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    <title>Hybrid</title>
    <link>https://journals.openedition.org/hybrid</link>
    <description>Revue annuelle bilingue sur la relation entre les technologies numériques et les pratiques artistiques et littéraires - Annual bilingual journal on the relationship between digital technologies and artistic and literary practice</description>        
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        <rdf:li resource="https://journals.openedition.org/hybrid/6779" />
        <rdf:li resource="https://journals.openedition.org/hybrid/6452" />
        <rdf:li resource="https://journals.openedition.org/hybrid/6119" />
        <rdf:li resource="https://journals.openedition.org/hybrid/6857" />
        <rdf:li resource="https://journals.openedition.org/hybrid/6812" />
        <rdf:li resource="https://journals.openedition.org/hybrid/6581" />
        <rdf:li resource="https://journals.openedition.org/hybrid/6577" />
        <rdf:li resource="https://journals.openedition.org/hybrid/6333" />
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  <item rdf:about="https://journals.openedition.org/hybrid/6779">
    <title>Mba’ekuaa Jopará</title>
    <description><![CDATA[
      <p class="resume"><span xml:lang="en" lang="en">In collaboration with Indigenous communities in Brazil, this artistic research paper develops a cosmotechnics of contamination (</span><em><span xml:lang="en" lang="en">Mba’ekuaa Jopará</span></em><span xml:lang="en" lang="en">), blending generative VR with ancestral practices. </span>It reconceives digital art as a medium for interspecies dialogue and cosmological action, challenging hegemonic notions of human agency by centering Indigenous epistemologies. Inspired by Amerindian <em>roçados</em>, sites of poetic cultivation where plants are kin, we propose a technobiodiverse artistic practice. Transdisciplinary co-creation contaminates digital art with Indigenous technodiversity, fostering hybrid ecosystems where ancestral knowledge shapes algorithmic agency through a poetics of care. </p>]]></description> 
    <dc:creator>Matheus da Rocha Montanari</dc:creator>
    <link>https://journals.openedition.org/hybrid/6779</link>
    <dc:date>2026-04-15</dc:date>
  </item>
  <item rdf:about="https://journals.openedition.org/hybrid/6452">
    <title>Digital accessibility culture at a university: A survey of university staff</title>
    <description><![CDATA[
      <p class="resume"><span xml:lang="en" lang="en">This article examines the culture of digital accessibility in higher education using a survey carried out in 2024 covering 309 staff members from Paris 8 University. </span><span xml:lang="en" lang="en">Accessibility here is approached as a cultural and crosscutting dimension that goes beyond mere technical know-how.</span></p>]]></description> 
    <dc:creator>María Inés Laitano</dc:creator> 
    <dc:creator>Jean-Marc Meunier</dc:creator>
    <link>https://journals.openedition.org/hybrid/6452</link>
    <dc:date>2026-04-15</dc:date>
  </item>
  <item rdf:about="https://journals.openedition.org/hybrid/6119">
    <title>Culture de l’accessibilité numérique à l’université : une enquête par questionnaire auprès des personnels</title>
    <description><![CDATA[
      <p class="resume">Cet article étudie la culture de l’accessibilité numérique dans l’enseignement supérieur à partir d’une enquête menée en 2024 auprès de 309 personnels de l’université Paris 8. L’accessibilité y est envisagée comme une dimension culturelle et transversale, au-delà des seuls savoir-faire techniques.</p>]]></description> 
    <dc:creator>María Inés Laitano</dc:creator> 
    <dc:creator>Jean-Marc Meunier</dc:creator>
    <link>https://journals.openedition.org/hybrid/6119</link>
    <dc:date>2026-04-15</dc:date>
  </item>
  <item rdf:about="https://journals.openedition.org/hybrid/6857">
    <title>Has greenwashing been greenwashed? </title>
    <description><![CDATA[
      <p class="resume"><span xml:lang="en" lang="en">Originating in environmental criticism, the concept of greenwashing has today become an integral part of communication strategies. This article examines this trajectory. Using a mixed-methods analysis of a corpus of press discourse, the authors show how what was initially an accusatory term, became a normative element, diluted in the discourse of corporate social responsibility and digital responsibility.</span></p>]]></description> 
    <dc:creator>Jeanne Ferrari-Giovangeli</dc:creator> 
    <dc:creator>Céline Morin</dc:creator>
    <link>https://journals.openedition.org/hybrid/6857</link>
    <dc:date>2026-04-15</dc:date>
  </item>
  <item rdf:about="https://journals.openedition.org/hybrid/6812">
    <title>Le greenwashing a-t-il été greenwashé ?</title>
    <description><![CDATA[
      <p class="resume">Née dans la critique écologique, la notion de <em>greenwashing</em> est aujourd’hui intégrée aux stratégies de communication. C’est cette trajectoire qui est interrogée dans cet article. À partir d’une analyse quanti-qualitative d’un corpus de discours de presse, les autrices montrent comment le terme, initialement dénonciateur, devient un élément normatif, dilué dans les discours de responsabilité sociale et de numérique responsable.</p>]]></description> 
    <dc:creator>Jeanne Ferrari-Giovanangeli</dc:creator> 
    <dc:creator>Céline Morin</dc:creator>
    <link>https://journals.openedition.org/hybrid/6812</link>
    <dc:date>2026-04-15</dc:date>
  </item>
  <item rdf:about="https://journals.openedition.org/hybrid/6581">
    <title>Ecologias do digital</title>
    <description><![CDATA[
      <p class="texte">A questão dos efeitos ambientais relacionados ao digital emerge como uma preocupação pública, científica e profissional, graças à mobilização de uma pluralidade de atores e de instâncias diversas (coletivos de pessoas engajadas que trabalham na área de informática, associações de militantes, agências de regulação, etc.). Discussões sobre indicadores e métricas da pegada ambiental da tecnologia digital feitas por <em>think tanks</em> como o Shift Project, testemunhos sobre a destruição causada pelo extrativismo de minérios, pesquisas conduzidas por sociólogos ou urbanistas sobre os <em>data centers</em> ou com trabalhadores de dados, etc. são apenas alguns dos trabalhos que contribuem para dar nova materialidade ao digital e para descolonizar o imaginário coletivo que o concebe como imaterial, desmaterializado e limpo. As infraestruturas de cálculo, as cadeias de extração de minérios, a logística global, os fluxos de energia necessários para que a tecnologia digital funcione, as toneladas de lixo elet...</p>]]></description> 
    <dc:creator>Laurence Allard</dc:creator> 
    <dc:creator>Marta Severo</dc:creator> 
    <dc:creator>Mathilde Vassor</dc:creator> 
    <dc:creator>Romain Vindevoghel</dc:creator>
    <link>https://journals.openedition.org/hybrid/6581</link>
    <dc:date>2026-04-15</dc:date>
  </item>
  <item rdf:about="https://journals.openedition.org/hybrid/6577">
    <title>Digital ecologies</title>
    <description><![CDATA[
      <p class="texte"><span xml:lang="en" lang="en">Thanks to mobilisation by diverse stakeholders acting within a wide range of bodies (collectives of committed tech workers, activist organisations, regulatory agencies, etc.), the issue of the environmental impacts of digital technology emerged as a public, scientific and professional concern. Think-tanks such as Shift Project developed indicators and metrics to track the environmental footprint of digital technologies, others produced accounts of the ravages of extractivism in mining, sociologists and urban planners released studies on data centres and data workers, etc. Such work contributed to re-materialising and decolonising the imaginary of digital technology as intangible, dematerialised and clean. Calculation infrastructure, the chains of raw material extraction, the global logistics, the energy flows rendered necessary by digital technology, the tons of electronic waste generated by a double obsolescence—technical and social—all became visible thanks to such action. The ris...</span></p>]]></description> 
    <dc:creator>Laurence Allard</dc:creator> 
    <dc:creator>Marta Severo</dc:creator> 
    <dc:creator>Mathilde Vassor</dc:creator> 
    <dc:creator>Romain Vindevoghel</dc:creator>
    <link>https://journals.openedition.org/hybrid/6577</link>
    <dc:date>2026-04-15</dc:date>
  </item>
  <item rdf:about="https://journals.openedition.org/hybrid/6333">
    <title>Écologies du numérique</title>
    <description><![CDATA[
      <p class="texte">La question des effets environnementaux du numérique émerge grâce à la mobilisation d’une pluralité d’acteurs et au sein d’instances diverses (collectifs d’informaticiennes et informaticiens engagés, associations de militantes et militants, agences de régulation, etc.) comme une préoccupation publique, scientifique et professionnelle. Mises à l’épreuve des indicateurs et des métriques de l’empreinte environnementale du numérique par des <em>think tanks</em> tels que le Shift Project, témoignages sur les ravages de l’extractivisme minier, enquêtes par des sociologues ou des urbanistes sur les <em>data centers</em> ou avec les travailleurs et travailleuses de la donnée, etc. ; autant de travaux qui contribuent à rematérialiser et à décoloniser l’imaginaire d’un numérique immatériel, dématérialisé et propre. Les infrastructures de calcul, les chaînes d’extraction de matière, la logistique globale, les flux énergétiques rendus nécessaires par les technologies numériques, les tonnes de déchets électroniqu...</p>]]></description> 
    <dc:creator>Laurence Allard</dc:creator> 
    <dc:creator>Marta Severo</dc:creator> 
    <dc:creator>Mathilde Vassor</dc:creator> 
    <dc:creator>Romain Vindevoghel</dc:creator>
    <link>https://journals.openedition.org/hybrid/6333</link>
    <dc:date>2026-04-15</dc:date>
  </item>
  <item rdf:about="https://journals.openedition.org/hybrid/6361">
    <title>Pænser en interfaces : écotones numériques et pratiques techno-animistes dans les dispositifs de suivi de la faune sauvage</title>
    <description><![CDATA[
      <p class="resume">Comment les dispositifs numériques de capture visuelle transforment-ils notre relation aux mondes sauvages et aux animaux qui les instituent ? Cet article explore cette question à travers une étude des dispositifs de suivi de la faune sauvage dans le massif forestier transfrontalier des Vosges du Nord-Pfälzerwald. En mobilisant le concept d’écotone – zone de transition écologique – comme modèle théorique pour penser les interfaces numériques, nous analysons comment ces dispositifs créent des espaces relationnels qui débordent du cadre de l’observation naturaliste dont ils sont issus. À partir de deux assemblages bio-socio-techniques (comme un lynx équipé d’un collier GPS ou des cigognes suivies par des <em>biologgers</em> et des caméras de surveillance), nous examinons l’émergence de pratiques techno-animistes au sein de communautés mixtes, composées de professionnels sur le terrain et de personnes passionnées anonymes en ligne. La tension entre <em>panser</em> (prendre soin) et <em>penser</em> (surveiller) q...</p>]]></description> 
    <dc:creator>Margaux Crinon</dc:creator>
    <link>https://journals.openedition.org/hybrid/6361</link>
    <dc:date>2026-04-15</dc:date>
  </item>
  <item rdf:about="https://journals.openedition.org/hybrid/6550">
    <title>Prompt to Play: A cartomancy for outwitting AI and forming imaginaries</title>
    <description><![CDATA[
      <p class="resume"><span xml:lang="en" lang="en">Much of the dominant discourse treats artificial intelligence (AI) as detached from its material conditions. In interface design, a rhetoric of magic further diverts attention from the socio-ecological mechanisms that make AI possible. </span><span xml:lang="en" lang="en">To counter this disembodied relationship to AI, and alongside descriptive and instructional approaches, artistic practices can help make visible and imaginable the links between AI’s promises, its uses, and its costs. </span><em><span xml:lang="en" lang="en">Prompt to Play</span></em><span xml:lang="en" lang="en"> is a card-based device designed to make connections between different approaches to AI. Drawing on cartomancy, the cards guide a conversation that moves from the personal to the collective, from the local to the global, and from past trajectories to future possibilities. This article introduces the “game” by examining the discourses and narratives through which AI is encountered and understood. It also questions the tendency to treat AI as magical and suggests responding to this on the level of imaginaries.</span></p>]]></description> 
    <dc:creator>Fabrice Sabatier</dc:creator>
    <link>https://journals.openedition.org/hybrid/6550</link>
    <dc:date>2026-04-15</dc:date>
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