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Credits: Photograph: © Raquel Fonseca

• Geetha Ganapathy-Doré and Benaouda Lebdai
  Behind the Scenes: Foreword [Full text]
• Cécile Birks
  ‘Nothing is worse than what we can imagine’: Secrecy and Allegory in J.M. Coetzee’s Waiting for the Barbarians and Disgrace [Full text]
• Richard Samin
  Revelation and Veridiction: Modes of Disclosure in Alex La Guma’s In the Fog of the Season’s End and Mark Behr’s The Smell of Apples [Full text]
• Xavier Pons
  “I have to work right through this white way of thinking” – the Deconstruction of Discourses of Whiteness in Kim Scott’s Benang [Full text]
• Chantal Zabus
  Behind the Seine and Other Scenery: African and European Male Intimacies in Western Cities [Full text]
• Françoise Král
  The Resilient Opacity of Vassanji’s The In-Between World of Vikram Lall [Full text]
• Philip Whyte
  The Treatment of Background in Kazuo Ishiguro’s The Remains of the Day [Full text]
• Suhasini Vincent
  Celluloid Dreams in Shashi Tharoor’s Show Business [Full text]
• Alice Braun
  The Author at Work – Two Short Stories by Janet Frame [Full text]

• Review Essays

  • James Gibbs
    Geoffrey V. Davis and Anne Fuchs, eds., Staging New Britain: Aspects of Black and South Asian British Theatre Practice [Full text]
  • Christine Lorre
    Jane Stafford and Mark Williams, Maoriland: New Zealand Literature, 1872-1914 [Full text]
  • Suzanne Bray
    Gilles Teulié, ed., Religious Writings & War / Les discours religieux et la guerre [Full text]
  • Geetha Ganapathy-Doré
    Peter Morey and Alex Tickell, Alternative Indias, Writing, Nation and Communalism [Full text]
  • Katalin Egri Ku-Mesu
    T. J. Cribb, ed., The Power of the Word / La puissance du verbe: The Cambridge Colloquia [Full text]

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