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31 | 2021
Usage(r)s des plateformes : les publics de l’audiovisuel à la demande

This Special Issue proposes to examine digital platforms for broadcasting audiovisual content by looking at their “audiences.” If the economic activities within cultural industries are organized for several years towards the broadcasting on digital platforms, it is the analysis of the business models of these new distribution actors (often through the notion of intermediation) which has especially attracted attention of researchers in information and communication sciences. This issue seeks to enlighten francophones contemporary works. By examining different types of audiences, platforms and communication contexts, through the use of a variety of methodologies, the authors show how “online” audiovisual consumption practices are now part of a long history of film viewing.

Editor’s notes

Dossier coordonné par :
Chloé Delaporte, Université Paul Valéry Montpellier 3, France
Quentin Mazel, Université Sorbonne Nouvelle Paris 3, France

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