Editorial Note
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1The current issue consists of four translated essays written all originally published in issues 20 and 21 of Cipango. Other essays not translated here are detailed in the “Introduction” by Pascal Griolet, who supervised and edited the two issues on Japanese performing arts.
2One of the authors, Jean‑Jacques Tschudin, an eminent specialist of Japanese theatre and well‑known translator of Japanese literature, passed away in 2013. On behalf of the committees I would like to express our deep sadness here. I would also thank the CRCAO (East Asian Civilisations Research Centre) where Jean‑Jacques Tschudin carried out his research activities and which granted financial support for translating his essay.
References
Electronic reference
Dan Fujiwara, “Editorial Note”, Cipango - French Journal of Japanese Studies [Online], 5 | 2016, Online since 20 June 2019, connection on 19 January 2026. URL: http://journals.openedition.org/cjs/1259; DOI: https://doi.org/10.4000/cjs.1259
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