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    <title>Études britanniques contemporaines</title>
    <link>http://journals.openedition.org/ebc</link>
    <description>Revue spécialisée dans la littérature et les arts britanniques de 1914 à nos jours // Specialised journal in British literature and arts from 1914 to the present</description>                      
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    <title>70 | 2026 &#8211; Transition</title>
    <description><![CDATA[<img alt="Couverture EBC n°70" src="http://journals.openedition.org/ebc/docannexe/file/19601/couv_ebc_70_2026-small200.jpg" /><div class="introduction" lang="fr">
        <p>Ce num&#233;ro d&#8217;<em>&#201;tudes britanniques contemporaines</em> est issu des travaux de l&#8217;atelier SEAC-La Nouvelle du congr&#232;s de la Soci&#233;t&#233; des Anglicistes de l&#8217;Enseignement Sup&#233;rieur qui a &#233;t&#233; organis&#233; par les coll&#232;gues de l&#8217;Universit&#233; Toulouse Jean-Jaur&#232;s en juin 2025. Tous nos remerciements s&#8217;adressent aux membres du comit&#233; d&#8217;organisation de cette manifestation.</p>
      </div>
      <div class="introduction" lang="en">
        <p>This issue of <em>&#201;tudes britanniques contemporaines</em> offers a selection of papers given during the SEAC-La Nouvelle 2025 SAES conference hosted by Toulouse jean-Jaur&#232;s University. We would like to express our gratitude to the members of the organising committee of this event.</p>
      </div>
      <ul class="summary">
        <li>
          <div class="publititle"><strong><em>Transition(s)</em></strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/18742"><span xml:lang="en" lang="en">Introduction: Worlds in Transitions</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Vanessa Guignery</div>
              <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">Introduction : Mondes en transition</span></div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/18781"><span xml:lang="en" lang="en">Towards Hybridization: Prosthetics and Ontological Transitions in Harry Parker’s </span><em><span xml:lang="en" lang="en">Hybrid Humans </span></em><span xml:lang="en" lang="en">and Kazuo Ishiguro’s </span><em><span xml:lang="en" lang="en">Klara and the Sun</span></em></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Katia Marcellin</div>
              <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">Vers l’hybridation : prothèses et transitions ontologiques dans <em>Hybrid Humans</em> de Harry Parker et <em>Klara and the Sun</em> de Kazuo Ishiguro</span></div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/19607">Loving the Machine: A Transition to Posthuman Intimacy in Ian McEwan’s <em>Machines Like Me</em> (2019)</a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Adrien Spiga</div>
              <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">Aimer une machine : vers une intimité posthumaine dans <em>Machines Like Me</em> (2019)</span></div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/18812"><em>Atemwende </em>comme espace de transition : apprendre à respirer dans <em>The Selfless Act of Breathing</em> de JJ Bola (2021)</a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Amanda Benmouloud</div>
              <div class="altertitle foreign" xml:lang="en" lang="en"><span xml:lang="en" lang="en"><em><span xml:lang="en" lang="en">Atemwende</span></em><span xml:lang="en" lang="en"> as a Transitional Space: Learning to Breathe in JJ Bola’s </span><em><span xml:lang="en" lang="en">The Selfless Act of Breathing</span></em><span xml:lang="en" lang="en"> (2021)</span></span></div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/18901"><span xml:lang="en" lang="en">From Multiculturalism to </span><span xml:lang="en" lang="en">Transculturalism: the Case for a Transition to ‘Constructive Deconstruction’ in Caribbean Diasporic Novels in Britain</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Anne-Élise Pinzaru</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/19009"><span xml:lang="en" lang="en">‘Tangles of What-Might-Have-Been’: Destiny as Shapeshifting Forces in Daisy Johnson’s </span><em><span xml:lang="en" lang="en">Everything Under</span></em></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Laurent Trèves</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/19038"><span xml:lang="en" lang="en">From the </span><span xml:lang="en" lang="en">Old World to the New: Transitions from </span><em><span xml:lang="en" lang="en">Lorenzo in Taos</span></em><span xml:lang="en" lang="en"> to Rachel Cusk’s </span><em><span xml:lang="en" lang="en">Second Place</span></em></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Tim Gupwell</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/19125"><span xml:lang="en" lang="en">Transition Towards a British Feminist Art History: 1970s Feminist Collective WAHC’s Role in Subverting a Gendered Discipline</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Emma Roques</div>
              <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">Transition vers une histoire de l’art féministe britannique : le rôle du WAHC, collectif féministe, dans la remise en cause d’une discipline genrée </span></div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong><em>Varia</em></strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/19262"><span xml:lang="en" lang="en">From Being to Becoming: ‘Female Will’ and the Politics of Human-to-Animal Transformation in Sarah Hall’s </span><em><span xml:lang="en" lang="en">Mrs Fox</span></em><span xml:lang="en" lang="en"> (2013)</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Susana Onega</div>
              <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">De l’être au devenir : « volonté féminine » et politique de la transformation humain-animal dans <em>Mrs Fox</em> de Sarah Hall (2013)</span></div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/19393"><span xml:lang="en" lang="en">‘I keep my head down, quite invisible in this picture-book scene’: Poetics and Politics of </span><span xml:lang="en" lang="en">In/visibility in Yrsa Daley-Ward’s </span><em><span xml:lang="en" lang="en">The Terrible: A Storyteller’s Memoir</span></em><span xml:lang="en" lang="en"> (2018)</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Cédric Courtois</div>
              <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr"><span xml:lang="en" lang="en">« I keep my head down, quite invisible in this picture-book scene » : poétique et politique de l’in/visibilité dans </span><em><span xml:lang="en" lang="en">The Terrible: A Storyteller’s Memoir</span></em><span xml:lang="en" lang="en"> (2018) d’Yrsa Daley-Ward</span></span></div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Compte rendu</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/19447"><em>Les Peintres de la </em><em>première guerre mondiale. Artistes, puissance publique et construction de la mémoire</em>, Anne-Pascale Bruneau-Rumsey et Séverine Letalleur-Sommer (dir.)</a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Sophie Aymes</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/19464"><em>Virginia Woolf and the Age of Listening / Virginia Woolf à l’ère de l’écoute</em>, Adèle Cassigneul and Anne-Marie Smith-Di Biasio (eds.)</a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Xavier Le Brun</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/19482"><em><span xml:lang="en" lang="en">Katherine Mansfield and Germany: Influences, Interactions, Afterlives</span></em><span xml:lang="en" lang="en">, Janet W. Wilson and Tracy Miao (eds.)</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Juliana Lopoukhine</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/19509"><em>Kathleen Raine: A Voice for the Twenty-First Century</em>, Garnier-Tardieu Claire and Jessica Stephens (eds.)</a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Claire Hélie</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/19535"><em><span xml:lang="en" lang="en">Post-Heritage Perspectives on British </span></em><em><span xml:lang="en" lang="en">Period Drama Television</span></em><span xml:lang="en" lang="en">, Will Stanford Abbiss</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Armelle Parey</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/19554"><em><span xml:lang="en" lang="en">Landscapes of Detectorists</span></em><span xml:lang="en" lang="en">, Innes M. Keighren and Joanne Norcup (eds)</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Élodie Marias-Poyac</div>
            </li>
          </ul>
        </li>
      </ul>]]></description>
    <link>http://journals.openedition.org/ebc/18735</link>
    <dc:date>2026-05-25</dc:date>
  </item>
  <item rdf:about="http://journals.openedition.org/ebc/18527">
    <title>25 | 2003 &#8211; Colloque de la SÉAC — Oxford, septembre 2002</title>
    <description><![CDATA[<img alt="Couverture EBC n°25" src="http://journals.openedition.org/ebc/docannexe/file/18733/couv_ebc_25_2003-small200.jpg" /><ul class="summary">
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/18533"><span xml:lang="en" lang="en">Tropes and</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Heliotropes: </span><span xml:lang="en" lang="en">Writing</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">the</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Feminine</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">in</span><span xml:lang="en" lang="en"> </span><em><span xml:lang="en" lang="en">Ulysses</span></em></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Valérie Bénéjam</div>
          <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">Tropes et héliotropes: l’écriture du féminin dans <em>Ulysses</em></span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/18541">Individuation Through Contrast: the Heliotropic Displacement of the Feminine Self in <em>The Four-Gated City </em>by Doris Lessing</a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Anne-Laure Brevet</div>
          <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">L’individuation par le contraste: le déplacement ‘héliotropique’ du moi féminin</span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/18547"><span xml:lang="en" lang="en">‘Self-Portrait</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">in</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">the</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Act</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">of</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Painting </span><span xml:lang="en" lang="en">a</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Self-Portrait’:</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Tropes</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">of</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Inspiration in Medbh McGuckian’s </span><em><span xml:lang="en" lang="en">Shelmalier</span></em></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Borbála Faragó</div>
          <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">‘Autoportrait de l’artiste faisant son autoportrait’: Les tropes de l’inspiration dans <em>Shelmalier</em><em> </em>de Medbh McGuckian</span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/18560"><span xml:lang="en" lang="en">‘And</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">her</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">poor</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">dog</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">was</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">howling’: </span><span xml:lang="en" lang="en">from</span><span xml:lang="en" lang="en"> </span><em><span xml:lang="en" lang="en">Mrs</span></em><em><span xml:lang="en" lang="en"> </span></em><em><span xml:lang="en" lang="en">Dalloway</span></em><em><span xml:lang="en" lang="en"> </span></em><span xml:lang="en" lang="en">to</span><span xml:lang="en" lang="en"> </span><em><span xml:lang="en" lang="en">Flush</span></em></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Marie-Dominique Garnier</div>
          <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr"><span xml:lang="en" lang="en">‘And</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">her</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">poor</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">dog</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">was</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">howling’:</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">de</span><span xml:lang="en" lang="en"> </span><em><span xml:lang="en" lang="en">Mrs</span></em><em><span xml:lang="en" lang="en"> </span></em><em><span xml:lang="en" lang="en">Dalloway</span></em><em><span xml:lang="en" lang="en"> </span></em><span xml:lang="en" lang="en">à</span><span xml:lang="en" lang="en"> </span><em><span xml:lang="en" lang="en">Flush</span></em></span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/18568"><span xml:lang="en" lang="en">Peter</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Greenaway</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">and</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">the</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Ethics</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">of</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Systems</span></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Lawrence Gasquet</div>
          <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">Les <em>Allegories</em><em> </em>de Peter Greenaway, ou l’éthique des systèmes</span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/18582">Modern Ethics</a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Claire Joubert</div>
          <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">L’éthique moderne</span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/18596"><em><span xml:lang="en" lang="en">The</span></em><em><span xml:lang="en" lang="en"> </span></em><em><span xml:lang="en" lang="en">Waves</span></em><span xml:lang="en" lang="en">:</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Writing</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">the </span><span xml:lang="en" lang="en">Feminine</span></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Sophie Marret</div>
          <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr"><em>The</em><em> </em><em>Waves</em>: écrire le féminin</span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/18606">‘I am another woman’: Tropes and the Metamorphosis of Gender Roles in <em>Rebecca </em>by Daphne du Maurier</a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Sylvie Maurel</div>
          <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">‘I am another woman’: tropes et métamorphoses de l’identité féminine dans <em>Rebecca</em><em> </em>de Daphné du Maurier</span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/18610"><span xml:lang="en" lang="en">A</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Philosophy</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">of</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Magical</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Rhetoric. </span>Notes on Jeanette Winterson’s Dancing Lesson</a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Frédéric Regard</div>
          <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">Magie de la rhétorique. Lecture philosophique de la leçon de danse chez Jeanette Winterson</span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/18616"><span xml:lang="en" lang="en">Maternal</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Ethics</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">in</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">A.S.</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Byatt’s</span><span xml:lang="en" lang="en"> </span><em><span xml:lang="en" lang="en">Still</span></em><em><span xml:lang="en" lang="en"> Life</span></em></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Pascale Sardin-Damestoy</div>
          <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">Éthique de la maternité dans <em>Nature</em><em> </em><em>morte</em><em> </em>de A. S. Byatt</span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/18625"><span xml:lang="en" lang="en">Putting</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">a</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Figure</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">on</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">It:</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Tropes,</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Metaethics </span><span xml:lang="en" lang="en">and</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">the</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Raw</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Feel</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">of</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Gender</span></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Ronald Shusterman</div>
          <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">Tropes, métaéthique et expérience de l’identité sexuelle</span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/18632"><span xml:lang="en" lang="en">‘Try</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">thinking as if</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">perhaps . . .’</span></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Sarah Wood</div>
          <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">‘Essayez de penser comme si peut-être . . .’</span></div>
        </li>
        <li>
          <div class="publititle"><strong>comptes rendus</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/18666"><span xml:lang="en" lang="en">Lynn W</span><span xml:lang="en" lang="en" style="font-variant:small-caps;">ells</span><span xml:lang="en" lang="en">, </span><em><span xml:lang="en" lang="en">Allegories of Telling : Self-Referential Narrative in Contemporary British Fiction</span></em></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Jean-Michel Ganteau</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/18683">François G<span style="font-variant:small-caps;">allix</span>, <em>Graham Swift: Écrire l’imagination</em></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Christian Gutleben</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/18701"><em>L’Énigme</em>. Études réunies et présentées par Stéphane B<span style="font-variant:small-caps;">ikialo</span> et Jacques D<span style="font-variant:small-caps;">ürenmatt</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">François Gallix</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/18712">Benoît L<span style="font-variant:small-caps;">e</span> R<span style="font-variant:small-caps;">oux</span>, <em>Evelyn</em><em> </em><em>Waugh</em></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Alain Blayac</div>
            </li>
          </ul>
        </li>
      </ul>]]></description>
    <link>http://journals.openedition.org/ebc/18527</link>
    <dc:date>2026-04-15</dc:date>
  </item>
  <item rdf:about="http://journals.openedition.org/ebc/18396">
    <title>26 | 2004 &#8211; Congrès de la SAES — Grenoble</title>
    <description><![CDATA[<img alt="Couverture EBC n°26" src="http://journals.openedition.org/ebc/docannexe/file/18526/couv_ebc_26_2004-small200.jpg" /><ul class="summary">
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/18397">A Romance of the Past: Postmodernism, Representation and Historical Fiction</a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Mariadele Boccardi</div>
          <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">Le <em>romance</em><em> </em>du passé: postmodernisme, mimésis et roman historique</span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/18410">Anita Brookner’s Autobiographical Novels: Towards a Relational Subject</a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Eileen Williams-Wanquet</div>
          <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">Les romans autobiographiques d’Anita Brookner: vers un sujet relationnel</span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/18414">« Drivelling in verse » : Vikram Seth et les ambivalences du roman en vers</a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Camille Fort</div>
          <div class="altertitle foreign" xml:lang="en" lang="en"><span xml:lang="en" lang="en">Drivelling in verse : Vikram Seth revisits an ambivalent genre</span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/18418">Free Verse in Norman McCaig’s Poetry, or the World Without the Mind’s Forms</a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Dominique Delmaire</div>
          <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">Le vers libre dans la poésie de Norman MacCaig, ou le monde vu en-dehors des catégories mentales</span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/18422">Form Before Genre: ‘free verse’ and Contemporary British Poetry</a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Lacy Rumsey</div>
          <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">La forme avant le genre: le ‘vers libre’ dans la poésie britannique contemporaine</span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/18424">Le cinéma d’auteur selon Graham Greene : principes d’une « eikono-graphie »</a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Frédéric Regard</div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/18431">The Apocalypse of Gender in Angela Carter’s <em><strong>The</strong></em><em><strong> </strong></em><em><strong>Passion</strong></em><em><strong> </strong></em><em><strong>of</strong></em><em><strong> </strong></em><em><strong>New</strong></em><em><strong> </strong></em><em><strong>Eve</strong></em><em><strong> </strong></em><strong>(1977)</strong></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Michelle Ryan-Sautour</div>
          <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">L’apocalypse de l’identité sexuelle dans <em>The Passion of New Eve </em>d’Angela Carter (1977)</span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/18435">Virginia Woolf, une snob au music-hall : le spectacle de mauvais genre à la rescousse du genre littéraire</a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Caroline Marie</div>
          <div class="altertitle foreign" xml:lang="en" lang="en"><span xml:lang="en" lang="en">Virginia Woolf : a Snob at the Music Hall</span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/18439">Virginia Woolf et l’écriture cinématographique</a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Floriane Reviron</div>
          <div class="altertitle foreign" xml:lang="en" lang="en"><span xml:lang="en" lang="en">Woolf’s « The Cinema » : Towards a New Aesthetics ?</span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/18449">Sympathetic Parody : où imposer les limites du genre ? À propos de <em>The.Powerbook </em>de Jeanette Winterson</a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Jean-Michel Ganteau</div>
          <div class="altertitle foreign" xml:lang="en" lang="en"><span xml:lang="en" lang="en">Sympathetic Parody, or, The Redefinition of Generic Boundaries : Jeanette Winterson’s <em>The.Powerbook</em></span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/18456">Interview With Jeanette Winterson</a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Hélène Fau</div>
        </li>
        <li>
          <div class="publititle"><strong>comptes rendus</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/18473">Camille Fort, <em>Dérives de la parole : les récits de William Golding</em></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Alain Blayac</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/18487">Laurent Lepaludier, <em>L’Objet et le récit de fiction</em></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Alain Blayac</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/18505">Laurent Lepaludier, ed., <em>Métatextualité</em><em> </em><em>et</em><em> </em><em>métafiction :</em><em> </em><em>théorie</em><em> </em><em>et</em><em> </em><em>analyses</em></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Madelena Gonzalez</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/18511">Anne-Laure Fortin-Tournès, <em>Martin</em><em> </em><em>Amis,</em><em> </em><em>le</em><em> </em><em>postmodernisme</em><em> </em><em>en</em><em> </em><em>question</em></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Jean-Michel Ganteau</div>
            </li>
          </ul>
        </li>
      </ul>]]></description>
    <link>http://journals.openedition.org/ebc/18396</link>
    <dc:date>2026-03-12</dc:date>
  </item>
  <item rdf:about="http://journals.openedition.org/ebc/16805">
    <title>69 | 2025 &#8211; The Neo-Historical, Colloque de la SEAC, octobre 2024, Université Caen Normandie / New Materialisms, Colloque EMMA-LARCA-SEAC, novembre 2024, Université de Montpellier Paul-Valéry</title>
    <description><![CDATA[<img alt="Couverture EBC n°69" src="http://journals.openedition.org/ebc/docannexe/file/18392/couv_ebc_69_2025_2-small200.jpg" /><div class="introduction" lang="en">
        <p>This double issue of <em>&#201;tudes britanniques contemporaines</em> is the result of the annual SEAC conference organised by ERIBIA at the University of Caen Normandy on&#160;17 and 18&#160;October&#160;2024 and the EMMA-LARCA-SEAC conference organised at the University of Montpellier Paul-Val&#233;ry on&#160;7 and 8 November&#160;2024. We would like to express our sincere thanks to the organisers and the three teams involved (EMMA, ERIBIA, LARCA) as well as SEAC.</p>
      </div>
      <div class="introduction" lang="fr">
        <p>Ce double num&#233;ro d&#8217;&#201;tudes britanniques contemporaines est issu du colloque annuel de la SEAC organis&#233; par l&#8217;ERIBIA &#224; l&#8217;Universit&#233; de Caen Normandie les 17 et 18 octobre 2024 et du colloque EMMA-LARCA-SEAC organis&#233; &#224; l&#8217;Universit&#233; de Montpellier Paul-Val&#233;ry les 7 et 8 novembre 2024. Tous nos remerciements s&#8217;adressent aux organisatrices et organisateurs ainsi qu&#8217;aux trois &#233;quipes concern&#233;es (EMMA, ERIBIA, LARCA) ainsi qu&#8217;&#224; la SEAC.</p>
      </div>
      <ul class="summary">
        <li>
          <div class="publititle"><strong>Neo-historical Fiction</strong></div>
          <div class="subtitle">Colloque de la SEAC, octobre 2024, Université Caen Normandie</div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/16813"><span xml:lang="en" lang="en">Introduction: The (Neo-)historical in Contemporary English Literature and Visual Arts</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Armelle Parey</div>
              <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">Le néo-historique dans la littérature et les arts visuels britanniques contemporains</span></div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/16857"><span xml:lang="en" lang="en">Detecting the Past to Prevent a Bleak Future: Philip Kerr’s </span><em><span xml:lang="en" lang="en">Frederick, the Great Detective</span></em><span xml:lang="en" lang="en"> and the Neo-Historical Young Adult Novel</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Dorothea Flothow</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/16973">Spitting Image: Authenticity, Embodiment and Self-reflexivity in Mike Leigh’s <em>Mr Turner</em> (2014)</a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">James Dalrymple</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/17072"><span xml:lang="en" lang="en">The ‘impossible subject’: Tom Crewe’s Genealogy of Gay Culture in </span><em><span xml:lang="en" lang="en">The New Life</span></em><span xml:lang="en" lang="en"> (2023)</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Georges Letissier</div>
              <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">Le « sujet impossible » : <em>The New Life</em> (202 ») de Tom Crewe, généalogie de la culture gay</span></div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/17219"><span xml:lang="en" lang="en">The Glamour of Freedom: Rethinking the Marriage Plot in Imogen Hermes Gowar’s </span><em><span xml:lang="en" lang="en">The Mermaid and Mrs. Hancock</span></em></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Peter D. Mathews</div>
              <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">Le charme de la liberté : repenser l’intrigue matrimoniale dans <em>The Mermaid and Mrs. Hancock</em> d’Imogen Hermes Gowar</span></div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/17302"><span xml:lang="en" lang="en">The Pressure of History in </span><em><span xml:lang="en" lang="en">The Children’s Book</span></em><span xml:lang="en" lang="en"> by A.S. Byatt</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Sylvie Maurel</div>
              <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">Le poids de l’histoire dans <em>The Children’s Book</em> d’A.S. Byatt</span></div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/17387"><span xml:lang="en" lang="en">Graeme Macrae Burnet’s </span><em><span xml:lang="en" lang="en">His Bloody Project</span></em><span xml:lang="en" lang="en"> (2015): A Slippery Neo-Historical Novel</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Isabelle Roblin</div>
              <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr"><em>His Bloody Project</em> (2015) de Graeme Macrae Burnet : l’instabilité du roman néo-historique</span></div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/17449"><span xml:lang="en" lang="en">The Trial of the Pendle Witches: Exorcising Witches in Neo-Historical Poetry</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Claire Hélie</div>
              <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">Le procès des sorcières de Pendle : l’exorcisme des sorcières dans la poésie néo-historique</span></div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/17534"><span xml:lang="en" lang="en">Neo-historical Fiction, Material Realism and the Poetics of the Inventory</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Jean-Michel Ganteau</div>
              <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">La fiction néo-historique, le nouveau matérialisme et la poétique de l’inventaire</span></div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/17607"><span xml:lang="en" lang="en">‘[All] this is gone, and yet I have the power to make it immortal’</span>—<span xml:lang="en" lang="en">An Interview with Lucy Caldwell</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Armelle Parey</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>New Materialisms</strong></div>
          <div class="subtitle">Colloque EMMA-LARCA-SEAC, novembre 2024, Université de Montpellier Paul-Valéry</div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/17614"><span xml:lang="en" lang="en">Introduction: Material Realisms in Contemporary British Fiction</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Catherine Bernard et Jean-Michel Ganteau</div>
            </li>
            <li>
              <div class="publititle"><strong>Inventorying</strong></div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/ebc/17615"><span xml:lang="en" lang="en">What is It Like? The Art of Description in Contemporary Realisms</span></a> <span class="fullText">[Texte intégral]</span></div>
                  <div class="author">Emilie Walezak</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/ebc/17709"><span xml:lang="en" lang="en">‘Truly, anything can happen today’: The Material Realism of Salman Rushdie’s </span><em><span xml:lang="en" lang="en">Quichotte</span></em></a> <span class="fullText">[Texte intégral]</span></div>
                  <div class="author">Cécile Girardin</div>
                </li>
              </ul>
            </li>
            <li>
              <div class="publititle"><strong>(Anti-)pastorals</strong></div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/ebc/17788"><span xml:lang="en" lang="en">“Here’s where it all ends: a long, straight road between fields.” (Harrison 2015): Exploring the Materiality of Nature in Melissa Harrison’s Novels </span><em><span xml:lang="en" lang="en">All Among the Barley</span></em><span xml:lang="en" lang="en"> (2018) and </span><em><span xml:lang="en" lang="en">At Hawthorn Time</span></em><span xml:lang="en" lang="en"> (2015)</span></a> <span class="fullText">[Texte intégral]</span></div>
                  <div class="author">Cécile Beaufils</div>
                  <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr"><span xml:lang="en" lang="en">“Here’s where it all ends: a long, straight road between fields.” </span>(Harrison 2015): la matérialité du monde naturel dans <em>All Among the Barley</em> (2018) and <em>At Hawthorn Time</em> (2015) de Melissa Harrison</span></div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/ebc/17799"><span xml:lang="en" lang="en">The Material Realism of Pastoral: The Case of Sarah Hall’s </span><em><span xml:lang="en" lang="en">Haweswater</span></em><span xml:lang="en" lang="en"> (2002)</span></a> <span class="fullText">[Texte intégral]</span></div>
                  <div class="author">Constance Pompié</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/ebc/17817"><span xml:lang="en" lang="en">Material Realist Texturality in Daisy Johnson’s </span><em><span xml:lang="en" lang="en">Everything Under</span></em></a> <span class="fullText">[Texte intégral]</span></div>
                  <div class="author">Julia Kuznetski</div>
                  <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">Réalisme matérialiste et texturalité dans <em>Everything Under</em> de Daisy Johnson</span></div>
                </li>
              </ul>
            </li>
            <li>
              <div class="publititle"><strong>Enmeshings</strong></div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/ebc/17911"><span xml:lang="en" lang="en">Reconsidering Mimesis and Realism in Literary Prose of the First World War: the Case of Mary Borden’s </span><em><span xml:lang="en" lang="en">The Forbidden Zone</span></em></a> <span class="fullText">[Texte intégral]</span></div>
                  <div class="author">Isabelle Brasme</div>
                  <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">Réalisme traumatique et phénoménologie synesthésique de la guerre : <em>The Forbidden Zone</em> de Mary Borden</span></div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/ebc/17992"><span xml:lang="en" lang="en">‘An exercise in magical thinking’: The Troubling Matter of Will Self’s ‘Dirty Magical Realism’</span></a> <span class="fullText">[Texte intégral]</span></div>
                  <div class="author">Diane Gagneret</div>
                  <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">Le ‘réalisme magique sale’ : matérialiser la pensée, penser le (nouveau) matérialisme dans la fiction de Will Self</span></div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/ebc/18068"><span xml:lang="en" lang="en">Of Gross Reality and Personal Myths: Agential Realism in Jeanette Winterson’s </span><em><span xml:lang="en" lang="en">Weight</span></em></a> <span class="fullText">[Texte intégral]</span></div>
                  <div class="author">Andrea Raso</div>
                  <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">De la réalité brute et des mythes personnels : le réalisme agentiel dans <em>Weight</em> de Jeanette Winterson</span></div>
                </li>
              </ul>
            </li>
            <li>
              <div class="publititle"><strong>Contagion</strong></div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/ebc/18156"><span xml:lang="en" lang="en">The Poisoned Pond: Jan Carson’s Embodied Poetics and Politics of Ecosickness</span></a> <span class="fullText">[Texte intégral]</span></div>
                  <div class="author">Héloïse Lecomte</div>
                  <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">L’étang empoisonné : Poétique et Politique du Corps Contaminé dans l’œuvre de Jan Carson (<em>Les Ravissements</em>, 2022)</span></div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/ebc/18196"><span xml:lang="en" lang="en">Pandemic Realism: Exploring the Materialities of Covid-19 in Sarah Moss’s </span><em><span xml:lang="en" lang="en">The Fell</span></em></a> <span class="fullText">[Texte intégral]</span></div>
                  <div class="author">Katia Marcellin</div>
                  <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">Le Réalisme pandémique: explorer les matérialités du COVID-19 dans <em>The Fell</em> de Sarah Moss</span></div>
                </li>
              </ul>
            </li>
            <li>
              <div class="publititle"><strong>Dispossessions</strong></div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/ebc/18252"><span xml:lang="en" lang="en">Ambiguous Care in Ishiguro’s </span><em><span xml:lang="en" lang="en">Never Let Me Go</span></em><span xml:lang="en" lang="en"> and </span><em><span xml:lang="en" lang="en">Klara and the Sun</span></em></a> <span class="fullText">[Texte intégral]</span></div>
                  <div class="author">Anne-Laure Fortin-Tournès</div>
                  <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">L’Ambiguïté du care dans <em>Never Let Me Go</em> et <em>Klara and the Sun</em> de Kazuo Ishiguro</span></div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/ebc/18287"><span xml:lang="en" lang="en">Real Materialisms: From Marx’s Primitive Accumulation to Trans-corporeality in Smith’s </span><em><span xml:lang="en" lang="en">NW</span></em><span xml:lang="en" lang="en">, Lanchester’s </span><em><span xml:lang="en" lang="en">Capital</span></em><span xml:lang="en" lang="en"> and Coe’s </span><em><span xml:lang="en" lang="en">Number 11</span></em></a> <span class="fullText">[Texte intégral]</span></div>
                  <div class="author">Sara Thornton</div>
                  <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">Matérialismes réels : de l’accumulation primitive de Marx à la transcorporeéalité dans <em>NW </em>de Smith, <em>Capital</em> de Lanchester et <em>Number 11</em> de Coe</span></div>
                </li>
              </ul>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Compte rendu</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/18367"><em><span xml:lang="en" lang="en">Modernism and the Aristocracy: Monsters of English Privilege</span></em><span xml:lang="en" lang="en">, Adam Parkes</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Shirley Bricout</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/18356"><sub><em><span xml:lang="en" lang="en">May Sinclair in Her Time: Reappraising May Sinclair’s Role in Early-Twentieth-Century Literature and Philosophy</span></em></sub><span xml:lang="en" lang="en">, Leslie de Bont, Isabelle Brasme and Florence Marie (eds.)</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Georges Letissier</div>
            </li>
          </ul>
        </li>
      </ul>]]></description>
    <link>http://journals.openedition.org/ebc/16805</link>
    <dc:date>2025-12-01</dc:date>
  </item>
  <item rdf:about="http://journals.openedition.org/ebc/16688">
    <title>27 | 2004 &#8211; Colloque ERCLA-IUFM</title>
    <description><![CDATA[<img alt="Couverture EBC n°27" src="http://journals.openedition.org/ebc/docannexe/file/16803/couv_ebc_27_2004_ok-small200.jpg" /><ul class="summary">
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/16709">Avant-propos</a> <span class="fullText">[Texte intégral]</span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/16693"><span xml:lang="en" lang="en">Kazuo</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Ishiguro</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">at</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">the</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Sorbonne </span><span xml:lang="en" lang="en">20th</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">March</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">2003</span></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Franois Gallix, Vanessa Guignery et Paul Veyret</div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/16714"><span xml:lang="en" lang="en">Digressions, Palimpsests and Nostalgia </span><span xml:lang="en" lang="en">in</span><span xml:lang="en" lang="en"> </span><em><span xml:lang="en" lang="en">An</span></em><em><span xml:lang="en" lang="en"> </span></em><em><span xml:lang="en" lang="en">Artist</span></em><em><span xml:lang="en" lang="en"> </span></em><em><span xml:lang="en" lang="en">of</span></em><em><span xml:lang="en" lang="en"> </span></em><em><span xml:lang="en" lang="en">the</span></em><em><span xml:lang="en" lang="en"> </span></em><em><span xml:lang="en" lang="en">Floating</span></em><em><span xml:lang="en" lang="en"> </span></em><em><span xml:lang="en" lang="en">World</span></em></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Christine Évain</div>
          <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">Digressions, palimpsestes et nostalgie dans <em>An</em><em> </em><em>Artist</em><em> </em><em>of the Floating</em><em> </em><em>World</em></span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/16738"><span xml:lang="en" lang="en">‘Playing</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">in</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">the</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Dead</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">of</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Night’: </span><strong><span xml:lang="en" lang="en">Voice</span></strong><strong><span xml:lang="en" lang="en"> </span></strong><strong><span xml:lang="en" lang="en">and</span></strong><strong><span xml:lang="en" lang="en"> </span></strong><strong><span xml:lang="en" lang="en">Vision</span></strong><strong><span xml:lang="en" lang="en"> </span></strong><strong><span xml:lang="en" lang="en">in</span></strong><strong><span xml:lang="en" lang="en"> </span></strong><strong><span xml:lang="en" lang="en">Kazuo</span></strong><strong><span xml:lang="en" lang="en"> </span></strong><strong><span xml:lang="en" lang="en">lshiguro’s</span></strong><strong><span xml:lang="en" lang="en"> </span></strong><span xml:lang="en" lang="en">A</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Pale</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">View</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">of</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Hills</span></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Camille Fort</div>
          <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr"><span xml:lang="en" lang="en">‘Playing</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">in</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">the</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">dead</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">of</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">night’:</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">le</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">dire</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">et</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">le voir</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">dans</span><span xml:lang="en" lang="en"> </span><em><span xml:lang="en" lang="en">A</span></em><em><span xml:lang="en" lang="en"> </span></em><em><span xml:lang="en" lang="en">Pale</span></em><em><span xml:lang="en" lang="en"> </span></em><em><span xml:lang="en" lang="en">View</span></em><em><span xml:lang="en" lang="en"> </span></em><em><span xml:lang="en" lang="en">of Bills</span></em><em><span xml:lang="en" lang="en"> </span></em><span xml:lang="en" lang="en">de</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Kazuo </span><span xml:lang="en" lang="en">Ishiguro.</span></span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/16745"><span xml:lang="en" lang="en">The</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Strange</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Case</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">of</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Christopher</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Banks </span><span xml:lang="en" lang="en">in</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Kazuo</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Ishiguro’s</span><span xml:lang="en" lang="en"> </span><em><span xml:lang="en" lang="en">When</span></em><em><span xml:lang="en" lang="en"> </span></em><em><span xml:lang="en" lang="en">We Were</span></em><em><span xml:lang="en" lang="en"> </span></em><em><span xml:lang="en" lang="en">Orphans</span></em></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Hélène Machinal</div>
          <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">Un cas étrange: Christopher Banks dans <em>When We Were Orphans</em><em> </em>de K. Ishiguro. </span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/16747"><em><strong><span xml:lang="en" lang="en">When</span></strong></em><em><strong><span xml:lang="en" lang="en"> </span></strong></em><em><strong><span xml:lang="en" lang="en">We</span></strong></em><em><strong><span xml:lang="en" lang="en"> </span></strong></em><em><strong><span xml:lang="en" lang="en">Were</span></strong></em><em><strong><span xml:lang="en" lang="en"> </span></strong></em><em><strong><span xml:lang="en" lang="en">Orphans, </span></strong></em><span xml:lang="en" lang="en">or the</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Postponement</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">of</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Home</span></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Jean-Pierre Naugrette</div>
          <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">Quand nous étions orphelins, ou la maison perdue.</span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/16756"><span xml:lang="en" lang="en">How</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">to</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Have</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Done</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">with</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Words:</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Virtuoso</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Performance</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">in</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Kazuo</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Ishiguro’s </span><em><span xml:lang="en" lang="en">The </span></em><em><span xml:lang="en" lang="en">Unconsoled</span></em></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Claire Pégon</div>
          <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">Quand faire, c'est beaucoup dire: jeux de virtuoses dans <em>The</em><em> </em><em>Unconsoled.</em></span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/16768"><span xml:lang="en" lang="en">The</span><span xml:lang="en" lang="en"> L</span><span xml:lang="en" lang="en">anguage</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">of</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Repression: </span><span xml:lang="en" lang="en">a Linguistic</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Approach</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">to</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Ishiguro’s</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Style</span></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Linda Pillière</div>
          <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">Langage et refoulement: approche linguistique du style d’lshiguro</span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/16780"><span xml:lang="en" lang="en">Did Mr Stevens Write any Christmas Cards? Purloined</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Memories</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">in</span><span xml:lang="en" lang="en"> </span><em><span xml:lang="en" lang="en">The</span></em><em><span xml:lang="en" lang="en"> </span></em><em><span xml:lang="en" lang="en">Remains</span></em><em><span xml:lang="en" lang="en"> </span></em><em><span xml:lang="en" lang="en">of</span></em><em><span xml:lang="en" lang="en"> </span></em><em><span xml:lang="en" lang="en">the</span></em><em><span xml:lang="en" lang="en"> </span></em><em><span xml:lang="en" lang="en">Day</span></em></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Paul Veyret</div>
          <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">Les cartes de Noël de Mr Stevens: souvenirs dérobés dans <em>The Remains of the</em><em> </em><em>Day. </em></span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/16785">Fugal Tempo in <em>The</em><em> </em><em>Unconsoled</em></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Dominique Vinet</div>
          <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">Le tempo de la fugue dans <em>The</em><em> </em><em>Unconsoled</em></span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/16787"><span xml:lang="en" lang="en">The Homeless</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Writer or the Remains of </span><span xml:lang="en" lang="en">J</span><span xml:lang="en" lang="en">apan </span><span xml:lang="en" lang="en">in</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Kazuo</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Ishiguro’s</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Early</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Fiction</span></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Pascal Zinck</div>
          <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">L’écrivain étranger ou les vestiges du Japon dans l’œuvre de Kazuo lshiguro.</span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/16791">Bibliographie</a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Paul Veyret</div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/16793">Claire Pégon, <em>L’Art de la fugue chez Kazuo Ishiguro</em></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Christine Reynier</div>
        </li>
      </ul>]]></description>
    <link>http://journals.openedition.org/ebc/16688</link>
    <dc:date>2025-07-25</dc:date>
  </item>
  <item rdf:about="http://journals.openedition.org/ebc/16594">
    <title>27bis | 2004 &#8211; Colloque de la SÉAC Lyon octobre 2003</title>
    <description><![CDATA[<img alt="Couverture EBC n°27bis" src="http://journals.openedition.org/ebc/docannexe/file/16685/couv_ebc_27bis_2004-small200.jpg" /><ul class="summary">
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/16599"><span xml:lang="en" lang="en">‘Once Below a Time.’ Dylan Thomas’ ‘Fern Hill’: An Aesthetic of Nostalgia and Nostalgia for an Aesthetic</span></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Paul Volsik</div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/16602"><span xml:lang="en" lang="en">Division and Revision: Thomas Hardy’s Poetics of Nostalgia</span></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Catherine Lanone</div>
          <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">Division et révision: Thomas Hardy et la poétique de la nostalgie,</span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/16603"><span xml:lang="en" lang="en">‘The Past Is the Only Dead Thing that Smells Sweet’: Edward Thomas, His Nostalgias, and ‘Adlestrop’</span></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Adrian Grafe</div>
          <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr"><span xml:lang="en" lang="en">‘The Past is the Only Dead Thing that Smells Sweet’: Edward Thomas, ses nostalgies, et ‘Adlestrop’</span></span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/16615"><span xml:lang="en" lang="en">Nostalgia and Modernism: Sassoon’s Path[ology] back to the Present </span></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Robert Hemmings</div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/16625">Nostalgia in a Poem of the Second World War: ‘El Alamein’ by John Jarmain</a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Helen Goethals</div>
          <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">La Nostalgie dans la poésie de la Seconde Guerre mondiale: ‘El Alamein’ de John Jarmain</span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/16636"><span xml:lang="en" lang="en">‘The Sweet Remembered Demarcations’: Nostalgia, Nationality and Negation in Hugh MacDiarmid and David Jones</span></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Daniela Kato</div>
          <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">‘The Sweet Remembered Demarcations’: Nostalgie, nationalité et négation chez Hugh MacDiarmid et David Jones</span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/16647">The Development of David Jones’s <em>Anathemata</em> and the Shaping of Memory in Modern British Poetry</a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">David Ten Eyck</div>
          <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">Le développement des <em>Anathemeta</em> de David Jones et la construction de la mémoire dans la poésie britannique moderne</span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/16658">This Partial Light: Nostalgia, Time and Appearance in Thomas A. Clark’s <em>At dusk &#38; at dawn</em> (1998)</a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Clive Bush</div>
          <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">‘This Partial Light’: Nostalgie, temps et apparence dans <em>At dusk &#38; at dawn</em> (1998) de Thomas A. Clark</span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/16671">‘Drift’, ‘Loss’ and ‘Return’ in the Poetry of J. H. Prynne, from <em>Kitchen Poems</em> to <em>The White Stones</em></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Alan Marshall</div>
          <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">‘Drift’, ‘Loss’ et ‘Return’ dans la poésie de J. H. Prynne, de, <em>Kitchen Poems</em> à <em>The White Stones</em></span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/16679"><span xml:lang="en" lang="en">Reading for Nostalgia in the 1990s</span></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Lacy Rumsey</div>
        </li>
      </ul>]]></description>
    <link>http://journals.openedition.org/ebc/16594</link>
    <dc:date>2025-05-28</dc:date>
  </item>
  <item rdf:about="http://journals.openedition.org/ebc/15651">
    <title>68 | 2025 &#8211; Borders — Virginia Woolf and the Writing of History</title>
    <description><![CDATA[<img alt="Couverture EBC n°68" src="http://journals.openedition.org/ebc/docannexe/file/16591/couv_ebc_68_2025-small200.jpg" /><div class="introduction" lang="fr">
        <p>Ce num&#233;ro d&#8217;<em>&#201;tudes britanniques contemporaines</em> est issu des travaux de l&#8217;atelier SEAC-<em>Journal of the Short Story in English</em> organis&#233; &#224; l&#8217;Universit&#233; de Lorraine en juin&#160;2024, dans le cadre du congr&#232;s annuel de la SAES. Nous adressons tous nos remerciements aux organisateurs de l&#8217;atelier et du congr&#232;s.</p>
      </div>
      <div class="introduction" lang="en">
        <p>This issue of <em>&#201;tudes britanniques contemporaines</em> offers a selection of papers given during the SEAC-<em>Journal of the Short Story in English</em>workshop organised during the June 2024 SAES conference at the Universit&#233; de Lorraine. We would like to express our gratitude to the organisers of the workshop and of the conference.</p>
      </div>
      <ul class="summary">
        <li>
          <div class="publititle"><strong>Borders</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/15896">Borders/Bordering</a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Vanessa Guignery</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/15901">Of Moths and Motor Cars: Vital Circulation and the ‘Meeting-Text’ in Virginia Woolf’s ‘The Death of the Moth’ and ‘Evening over Sussex’</a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Xavier Le Brun</div>
              <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">« Des phalènes et des automobiles : Circulation vitale et “texte-rencontre” dans “The Death of the Moth” et “Evening over Sussex” de Virginia Woolf »</span></div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/15982">Bypassing Literary Boundaries; Displacing the Reader: Olive Moore’s <em>The Apple is Bitten Again</em> (1934)</a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Florence Marie</div>
              <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">Dynamiter les frontières littéraires ; déloger le lecteur : <em>The Apple Is Bitten Again</em> (1934) d’Olive Moore</span></div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/16012">Geopoetic Satire in Will Self’s <em>Walking to Hollywood</em>: Re-writing the Borders of Modernity</a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Myrto Petsota</div>
              <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">Satire géopoétique dans <em>Walking to Hollywood</em> de Will Self : Réécriture des frontières de la modernité</span></div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/16071">Mapping the Borders of Language in Jon McGregor’s <em>Lean Fall Stand</em></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Katia Marcellin</div>
              <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">Explorer les frontières du langage dans <em>Lean Fall Stand </em>de Jon McGregor</span></div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/16096"><span xml:lang="en" lang="en">Moving through Borders: Ghosts of the Troubles in Jan Carson’s </span><em><span xml:lang="en" lang="en">The Fire Starters </span></em><span xml:lang="en" lang="en">(2019) and </span><em><span xml:lang="en" lang="en">The Last Resort</span></em><span xml:lang="en" lang="en"> (2021)</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Héloïse Lecomte</div>
              <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">Passer entre les frontières : fantômes du conflit nord-irlandais dans <em>The Fire Starters </em>(2019) et <em>The Last Resort</em> (2021) de Jan Carson</span></div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/16111">« If I was you — I’d be well glad I weren’t me » : stratégies politiques de déplacement dans <em>salt</em><em>.</em> de Selina Thompson (2017) et <em>stoning mary</em><em> </em>de debbie tucker green (2005)</a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Lisa Bertucco</div>
              <div class="altertitle foreign" xml:lang="en" lang="en"><span xml:lang="en" lang="en">‘If I was you – I’d be well glad I weren’t me’: Shifting Frontiers as a Political Strategy in Selina Thompson’s salt.<em> </em>(2017) and debbie tucker green’s stoning mary<em> </em>(2005)</span></div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Hors thème</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/16162"><span xml:lang="en" lang="en">Regionality, Grotesque Realism and Nostalgia in Dennis Potter’s </span><em><span xml:lang="en" lang="en">Blue Remembered Hills</span></em></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">James Dalrymple</div>
              <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">Régionalisme, réalisme grotesque et nostalgie dans <em>Blue Remembered Hills</em> de Dennis Potter</span></div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/16244">Opposition de classe et cycle de vie dans l’œuvre d’Alan Sillitoe et ses adaptations au cinéma</a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Christophe Brochier</div>
              <div class="altertitle foreign" xml:lang="en" lang="en"><span xml:lang="en" lang="en">Class Opposition and Life Cycle in Alan Sillitoe’s Works and its Film Adaptations</span></div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/16291">Authorial Subjectivity in Salman Rushdie’s <em>Fury</em> and <em>Quichotte</em></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Trajanka Kortova Jovanovska</div>
              <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">La subjectivité auctoriale dans <em>Fury</em> et <em>Quichotte</em> de Salman Rushdie</span></div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Virginia Woolf and the Writing of History</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/16342">‘Virginia Woolf and the Writing of History’ —Introduction</a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Anne Besnault, Anne-Marie Smith-Di Biasio et Marie Laniel</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/16351"><span xml:lang="en" lang="en">The Common Historian: on the Praxis of Reading the Past in Virginia Woolf’s </span><em><span xml:lang="en" lang="en">The Common Reader</span></em></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Olivier Hercend</div>
              <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr"><span xml:lang="en" lang="en">The Common Historian : Praxis de la lecture du passé dans </span><em><span xml:lang="en" lang="en">The Common Historian </span></em><span xml:lang="en" lang="en">de Virginia Woolf</span></span></div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/16401"><span xml:lang="en" lang="en">The Past, the Present and the Lessons of History: Virginia Woolf’s Feminist Historiographical Method in </span><em><span xml:lang="en" lang="en">Three Guineas</span></em></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Jane de Gay</div>
              <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr"><span xml:lang="en" lang="en">Le passé, le présent et les leçons de l’histoire : La méthode historiographique féministe de Virginia Woolf dans </span><em><span xml:lang="en" lang="en">Three Guineas</span></em></span></div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/16417">From Women’s History to Gender History: Rethinking (Literary) History with Virginia Woolf’s <em>A Room of One’s Own</em></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Valérie Favre</div>
              <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">De l’histoire des femmes à l’histoire du genre : Repenser l’histoire (littéraire) avec <em>A Room of One’s Own</em> de Virginia Woolf</span></div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/16472"><span xml:lang="en" lang="en">History Breaks Down into Images: Virginia Woolf’s </span><em><span xml:lang="en" lang="en">Monk’s House Albums</span></em></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Adèle Cassigneul</div>
              <div class="altertitle foreign" xml:lang="en" lang="en"><span xml:lang="en" lang="en">L’histoire se décompose en images : Les albums <em>Monk’s House</em> de Virginia Woolf</span></div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/16517"><span xml:lang="en" lang="en">‘The People’ of Virginia Woolf: Populism and Tradition</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Seamus O’Malley</div>
              <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">« Le peuple » de Virginia Woolf : populisme et tradition</span></div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/16537">‘The imagination is largely the child of the flesh’: Virginia Woolf’s Embodied Historicity</a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Catherine Bernard</div>
              <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">« <em>The imagination is largely the child of the flesh</em> » : l’historicité incarnée de Virginia Woolf</span></div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Comptes rendus/Review</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/16562"><em><span xml:lang="en" lang="en">Modernism and the Aristocracy: Monsters of English Privilege</span></em><span xml:lang="en" lang="en">, Adam Parkes</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Shirley Bricout</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/16571"><em><span xml:lang="en" lang="en">The Reader in Modernist Fiction</span></em><span xml:lang="en" lang="en">, Brian Richardson</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Laurent Quero Mellet</div>
            </li>
          </ul>
        </li>
      </ul>]]></description>
    <link>http://journals.openedition.org/ebc/15651</link>
    <dc:date>2025-05-17</dc:date>
  </item>
  <item rdf:about="http://journals.openedition.org/ebc/15137">
    <title>67 | 2024 &#8211; North, South, East, West: Cardinal Points and Regions in Contemporary British Literature and Arts</title>
    <description><![CDATA[<img alt="Couverture EBC n°67" src="http://journals.openedition.org/ebc/docannexe/file/15645/couv_ebc_67_2024-small200.jpg" /><div class="introduction" lang="fr">
        <p>Ce num&#233;ro d&#8217;<em>&#201;tudes britanniques contemporaines</em> est issu des travaux du colloque de la SEAC qui a &#233;t&#233; organis&#233; par Claire H&#233;lie &#224; l&#8217;Universit&#233; de Lille les 19 et 20&#160;octobre 2023. Tous nos remerciements s&#8217;adressent &#224; l&#8217;organisatrice, aux membres du comit&#233; d&#8217;organisation de cette manifestation ainsi qu&#8217;au laboratoire CECILLE.</p>
      </div>
      <div class="introduction" lang="en">
        <p>This issue of <em>&#201;tudes britanniques contemporaines</em> offers a selection of papers given during the SEAC conference hosted by The University of Lille on 19 and 20 October 2023. We would like to express our gratitude to Claire H&#233;lie, for convening this conference, to the members of the organising committee, and to the CECILLE research team.</p>
      </div>
      <ul class="summary">
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/15143"><span xml:lang="en" lang="en">Introduction</span></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Claire Hélie</div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/15208"><span xml:lang="en" lang="en">The ‘Temptation of Indifference’ and the Search for an Elemental South in A.S. Byatt’s ‘Crocodile Tears’ (</span><em><span xml:lang="en" lang="en">Elementals</span></em><span xml:lang="en" lang="en">)</span></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Pascale Tollance</div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/15262">‘We’re going north’: Motion and Destination in Elizabeth Bowen’s <em>To the North</em></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Farah Nada</div>
          <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr"><em>‘We’re going north’</em>: mouvements et destinations dans T<em>o the North</em> d’Elizabeth Bowen</span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/15317"><span xml:lang="en" lang="en">The Displaced Omphalos-(s)tone: Ergativity and the Contrapuntal Deixis of the Midlands in Roy Fisher’s Eccentric Topopoetic</span><span xml:lang="en" lang="en">s</span></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Samuel Trainor</div>
          <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">Ergativité and deixis contrapuntique des Midlands dans la topopoétique excentrique de Roy Fisher</span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/15393"><span xml:lang="en" lang="en">All Around the Wrekin: The Midlands as (M)otherland in Liz Berry’s Poetry</span></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Alice Braun, Claire Hélie et Samuel Trainor</div>
          <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">« <em>All around the Wrekin</em> » : maternité et altérité dans la poésie de Liz Berry</span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/15397"><span xml:lang="en" lang="en">The Cardinal Points of Robert Macfarlane’s Palimpsestuous Walking</span></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Georges Letissier</div>
          <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">Les point cardinaux de l’écriture palimpsetueuse: Robert Macfarlane</span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/15482"><span xml:lang="en" lang="en">Due North? British Nature Writing Prizes</span><em><span xml:lang="en" lang="en">:</span></em><span xml:lang="en" lang="en"> Reworking Cardinal Points in Contemporary British Nature Writing</span></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Cécile Beaufils</div>
          <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">Cap au nord ? Prix littéraires, points cardinaux et <em>nature writing</em> britannique contemporain</span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/15540"><span xml:lang="en" lang="en">Bearing(s) in Life Writing by Caro Giles and Kerri ní Dochartaigh</span></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Fiona McCann</div>
          <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">Repères dans les récits de vie de Caro Giles et de Kerri ní Dochartaigh</span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/15578"><span xml:lang="en" lang="en">Re-inventing the Mythic West: From Anthropocene Disorientation to Eco-Aesthetic Entanglements in Nicholas Royle’s </span><em><span xml:lang="en" lang="en">Mother: A Memoir </span></em><span xml:lang="en" lang="en">(2020)</span></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Sarah Jonckheere</div>
          <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">Réécriture du mythe de l’Ouest : de la désorientation anthropocènique à l’enchevêtrement éco-esthétique dans <em>Mother: A Memoir</em> de Nicholas Royle (2020)</span></div>
        </li>
        <li>
          <div class="publititle"><strong>Comptes rendus</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/15628"><span xml:lang="en" lang="en">Alexander </span><span xml:lang="en" lang="en" style="font-variant:small-caps;">Beaumont</span><span xml:lang="en" lang="en"> and Elke </span><span xml:lang="en" lang="en" style="font-variant:small-caps;">D’hoker</span><span xml:lang="en" lang="en"> (eds), </span><em><span xml:lang="en" lang="en">Sarah Hall: Critical Essays</span></em></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Constance Pompié</div>
            </li>
          </ul>
        </li>
      </ul>]]></description>
    <link>http://journals.openedition.org/ebc/15137</link>
    <dc:date>2024-10-23</dc:date>
  </item>
  <item rdf:about="http://journals.openedition.org/ebc/15007">
    <title>Hors série | 2005 &#8211; Conversation in Virginia Woolf's Works</title>
    <description><![CDATA[<img alt="Couverture EBC Hors série 2005" src="http://journals.openedition.org/ebc/docannexe/file/15135/couv_ebc_hs_2005-small200.jpg" /><div class="information">
        <div class="isbn">ISBN 2-84269-681-8</div>
      </div>
      <ul class="summary">
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/15011">Foreword</a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Christine Reynier</div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/15014"><span xml:lang="en" lang="en">The Conversation Behind the Conversation: Speaking the Unspeakable in Virginia Woolf</span></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Julia Briggs</div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/15024"><span xml:lang="en" lang="en">The Conversion of Conversations From </span><em><span xml:lang="en" lang="en">Melymbrosia</span></em><span xml:lang="en" lang="en"> to </span><em><span xml:lang="en" lang="en">The Voyage Out</span></em></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Monica Girard</div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/15031"><span xml:lang="en" lang="en">Logick in Pieces: a Stratigraphic Conversation in Woolf’s Diary </span></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Frédérique Amselle</div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/15036"><span xml:lang="en" lang="en">‘The conversation began some minutes before anything was said . . .’: Textual Genesis as Dialogue and Confrontation (Woolf </span><em><span xml:lang="en" lang="en">vs</span></em><span xml:lang="en" lang="en"> Joyce and Co)</span></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Daniel Ferrer</div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/15046"><span xml:lang="en" lang="en">‘Am I all of them? Am I one and distinct?’: Woolf’s ‘Gigantic Conversation’</span></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Ariane L. Mildenberg</div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/15056"><span xml:lang="en" lang="en">‘The Ebb and Flow of Conversation’: a Metaphorics of Maternal Presence</span></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Anne-Marie Smith-DiBiasio</div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/15096"><span xml:lang="en" lang="en">Conversation, Conversion, Proportion</span></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Françoise Bort</div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/15104"><span xml:lang="en" lang="en">‘Who knows what precipices aren’t concealed in words’. Scraps of Talk in Virginia Woolf’s Short Stories and Diaries</span></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Anna-Maria Piglionica</div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/15111"><span xml:lang="en" lang="en">Virginia Woolf’s Politics of Reviewing: a Place for Conversation </span></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Denise Ginfray</div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/15121"><span xml:lang="en" lang="en">The Art of Conversation, Conversation as an Art. ‘The Sisters’ Arts’</span><span xml:lang="en" lang="en"> </span></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Liliane Louvel</div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/15126"><span xml:lang="en" lang="en">Woolf’s Dialogue with the New Sciences</span></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Anne-Sophie Le Bail</div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/15131"><span xml:lang="en" lang="en">Conversation Redefined: Notes on ‘A Dialogue upon Mount Pentelicus’</span></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Christine Reynier</div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/15132"><span xml:lang="en" lang="en">The Play in the Sky of the Mind: Dialogue, ‘the Tchekov method’, and </span><em><span xml:lang="en" lang="en">Between the Acts</span></em></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Christine Froula</div>
        </li>
      </ul>]]></description>
    <link>http://journals.openedition.org/ebc/15007</link>
    <dc:date>2024-08-30</dc:date>
  </item>
  <item rdf:about="http://journals.openedition.org/ebc/14923">
    <title>28 | 2005 &#8211; Congrès de la SAES Versailles-Saint-Quentin, mai 2004 « Parcours/détours »</title>
    <description><![CDATA[<img alt="Couverture EBC n°28" src="http://journals.openedition.org/ebc/docannexe/file/14998/couv_ebc_28_2005-small200.jpg" /><div class="information">
        <div class="isbn">ISBN 2-84269-681-6</div>
      </div>
      <ul class="summary">
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/14927"><em>The</em><em> </em><em>Book</em><em> </em><em>of</em><em> </em><em>Mrs</em><em> </em><em>Noah</em> (1987) de Michèle Roberts : un roman aux sentiers qui bifurquent</a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Vanessa Guignery</div>
          <div class="altertitle foreign" xml:lang="en" lang="en"><span xml:lang="en" lang="en"><em>The</em><em> </em><em>Book</em><em> </em><em>of</em><em> </em><em>Mrs</em><em> </em><em>Noah</em><em> </em>(1987) by Michèle Roberts: a Novel of Forking Paths</span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/14932">La représentation de Londres chez Peter Ackroyd : l’origine comme parcours des possibles</a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Sophie Cartier</div>
          <div class="altertitle foreign" xml:lang="en" lang="en"><span xml:lang="en" lang="en"><span xml:lang="en" lang="en">Peter</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Ackroyd’s</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Representation</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">of</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">London :</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">a</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Journey</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Through</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">the</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Origins</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">of</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">t</span><span xml:lang="en" lang="en">he </span><span xml:lang="en" lang="en">English</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Literary</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Tradition.</span></span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/14933">Les Lieux du Temps : contours du moi dans l’autobiographie et le journal de Woolf</a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Frédérique Amselle</div>
          <div class="altertitle foreign" xml:lang="en" lang="en"><span xml:lang="en" lang="en"><span xml:lang="en" lang="en">Times</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">and</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Places :</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Outlines</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">of</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">the</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Self</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">in</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">the</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Autobiography</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">and</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">the</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Diary</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">of</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Virginia </span><span xml:lang="en" lang="en">Woolf</span></span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/14935">« The Strangest Transformation Took Place » : parcours, détours et bifurcations dans <em>Orlando</em><em> </em>de Virginia Woolf</a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Caroline Marie</div>
          <div class="altertitle foreign" xml:lang="en" lang="en"><span xml:lang="en" lang="en">« The strangest transformation took place » : turning this way and that in Virginia Woolf’s <em>Orlando</em>.</span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/14942">Revisiting <em>Beatrix</em>: Intertextuality, Tradition and Modernity in Evelyn Waugh’s <em>Brideshead </em><em>Revisited</em></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Aude Ferrand</div>
          <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr"><strong>Intertextualité, Tradition et Modernité Dans </strong><em><strong>Brideshead Revisited </strong></em><strong>d’Evelyn Waugh’s</strong></span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/14947"><span xml:lang="en" lang="en">Mervyn</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Peake’s</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Gormenghast</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Novels: </span><span xml:lang="en" lang="en">a</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Baroque</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Hostility</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">to</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Straight</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Lines</span></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Sophie Mantrant</div>
          <div class="altertitle foreign" xml:lang="fr" lang="fr"><span xml:lang="fr" lang="fr">Peake et le baroque : l’hostilité aux tracés linéaires dans la trilogie de Gormenghast</span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/14955">Quand Salman cherche à faire mauvais genre : analyse des genres dans <em>Fury</em>, de Salman Rushdie</a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Catherine Miquel</div>
          <div class="altertitle foreign" xml:lang="en" lang="en"><span xml:lang="en" lang="en"><span xml:lang="en" lang="en">« Halfway between the highbrow and the dross » : An Analysis of Genre and Gender </span><span xml:lang="en" lang="en">in</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Salman</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Rushdie’s</span><span xml:lang="en" lang="en"> </span><em><span xml:lang="en" lang="en">Fury</span></em><span xml:lang="en" lang="en">.</span></span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/14962"><em>Atonement</em><em> </em>de Ian McEwan ou le désir d’expiation d’un écrivain</a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">Christine Reynier</div>
          <div class="altertitle foreign" xml:lang="en" lang="en"><span xml:lang="en" lang="en"><em><span xml:lang="en" lang="en">Atonement</span></em><em><span xml:lang="en" lang="en"> </span></em><span xml:lang="en" lang="en">or</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">McEwan’s</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Vicarious</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Atonement</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">for</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">the</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Modernists’</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">Sins.</span></span></div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/ebc/14963"><span xml:lang="en" lang="en">Jennifer Johnston at the Sorbonne </span><span xml:lang="en" lang="en">19</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">November</span><span xml:lang="en" lang="en"> </span><span xml:lang="en" lang="en">2004</span></a> <span class="fullText">[Texte intégral]</span></div>
          <div class="author">François Gallix, Vanessa Guignery et Catherine Rihoit</div>
        </li>
        <li>
          <div class="publititle"><strong>Comptes rendus</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/14977"><em><span xml:lang="en" lang="en">W</span></em><em><span xml:lang="en" lang="en" style="font-variant:small-caps;">illiams</span></em><em><span xml:lang="en" lang="en">-W</span></em><em><span xml:lang="en" lang="en" style="font-variant:small-caps;">anquet</span></em><em><span xml:lang="en" lang="en">,</span></em><em><span xml:lang="en" lang="en"> </span></em><em><span xml:lang="en" lang="en">Eileen</span></em><em><strong><span xml:lang="en" lang="en">,</span></strong></em><em><strong><span xml:lang="en" lang="en"> </span></strong></em><em><span xml:lang="en" lang="en">Art</span></em><em><span xml:lang="en" lang="en"> </span></em><em><span xml:lang="en" lang="en">and</span></em><em><span xml:lang="en" lang="en"> </span></em><em><span xml:lang="en" lang="en">Life</span></em><em><span xml:lang="en" lang="en"> </span></em><em><span xml:lang="en" lang="en">in</span></em><em><span xml:lang="en" lang="en"> </span></em><em><span xml:lang="en" lang="en">the</span></em><em><span xml:lang="en" lang="en"> </span></em><em><span xml:lang="en" lang="en">Novels</span></em><em><span xml:lang="en" lang="en"> </span></em><em><span xml:lang="en" lang="en">of</span></em><em><span xml:lang="en" lang="en"> </span></em><em><span xml:lang="en" lang="en">Anita</span></em><em><span xml:lang="en" lang="en"> </span></em><em><span xml:lang="en" lang="en">Brookner</span></em></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Alain Blayac</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/14983"><em><span xml:lang="en" lang="en">O</span></em><em><span xml:lang="en" lang="en" style="font-variant:small-caps;">nega</span></em><em><span xml:lang="en" lang="en">, Susana &#38; Christian G</span></em><em><span xml:lang="en" lang="en" style="font-variant:small-caps;">utleben</span></em><em><span xml:lang="en" lang="en">, eds., Refracting the Canon in </span></em><em><span xml:lang="en" lang="en">Contemporary British Literature and Film</span></em></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Alain Blayac</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/ebc/14990"><em><span xml:lang="en" lang="en">W</span></em><em><span xml:lang="en" lang="en" style="font-variant:small-caps;">ilson</span></em><em><span xml:lang="en" lang="en">,</span></em><em><span xml:lang="en" lang="en"> </span></em><em><span xml:lang="en" lang="en">John</span></em><em><span xml:lang="en" lang="en"> </span></em><em><span xml:lang="en" lang="en">Howard,</span></em><em><span xml:lang="en" lang="en"> </span></em><em><span xml:lang="en" lang="en">Evelyn</span></em><em><span xml:lang="en" lang="en"> </span></em><em><span xml:lang="en" lang="en">Waugh,</span></em><em><span xml:lang="en" lang="en"> </span></em><em><span xml:lang="en" lang="en">a</span></em><em><span xml:lang="en" lang="en"> </span></em><em><span xml:lang="en" lang="en">Literary</span></em><em><span xml:lang="en" lang="en"> </span></em><em><span xml:lang="en" lang="en">Biography,</span></em><em><span xml:lang="en" lang="en"> (</span></em><em><span xml:lang="en" lang="en">1903-1924), vol.</span></em><em><span xml:lang="en" lang="en"> </span></em><em><span xml:lang="en" lang="en">I, (1924-1966), vol. II</span></em></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Alain Blayac</div>
            </li>
          </ul>
        </li>
      </ul>]]></description>
    <link>http://journals.openedition.org/ebc/14923</link>
    <dc:date>2024-06-07</dc:date>
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