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    <title>Études photographiques</title>
    <link>http://journals.openedition.org/etudesphotographiques</link>
    <description>Études photographiques est une revue semestrielle publiée par la Société française de photographie avec le concours du CNL, du CNRS et de l'université de Ryerson.</description>                      
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        <rdf:li resource="http://journals.openedition.org/etudesphotographiques/3321" />
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  <item rdf:about="http://journals.openedition.org/etudesphotographiques/3609">
    <title>35 | 2017 &#8211; Capa, corriger la légende / La fabrique de l’information visuelle / L'art en contextes</title>
    <description><![CDATA[<img alt="Couverture n°35" src="http://journals.openedition.org/etudesphotographiques/docannexe/image/3671/35_Couv_V5-1_xs-small200.jpg" /><div class="information">
        <div class="isbn">ISBN 9782911961359</div>
        <div class="description">176 p.</div>
      </div>
      <ul class="summary">
        <li>
          <div class="publititle"><strong>Éditorial</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3700"><span xml:lang="fr" lang="fr">L’histoire de la photographie devant le tribunal Capa</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">André Gunthert</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Capa, corriger la légende</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3677"><span xml:lang="fr" lang="fr">Falling Soldier</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Vincent Lavoie</div>
              <div class="altertitle foreign" xml:lang="en" lang="en"><span xml:lang="en" lang="en">Falling Soldier. Preface to an icon on trial.</span></div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3680"><span xml:lang="fr" lang="fr">Une autre histoire</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">A. D. Coleman</div>
              <div class="altertitle foreign" xml:lang="en" lang="en"><span xml:lang="en" lang="en">An Alternate History: The Robert Capa D-Day Project.</span></div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>La fabrique de l'information visuelle</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3691"><span xml:lang="fr" lang="fr">Le marché transnational des images politiques</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Christian Joschke</div>
              <div class="altertitle foreign" xml:lang="en" lang="en"><span xml:lang="en" lang="en">The transnational market for political images. The Workers International Relief in the context of the Soviet photographic agencies (1924-1933)</span></div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3698"><span xml:lang="fr" lang="fr">Le fonds Sygma exploité par Corbis</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Audrey Leblanc et Sébastien Dupuy</div>
              <div class="altertitle foreign" xml:lang="en" lang="en"><span xml:lang="en" lang="en">The Sygma archive exploited by Corbis. An alternate history of photojournalism</span></div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>L'art en contextes</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3692"><span xml:lang="fr" lang="fr">Des images performatives et opératoires</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Jean-Paul FOURMENTRAUX</div>
              <div class="altertitle foreign" xml:lang="en" lang="en"><span xml:lang="en" lang="en"><em><span xml:lang="en" lang="en">Performative and operative images. Concerning Jean-Luc Moulène, </span></em><span xml:lang="en" lang="en">Les Pages images</span><em><span xml:lang="en" lang="en">, Excideuil, 2000</span></em></span></div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3694">Redécouvrir Robert Mapplethorpe</a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Jonathan MAHO</div>
              <div class="altertitle foreign" xml:lang="en" lang="en"><span xml:lang="en" lang="en"><span xml:lang="en" lang="en">Rediscovering Robert Mapplethorpe. Expectations and challenges of studying the Getty Research Institute archives</span></span></div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Séminaire</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3613"><span xml:lang="fr" lang="fr">Autochromes by Etienne Clémentel (1864-1936):</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Louise Arizzoli</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3665"><span xml:lang="fr" lang="fr"><em>Speculum memor </em>: le daguerréotype au Concours général de 1839</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">François Brunet</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3669"><span xml:lang="fr" lang="fr"><span xml:lang="en" lang="en">The model and photographer of the </span><em><span xml:lang="en" lang="en">Portrait of a Woman</span></em><span xml:lang="en" lang="en"> submitted to the SFP in 1867 by Tessié du Motay and Maréchal</span></span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Andrea Van Houtven</div>
            </li>
          </ul>
        </li>
      </ul>]]></description>
    <link>http://journals.openedition.org/etudesphotographiques/3609</link>
    <dc:date>2017-05-30</dc:date>
  </item>
  <item rdf:about="http://journals.openedition.org/etudesphotographiques/3583">
    <title>34 | 2016 &#8211; Que dit la théorie de la photographie ? / Interroger l'historicité</title>
    <description><![CDATA[<img alt="Couverture n°34" src="http://journals.openedition.org/etudesphotographiques/docannexe/image/3603/34_Etudes-photo_couv_xs-small200.jpg" /><div class="information">
        <div class="isbn">ISBN 9782911961342</div>
        <div class="description">136 p.</div>
      </div>
      <ul class="summary">
        <li>
          <div class="publititle"><strong>Éditorial</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3588"><span xml:lang="fr" lang="fr">Que dit la théorie de la photographie ?</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">André Gunthert</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Que dit la théorie de la photographie ?</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3589"><span xml:lang="fr" lang="fr">Photographie, ontologie, analogie, compulsion</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Joel Snyder</div>
              <div class="altertitle foreign" xml:lang="en" lang="en"><span xml:lang="en" lang="en">Photography, Ontology, Analogy, Compulsion</span></div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3590"><span xml:lang="fr" lang="fr">Montrer et/ou démontrer. Index et/ou indice?</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Herta Wolf</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3592"><span xml:lang="fr" lang="fr">Une illusion essentielle</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">André Gunthert</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3593"><span xml:lang="fr" lang="fr">De l’image-trace à l’image-fiction</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Philippe Dubois</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3594"><span xml:lang="fr" lang="fr">La photographie est-elle une « image » ?</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Michel Poivert</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Interroger l'historicité</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3597"><span xml:lang="fr" lang="fr">Dans l’œil du daguerréotype</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Olivier Ihl</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3605"><span xml:lang="fr" lang="fr">Orientalismes ?</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Daniel Foliard</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Séminaire</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3598"><span xml:lang="fr" lang="fr">À la redécouverte des photographies perdues des expositions de la Royal Photographic Society</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Stephen Brown</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3602"><span xml:lang="en" lang="en">Rediscovering the lost photographs of the Exhibitions of the Royal Photographic Society</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Stephen Brown</div>
              <div class="altertitle foreign" xml:lang="fr" lang="fr">À la redécouverte des photographies perdues des expositions de la Royal Photographic Society</div>
            </li>
          </ul>
        </li>
      </ul>]]></description>
    <link>http://journals.openedition.org/etudesphotographiques/3583</link>
    <dc:date>2016-07-12</dc:date>
  </item>
  <item rdf:about="http://journals.openedition.org/etudesphotographiques/3539">
    <title>33 | 2015 &#8211; Aspects de la jeune recherche</title>
    <description><![CDATA[<img alt="Couverture n°33" src="http://journals.openedition.org/etudesphotographiques/docannexe/image/3540/33-Couv1_xs-small200.jpg" /><div class="information">
        <div class="isbn">ISBN 9782911961335</div>
        <div class="description">144 p.</div>
      </div>
      <ul class="summary">
        <li>
          <div class="publititle"><strong>Éditorial</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3547"><span xml:lang="fr" lang="fr">L’histoire de la photographie comme discipline ?</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Dominique de Font-Réaulx et Michel Poivert</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Croire en la photographie</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3557"><span xml:lang="fr" lang="fr">Jean Roubier et Georges Duhamel</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Céline Glatard</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3559"><span xml:lang="fr" lang="fr">De « beaux documents » pour l’ethnologie</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Anaïs Mauuarin</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Le Diable et le Bon Dieu</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3551"><span xml:lang="fr" lang="fr">Derrière la clôture.</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Fanny Brulhart</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3555"><span xml:lang="fr" lang="fr">Le regard érotique</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Étienne Eichholtzer</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Réinventer la photographie</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3549"><span xml:lang="fr" lang="fr">François Hers</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Max Bonhomme</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3553"><span xml:lang="fr" lang="fr">Traditions et nouvelles visions américaines</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Agathe Cancellieri</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Séminaire</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3561"><span xml:lang="fr" lang="fr">L’Alaska comme <em>Ultima Thulé</em></span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Marine Pichard</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3563"><span xml:lang="fr" lang="fr">Fabrique d’un objet muséographique</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Jessica de Bideran</div>
            </li>
          </ul>
        </li>
      </ul>]]></description>
    <link>http://journals.openedition.org/etudesphotographiques/3539</link>
    <dc:date>2016-01-14</dc:date>
  </item>
  <item rdf:about="http://journals.openedition.org/etudesphotographiques/3495">
    <title>32 | 2015 &#8211; Interroger le genre  /  Retour sur l'amateur  /  Personnages de l'histoire</title>
    <description><![CDATA[<img alt="Couverture n°32" src="http://journals.openedition.org/etudesphotographiques/docannexe/file/3511/couv32-small200.jpg" /><div class="information">
        <div class="isbn">ISBN 9782911961328</div>
        <div class="description">144 p.</div>
      </div>
      <ul class="summary">
        <li>
          <div class="publititle"><strong>Éditorial</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3512"><span xml:lang="fr" lang="fr">Photographie et célébrité</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">André Gunthert</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Interroger le genre</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3500"><span xml:lang="fr" lang="fr">D’un corps de classe à un corps de genre</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Alexie Geers</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3531"><span xml:lang="fr" lang="fr">Embodying class and gender</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Alexie Geers</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Retour sur l'amateur</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3502"><span xml:lang="fr" lang="fr">La photo de famille et ses usages communicationnels</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Richard Chalfen</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Personnages de l'histoire</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3508"><span xml:lang="fr" lang="fr">Jacques Henri Lartigue dans l’air du temps (1966-1967)</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Marianne Le Galliard</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3535"><span xml:lang="en" lang="en">In the spirit of the age</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Marianne Le Galliard</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3504"><span xml:lang="fr" lang="fr">Eugène Durieu, haut fonctionnaire, photographe et faussaire</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Sylvie Aubenas</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3534"><span xml:lang="fr" lang="fr">Eugène Durieu, senior civil servant, photographer and forger</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Sylvie Aubenas</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3505"><span xml:lang="fr" lang="fr">Le prince Girón de Anglona</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Helena Pérez Gallardo</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3536"><span xml:lang="en" lang="en">Prince Girón de Anglona</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Helena Pérez Gallardo</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Séminaire</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3529"><span xml:lang="fr" lang="fr">La consécration du <em>selfie</em></span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">André Gunthert</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3514"><span xml:lang="fr" lang="fr">Pierre Verger et le « Tour du monde » de 1934 pour <em>Paris-Soir</em></span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Fabienne Maillard</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3537"><span xml:lang="en" lang="en">The consecration of the selfie</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">André Gunthert</div>
            </li>
          </ul>
        </li>
      </ul>]]></description>
    <link>http://journals.openedition.org/etudesphotographiques/3495</link>
    <dc:date>2015-01-01</dc:date>
  </item>
  <item rdf:about="http://journals.openedition.org/etudesphotographiques/3378">
    <title>31 | 2014 &#8211; Fictions du territoire/Partager l'image/La question documentaire</title>
    <description><![CDATA[<img alt="Couverture n°31" src="http://journals.openedition.org/etudesphotographiques/docannexe/file/3379/couverture_31-small200.jpg" /><div class="information">
        <div class="isbn">ISBN 9782911961311</div>
        <div class="description">157 p.</div>
      </div>
      <ul class="summary">
        <li>
          <div class="publititle"><strong>Éditorial</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3380"><span xml:lang="fr" lang="fr">Les nouveaux chemins de l’authenticité photographique</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">André Gunthert</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Fictions du territoire</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3383"><span xml:lang="fr" lang="fr">Les grands ensembles</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Raphaële Bertho</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3409"><span xml:lang="en" lang="en">The <em>Grands Ensembles</em> </span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Raphaële Bertho</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3384"><span xml:lang="fr" lang="fr">La commande au risque de l’illustration</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Jordi Ballesta</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Partager l'image</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3387"><span xml:lang="fr" lang="fr">L’image conversationnelle</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">André Gunthert</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3388"><span xml:lang="fr" lang="fr">Transactions visuelles</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Fatima Aziz</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3490"><span xml:lang="fr" lang="fr">Visual Transactions</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Fatima Aziz</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3546"><span xml:lang="fr" lang="fr">The conversational image</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">André Gunthert</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>La question documentaire</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3391"><span xml:lang="fr" lang="fr">« C’était Paris en 1970 »</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Catherine E. Clark</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3407"><span xml:lang="fr" lang="fr">‘C’était Paris en 1970’ </span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Catherine E. Clark</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3393"><span xml:lang="en" lang="en">Dialogues sur la photographie documentaire</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Laetitia Barrère</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Séminaire</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3401"><em><span xml:lang="fr" lang="fr">Le Panorama. Merveilles de France, Algérie, Belgique, Suisse</span></em></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Marie-Ève Bouillon</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3403"><span xml:lang="fr" lang="fr">« L’art ne ferait pas mieux »</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Ève Lepaon</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3376"><span xml:lang="fr" lang="fr">Paysages du désastre, territoires de la mémoire</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Nathan Réra</div>
            </li>
          </ul>
        </li>
      </ul>]]></description>
    <link>http://journals.openedition.org/etudesphotographiques/3378</link>
    <dc:date>2014-03-11</dc:date>
  </item>
  <item rdf:about="http://journals.openedition.org/etudesphotographiques/3321">
    <title>30 | 2012 &#8211; Paul Strand / Kodak / Robert Taft versus Beaumont Newhall</title>
    <description><![CDATA[<img alt="Couverture n°30" src="http://journals.openedition.org/etudesphotographiques/docannexe/file/3322/couverture_etph_30_-small200.jpg" /><div class="information">
        <div class="isbn">ISBN 9782911961304</div>
      </div>
      <ul class="summary">
        <li>
          <div class="publititle"><strong>Éditorial</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3341">Approches de l'histoire</a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Thierry Gervais</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3342">Approaches to History</a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Thierry Gervais</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Les conditions de l'histoire</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3327"><span xml:lang="fr" lang="fr">Robert Taft dans l’ombre de Beaumont Newhall</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">François Brunet</div>
              <div class="altertitle foreign" xml:lang="en" lang="en"><span xml:lang="en" lang="en">Robert Taft in Beaumont Newhall’s Shadow: A Difficult Dialogue between Two American Histories of Photography</span></div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3481"><span xml:lang="en" lang="en" dir="ltr">Robert Taft in Beaumont Newhall’s Shadow</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">François Brunet</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Portfolio</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3328">Tout n’est que poussière</a> <span class="fullText">[Résumé]</span></div>
              <div class="author">Xiao Chuan Sun</div>
              <div class="altertitle foreign" xml:lang="en" lang="en">All Is But Dust</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Éditions photographiques</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3330"><em><span xml:lang="fr" lang="fr">Le Trésor artistique de la France</span></em></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Laureline Meizel</div>
              <div class="altertitle foreign" xml:lang="en" lang="en"><span xml:lang="en" lang="en"><em>Le Trésor Artistique de la France</em> :  A Representative Example  of the ‘Livre-Spécimen’  at the Turn of the 1880s</span></div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3332"><span xml:lang="fr" lang="fr" dir="ltr"><em>Un Paese</em> (1955) et le défi de la culture de masse</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Maria Antonella Pelizzari</div>
              <div class="altertitle foreign" xml:lang="en" lang="en"><span xml:lang="en" lang="en"><em>Un Paese</em> (1955) and the Challenge of Mass Culture</span></div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3482"><em><span xml:lang="en" lang="en">Le Trésor Artistique de la France </span></em></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Laureline Meizel</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3483"><span xml:lang="en" lang="en" dir="ltr"><em>Un Paese</em> (1955) and the Challenge of Mass Culture</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Maria Antonella Pelizzari</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Photographies de masse</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3334"><span xml:lang="fr" lang="fr">Le marché de l'image touristique</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Marie-Ève Bouillon</div>
              <div class="altertitle foreign" xml:lang="en" lang="en"><span xml:lang="en" lang="en">The Market of Tourism Images: Mont Saint-Michel at the End of the Nineteenth Century</span></div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3339"><span xml:lang="fr" lang="fr" dir="ltr">The Cavalcade of Color</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Ariane Pollet</div>
              <div class="altertitle foreign" xml:lang="en" lang="en"><span xml:lang="en" lang="en">The Cavalcade of Color: Kodak and the 1939 World’s Fair</span></div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3485"><span xml:lang="fr" lang="fr" dir="ltr">The Market of Tourism Images </span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Marie-Ève Bouillon</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3486"><span xml:lang="en" lang="en" dir="ltr">The Cavalcade of Color</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Ariane Pollet</div>
            </li>
          </ul>
        </li>
      </ul>]]></description>
    <link>http://journals.openedition.org/etudesphotographiques/3321</link>
    <dc:date>2012-12-20</dc:date>
  </item>
  <item rdf:about="http://journals.openedition.org/etudesphotographiques/3277">
    <title>29 | 2012 &#8211; Guerre et Iphone / La photographie allemande / Curtis / Ford</title>
    <description><![CDATA[<img alt="Couverture n°29" src="http://journals.openedition.org/etudesphotographiques/docannexe/file/3282/etph29_couv_moy_def-small200.jpg" /><div class="information">
        <div class="isbn">ISBN 9782911961298</div>
      </div>
      <ul class="summary">
        <li>
          <div class="publititle"><strong>Éditorial</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3344">Transition délicate</a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Thierry Gervais</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3345">A Delicate Transition</a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Thierry Gervais</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Formes et contenus</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3474"><span xml:lang="en" lang="en" dir="ltr">Beyond True and False?</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Mathilde Arrivé</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3283">Par-delà le vrai et le faux&#160;?  Les authenticités factices  d’Edward&#160;S. Curtis et leur réception</a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Mathilde Arrivé</div>
              <div class="altertitle foreign" xml:lang="en" lang="en">Beyond True and False? The Artificial Authenticities of Edward&#160;S. Curtis: Responses and Reactions</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3475"><span xml:lang="fr" lang="fr" dir="ltr">A Czechoslovak Variation on Fifo</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Fedora Parkmann</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3284">Un avatar tchécoslovaque de  la “Fifo”. L’“Exposition internationale de photographie” à Prague en 1936</a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Fedora Parkmann</div>
              <div class="altertitle foreign" xml:lang="en" lang="en">A Czechoslovak Variation on <em>Fifo</em>: The <em>International Photography  Exhibition</em> (Prague, 1936)</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3286">Le <em>Wiederaufbau</em> de la perception.  La photographie allemande  dans l’après-guerre, 1945-1950</a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Andrés Mario Zervigón</div>
              <div class="altertitle foreign" xml:lang="en" lang="en">The <em>Wierderaufbau</em> of Perception: German Photography in the Postwar Moment, 1945–1950</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3476"><span xml:lang="fr" lang="fr" dir="ltr">The <em>Wiederaufbau</em> of Perception</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Andrés Mario Zervigón</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Portfolio</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3288">Foliage</a> <span class="fullText">[Résumé]</span></div>
              <div class="author">Philippe Durand</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Culture de presse</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3484"><span xml:lang="fr" lang="fr">The Remote Transmission of Images</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Myriam Chermette</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3291">Transmettre les images à distance. Chronologie culturelle de la téléphotographie dans la presse française</a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Myriam Chermette</div>
              <div class="altertitle foreign" xml:lang="en" lang="en">The Remote Transmission of Images: A Cultural Chronology of Telephotography in the French Press</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3478"><span xml:lang="fr" lang="fr" dir="ltr">Shooting Charles Henri Ford </span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Ryan Linkof</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3292">Charles Henri Ford dans  l’œil du viseur. Cecil Beaton  et l’érotisme de la culture populaire dans les tabloïds new-yorkais</a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Ryan Linkof</div>
              <div class="altertitle foreign" xml:lang="en" lang="en">Shooting Charles Henri Ford: Cecil Beaton and the Erotics of the ‘Low’ in the New York Tabloids</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3480"><span xml:lang="en" lang="en" dir="ltr">War and the iPhone</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Vincent Lavoie</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3294">Guerre et iPhone. Les nouveaux fronts du photojournalisme</a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Vincent Lavoie</div>
              <div class="altertitle foreign" xml:lang="en" lang="en">War and the iPhone: New Fronts  for Photojournalism</div>
            </li>
          </ul>
        </li>
      </ul>]]></description>
    <link>http://journals.openedition.org/etudesphotographiques/3277</link>
    <dc:date>2012-05-24</dc:date>
  </item>
  <item rdf:about="http://journals.openedition.org/etudesphotographiques/3212">
    <title>28 | 2011 &#8211; J.M.Cameron / Discours critiques/ Photographies de l'Inconscient</title>
    <description><![CDATA[<img alt="Couverture du n°28" src="http://journals.openedition.org/etudesphotographiques/docannexe/file/3213/28_couverture_rvb_bdef-small200.jpg" /><div class="information">
        <div class="isbn">ISBN 9782911961281</div>
        <div class="description">256 p.</div>
      </div>
      <ul class="summary">
        <li>
          <div class="publititle"><strong>Edito</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3230">Quinze ans&#160;!</a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Thierry Gervais</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3231">Fifteen years !</a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Thierry Gervais</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Histoires revisitées</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3219">Épouses des hommes et épouses de l’art</a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Anne McCauley</div>
              <div class="altertitle foreign" xml:lang="en" lang="en">Brides of Men and Brides of Art: The ‘Woman Question’ of the 1860s and the Photographs of Julia Margaret Cameron</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3228">L’histoire en train de se faire</a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Margaret Innes</div>
              <div class="altertitle foreign" xml:lang="en" lang="en">History in the Making: Max Lincoln Schuster’s <em>Eyes on the World </em></div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3469"><span xml:lang="fr" lang="fr" dir="ltr">Brides of Men and Brides of Art</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Anne McCauley</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3470"><span xml:lang="en" lang="en" dir="ltr">History in the Making</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Margaret Innes</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Portfolio</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3223">Atelier Petroşani</a> <span class="fullText">[Résumé]</span></div>
              <div class="author">Gilles Saussier</div>
              <div class="altertitle foreign" xml:lang="en" lang="en">Petroşani Workshop </div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Discours critiques</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3224">Arte povera, une question d’image</a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Giuliano Sergio</div>
              <div class="altertitle foreign" xml:lang="en" lang="en">Arte Povera, A Question of Image: Germano Celant and the Critical Representation of the Neo-Avant-Garde</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3225">Arnold Odermatt, par-delà les sept montagnes</a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Caroline Recher</div>
              <div class="altertitle foreign" xml:lang="en" lang="en">Arnold Odermatt – Beyond the Seven Mountains: The Unsanctioned Artist’s Candid Eye </div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3471"><span xml:lang="fr" lang="fr" dir="ltr">Arte Povera, A Question of Image</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Giuliano Sergio</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3472"><span xml:lang="en" lang="en" dir="ltr">Arnold Odermatt – Beyond the Seven Mountains</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Caroline Recher</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Photographies de l'inconscient</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3227">L’hypnose au Parthénon. Les photographies de Magdeleine G. par Fred Boissonnas</a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Céline Eidenbenz</div>
              <div class="altertitle foreign" xml:lang="en" lang="en">Hypnosis at the Parthenon: Magdeleine G. Photographed by Fred Boissonnas</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3473"><span xml:lang="en" lang="en" dir="ltr">Hypnosis at the Parthenon</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Céline Eidenbenz</div>
            </li>
          </ul>
        </li>
      </ul>]]></description>
    <link>http://journals.openedition.org/etudesphotographiques/3212</link>
    <dc:date>2011-11-21</dc:date>
  </item>
  <item rdf:about="http://journals.openedition.org/etudesphotographiques/3163">
    <title>27 | 2011 &#8211; Images de guerre, photographies mises en page</title>
    <description><![CDATA[<img alt="Couverture du n°27" src="http://journals.openedition.org/etudesphotographiques/docannexe/file/3164/couverture27_2-small200.jpg" /><div class="information">
        <div class="isbn">ISBN 9782911961274</div>
        <div class="description">250 p.</div>
      </div>
      <ul class="summary">
        <li>
          <div class="publititle"><strong>Edito</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3167">L’économie de la recherche</a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Thierry Gervais</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3169">The Economics of Research</a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Thierry Gervais</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Images de guerre</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3173">Échantillonner le chaos. Aby Warburg et l’atlas photographique de la Grande Guerre</a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Georges Didi-Huberman</div>
              <div class="altertitle foreign" xml:lang="en" lang="en">Sampling Chaos : Aby Warburg and the Photographic Atlas of the Great War</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3463"><span xml:lang="fr" lang="fr" dir="ltr">Sampling Chaos</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Georges Didi-Huberman</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Portfolio</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3183">Migrants</a> <span class="fullText">[Résumé]</span></div>
              <div class="author">Mathieu Pernot</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Photographies mises en page</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3174">Une intervention récalcitrante. Les pages de Walker Evans.</a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">David Campany</div>
              <div class="altertitle foreign" xml:lang="en" lang="en">Recalcitrant Intervention: Walker Evans’s Pages</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3176">Le 11-Mars comme un nouveau 11-Septembre. Le traitement photographique des attentats de 2004 à Madrid</a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Gérôme Truc</div>
              <div class="altertitle foreign" xml:lang="en" lang="en">March 11 as a New September 11: The Photographic Coverage of the 2004 Madrid Bombings</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3465"><span xml:lang="fr" lang="fr" dir="ltr">Recalcitrant Intervention</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">David Campany</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3466"><span xml:lang="en" lang="en" dir="ltr">March 11 as a New September 11</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Gérôme Truc</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Histoires en mouvement</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3178"><em>Le Rapport Karski.</em> Une voix qui résonne comme une source</a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Rémy Besson</div>
              <div class="altertitle foreign" xml:lang="en" lang="en"><em>The Karski Report</em>: A Voice with the Ring of Truth</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3180">Léon Moussinac et <em>L’Humanité</em> du cinéma. Cinéma militant et militantisme culturel dans l’entre-deux-guerres en France</a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Valérie Vignaux</div>
              <div class="altertitle foreign" xml:lang="en" lang="en">Léon Moussinac and L’Humanité as a Cinematic Force : Activist Cinema and Cultural Activism in the Interwar Years in France</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3467"><span xml:lang="en" lang="en" dir="ltr">The Karski Report</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Rémy Besson</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3468"><span xml:lang="fr" lang="fr" dir="ltr">Léon Moussinac and L’Humanité as a Cinematic Force</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Valérie Vignaux</div>
            </li>
          </ul>
        </li>
      </ul>]]></description>
    <link>http://journals.openedition.org/etudesphotographiques/3163</link>
    <dc:date>2011-06-20</dc:date>
  </item>
  <item rdf:about="http://journals.openedition.org/etudesphotographiques/3105">
    <title>26 | 2010 &#8211; Saisi dans l'action : repenser l'histoire du photojournalisme</title>
    <description><![CDATA[<img alt="Couverture du numéro 26" src="http://journals.openedition.org/etudesphotographiques/docannexe/image/3106/CouvETPH26-Site-small200.jpg" /><div class="information">
        <div class="isbn">ISBN 9782911961267</div>
        <div class="description">24 € - 240 p.</div>
      </div>
      <ul class="summary">
        <li>
          <div class="publititle"><strong>Edito</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3124">Au-delà de la photographie, vers une redefinition de la presse</a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Thierry Gervais, Christian Delage et Vanessa R. Schwartz</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3126">Reaching Beyond the Photograph, redefining the Press</a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Thierry Gervais, Christian Delage et Vanessa R. Schwartz</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Saisi dans l'action...</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3110">« Le plus grand des photographes de guerre »</a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Thierry Gervais</div>
              <div class="altertitle foreign" xml:lang="en" lang="en">’The Greatest of War Photographers’: Jimmy Hare, A Photojournalist at the Turn of the Twentieth Century</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3111">De l’efficacité de l’artifice.</a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Jason E. Hill</div>
              <div class="altertitle foreign" xml:lang="en" lang="en">On the Efficacy of Artifice: <em>PM</em>, Radiophoto, and the Journalistic Discourse of Photographic Objectivity</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3113"><em>True crime magazines.</em></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Will Straw</div>
              <div class="altertitle foreign" xml:lang="en" lang="en">Formal Strategies in the True Crime Photograph</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3452"><span xml:lang="fr" lang="fr" dir="ltr">The ‘Greatest Of War Photograhers’</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Thierry Gervais</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3453"><span xml:lang="fr" lang="fr" dir="ltr">On the Efficacy of Artifice</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Jason E. Hill</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3454"><span xml:lang="en" lang="en" dir="ltr">Formal Strategies in the True Crime Photograph</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Will Straw</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Portfolio</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3116">O Campo</a> <span class="fullText">[Résumé]</span></div>
              <div class="author">Joachim Schmid</div>
              <div class="altertitle foreign" xml:lang="en" lang="en">O Campo</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>... repenser l'histoire du photojournalisme</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3119">Grand angle sur la plage</a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Vanessa R. Schwartz</div>
              <div class="altertitle foreign" xml:lang="en" lang="en">Wide Angle at the Beach: The Origins of the Paparazzi and the Cannes Film Festival</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3121">La couleur de Mai 1968</a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Audrey Leblanc</div>
              <div class="altertitle foreign" xml:lang="en" lang="en">The Color of May 1968: <em>Paris Match </em>and the Events of May and June 1968</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3123">La rectitude photojournalistique.</a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Vincent Lavoie</div>
              <div class="altertitle foreign" xml:lang="en" lang="en">Photojournalistic Integrity: Codes of Conduct, Professional Ethics, and the Moral Definition of Press Photography</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3455"><span xml:lang="fr" lang="fr" dir="ltr">Wide Angle at the Beach</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Vanessa R. Schwartz</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3456"><span xml:lang="fr" lang="fr" dir="ltr">The Color of May 1968</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Audrey Leblanc</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/etudesphotographiques/3462"><span xml:lang="fr" lang="fr" dir="ltr">Photojournalistic Integrity</span></a> <span class="fullText">[Texte intégral]</span></div>
              <div class="author">Vincent Lavoie</div>
            </li>
          </ul>
        </li>
      </ul>]]></description>
    <link>http://journals.openedition.org/etudesphotographiques/3105</link>
    <dc:date>2010-12-14</dc:date>
  </item>
</rdf:RDF>