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26.1 | 2003
Genre/Gender

https://doi.org/10.4000/123zw

Edited by Sheila Collingwood-Whittick

26.1 | 2003 - Genre/Gender

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Credits: © Patrick Chézaud

Sheila Collingwood-Whittick

Genre/Gender: Introduction [Full text]
Xavier Pons

To Be a Man and to Have a Man: Sex, Gender and Ethnicity in Christos Tsiolkas’ Loaded [Full text]
Vicki Briault Manus

The Interaction of ‘Race’ and Gender as Cultural Constructs in Tsitsi Dangarembga’s Nervous Conditions [Full text]
Myriam Louviot

Genre and Gender in Butterfly Burning: Yvonne Vera’s Elliptical Writing [Full text]
Sue Ryan-Fazilleau

White Form, Aboriginal Content: Philip McLaren’s Scream Black Murder [Full text]
Philip Whyte

Gender and Epic in Syl Cheney-Coker’s The Last Harmattan of Alusine Dunbar [Full text]
Mélanie Joseph-Vilain

Writing Woman Back into History: Magic Realism in André Brink’s Imaginings of Sand [Full text]
Gilles Macarie

‘Not His, But Her Story’. The Place of Women in Derek Walcott’s Poetry [Full text]
Christine Texier-Vandamme

The Songlines: Blurring the Edges of Traditional Genres in Search of a New Nomadic Aesthetics [Full text]
André Dodeman

Vicissitude in Hugh MacLennan’s The Watch That Ends the Night [Full text]
Claire Omhovère

Rudy Wiebe and Yvonne Johnson’s Stolen Life: the Journey of a Cree Woman: A Peregrination Through Gender and Genre [Full text]

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