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Print : « Je suis la cloison »

Elisabeth Ballet

The issue 50 of CRITIQUE D’ART is made in collaboration with Elisabeth Ballet. The artist has received an invitation to intervene in the printed journal and to produce a limited, numbered and signed original edition. This artist’s multiple is based on the portrait published in this issue (pages 92-95).

« No oeuvre is more wrongfully immediate and classifiable than Elisabeth Ballet’s. […] Are Elisabeth Ballet’s spare pieces (sculptures, drawings, films, sound works) formalist? They are rather vehicles giving access to reality, including when “the impossible is reality”, to borrow Jacques Lacan’s words. The reality that the artist is trying to see actually turns out to be extremely demanding and intangible »

Jean-Marc Huitorel, « Portrait », CRITIQUE D’ART, n°50, Spring/Summer 2018, p. 92-95

Image 1000000000000DD700000B1EE48DFF37.jpg

Original edition, numbered and signed by the artist Elisabeth Ballet. Printed by the Atelier Arcay on paper Hahnemühle photo Rag ultra smooth 305 gr - 61 x 49 cm - 40 copies available

Preferential price for the subscribers of CRITIQUE D’ART : 170 €

Special offer up to the 1rst of September 2018 : 200 €

Public retail price  : 300 €

Flat shipping cost for postal delivery : 5 €

By following the series proposed in CRITIQUE D’ART, you will acquire a collection of limited editions of original art objects at a moderate price.

Contact: aca-editions@univ-rennes2.fr

All the artists’prints proposed by CRITIQUE D’ART at

www.archivesdelacritiquedart

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