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    <title>CeROArt</title>
    <link>http://journals.openedition.org/ceroart</link>
    <description>CeROArt, revue électronique fondée en 2007. Approche pluridisciplinaire de la conservation, l’exposition et la restauration des objets d’art – A multidisciplinary journal focusing on the conservation, the restoration and the exhibition of works of art</description>                      
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    <title>13 | 2024 &#8211; Varia 2023-2024</title>
    <description><![CDATA[<img alt="jaquette2024" src="http://journals.openedition.org/ceroart/docannexe/file/8832/jaquette2024-small200.jpg" /><ul class="summary">
        <li>
          <div class="title"><a href="http://journals.openedition.org/ceroart/9172">Éditorial</a> <span class="fullText">[Full text]</span></div>
          <div class="author">Muriel Verbeeck-Boutin</div>
        </li>
        <li>
          <div class="publititle"><strong>Conversations</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/8522">Les biocides dans les collections – persistances toxiques, relectures critiques et nouvelles pratiques</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Lucie Monot, Isabel Garcia Gomez and Lotte Arndt</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Essais</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/8836">Faut-il en finir avec la Charte de Venise ?</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Claudine Houbart</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/8457"><span xml:lang="en" lang="en">Ways of Aesthetically Integrating Conservation Theory in an Era of Neoliberal Illusions and Post-Colonial Migration</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Hiltrud Schinzel</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Articles</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/8388"><span xml:lang="en" lang="en">About metal soaps in ethnographic collections </span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Silvia Russo, Elodie Granget, Alexis Malefakis, Laura Brambilla, Jean-Baptiste Thomas and Edith Joseph</div>
              <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">À propos des savons métalliques dans les collections ethnographiques </span></div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/8584"><span xml:lang="en" lang="en">Restoration of decorative glazed ceramic from Morocco: Technical replicas </span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Claire Dehon, Mouhssin El Halim, Nathalie Fagel, Lahcen Daoudi, Catherine Cools, Valérie Rousseau and Meriam El Ouahabi</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/6415">La réplique d’expérience en musique : la question de la jouabilité des instruments au musée de la Musique</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Marie-Anne Loeper-Attia</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/8499">Un problème d’obsolescence : la substitution de tubes fluorescents sur deux œuvres lumino-cinétiques de Nino Calos</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Olivier Steib</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/8504">Theoretical issues in the conservation of contemporary art</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Rosario Llamas-Pacheco</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/8791"><span xml:lang="en" lang="en">The Word become Flesh. Wild orality and “palliative” conservation for the Mexican performative arts</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Juan Gerardo Ugalde Salinas</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/9153">Cycle of U<span xml:lang="en" lang="en">se, Cracks and Aura in Contemporary Art: Conservation within Art Creation</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Asseneth Regis Vives</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/9072">À propos d’une œuvre promise à la disparition de Claire Pentecost</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Claire Valageas and Chloé Barle</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/9434"><span xml:lang="en" lang="en">RE-MOLD: Managing recurring mould after flood</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Ariane Segelstein and Françoise Collanges</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/9107"><span style="text-transform:uppercase;">A</span>pplication de la méthode QuickScan aux biens culturels non muséaux<span style="text-transform:uppercase;"> </span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Inés Flores-Fernández</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/8964"><em><span xml:lang="en" lang="en">A Sometimes Mercurial Process</span></em><span xml:lang="en" lang="en">: New Protocols for the Preservation of Singapore’s Time Based Art Collection</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Mar Cruz</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/8719">A Study of Color Palettes and Painting Techniques of <span xml:lang="en" lang="en">Prayat Pongdam: Oil on Board Painting “Cats and Birds (1957)” Using Micro-XRF Scanning Technique</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Nawarat Kaew-On and Supapit Kongchan</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/8666"><span xml:lang="en" lang="en">The challenges of preserving and managing sulphur-containing plaster casts</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Nand Cremers</div>
            </li>
            <li>
              <div class="publititle"><strong>Autour d'un "remake or replace" de Richard Long</strong></div>
              <div class="subtitle">Tribut à Marie-Hélène Breuil</div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/ceroart/9188">Préface</a> <span class="fullText">[Full text]</span></div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/ceroart/6359">Replace or remake<span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">? A work in progress</span></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Marie-Hélène Breuil</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/ceroart/6237">Même et autre : de <em>White Rock Line</em> (1990) à <em>White Rock Line</em> (1990, remade 2014)</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Anne Cadenet</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/ceroart/6198">Restaurer ou refaire ? Une étude sur <em>White Rock Line</em> et son devenir</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Marie-Hélène Breuil, Agathe Houvet and Marie-Emmanuelle Meyohas</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/ceroart/6303"><span xml:lang="fr" lang="fr">À propos de l’entretien mené avec Richard Long en septembre 2014</span></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Hoël Gaboriau</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/ceroart/6317"><span xml:lang="fr" lang="fr">Entretien avec Richard Long à propos de <em>White Rock Line</em> (1990, remade 2014)</span></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Richard Long</div>
                </li>
              </ul>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Colloques et Journées d'étude</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/9050">What’s in a name? Le conservateur-restaurateur : une définition </a> <span class="fullText">[Full text]</span></div>
              <div class="author">Clémentine Bollard</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/9070"><span xml:lang="en" lang="en">What’s in a name? The conservator-restorer: a definition </span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Clémentine Bollard</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/9302">Domaine de recherche et d’innovation majeur (DIM)Patrimoines matériels — innovation, expérimentation, résilience (PAMIR) </a> <span class="fullText">[Full text]</span></div>
              <div class="author">Ann Bourgès, Jacques Cuisin, Pauline Hélou de La Grandière, Barbara Jouves-Hann, Delphine Morana Burlot, Gaëlle Pichon-Meunier, Olivier Rolland, Sophie David and Loïc Bertrand</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Compte-rendus</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/9190"><span xml:lang="en" lang="en">Salvador Muños-Viñas, A Theory of Cultural Heritage. </span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Muriel Verbeeck</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/8459"><span xml:lang="en" lang="en">Os museus e a(s) sociedade(s). </span>Teorias, contextos, histórias, experiências, desafios, </a> <span class="fullText">[Full text]</span></div>
              <div class="author">Héloïse Elisabeth Maire-Vincent and Ghislaine Ducatteau</div>
            </li>
          </ul>
        </li>
      </ul>]]></description>
    <link>http://journals.openedition.org/ceroart/8359</link>
    <dc:date>2024-10-29</dc:date>
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    <title>HS | 2021 &#8211; Imiter le textile en polychromie à la fin du Moyen Âge. Le brocart appliqué</title>
    <description><![CDATA[<img alt="Madeleine - Bustier de brocard" src="http://journals.openedition.org/ceroart/docannexe/file/7999/detail_2_d_un_decor_en_brocart_applique_continu_robe_d_ela_sainte_marie_madeleine_de_la_pieta_de_saint_offenge_musee_savoisien_chambery-small200.jpg" /><ul class="summary">
        <li>
          <div class="title"><a href="http://journals.openedition.org/ceroart/7196"><sub>Introduction</sub></a> <span class="fullText">[Full text]</span></div>
          <div class="author">Laurence Riviere Ciavaldini</div>
        </li>
        <li>
          <div class="publititle"><strong>Conservation et restauration</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/7933">A l’origine des couleurs et éléments matériels d’œuvres peintes des XIV<sup>e</sup>-XVI<sup>e</sup> siècles</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Anne-Solenn Le Hô, Sandra Montlouis, Sandrine Pagès-Camagna†, Nathalie Pingaud and Yannick Vandenberghe</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/7673">Matériaux et structure des « brocarts appliqués » dans les anciens Pays-Bas méridionaux</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Delphine Steyaert and Jana Sanyova</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/7208">Applied brocade in Spain</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Ainhoa Rodríguez-López and Fernando Bazeta Gobantes</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/7381">Etoffes de pierre. Techniques d’imitation du textile dans les peintures médiévales du Sud-Ouest de la France</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Aurélie Mounier and Floréal Daniel</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/7802">Des « brocarts appliqués » dans la sculpture savoyarde </a> <span class="fullText">[Full text]</span></div>
              <div class="author">Lelong Florence, Pouyet Emeline, Champdavoine Sophie, Guiblain Thomas, Martinetto Pauline, Walter Philippe, Rousselière Hélène and Cotte Marine</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/7330">Sculpté, gravé, peint, moulé, estampé</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Alain Fretz and Stephan Gasser</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/7312">La mise au tombeau peinte par Antoine de Lonhy dans la cathédrale Saint-Jean-Baptiste à Saint-Jean-de-Maurienne</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Séverine Haberer</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/7867">La chapelle du prieuré de Saint-Ours à Aoste: l’utilisation du brocart appliqué dans la peinture murale </a> <span class="fullText">[Full text]</span></div>
              <div class="author">Viviana Maria Vallet and Novella Cuaz</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Contexte(s)</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/7485">Polychromie et décors moulés et appliqués</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Sophie Guillot de Suduirot</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/7242">Sculpture, sculpteurs et ateliers (?) à Chambéry et alentour (vers 1480-v. 1530) </a> <span class="fullText">[Full text]</span></div>
              <div class="author">Laurence Riviere Ciavaldini</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/7742">Nommer et décrire les soieries façonnées. Apports et limites d’une comptabilité princière</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Nadège Gauffre Fayolle</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/6967">L’imitation des tissus précieux sur quelques sculptures valdôtaines, entre XVe et XVIe siècle </a> <span class="fullText">[Full text]</span></div>
              <div class="author">Alessandra Vallet</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Conclusion</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/7668">Pour une science du patrimoine, interdisciplinaire et inclusive </a> <span class="fullText">[Full text]</span></div>
              <div class="author">Laurence Riviere Ciavaldini</div>
            </li>
          </ul>
        </li>
      </ul>]]></description>
    <link>http://journals.openedition.org/ceroart/6943</link>
    <dc:date>2021-03-05</dc:date>
  </item>
  <item rdf:about="http://journals.openedition.org/ceroart/6993">
    <title>12 | 2020 &#8211; Varia 2020-2021</title>
    <description><![CDATA[<img alt="Jaquette2021" src="http://journals.openedition.org/ceroart/docannexe/image/8827/jaquette2021-small200.jpg" /><ul class="summary">
        <li>
          <div class="title"><a href="http://journals.openedition.org/ceroart/7932">Éditorial</a> <span class="fullText">[Full text]</span></div>
          <div class="author">Muriel Verbeeck-Boutin</div>
        </li>
        <li>
          <div class="publititle"><strong>Electron libre</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/7921"><span xml:lang="zxx" lang="zxx">Ride the wave</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Kate Seymour</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Articles</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/8263"><span xml:lang="en" lang="en">Notes on Theories of Conservation – Colonialism, Obsolescence, Misreading</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Pedro Augusto Vieira Santos</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/8165"><span xml:lang="en" lang="en">The Feathered Headdress from the Austral Islands at The Royal Museums of Art</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">an</span><span xml:lang="en" lang="en">d History, Brussels: The Conservation of a Masterpiec</span><span xml:lang="en" lang="en">e</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Griet Kockelkoren, Hugo DeBlock, Emma Damen and Marina Van Bos</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/8103">Critique d’un outil méthodologique à travers l’étude d’un objet métis</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Adrien Lemaitre</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/7133"><span xml:lang="en" lang="en">Contribution Of Mechanical Tests: </span><span xml:lang="en" lang="en">Assessing Vulnerability And Risks Of Degradation In Paintings</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Alain Roche</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/7003">Apports des essais mécaniques : Évaluation de la vulnérabilité et des risques de dégradation des peintures.</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Alain Roche</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/8014">Utilisation des résines échangeuses d’ions pour le nettoyage d’objets métalliques archéologiques ou historiques</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Marietta Carlino and Elodie Guilminot</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/8217"><span xml:lang="en" lang="en">Fibreglass Reinforced Composites</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Weronika Machowicz-Musiał</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/8053"><span xml:lang="en" lang="en">Semantic-based automated reassembly of heritage fragments</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Marie-Morgane Paumard</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/7138">Remboîtage of a Binding: Authenticity and Conservation of "Fifty-two Plates Engraved from Portraits by Van Dyck and Others, 16th - 17th Century"</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Malina Belcheva</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Comptes-rendus</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/8119"><span xml:lang="en" lang="en">Caring For Performance: Recent Debates</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Hanna B. Hölling</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/8289"><span xml:lang="en" lang="en">Salvador Muñoz-Viñas, </span><em><span xml:lang="en" lang="en">On the Ethics of Cultural Heritage Conservation. </span></em></a> <span class="fullText">[Full text]</span></div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/8152">Frankline Barrès, <em>Les peintures transposées du Louvre: La transposition des peintures de chevalet en France de 1750 à 1848</em>, </a> <span class="fullText">[Full text]</span></div>
              <div class="author">Olivier Verheyden</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/8318">Iwona Szmelter, <em>The Phenomenon of Visual Art and the Meanders of their Conservation</em>; The Philosophy and Elements of the New Theory and Practice of Conservation.</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Grażyna Korpal</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/8297"><span xml:lang="en" lang="en">Dan Hicks, The Brutish Museums. The Benin Bronzes, Colonial Violence and Cultural Restitution </span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Muriel Verbeeck</div>
            </li>
          </ul>
        </li>
      </ul>]]></description>
    <link>http://journals.openedition.org/ceroart/6993</link>
    <dc:date>2020-12-31</dc:date>
  </item>
  <item rdf:about="http://journals.openedition.org/ceroart/6524">
    <title>11 | 2019 &#8211; Varia 2019</title>
    <description><![CDATA[<img alt="Jaquette Flux2019" src="http://journals.openedition.org/ceroart/docannexe/file/6930/ceroart11_2019-small200.jpg" /><ul class="summary">
        <li>
          <div class="title"><a href="http://journals.openedition.org/ceroart/6926">Introduction</a> <span class="fullText">[Full text]</span></div>
          <div class="author">Muriel Verbeeck-Boutin</div>
        </li>
        <li>
          <div class="publititle"><strong>Articles</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/6737">The Boundaries of Ethics – Art without Boundaries </a> <span class="fullText">[Full text]</span></div>
              <div class="author">Hiltrud Schinzel</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/6488">Aiming at reproducibility in lining canvas paintings </a> <span class="fullText">[Full text]</span></div>
              <div class="author">Antonio Iaccarino Idelson and Valerio Garofalo</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/6532">Analysis of facing materials used as remoistenable temporary supports for facing on canvas paintings</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Paola Alba, Susana Martín-Rey and MaríaTeresa Doménech-Carbó</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/6577">Determining Appropriate Preservation Conditions for Historical Mixed-Media Objects: a Risk-Based Approach</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Willemien Anaf and Marjolijn Debulpaep</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/6921">La restauration du crocodile historique du Muséum des Sciences naturelles d’Angers</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Michel Beucher and Miguel Prôa</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/6749">La restauration, la conservation et la valorisation du patrimoine technique semi-mobilier</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Philippe Tomsin</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/6622">Couleurs et plantes colorantes dans l’art yoruba Enquête de terrain</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Louis Fagbohoun , Cathy Vieillescazes , Carole Mathe and Camille Romeggio</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Coup de projecteur</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/6673">Une copie de <em>L’Origine du monde</em> par René Magritte ?</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Catherine Defeyt and David Strivay</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Comptes-rendus</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/6800"><em><span xml:lang="fr" lang="fr">Patrimoines En Mouvement. Entre Préservation et Dévotion</span></em><em> </em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Emmanuelle Nsunda</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/6849"><em><span xml:lang="en" lang="en">A Man of Vision</span></em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Muriel Verbeeck-Boutin</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/6861"><em><span xml:lang="fr" lang="fr">Musées et recherche. Vulnérabilité, scrupules, dilemmes</span></em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Muriel Verbeeck-Boutin</div>
            </li>
          </ul>
        </li>
      </ul>]]></description>
    <link>http://journals.openedition.org/ceroart/6524</link>
    <dc:date>2019-09-30</dc:date>
  </item>
  <item rdf:about="http://journals.openedition.org/ceroart/5384">
    <title>HS | 2018 &#8211; Four Study Days in Contemporary Conservation</title>
    <description><![CDATA[<img alt="Four Study Days in Contemporary Conservation" src="http://journals.openedition.org/ceroart/docannexe/image/6133/CeROArtHSSchoffer-small200.jpg" /><ul class="summary">
        <li>
          <div class="title"><a href="http://journals.openedition.org/ceroart/5453"><span xml:lang="fr" lang="fr">Introduction</span></a> <span class="fullText">[Full text]</span></div>
          <div class="author">Muriel Verbeeck</div>
        </li>
        <li>
          <div class="publititle"><strong>Autour de Nicolas Schöffer :    Conserver/restaurer les œuvres à caractère technologique</strong></div>
          <div class="subtitle">Journées d'étude du 3 novembre 2016 et 2 février 2017</div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5489"><span xml:lang="fr" lang="fr">Présentation</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Manon D’haenens</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5942"><span xml:lang="fr" lang="fr">La restauration problématique d’une œuvre lumineuse conceptuelle</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Olivier Steib</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5969"><span xml:lang="en" lang="en">The problematic restoration of a conceptual light artwork </span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Olivier Steib</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5974"><span xml:lang="fr" lang="fr">Conservation et matérialité des œuvres numériques</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Alexandre Michaan</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5987"><span xml:lang="fr" lang="fr">Droit d’auteur et restauration des œuvres à caractère technologique</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Anne-Laure Moya-Plana</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/6020"><span xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">De l’</span><em><span xml:lang="fr" lang="fr">intention de l’artiste </span></em><span xml:lang="fr" lang="fr">à l’</span><em><span xml:lang="fr" lang="fr">effet</span></em><span xml:lang="fr" lang="fr"> de l’œuvre. Changer l’approche en conservation</span><span xml:lang="fr" lang="fr"> </span><span xml:lang="fr" lang="fr">?</span></span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Muriel Verbeeck</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/6137"><span xml:lang="fr" lang="fr">Entre authenticité et extrapolation : l’interprétation des œuvres de Nicolas Schöffer</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Manon D’haenens</div>
            </li>
            <li>
              <div class="publititle"><strong>Vidéos et transcriptions</strong></div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/ceroart/5794"><span xml:lang="fr" lang="fr">Autour de Nicolas Schöffer, conserver/restaurer des œuvres à caractère technologique</span></a> <span class="fullText">[Full text]</span></div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/ceroart/6076"><span xml:lang="fr" lang="fr">Historique et variations de la restauration des œuvres de Nicolas Schöffer</span></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Éléonore de Lavandeyra Schöffer</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/ceroart/6061"><span xml:lang="fr" lang="fr">Point de vue de l'artiste et assistant d'artiste : problématiques et expériences</span></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Santiago Torres</div>
                </li>
              </ul>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Vandalism and Art</strong></div>
          <div class="subtitle">Proceedings from a two-day symposium organised at SRAL, Maastricht, 8-9 June 2017</div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5460"><span xml:lang="fr" lang="fr">Presentation</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Lydia Beerkens and Kate Seymour</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5573"><span xml:lang="fr" lang="fr">Vandalism and the Rijksmuseum: three vandalized paintings restored by Luitsen Kuiper in the nineteen seventies </span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Esther van Duijn</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5622"><span xml:lang="en" lang="en">Deliberate damage to polychrome church interiors</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Tino Simon</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5752"><span xml:lang="fr" lang="fr" style="font-weight:normal;">Vandalism over Vandalism</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Begum Gucuk</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5646">The many forms of ‘vandalism’ in relation to modern art</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Sandra Weerdenburg, Netta Krumperman, Rebecca Timmermans and Tessa Rietveld</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5629"><span xml:lang="fr" lang="fr">Protecting Paintings from Vandalism: updating rapid response procedures at the National Gallery, London </span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Morwenna Blewett, Lynne Harrison and David Peggie</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5669"><span xml:lang="fr" lang="fr">Vandalism of the Winston Churchill appliqué glass screen: a story without an ending?</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Norman H Tennent and Stephen D Field</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5682"><span xml:lang="fr" lang="fr">Responding to White Supremacy: Public Images and Legacies at Yale University</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Carol Snow and Alan J. Dworsky</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5697"><span xml:lang="fr" lang="fr">Mark Rothko: <em>Untitled (Black on Maroon)</em>.</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Rachel Barker, Bronwyn Ormsby, Melinda Keefe and Scott Wills</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5722"><span xml:lang="fr" lang="fr">Atmospheric Monatomic Oxygen System For Non-Contact Nanoscale Cleaning Of Vandalized 20th - 21st Century Modern And Contemporary Artworks</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Tomas Markevičius, Sharon Miller, Bruce Banks and Nina Olsson</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5745"><span xml:lang="en" lang="en">The duality of Graffiti: is it vandalism or art?</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Alain Colombini</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5761"><span xml:lang="fr" lang="fr">The problem of vandalism on contemporary outdoor murals and street art</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Isabelle Brajer</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5905"><span xml:lang="fr" lang="fr">Exploring the Aftermath: Sir Eduardo Paolozzi’s Tottenham Court Road Mosaic Arches at the University of Edinburgh</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Liv Laumenech</div>
            </li>
          </ul>
        </li>
      </ul>]]></description>
    <link>http://journals.openedition.org/ceroart/5384</link>
    <dc:date>2018-12-02</dc:date>
  </item>
  <item rdf:about="http://journals.openedition.org/ceroart/5223">
    <title>EGG 6 | 2017 &#8211; EGG 2016-2017</title>
    <description><![CDATA[<img alt="Jaquette EGG 6" src="http://journals.openedition.org/ceroart/docannexe/file/5372/ceroarthsegg2010-small200.jpg" /><ul class="summary">
        <li>
          <div class="title"><a href="http://journals.openedition.org/ceroart/5368"><span xml:lang="fr" lang="fr">Éditorial</span></a> <span class="fullText">[Full text]</span></div>
        </li>
        <li>
          <div class="publititle"><strong>En guise d'introduction</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5307"><span xml:lang="fr" lang="fr">Des racines et des ailes: autour de la Fondation Périer-D'Ieteren</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Catheline Périer-D’Ieteren</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5341"><span xml:lang="fr" lang="fr">Around CeROArt and the EGG issues</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Muriel Verbeeck-Boutin</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5369"><span xml:lang="fr" lang="fr">Autour de <em>CeROArt</em> et des publications <em>EGG </em></span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Muriel Verbeeck-Boutin</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Dossier</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5322"><span xml:lang="fr" lang="fr">Etude et restauration d'un relief en plâtre pour un des pilastres de <em>la Porte de l'Enfer</em> d'Auguste Rodin, musée Rodin</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Juliette Robin Dupire</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5272"><span xml:lang="en" lang="en">The conservation treatment of the B54 Japanese Armour from the Royal Armoury in Turin</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Martina Trento</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5278"><span xml:lang="fr" lang="fr">Les propriétés, actions et principales problématiques des gels de Pemulen®TR-2</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Sofia Hennen Rodriguez</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5248"><span xml:lang="fr" lang="fr"><span xml:lang="en" lang="en">A multisciplinary approach to the study and conservation of the contemporary Sarah Lucas’ papier-maché sculpture </span><em><span xml:lang="en" lang="en">Love </span></em><em>Me </em></span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Fabiola Rocco</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5263"><span xml:lang="en" lang="en">Testing phenol formaldehyde composite insulation material for conservation purposes</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Tabea Rude</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5314"><span xml:lang="fr" lang="fr">Une alternative réversible pour le comblement des lacunes des œuvres et objets d’art en polyester stratifié</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Isabelle Cuoco</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5264"><span xml:lang="fr" lang="fr">The study and conservation of the 20th century wooden chest and its Lepidoptera collection</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Júlia Tauber</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5373"><span xml:lang="fr" lang="fr">Etude et conservation-restauration d’un <em>Qilin</em> en émail cloisonné chinois provenant du musée des Arts décoratifs de Paris</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Aude Lafitte</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5238"><span xml:lang="fr" lang="fr">The conservation of a 19th century framed miniature portrait painted on ivory</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Violeta Machado Prin</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5224"><span xml:lang="fr" lang="fr">The Restoration of the Panel Painting depicting the Adoration of Shepherds with a Saint Bishop</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Claudia Cricchio</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Comptes-rendus</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5334"><span xml:lang="fr" lang="fr">Alain Roche, <em>La Conservation des peintures modernes et contemporaines</em></span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Nico Broers</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5336"><span xml:lang="fr" lang="fr"><em>Patrimonialisations croisées. Jeux d’échelles et enjeux de développement </em>(dir. O.Givre et M.Regnault)</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Edouard Nzoyihera</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5370"><span xml:lang="fr" lang="fr">David A. Scott, <em>Authenticity, Restoration, Forgery </em></span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Muriel Verbeeck-Boutin</div>
            </li>
          </ul>
        </li>
      </ul>]]></description>
    <link>http://journals.openedition.org/ceroart/5223</link>
    <dc:date>2017-12-01</dc:date>
  </item>
  <item rdf:about="http://journals.openedition.org/ceroart/5012">
    <title>HS | 2017 &#8211; Education and Research in Conservation-Restoration</title>
    <description><![CDATA[<img alt="JaquetteHS2017" src="http://journals.openedition.org/ceroart/docannexe/file/5200/maquettehsceroart-small200.jpg" /><ul class="summary">
        <li>
          <div class="title"><a href="http://journals.openedition.org/ceroart/5016">Editorial</a> <span class="fullText">[Full text]</span></div>
          <div class="author">Nico Broers and Muriel Verbeeck-Boutin</div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ceroart/5014">Foreword</a> <span class="fullText">[Full text]</span></div>
          <div class="author">Rupert Featherstone</div>
        </li>
        <li>
          <div class="publititle"><strong>Communications</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5029">Research as an integral part of conservation- restoration education </a> <span class="fullText">[Full text]</span></div>
              <div class="author">René Larsen and Cecil Krarup Andersen</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5019">Research and Teaching – an Indispensible Requirement of Academic Conservation-Restoration Education</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Sebastian Dobrusskin</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5055">Teaching undergraduates research skills by doing and reflecting</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Douwtje van der Meulen</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5051">The role of educators in promoting collaborative research</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Stavroula Golfomitsou, Theocharis Katrakazis and Alison Heritage</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5089">The Postgraduate Research Methods Course in Conservation: The Practical Approach Taken at the University of Gothenburg</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Elizabeth E. Peacock</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5064">Education and Research in New Materials: Looking at the market, working with manufacturers</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Silvia G. Fernandez-Villa, Margarita San Andrés, Ruth Chércoles and Isabel M. García</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Posters</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5137">The mist-lining technique: a look into the mechanical performance and the adhesive bond strength of selected lining materials</a> <span class="fullText">[Full text]</span></div>
              <div class="author">L. Bertomeu Contreras, L. Fuster López and A. Vicente Escuder</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5127">Study of organic residues in vessels of archaeological origin with physicochemical analytical techniques</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Koupadi Kyriaki</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5071">Human hair in contemporary art: conservation issues and solutions</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Amélie Pirotte</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5165">Material study and conservation of face-mounted photographs and digital prints</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Mireya Arenas and Silvia Garcia Fernandez-Villa</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5080">MA-XRF and OCT techniques as tools for identification of past renovation attempts as well as aid in current restoration treatment of the painting ‘Christ before Caiaphas’</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Anna Faron</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5152">Study of the mechanical properties of selected animal glues and their implication when  designing conservation strategies</a> <span class="fullText">[Full text]</span></div>
              <div class="author">A. Melià-Angulo, L. Fuster-López and A.Vicente- Escuder</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5099">History of materials: a new tool for conservation of glass and ceramics</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Carla Machado, Fernanda Carvalho, Marta Pessoa e Costa and Sara Martins</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5105">Painting on copper: The preparatory layer</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Daniel Vega, Isabel Pombo Cardoso and Leslie Carlyle</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5115">The Trinity with Saints formerly Attributed to Jacopo Palma the Younger</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Dóra Fekete, Judit Fiam, Edit Miko and Rebeka Tisla</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/5177">The Making of History – or the Synergy Effect Between Contract Archaeology, the Conservation Institute and Museums</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Vivian Smits</div>
            </li>
          </ul>
        </li>
      </ul>]]></description>
    <link>http://journals.openedition.org/ceroart/5012</link>
    <dc:date>2017-05-22</dc:date>
  </item>
  <item rdf:about="http://journals.openedition.org/ceroart/4813">
    <title>EGG 5 | 2016 &#8211; EGG 2014-2015</title>
    <description><![CDATA[<img alt="jaquette2014-2015" src="http://journals.openedition.org/ceroart/docannexe/file/4994/ceroarthsegg2011-small200.jpg" /><ul class="summary">
        <li>
          <div class="title"><a href="http://journals.openedition.org/ceroart/4988">Éditorial</a> <span class="fullText">[Full text]</span></div>
          <div class="author">Muriel Verbeeck-Boutin</div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ceroart/4986">Foreword</a> <span class="fullText">[Full text]</span></div>
          <div class="author">Kate Seymour</div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ceroart/4989">In memoriam – Paul Philippot</a> <span class="fullText">[Full text]</span></div>
          <div class="author">Muriel Verbeeck-Boutin</div>
        </li>
        <li>
          <div class="publititle"><strong>Dossier</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4960">Restoring Lumino-Kinetic art </a> <span class="fullText">[Full text]</span></div>
              <div class="author">Olivier Steib</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4956">Restaurer l’art lumino-cinétique</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Olivier Steib</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4944">Conservation concept for the treatment of biologically induced encrustations and formation of tufa</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Martina Haselberger</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4855">Traitement localisé des produits de corrosion du plomb d’une bulle papale attachée à son parchemin</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Celia Fontaine</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4909">Study of discoloured iron-gall ink inscriptions – case of the Gradual of Lviv Benedictines from Krzeszow</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Aleksandra Surmak</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4933">Étude préalable à la restauration d'un objet technico-scientifique contemporain</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Rémy Geindreau</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4918">Canvas support impregnation materials and techniques: a study of Portuguese painting and its conservation issues </a> <span class="fullText">[Full text]</span></div>
              <div class="author">Andréa Carolina Teixeira</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4845">Contamination des collections naturalisées traitées aux biocides et mesures de conservation préventive</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Marion Dangeon</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4822">Remplacement de la triéthanolamine au sein des savons résiniques et biliaires de R. Wolbers</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Camille Polkownik</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4992">Replacing the triethanolamine in Wolbers’ resin and bile soaps</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Camille Polkownik</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4961">Conservation-Restauration de la peinture sous verre « Digitale » d’Auguste Scévenels</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Adeline Vanryckel</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4924">Conservation and restoration of two wall painting fragments by Bernardino Luini </a> <span class="fullText">[Full text]</span></div>
              <div class="author">Giulia Gregori</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4904">Les adhésifs à photopolymérisation radicalaire employés pour le collage structural du verre en conservation-restauration</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Sandra Gillioz</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4814">A wall painting from the <em>domus</em> of Palazzo Govone-Caratti at <em>Alba Pompeia </em>(Italy)</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Greta Acuto</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4865">L'impression  3 D au service du traitement de conservation-restauration d'une cruche en terre cuite gallo-romaine</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Sophie Hawotte</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4834">Etude comparative de la résistance à l’abrasion de trois fixatifs utilisés comme consolidant de techniques graphiques</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Anne Laure Gautier</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4894">Workshop of the painter Gottfried Ezekiel – the technique of 18th-century decorations in Bodø (Norway)</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Klaudia Rajmann</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4877">Spécificités de la conservation muséale de fragments d'environnements d'art brut </a> <span class="fullText">[Full text]</span></div>
              <div class="author">Mélanie Paul-Hazard</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Annonces et Actualités</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4987">ICOM-CC Working Groups:Historic and modern assemblages: treatments of wood based multimedia artworks/interiors in context</a> <span class="fullText"></span></div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4985">ENCORE 2016 – General Assembly and symposium &#34;Education and Research in Conservation-Restoration&#34;</a> <span class="fullText"></span></div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4984">IIC 2016 – Crossing Boundaries to Conserve Contemporary Works</a> <span class="fullText"></span></div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Comptes-rendus</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4978">Silvia PAÏN,  <em>Manuel de gestion du mobilier archéologique, Méthodologie et pratiques, </em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Noémie Drouguet</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4973">Ségolène BERGEON LANGLE, Georges BRUNEL,  <em>La restauration des oeuvres d'art : Vade-mecum en quelques mots</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Muriel Verbeeck-Boutin</div>
            </li>
          </ul>
        </li>
      </ul>]]></description>
    <link>http://journals.openedition.org/ceroart/4813</link>
    <dc:date>2016-01-11</dc:date>
  </item>
  <item rdf:about="http://journals.openedition.org/ceroart/4506">
    <title>HS | 2015 &#8211; Mélanges en l’honneur de Roger Marijnissen</title>
    <description><![CDATA[<img alt="Renart lit" src="http://journals.openedition.org/ceroart/docannexe/file/4811/fuchs.margin__mmw10f50_f6r__detail-small200.jpg" /><ul class="summary">
        <li>
          <div class="publititle"><strong>Portrait de Maître</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4782">Hommage à Roger H. Marijnissen</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Muriel Verbeeck</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4801">Tribute to Roger H. Marijnissen</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Muriel Verbeeck</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4785">Degradation, Conservation, and Restoration of Works of Art: Historical Overview</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Roger Marijnissen</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4768">Bibliography</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Roger Marijnissen</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4646">Observation begins with the one who is observing</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Roger Marijnissen and Eric De Bruyn</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Mélanges</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4623">From Roger Marijnissen’s Historical overview to the present day: some thoughts concerning half a century’s development of Conservation History as a discipline </a> <span class="fullText">[Full text]</span></div>
              <div class="author">Mireille te Marvelde</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4508">Vignettes of interdisciplinary technical art history investigation </a> <span class="fullText">[Full text]</span></div>
              <div class="author">Joyce Hill Stoner</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4627">L’Éloge du doute en Restauration des œuvres d’art</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Ségolène Bergeon Langle</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4639">La foire aux valeurs</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Georges Brunel</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4653">“Who is Afraid of Cesare Brandi?” Personal reflections on the <em>Teoria del restauro</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Salvador Muñoz Viñas</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4619">To retouch or not to retouch?  – Reflections on the aesthetic completion of wall paintings</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Isabelle Brajer</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4765"> « Leave it or take it away »: ethical considerations on the removal of overpaintings</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Maximiliaan P.J. Martens</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4625">The ongoing conservation of the Ghent Altarpiece 2012-2015</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Anne Van Grevenstein</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4727">Témoignage d’une ex - jeune lectrice</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Marie Berducou</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4795">Témoignage d’une restauratrice de peintures</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Véronique Sorano-Stedman</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4799">The spectator as a spiritual conservator of artistic heritage. Roger Marijnissen on museum education</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Willem Elias</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4744">Please: Don’t spruce up built heritage but preserve it as an authentic historic document!</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Ursula Schädler-Saub</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4749">L’Antiphonaire d’Oosteeklo et son enlumineur (Cornelia van Wulfschkercke ?)</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Dominique Vanwijnsberghe</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4776"><em>La Chute d’Icare</em> des Musées royaux des Beaux-Arts de Belgique réattribuée par l'examen de laboratoire</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Léopold Kockaert</div>
            </li>
          </ul>
        </li>
      </ul>]]></description>
    <link>http://journals.openedition.org/ceroart/4506</link>
    <dc:date>2015-06-10</dc:date>
  </item>
  <item rdf:about="http://journals.openedition.org/ceroart/4484">
    <title>10 | 2015 &#8211; La restauration, carrefour d’interrelations</title>
    <description><![CDATA[<img alt="Jaquette 2015" src="http://journals.openedition.org/ceroart/docannexe/file/4618/jaquette10_2015-small200.jpg" /><ul class="summary">
        <li>
          <div class="title"><a href="http://journals.openedition.org/ceroart/4516">Introduction</a> <span class="fullText">[Full text]</span></div>
          <div class="author">Muriel Verbeeck-Boutin</div>
        </li>
        <li>
          <div class="publititle"><strong>Électron libre</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4570">Interrelations, oui mais…</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Véronique Sorano-Stedman</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4586">Interrelations, yes but…</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Véronique Sorano-Stedman</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Coup de projecteur</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4514">Un nouveau cursus en conservation-restauration à l’Académie des Beaux-Arts de Kinshasa</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Nicole Gesché-Koning</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Dossier</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4495">Expertise, concertation et réalisations : l’expérience du Centre de Conservation du Québec (CCQ)</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Delphine Laureau and René Bouchard</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4520">L’exemple de la restauration des luminaires de la synagogue de la Victoire</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Nicolas Imbert and Marc Verdure</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4545">Autour d’un <em>Outrenoir</em> de Pierre Soulages </a> <span class="fullText">[Full text]</span></div>
              <div class="author">Pauline Hélou-de la Grandière and Amandine Meunier</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4562">Research and Encounters around the Conservation of a Vietnamese War Painting </a> <span class="fullText">[Full text]</span></div>
              <div class="author">Sabine Cotte</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4556">Lost in Reintegration?</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Magdalena Grenda</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Casus</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4486">Utilisation d’un adhésif  à polymérisation UV  pour combler les surfaces  lacunaires d’objets d’art en verre ou à revêtements vitreux </a> <span class="fullText">[Full text]</span></div>
              <div class="author">Viviane Bechoux, Thierry Fouquet, Pierre Verge and Joao A. S. Bomfim</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Annonces et actualités</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4615">Roberto Longhi, Cesare Brandi, Alessandro Conti</a> <span class="fullText"></span></div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4617">FUTURE TALKS 015. Processes. The Making of Design and Modern Art Materials, Technologies and Conservation Strategies</a> <span class="fullText"></span></div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4614">The Explicit Material: On the Intersections of Cultures of Curation and Conservation</a> <span class="fullText"></span></div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4583">Colour context </a> <span class="fullText"></span></div>
              <div class="author">Sylvie Neven</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4616">Flesh, Gold and Wood</a> <span class="fullText"></span></div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Comptes-rendus</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4572">Jean-Jacques Ezrati, <em>Eclairage d'exposition. Musées et autres espaces, </em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Noémie Drouguet</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4594">Julie BAWIN, <em>L'artiste commissaire, entre posture critique, jeu créatif et valeur ajoutée</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Noémie Drouguet</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ceroart/4592">Pascal LABREUCHE,<em> Guide historique des fournisseurs de matériel pour Artistes à Paris, 1790-1960</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Muriel Verbeeck-Boutin</div>
            </li>
          </ul>
        </li>
      </ul>]]></description>
    <link>http://journals.openedition.org/ceroart/4484</link>
    <dc:date>2015-04-07</dc:date>
  </item>
</rdf:RDF>