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19-4 | 2024
Special Issue: Laura E. Richards’s Children’s Poems and the Poetics of Nineteenth-Century American Nonsense

Co-edited by Etti Gordon Ginzburg and Verena Laschinger

https://doi.org/10.4000/12wap

Etti Gordon Ginzburg and Verena Laschinger

Introduction [Full text]
Michaela Keck

A Shared Passion for Nonsense: Laura E. Richards and Margaret Atwood [Full text]
Jennifer Lewin

Dreaming and Sleeping in the Children’s Poetry of Laura E. Richards  [Full text]
Antonia Purk

Between the Joys of Nonsense and the Excess of the Other: Foodways in Laura E. Richards’s Children’s Poems [Full text]
Verena Laschinger

“I knew a dog once—”: Laura Richards’s Literary Animals and the Poetics of Animacy [Full text]
Ralph J. Poole

“those terrible songs”: Laura E. Richards’s Ditties and the Education of Boys [Full text]
Yifah Hadar

Veiling and Unveiling: Trauma in Laura Richards’s “My Japanese Fan” and “Prince Tatters” [Full text]
Josephine Sharoni

“Still-Vexed”: Laura E. Richards’s Captain January and Shakespeare [Full text]
Etti Gordon Ginzburg

Nonsense as Autobiography: The Children’s Poems and Family Secrets of Laura E. Richards [Full text]
Gary Williams

The Witch, the Neophyte, and the Snoop [Full text]
Barak Avirbach

Translating “My Japanese Fan” and “Eletelephony” by Laura E. Richards into Hebrew: Challenges and Considerations [Full text]
Anna Maria Czernow and Aleksandra Wieczorkiewicz

Translating Laura E. Richards into Polish [Full text]
Tobias Larenz

Find, Fand – Elefant. Elephantine Funambulism in Translating Laura E. Richards’s “Eletelephony” [Full text]
Claudia Paci

Translating “My Japanese Fan” and “Eletelephony” by Laura E. Richards into Italian [Full text]

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