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Social Practices and Art: Potential ambiguity, crucial pedagogy

EN
Renata Marquez
p. 61-71
Translation(s):
Les Pratiques sociales et l’art : ambiguïtés potentielles et pédagogie cruciale
Propositions for Non-Fascist Living: Tentative and Urgent
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Utrecht : BAK - basis voor aktuele kunst ; Cambridge : MIT Press, 2019, 200p. ill. en noir et en coul. 17 x 12cm, (BAK’s Basics), eng

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New York : Routledge, 2020, 224p. ill. en noir et en coul. 26 x 18cm, (Routledge Research in Art and Politics), eng

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São Paulo : SESC - Serviço social do comércio, 2019, 2 vol. 80p. 80p. + 1 dépl. ill. en noir et en coul. 24 x 18cm, por

Biogr.

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AI-5 50 anos : ainda não terminou de acabar = AI-5 50 years: it still isn’t over yet
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São Paulo : Instituto Tomie Ohtake, 2019, 588p. ill. en noir et en coul. 21 x 16cm, por/eng

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Sous la dir. de Paulo Miyada

Conflictual Aesthetics: Artistic Activism and the Public Sphere
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Berlin : Sternberg Press, 2019, 190p. 20 x 14cm, eng

ISBN : 9783956792045. _ 18,00 €

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Excerpt

Full text document will be published online on June 2021.

First lines

I am writing in Brazil, and this detail is significant in relation to the topic I am addressing. A week before our country was officially invaded by Coronavirus, I was lucky enough to visit Lá Da F...

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References

Bibliographical reference

Renata Marquez, « Social Practices and Art: Potential ambiguity, crucial pedagogy », Critique d’art, 54 | 2020, 61-71.

Electronic reference

Renata Marquez, « Social Practices and Art: Potential ambiguity, crucial pedagogy », Critique d’art [Online], 54 | Printemps/été 2020, Online since 04 June 2021, connection on 28 September 2020. URL : http://journals.openedition.org/critiquedart/62036 ; DOI : https://doi.org/10.4000/critiquedart.62036

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About the author

Renata Marquez

Renata Marquez is professor of Art Criticism at the School of Architecture and Design, at the Federal University of Minas Gerais, Brazil. She is one of the editors of Piseagrama magazine, dedicated to the discussion of the public sphere. She was a curator at the Pampulha Art Museum and her practice focuses on the relationships between art, space, other fields of knowledge and other cosmociences. Her publications include Domesticidades (2010), Atlas Ambulante (2011), Escavar o Futuro (2014), Urbe Urge (2018) and Geografias Portáteis (2019). Exhibitions include Pampulha Art Museum Program (2011-2012), País Paisagem (2011), Escavar o Futuro (2013) and Mundos Indígenas (2019).

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