Arnason, H. H., History of Modern Art, New York, Abrams, third edition, 1986.
Ashton, Dore, A Fable of Modern Art, New York, Thames and Hudson, 1980.
Barr, Alfred H., Jr., Picasso: Fifty Years of His Art, New York, Museum of Modern Art, 1946.
Barr, Alfred H., Jr., Matisse: His Art and His Public, New York, Museum of Modern Art, 1951.
Baudelaire, Charles, The Painter of Modern Life and Other Essays, New York, Da Capo Press, [1986].
Berger, John, The Success and Failure of Picasso, New York, Vintage Books, 1989.
Brassa, Conversations with Picasso, Chicago, University of Chicago Press, 1999.
Broude, Norma (ed.), Seurat in Perspective, Englewood Cliffs, NJ, Prentice-Hall, 1978.
Broude, Norma, Impressionism: A Feminist Reading, New York, Rizzoli, 1991.
Cabanne, Pierre, Dialogues with Marcel Duchamp, New York, Da Capo Press, 1987.
Chipp, Herschel B., Theories of Modern Art: A Source Book by Artists and Critics, Berkeley, University of California Press, 1969.
Chu, Petra ten-Doesschate (ed.), Letters of Gustave Courbet, Chicago, University of Chicago Press, 1992.
Cooper, Douglas, The Cubist Epoch, London, Phaidon, 1970.
Doran, P. M. (ed.), Conversations avec Cézanne, Paris, Macula, 1978.
Duff, Christina, « In Payscales, Life Sometimes Imitates Art », Wall Street Journal, May 22, 1998, pp. B1-B10.
Duret, Théodore, Manet and the French Impressionists, Philadelphia, J. B. Lippincott, 1910.
Flam, Jack, Matisse on Art, Revised edition, Berkeley, University of California Press, 1995.
Fry, Roger, Last Lectures, Boston, Beacon Press, 1962.
Galenson, David W., Painting outside the Lines: Patterns of Creativity in Modern Art, Cambridge, Harvard University Press, 2001.
Galenson, David W., « Quantifying Artistic Success: Ranking French Painters - and Paintings - from Impressionism to Cubism », Historical Methods, vol. 35, winter 2002, n° 1, pp. 5-20.
Galenson, David W. & Jensen, Robert, « Young Geniuses and Old Masters: The Life Cycles of Great Artists from Masaccio to Jasper Johns », NBER, Working Paper 8368, July 2001, pp. 1-42.
Gauguin, Paul, The Writings of a Savage, New York, Da Capo Press, [1996].
Gersh-Nesic, Beth, The Early Criticism of André Salmon, New York, Garland, 1991.
Giry, Marcel, Fauvism: Origins and Development, New York, Alpine Fine Arts, 1982.
Golding, John, Cubism, Cambridge, Harvard University Press, third edition, 1988.
Greenberg, Clement, The Collected Essays and Criticism, Chicago, University of Chicago Press, Vol. 4, 1993.
Guérin, Marcel (ed.), Lettres de Degas, Paris, Bernard Grasset, 1931.
Heard Hamilton, George, 19th and 20th Century Art, New York, Abrams, 1970.
Herbert, Robert L., Georges Seurat, 1859-1891, New York, Metropolitan Museum of Art, 1991.
Hughes, Robert, The Shock of the New, New York, Knopf, 1982.
Hunter, Sam & Jacobus, John, History of Modern Art, Englewood Cliffs, NJ, Prentice-Hall, third edition, 1992.
Jensen, Robert, Marketing Modernism in Fin-de-Siècle Europe, Princeton, Princeton University Press, 1994.
Kendall, Richard, (ed.), Monet by Himself, New York, Knickerbocker Press, 1999.
Kubler, George, The Shape of Time: Remarks on the History of Things, New Haven,Yale University Press, 1962.
de Leiris, Alan, The Drawings of édouard Manet, Berkeley, University of California Press, 1969.
Malraux, André, Picasso's Mask, New York, Holt, Rinehart, and Winston, [1976].
Moore, George, Impressions and Opinions, New York, Brentano, 1913.
Nochlin, Linda (ed.), Impressionism and Post-Impressionism, 1874-1904: Sources and Documents, Englewood Cliffs, NJ, Prentice-Hall, 1966.
O'Brian, John, Ruthless Hedonism: The American Reception of Matisse, Chicago, University of Chicago Press, 1999.
Reff, Theodore, Manet: Olympia, New York, Viking Press, 1977a.
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Rewald, John, Georges Seurat, New York, Wittenborn, 1943.
Rewald, J., Post-Impressionism: From Van Gogh to Gauguin, New York, Museum of Modern Art, 1956.
Rewald, J., Paul Cézanne Letters, New York, Da Capo Press, 1995.
Richardson, John, A life of Picasso, vol. 1, The Early Years 1881-1906, Random House, 1991.
Richardson, John, A life of Picasso, vol. 2, 1907-1917, Random House, 1996.
Rowell, Margit (ed.), Joan Miró: Selected Writings and Interviews, New York, Da Capo Press, 1992.
Rubin, William, Seckel, Hélène & Cousins, Judith, Les Demoiselles d'Avignon, New York, Museum of Modern Art, 1994.
Ruwell, John, The Meanings of Modern Art, New York, Museum of Modern Art, 1981.
Sanouillet, Michel & Peterson, Elmer, (eds.), The Writings of Marcel Duchamp, New York, Da Capo Press, 1989.
Schapiro, Meyer, Modern Art: 19th and 20th Centuries, New York, George Braziller, 1968.
Schiff, Richard, Cézanne and the End of Impressionism, Chicago, University of Chicago Press, 1984.
Simonton, Dean Keith, Scientific Genius, Cambridge, Cambridge University Press, 1988.
Spurling, Hilary, The Unknown Matisse, New York, Alfred A. Knopf, 1998.
Sweetman, David, Paul Gauguin, New York, Simon & Schruter, 1995.
Tomkins, Calvin, The bride and the Bachelors, New York, Viking Press, 1965.
Valéry, Paul, Degas, Manet, Morisot, Princeton, Princeton University Press, [1989].
van Gogh, Vincent, The Complete Letters of Vincent van Gogh, London, Thames and Hudson, [1958].
Vollard, Ambroise, Degas, London, George Allen & Unwin, 1928.
Vollard, Ambroise, Reflections of a Picture Dealer, Boston, Little, Brown, 1936.
Vollard, Ambroise, Cézanne, New York, Dover, 1984.
Wildenstein, Daniel, Monet, or the Triumph of Impressionism, Koln, Taschen, 1996.
Zola, émile, « édouard Manet », in Francis Frascina & Charles Harrison, (eds.), Modern Art and Modernium, New York, Harger & Row, 1982, pp. 29-38.
Appendix
The books surveyed by this study are listed below in chronological order. In a number of cases, two or three books included in a series were treated as a single entry.
Maillard, Robert, (éd.), Nouveau Dictionnaire de la Peinture moderne, Paris, Fernand Hazan, 1963.
Maillard, Robert, (éd.), Dictionnaire universel de l'Art et des Artistes, Paris, Hazan, 3 volumes, 1967.
Jaffé, Hans L.C., Histoire Générale de la Peinture, v: xixe et xxe siècles, Paris, Flammarion, 1968.
Janneau, Guillaume & Stalter, Marcel-André, L'Art moderne, Paris, Presses Universitaires de France, 1970.
Cabanne, Pierre, Dictionnaire international des Arts, Paris, Bordas, 2 volumes, 1979.
Christ, Yvan, L'Art au xixe siècle : du Second Empire à la fin du siècle, Paris, Flammarion, 1981.
Lassalle, Hélène, L'Art au xxe siècle : de 1900 à la Seconde Guerre mondiale, Paris, Flammarion, 1986.
Lassalle, Hélène, L'Art au xxe siècle : de l'Après-Guerre à Beaubourg, Paris, Flammarion, 1986.
Bazin, Germain, Histoire de L'Art de la Préhistoire à nos jours, Paris, Massin, cinquième édition, 1986.
Plazy, Gilles, Les Aventures de la Peinture moderne, Milan, Liana Levi, 1987.
Delacampagne, Christian, L'Aventure de la Peinture moderne, Paris, éditions Mengès, 1988.
Breuille, Jean-Phillippe, Dictionnaire de la Peinture francaise : la Peinture en France du Moyen Âge à nos jours, Paris, Larousse, 1989.
Cabanne, Pierre, L'Art du xixe siècle, Paris, Somogy, 1989.
Cabanne, Pierre, L'Art du xxe siècle, Paris, Somogy, 1982.
Cachin, Francoise &. al., L'Art du xixe siècle : 1850-1905, Paris, éditions Citadelles, 1990.
Bouillon, Jean-Paul, Rinuy, Paul-Louis & Baudin, Antoine, L'Art du xxe siècle : 1900-1939, Paris, éditions Citadelles et Mazenod, 1996.
Bornay, Erika, Histoire universelle de l'Art, Tome ix : le xixe siècle, Paris, Larousse, 1990.
Suarez, Alicia & Vidal, Merce, Histoire Universelle de l'Art, Tome x : le xxe siècle, Paris, Larousse, 1990.
Châtelet, Albert & Groslier, Bernard Philippe, Histoire de l'Art, Paris, Larousse, 1990.
Ferry, Luc, Le Sens du Beau : aux origines de la culture contemporaine, Paris, éditions Grasset & Fasquelle, 1990.
Felici, Lucio, (éd.), L'Encyclopédie de l'Art, Paris, Librairie Générale Française, 1991.
Rancillac, Bernard, Voir et comprendre la Peinture, Paris, Bordas, 1991.
Argan, Giulio Carlo, L'Art moderne, Paris, Bordas, 1992.
Sprocatti, Sandro, Guide de l'Art : Peinture, Sculpture, Architecture du xive siècle à nos jours, Paris, éditions Solar, 1992.
Carrassat, Patricia Fride R. & Marcadé, Isabelle, Comprendre et reconnaître les mouvements de la Peinture, Paris, France Loisirs, 1993.
Marseille, Jacques & Laneyrie-Dagen, Nadeije, Les Grands événements de l'Histoire de l'Art, Paris, Larousse, 1993.
Barilleau, Michèle & Giboulet, Francois, Histoire de la Peinture, Paris, Hatier, 1994.
Loilier, Hervé, Histoire de l'Art, Paris, Spadem, 1994.
Dagen, Philippe & Hamon, Francoise, Histoire de l'Art, époque Contemporaine xixe-xxe siècles, Paris, Flammarion, 1995.
Mérot, Alain, (éd.), Histoire de l'Art, 1000-2000, Paris, éditions Hazan, 1995.
Lavaud, José, Grands courants artistiques et esthétiques depuis la Renaissance, Paris, Ellipses, 1996.
de Beaucorps, Monique, Ergmann, Raoul & Trassard, François, La Peinture des Grands Maîtres européens, Paris, éditions de la Martinière, 1997.
Laclotte, Michel & Cuzin, Jean-Pierre, Dictionnaire de la Peinture, Paris, Larousse, 1997.
Anquetil, Jacques, Le Grand Guide de l'Art, Paris, Le Grand Livre du Mois, 1998.
Daix, Pierre, Pour une Histoire culturelle de l'Art moderne : de David à Cézanne, Paris, éditions Odile Jacob, 1998.
Daix, Pierre, Pour une Histoire culturelle de l'Art moderne : le xxe siècle, Paris, éditions Odile Jacob, 2000.
Ferrier, Jean-Louis, Brève Histoire de l'Art, Paris, Hachette, 1999.