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• Special feature

  • Nathanel Amar
    Editorial [Full text]
    Including Music in the Sinophone, Provincializing Chinese Music
  • Nga Li Lam
    “The Song of Selling Olives”: Acoustic Experience and Cantonese Identity in Canton, Hong Kong, and Macau across the Great Divide of 1949 [Full text]
  • Amy Anderson and Darren Byler
    “Eating Hanness”: Uyghur Musical Tradition in a Time of Re-education [Full text]
  • Eugénie Grenier Borel
    The Shanghai Conservatory of Music and its Rhetoric [Full text]
    Building a World Class Musical Institution with Chinese Characteristics
  • Tian Li
    “Bang Bang Bang” – Nonsense or an Alternative Language? The Lingualscape in the Chinese Remake of I Am a Singer [Full text]

• Article

  • Justin Wu
    Politiques de l’imagination à Formose : contester le multi-culturalisme, les traditions et la mémoire historique dans Ten Years Taiwan [Full text]
    The Politics of Imagining Formosa: Contesting Multiculturalism, Tradition, and Historical Memory in Ten Years Taiwan

• Current affairs

  • Liao Liao, Chong Zhang and Jianfeng Feng
    The Involvement of Planners in Community Planning: A Promising Model for Chinese Local Governance? [Full text]
  • Ge Zhang and Jian Xu
    A Brief Genealogy of Hanmai [Full text]

• Film review

  • Judith Pernin
    WANG, Bing 王兵. 2018. Dead Souls (Si Linghun 死靈魂). 495 min. DVD: Icarus Films and Grasshopper Film. [Full text]

• Book reviews

  • Sabine Chrétien-Ichikawa
    LING, Wessie, and Simona SEGRE-REINACH. 2018. Fashion in Multiple Chinas: Chinese Styles in the Transglobal Landscape. London: I.B. Tauris. [Full text]
    Book review
  • Jessica Yeung
    DAI Jinhua. 2018. After the Post-Cold War: The Future of Chinese History. Durham, NC: Duke University Press. [Full text]
    Book review
  • Doris Sung
    WELLAND, Sasha Su-Ling. 2018. Experimental Beijing: Gender and Globalization in Chinese Contemporary Art. Durham, NC: Duke University Press. [Full text]

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