. The nature of the borders has changed between Warsaw Pact states (Bulgaria) and NATO (Greece and Turkey), as all three countries now belong to the second club. Now the differences lie between EU states (Greece and Bulgaria) and non-EU (Turkey). In addition, Greece is in the Schengen Area and Bulgaria entered the group in March 2024.
- 49 Ibid., p. 123.
32Even though the three states share the same region, the same mountains and the same regional culture, there are “three alphabets, three currencies, three versions of history.”49
- 50 Ibid., p. 175.
33This crossroads has always been a corridor: to Turkey from the communist bloc during the Cold War and, in 2014, for refugees coming from Syria and other countries in the Middle East to Europe, the “Balkan route”: “The corridors used in the Cold War remain the same. Only the direction of travel has changed.”50
34People who tried to cross the border from one side or another and who were not lucky enough to avoid the police have been arrested by the border authorities and stuck in refugee camps. During the Cold War in communist Bulgaria, this often meant death:
- 51 Ibid., p. 10.
This was a place where every second barman was in service of the Bulgarian State Security, while a specially trained ‘operational group’ of KGB, Czech and Stasi agents, disguised as holidaymakers, kept an eye on the hedonists.51
35Nowadays the borders are open (except in the case of migrants that we will see later), although passport control is needed, and in many cases, it means having to queue for hours. Now crossing the border is not banned and it represents an alternative, a choice. Both sides of the border display offers to potential shoppers coming from the other country.
- 52 Ibid., p. 128.
- 53 Ibid., p. 176.
- 54 Wilson Thomas M., Donnan Hastings, A Companion to Border Studies, Oxford, Wiley Blackwell, 2012, p. (...)
36As Kassabova explains, Bulgaria and Greece, being the external limits of the European Union, represent in the imagology the limits between Europe and Asia. The Maritsa River (Evros in Greek and Meriç in Turkish) is the natural border between Greece and Turkey and represents a kind of Bosphorus in the region. The same applies to the Rezovo river between Turkey and Bulgaria. Bulgarians and Greeks crossing to Turkey have the feeling of no longer being in Europe: “What do you notice about the non-European side of the border?”52, “In a Turkish café not far from the European border [...].”53 We can say that since the fall of communism and the entrance of Balkan states into the EU, not only has Turkey been put in the corner of Europe, but it has also lost its position as a Western country54 and consequently its Europeanness. The Bulgarian-Turkish checkpoint is where the West (Bulgaria) meets the East (Turkey), while it was completely the other way round during the Cold War.
- 55 Kassabova, Border, op. cit., p. 123.
- 56 Ibid., p. 128.
37“At the checkpoint between Europe and Asia, the fallen leviathan of a communist-era factory was twinned by a shiny giant mosque,”55 writes Kassabova, and then describes the first impression of Turkey this way: “a red flag with a crescent flapped above, and two massive buildings loomed: a mosque and a shopping mall. The road was bigger and better.”56
- 57 Ibid., p. 130.
38Edirne is one of the biggest cities in the region. It can be seen from the Greek border city of Kastanies, “spread out like a concubine in the haze.”57 As in any other border city, the Turkish identity is strong:
- 58 Ibid., p. xvi.
An actively policed border is always aggressive: it is where power suddenly acquires a body, if not a human face, and an ideology. One obvious ideology that concerns borders is nationalist: the border is there to divide one nation state from another. But a more insidious ideology is centralist in practice: the belief that the centre of power can issue orders from a distance with impunity, and sacrifice the periphery; that what is out of mainstream sight is out of memory. And border zones are always in the periphery, always out of mainstream sight.58
39Edirne has a twin city in Bulgaria named Svilengrad, which has erased the recent past of Ottomans and communists and created a new leisure industry:
- 59 Ibid., p. 185.
The caravanserai was long gone, the mosque was a church, the hammam an art gallery, and the communist-era silk factories lay gutted. Instead of production, Silk Town had consumption. Instead of centuries-long trade in watermelons, sesame-butter, cotton, tobacco, figs, and silk, now there were services. All kinds of services. One road into town was lined with today’s caravanserais – the hotel-casinos. Ali Baba, Pegasus, Monte Carlo, and Pasha all promised “Shows, cash prizes and many more surprises!”59
- 60 Wilson, Donnan, A Companion, op. cit., p. 569-570.
40As with any other cities along the border, they “occupy an important position in regional commerce, migration and discourses of public order.”60 Both cities are spaces of leisure for foreigners coming from the other side:
- 61 Kassabova, Border, op. cit., p. 126.
They were twins because what you couldn’t get in Edirne (alcohol, sex, casinos) you could get it in Svilengrad, and vice versa (good shopping, infrastructure, family values). In Svilengrad, you could almost hear Edirne’s chanting imams, and in Edirne, the beat of Svilengrad’s nightclubs. Svilengrad meant Silk Town, though the silk industry died with the planned economy in 1990, to be replaced with an industry of pleasure.61
- 62 Ibid., p. 129.
Edirne: once the city of the Roman emperor Hadrian and later the second Ottoman capital, where the sultan adjourned to when Istanbul was gripped by plague, it was now the closest Turkish city to the border with the EU […] Edirne was an impressive minaret-studded sprawl smack in the middle of the fat Thracian plain […] Modern Greeks still refer to it by its Byzantine name, Adrianople, as if time hadn’t passed and the Ottomans hadn’t arrived yet.62
- 63 Ibid., p. 168-169.
- 64 Ibid., p. 155.
41However, the Ottomans arrived and established their first capital there, outside Anatolia, in Rumelia (land of Romans) – that is, the Ottoman Balkans or Turkey in Europe for almost one century, from 1362 until the conquest of Constantinople in 1453. The citizens are proud of belonging to Europe: “Can you feel the European vibe? I could. The leafy streets were in a tidy grid, no ‘oriental lanes’, and the houses were huge, with balconies.”63 The Orthodox priest of the city, of Bulgarian origin, points out: “We are not Europe and we are not Asia. We are Thrace. Notice: those who live in the European part of Turkey don’t tend to cross the Bosphorus. They like to stay on the Balkan peninsula, close to Europe. This is Thrace.”64
- 65 Glenny Misha, The Balkans: Nationalism, War, and the Great Powers, 1804-2011, London, Penguin Books (...)
42A monument to the Treaty of Lausanne, the treaty that set the borders of the republic of Turkey,65
- 66 Kassabova, Border, op. cit., p. 169-170.
had three prongs: the highest column represented Asian Turkey, the shorter one European Turkey, and the small amputation nestled in the middle was the piece of land here, around Karaağach with a silent “g”. The piece was what the Turks had wrenched from the Greeks. The Meriç-Evros River was the boundary between Turkey and Greece, and the small diversion of the boundary here was what these three sad phalluses celebrated.66
43Like many other countries in the Balkans that declared their independence, Bulgarian nation-state ideology presented the population as homogeneous: Bulgarian-speaking, Orthodox Christians. In fact, the emergence of nation-states after five centuries of Ottoman rule was faced with the delicate issue of disentangling a mixture of cultures, languages, and religions. For this reason, the governments of Greece and Turkey signed an agreement for the exchange of populations in 1923 in the aforementioned Treaty of Lausanne, taking into consideration only religion and not language. Thus, more than one million Orthodox Christians had to move from Turkey to Greece and hundreds of thousands of Muslims from Greece were forced to move to Turkey.
- 67 Ibid., p. 139.
- 68 Ibid., p. 143.
- 69 Ibid., p. 146.
44In Bulgaria, there were two Islamic groups, heirs of the Ottoman presence: the ethnic Turks and the Pomaks. The first group were Turks who had settled in Bulgaria for centuries. In the eighties, a name-changing campaign, called “Revival Process” by the authorities, was begun in order to de-Islamise them. Those who did not accept it were “invited” to go to Turkey on what was unofficially called the “Big Vacation.” However, they were not always welcomed in the host country: “[I]n Bulgaria they call me a Turk, and in Turkey they call me a Bulgarian. What am I, tell me!67 [...] Go to Turkey, they said, you’re Turks, but what was Turkey? Nobody knew.”68 Kassabova devotes an entire chapter to the story of one girl who, like many others, did not speak any Turkish. She and her family found out that they were of Turkish origin only when the Bulgarian police came to tell them that they had to leave the country. One day, the Turkish police came to her tent in the refugee camp, shook her, and said, “What kind of a Turk are you if you don’t speak Turkish?”69 She never spoke Bulgarian again, and until she learnt the language of her new country, she fell between languages. Others at least spoke an archaic Ottoman form of Turkish and only had to update it.
- 70 Ibid., p. 256.
45Alongside this group of ethnic Turks, there is another group of Muslims in the region of the Rhodope Mountains, on the Bulgarian-Greek border among other localities: the so-called Pomaks. This is a small group of one hundred thousand members who speak a Bulgarian dialect and practise Islam. Being Slav and Muslim, they were suspect in the eyes of the Bulgarian and Greek governments. In Bulgaria they were suspect because, even if they were considered natives, they represented a continuation of the Ottoman past from the perspective of the ethno-nationalist ideology adopted by the communist regime, as well as by the governments in power since the establishment of Bulgaria as a state in 1878. For this reason, they were forced to Slavicise their names. In Greece, where the mosques in the northeast show their presence, they were doubly rejected on account of their religion and their language, and their names were Turkicised in order not to sound too Bulgarian.70 Those who refused to be renamed had to swap one mountain for another on the Turkish side, leaving everything behind.
- 71 Ibid., p. 223.
As the human symbol of this Ottoman past, the Pomaks absorbed the collective angst about residual orientalism, as if they personally stood in the way of Europe. Despite representing less than 2 per cent of the country’s population, throughout the twentieth century they were perceived as a fifth column and endured all manner of indignities. In Bulgaria, even more than the ethnic Turks, the Pomaks were seen as having a double identity – they were Slavs or ethnic Bulgars anyway, but also of Islam.71
46Kassabova reports that the presence of Pomaks is also evident on the Greek side of the Rhodope, as far as Xanthi and Drama, where the mosques stop and the Orthodox churches begin. A considerable number of Pomaks from these mountains fled to Turkey, a heavily militarised country, and many of the young men died fighting in the Turkish army against the Kurdish rebels. Kassabova also collects histories of Turkish-speaking Orthodox Greek refugees who had to leave Anatolia for Greece and died during the Bulgarian occupation during World War II. They were a population that did not fit in with a homogeneous nationalism, and they suffered the destiny of peripheral regions defending new nationalisms.
- 72 Ibid., p. 322.
47An important consequence of these policies of population exchange is the presence of empty villages, found everywhere along the three borders. Kassabova tells the story of an old man who refused to leave his village at the beginning of the Cold War and received the task of turning on the lights in the empty houses to show Turkey that socialist Bulgaria was enjoying abundant electricity. At the same time, from the Turkish border, the soldiers periodically fired their machine guns in the direction of Bulgaria to show the enemy their might, even though, as Kassabova remarks, “they had no shoes.”72
48Many of these ghost towns were repopulated after the fall of communism and are popular destinations for families who wish to rediscover their roots by visiting the former villages of their ancestors, which on numerous occasions had been renamed on account of the nationalistic policies.
- 73 Javourez Guillaume, “Introduction. Au-delà de la ‘route des Balkans’ : mondes sociaux des circulati (...)
- 74 Kassabova, Border, op. cit., p. 175.
- 75 Ibid., p. 180.
49At the time of Kassabova’s travel, this triple border was the beginning of the Balkan route – that is, where migrants from the Middle East, especially Syrians, Afghans and Kurds, cross into the EU to follow a long journey to Central and Northern European countries. This route was closed in 2016 for the EU-Turkey deal, but it is still a hotspot.73 As stated previously, the corridors have always been the same; only the direction has changed.74 Germans are no longer trying to cross the border into Turkey; instead, thirty years later, migrants are crossing from Turkey to reach Germany. Traffickers from all sides of the border take advantage of this situation for black market trading. They are mostly locals who know the wild nature of the region well and the points where the political borders leak. The Rhodope mountains, Strandja, and the Rezovo and Maritsa rivers are the principal crossing points to evade the controls. On numerous occasions, the refugees are told that they have already reached the EU although they are still in Turkey. On other occasions, those who reach Bulgaria and Greece are welcomed by locals, as they or their ancestors are familiar with forced migration and empathise with their cause. They are detained in refugee camps, many waiting for asylum and others waiting to follow their route. The wire of the border is present in their everyday lives, as they are not allowed to move. A family atmosphere is created among the refugees. They frequent the same places, like cafés or restaurants managed by other migrants. These places have become for them a kind of Casablanca,75 but one much less romantic.
Trieste and Edirne as (non) Balkan cities
- 76 Leersen Joep, “Imagology: History and Method,” Studia Imagologica, vol. 13 (Imagology: The Cultural (...)
50The symbology of the cities of Trieste and Edirne and the collective imagology have changed in local literature from the Cold War to the present day. These cities, even distant and historically unrelated, have a shared fate as corridors and geographical and mental boundaries. Imagology is not the critical history of national characterisation but the cultural convention and construction of the other and the self and, for this reason, it is subjective and based on preconceptions and stereotypes.76 Leaving behind for a moment the geographical theories of the Sava and Danube or the Trieste-Odessa line and considering only the collective imaginary of the region based on the three authors, we could ask the following question: what in the imagology of the studied literary oeuvres is considered a Balkan place and why?
- 77 Drakulić Slavenka, How We Survived Communism and Even Laughed, New York, Harper Perennial, 1993, p. (...)
51We can consider that one important characteristic is a communist past. In the introduction to her book How We Survived Communism and Even Laughed, Slavenka Drakulić writes, “the reality is that communism persists in the way people behave, in the look on their faces, in the way they think [...] The end of communism is still remote because communism, more than a political ideology or a method of government, is a state of mind.”77 During the Cold War, Europe was divided into West/capitalism–East/communism. After the fall of this dichotomy, new divisions were needed:
- 78 Wilson, Donnan, A Companion, op. cit., p. 85.
With the collapse of ideological borders and geopolitical categories of European space based on bloc confrontation, historical and cultural notions have re-emerged as important elements of regional identity and are captured by the renewal of concepts such as ‘Norden’, ‘Central Europe’, the ‘Balkans’, and so on.78
- 79 Tomizza, Alle spalle, op. cit., p. 46.
- 80 Todorova Maria, Imagining the Balkans, New York, Oxford University Press, 2009, p. 136.
52A communist past is a link that relates the peninsula to Central and Eastern Europe. As seen above, Tomizza’s Istria changed its geographical position from Central European to the periphery of the Balkans when it passed to communist Yugoslavia. Also, the crowds of Yugoslavs that every weekend “invaded” the streets of Trieste looking for a capitalist taste were seen by locals, as the author stated, as a Balkanization of the city,79 even though he considered that Trieste has a lot more in common with its neighbours than with Rome itself. According to Slavenka Drakulić, it was precisely the fall of the communist regime and the subsequent wars in Yugoslavia that lowered the region to be called “the Balkans” in a pejorative way. The wars, in many cases, especially in the United States, were covered as the “Balkan wars” instead of the Yugoslav wars.80
- 81 Drakulić Slavenka, Balkan express: Fragments from the Other Side of War, London, Hutchinson, 1993, (...)
In this way the West tells us, “You are not Europeans, not even Eastern Europeans. You are Balkans, mythological, wild, dangerous Balkans. Kill yourselves, if that is your pleasure. We don’t understand what is going on there, nor do we have clear political interest to protect.” The myth of Europe, of our belonging to the European family and culture, even as poor relations, is gone.81
- 82 Dimova Marija Gjorgjieva, “Imagological Topoi in Balkan Literatures,” Journal of Literature and Art (...)
- 83 Todorova, Imagining the Balkans, op. cit., p. 162.
53The Balkans, on the other hand, also represent an evocation of the East – in other words, the orientalism of Eastern Europe.82 That the Balkans are the legacy to the Ottoman Empire is Todorova’s conclusion in her essay Imagining the Balkans.83 However, this identity is not rigid, but flexible and fluid. That is why we find in both Trieste and Edirne characteristics of Balkanness and non-Balkanness. Trieste, the most eastern Italian city, does not have an Ottoman past. In fact, it is historically Catholic and related to the Austro-Hungarian legacy; nevertheless, the vicinity of the former Yugoslavia and its Slavic language and communist past are what have made it the gateway to the Balkans. Recalling the confrontation between West/capitalism–East/communism, it is precisely in Trieste that we find the entrance hall to the region.
- 84 Ibid., p. 3.
54In the case of Edirne, there is no more Ottoman legacy than in its heir, Turkey. In addition, this country has geographic territory in the Balkans, but we can see that it is exactly there where these features start to blur for this non-communist past and a non-Slav/non-Orthodox majority. A Western traveller may say that the Balkans are the “‘other’ of Europe”84 or the edge of the old continent, and it is precisely this quality of belonging to the Balkans that makes Turkish Thrace European; in other words, Balkan features in Turkish culture (mainly of the Ottoman past) are what allow this country to claim Europeanness, while these same features in Balkan countries could be considered a characteristic of non-Europeanness for being Turkish. The traveller may have the feeling of having already reached Asia once the Turkish border is crossed just because the EU external borders have been left behind and Europe has become a metonym for the European Union. For this reason, we could consider that in the imagology, the limit of the Balkans in the southeast part of the peninsula is the border city of Edirne. It is there where we might find that this part of Thrace also has a lot in common with the other sides of the border and the rest of the region for the Ottoman legacy, as Kapka Kassabova experienced in the garden of a Turkish family:
- 85 Kassabova, Border, op. cit., p. 331.
They were dressed in sleeveless woollen cardigans, baggy trousers, and rubber galoshes. I felt it like a presence: the spirit of the Balkans was here, in this garden thick with greenery. The true spirit of the Balkans that hangs on, no matter how renamed and resettled, imagined and invented. Our bitter beloved borderless Balkans.85
Conclusion
55The Balkans, as a crossroads, are on the path between West and East, Christianity and Islam. Also, they were the boundary between empires and ideologies, like the Western and Eastern Roman Empire, the Habsburgs and the Ottoman past, and, most recently, capitalism and communism. During the Cold War, this ideology was the main collective imaginary for the Balkans, completely excluding Turkey and Greece, which were NATO members. These limits were hard, especially after World War II.
56As émigrés, the three authors studied in this article have in common their attraction to the border as the limit of two completely politically different worlds that, after all, have more in common than it seems. Traditions, history, and food, among other aspects, are more related to the neighbouring country than to the rest of the one to which they belong. Fulvio Tomizza has always identified himself with the border, as the border has always been a reality in his life. His refusal to renounce his Istrian identity as an Italian and a Slav made him have to move to Trieste, a city where he could live his hybridity and, for proximity reasons, stay close to his beloved peninsula. This same proximity is what attracts Slavenka Drakulić to Trieste, seen as a Yugoslav/Balkan shopping centre where they had the right to taste the capitalist West for one day. Locals and shoppers from these two different populations have been linked for decades of interdependence. It is the same reality nowadays at the border between Bulgaria and Turkey. Both countries are an alternative for the locals coming from the other part. Trieste and Edirne took advantage of their geographical privilege and what this imaginary means for the shoppers coming from the other side, as our three authors have shown. Both cities are, on the one hand, cosmopolitan and multicultural and, on the other, nationalistic. For these reasons, foreigners are only welcomed for trade.
- 86 Ibid., p. 30.
57“On the national border, national order”86 was the slogan set on the Bulgarian side during communism. Crossing the border was a crime that in many cases meant death. Nowadays, even if the borders are open and Bulgaria has become a member of the Schengen Area in 2024, the everyday life of migrants coming from the Middle East is very similar to those times. As an important point on the Balkan route, Edirne, once considered a Western city, is the gateway to the EU external border. The same is true of Trieste, the end of the route, the first Italian city, a place that, like Edirne, has lost its position as a Western oasis. Kassabova’s interest in the border does not leave behind the destiny of the migrants stuck there. Having moved to New Zealand and then to Scotland, she empathises with these people and includes them as part of this border that has always been a historical corridor from/to the West.
58In the case of Istria, the collapse of communism, the independence of Slovenia and Croatia, and their subsequent acceptance into the EU, NATO, and the Schengen Area: all these have absolutely erased the borders and have converted it into a borderless peninsula, a dream that Tomizza could not see again and a distant hope for Drakulić. Maybe Thrace will have the same fate one day.
59The three authors of this article show that the border is more than a simple line that one day was drawn by politicians. The reality of this line is so much more complex, and literature is the tool that gives them the chance to tell their stories and the stories of other local people whose lives were intimately linked with their land and who have suffered in the flesh not only the consequences of the different ideologies and regimes, but also the punishment of belonging to the periphery, far from the centres of their countries.
Notes
1 Hajdú Zoltán, Illés Iván, Raffay Zoltán, Southeast Europe: State Borders, Cross-Border Relations, Spatial Structures, Pécs, MTA RKK, 2007, p. 4.
2 Ballinger Pamela, History in Exile: Memory and Identity at the Borders in the Balkans, Princeton, Princeton University Press, 2003, p. 275.
3 Ibid., p. 18.
4 Tomaz Luigi, Il confine d’Italia in Istria e Dalmazia: Duemila anni di storia [The border of Italy in Istria and Dalmatia: two thousand years of history], Conselve, Think aDV, 2007, p. 234.
5 Horel Catherine, Multicultural Cities of the Habsburg Empire. 1880-1914: Imagined Communities and Conflictual Encounters. Budapest, CEU Press, 2023, p. 98.
6 Tomaz, Il confine, op. cit., p. 283.
7 Ara Angelo, Magris Claudio, Trieste, un’identità di frontiera [Trieste, a border identity], Turin, Einaudi, 2015, p. 125-126.
8 Ballinger, History in exile, op. cit., p. 10.
9 Tomaz, Il confine, op. cit., p. 292.
10 Locatelli Alessandra, “Fulvio Tomizza, écrivain de frontière,” Cahiers de la Méditerranée, vol. 86, 2013, p. 131-139 (132).
11 Crkvenčić Ivan, “Emigration of Italians and Germans from Croatia during and immediately after the Second World War,” Društvena istraživanja, vol. 45, no 1, 2000, p. 19-39 (29).
12 “I was an Italian and a Slav, so neither Italian nor Slav, but ‘other’: A hybrid, born free and wealthy in a luxuriant but very humble corner of the countryside” (Author’s translation). Tomizza Fulvio, Alle spalle di Trieste [Behind Trieste], Milan, Bompiani, 2000, p. 65.
13 Deganutti Marianna et al., Rileggendo Tomizza [Rereading Tomizza], Roma, Aracne, 2014, p. 16.
14 Ballinger, History in Exile, op. cit., p. 24.
15 “We no longer speak one language, but two dialects which are interchangeable with each other and which inevitably everyone knows: in one, Venetian prevails; in the other, Slovenian-Croatian. But there are objects, animals, plants, acts, sensations, commands, exhortations, which demand that one word and not another [be used], be it Italian, Croatian, Slovenian or even German” (Author’s translation). Tomizza, Alle spalle, op. cit., p. 138.
16 “My man from Materada eats Austrian-style on Sundays, Italian-style on the sidelines of the field, Slovenian-style on winter evenings” (Author’s translation). Ibid.
17 “[It was] no longer Austria and a Germanic culture, but Yugoslavia and the new communist verb arising from an obscure and rediscovered substratum of the Slavic soul that extended my border at least as far as Ukraine” (Author’s translation). Ibid., p. 17.
18 Tomizza Fulvio, Materada, translated by Russell Scott Valentino, Evanston, Northwestern University Press, 2000, p. 55.
19 Locatelli, “Fulvio Tomizza,” art. cit., p. 4.
20 Tomizza, Alle spalle, op. cit., p. 205.
21 “Everything is double or triple in Trieste, starting with the flora and ending with ethnicity” (Author’s translation). Ibid., p. 35.
22 “You know I am a Slav, a German, and an Italian” (Author’s translation). Ara, Magris, Trieste, op. cit., p. 15.
23 “The guest already has the impression of having set foot in the country to which s/he is headed” (Author’s translation). Tomizza, Alle spalle, op. cit., p. 35.
24 Ara, Magris, Trieste, op. cit., p. 17.
25 Bosetti Gilbert, De Trieste à Dubrovnik. Une ligne de fracture de l’Europe, Grenoble, ELLUG, 2006, p. 17.
26 Ballinger, History in Exile, op. cit., p. 28.
27 Ibid., p. 13.
28 Ibid., p. 29.
29 “The more it feared being phagocytised by neighbouring Yugoslavia, the more it became the commercial county seat and an oasis as a peaceful meeting place for Slovenes, Croats, Serbs, Bosnians, Macedonians, and Montenegrins, notoriously on bad terms within their territory” (Author’s translation). Tomizza, Alle spalle, op. cit., p. 37.
30 Ibid., p. 133.
31 Petrović Tanja, “Ponterosso i moralna ekonomija sećanja na jugoslovenski socijalizam” [Ponterosso and the moral economy of memory in Yugoslav socialism], in Marijana Hameršak, Maša Kolanović, Lana Molvarec (eds.), Ekonomija i književnost [Economics and Literature], Zagreb, Hrvatska sveučilišna naklada, 2022, p. 385-403 (390).
32 Drakulić Slavenka, Café Europa: Life after Communism, Middlesex, Penguin Books, 1996, p. 71.
33 petrović, “Ponterosso,” art. cit., p. 387.
34 “The fact that small trade across the border develops to become the main sector of the Trieste economy is therefore also a sign of the stagnation of the city’s productive life, especially since it is too dependent on Yugoslav orientations in terms of economic and trade policy” (Author’s translation). Ara, Magris, Trieste, op. cit., p. 183.
35 Petrović, “Ponterosso,” art. cit., p. 392.
36 Ibid., p. 394.
37 Drakulić, Café Europa, op. cit., p. 167.
38 Ibid., p. 113.
39 Ibid., p. 114.
40 Ibid., p. 160.
41 Ibid., p. 161-162.
42 Ibid., p. 162.
43 Ibid., p. 169.
44 Kassabova Kapka, Border: A Journey to the Edge of Europe, Minneapolis, Graywolf Press, 2017, p. xv.
45 Ibid., p. 123.
46 Ibid., p. 49.
47 Ibid., p. 10.
48 Ibid., p. xvi-xvii.
49 Ibid., p. 123.
50 Ibid., p. 175.
51 Ibid., p. 10.
52 Ibid., p. 128.
53 Ibid., p. 176.
54 Wilson Thomas M., Donnan Hastings, A Companion to Border Studies, Oxford, Wiley Blackwell, 2012, p. 84.
55 Kassabova, Border, op. cit., p. 123.
56 Ibid., p. 128.
57 Ibid., p. 130.
58 Ibid., p. xvi.
59 Ibid., p. 185.
60 Wilson, Donnan, A Companion, op. cit., p. 569-570.
61 Kassabova, Border, op. cit., p. 126.
62 Ibid., p. 129.
63 Ibid., p. 168-169.
64 Ibid., p. 155.
65 Glenny Misha, The Balkans: Nationalism, War, and the Great Powers, 1804-2011, London, Penguin Books, 2012, p. 395.
66 Kassabova, Border, op. cit., p. 169-170.
67 Ibid., p. 139.
68 Ibid., p. 143.
69 Ibid., p. 146.
70 Ibid., p. 256.
71 Ibid., p. 223.
72 Ibid., p. 322.
73 Javourez Guillaume, “Introduction. Au-delà de la ‘route des Balkans’ : mondes sociaux des circulations,” Balkanologie, vol. 16, no 1, 2021, https://doi.org/10.4000/balkanologie.3194.
74 Kassabova, Border, op. cit., p. 175.
75 Ibid., p. 180.
76 Leersen Joep, “Imagology: History and Method,” Studia Imagologica, vol. 13 (Imagology: The Cultural Construction and the Literary Representation of National Characters. A Critical Survey), 2007, p. 17-32 (27).
77 Drakulić Slavenka, How We Survived Communism and Even Laughed, New York, Harper Perennial, 1993, p. xvi-xvii.
78 Wilson, Donnan, A Companion, op. cit., p. 85.
79 Tomizza, Alle spalle, op. cit., p. 46.
80 Todorova Maria, Imagining the Balkans, New York, Oxford University Press, 2009, p. 136.
81 Drakulić Slavenka, Balkan express: Fragments from the Other Side of War, London, Hutchinson, 1993, p. 2-3.
82 Dimova Marija Gjorgjieva, “Imagological Topoi in Balkan Literatures,” Journal of Literature and Art Studies, vol. 4, no 8, 2014, p. 599-604 (603).
83 Todorova, Imagining the Balkans, op. cit., p. 162.
84 Ibid., p. 3.
85 Kassabova, Border, op. cit., p. 331.
86 Ibid., p. 30.
Haut de pagePour citer cet article
Référence électronique
Roberto Gómez Martínez, « Trieste and Edirne: A Literary Perspective on the Balkan Boundaries », Balkanologie [En ligne], Vol. 19 n° 1 | 2024, mis en ligne le 30 juin 2024, consulté le 02 décembre 2024. URL : http://journals.openedition.org/balkanologie/5982 ; DOI : https://doi.org/10.4000/12q7r
Haut de pageDroits d’auteur
Le texte et les autres éléments (illustrations, fichiers annexes importés), sont « Tous droits réservés », sauf mention contraire.
Haut de page