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• Isabelle Brajer
  Foreword [Full text]

• Communications

  • Cathleen Hoeniger
    Raphael’s Religious Paintings and Their Early Restorations: Devotional Attention or Aesthetic Appreciation? [Full text]
  • Ursula Schädler-Saub
    “Bildtapeten” and the conservation of medieval wall paintings at the turn of the twentieth century in Germany [Full text]
    New perspectives in the conflict between authenticity and visual integrity
  • Zuzana Bauerova
    Changing cult values and their impact on conservation history in Czechoslovakia [Full text]
  • Maria da Conceição Lopes Casanova
    Luciano Freire: between tradition and novelty [Full text]
  • Iwona Szmelter
    New Values of Cultural Heritage and the Need for a New Paradigm Regarding its Care [Full text]
  • Ekaterina Pasnak
    Conservation within the multicultural context [Full text]
  • Joel Taylor
    Intergenerational justice: a useful perspective for heritage conservation [Full text]
  • Hélia Marçal, Rita Macedo, Andreia Nogueira and António Duarte
    Whose decision is it? Reflections about a decision making model based on qualitative methodologies [Full text]
  • Jan Marontate
    Strategies for Studying Multiple Meanings in Conservation Research [Full text]
  • Rebecca Gordon and Erma Hermens
    The Artist’s Intent in Flux [Full text]
  • George Brock-Nannestad
    Conservation – an effort balancing between nostalgia and documentation [Full text]

• Posters

  • Saskia van Oudheusden
    The execution of wax-resin linings by Johannes Albertus Hesterman (1848-1916) and sons [Full text]
    Research into their working method and materials
  • Cyndie Lack
    Joseph Loxton Rawbon, the "Master Restorer" [Full text]
  • Nataša Nemeček
    Friedrich Rathgen and his impact on Slovenian Conservation in the beginning of the twentieth century [Full text]
  • Nataša Nemeček
    Excavations at the Langobard Cemetery in Kranj in 1905 [Full text]
  • Brian Castriota
    Equipment Significance and Obsolescence in Diana Thater’s The Bad Infinite [Full text]
    A Case Study in the Cult of Unintentional Monuments

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