8.1. | 2020
Ubiquitous Visuality
Towards a Pragmatics of Visual Experience

Informations sur cette image
Crédits : "Camptosaurus Eye" still from Paterson, Nigel and John Hurt. Planet Dinosaur. London: BBC Worldwide Ltd, 2011. Screenshot by D. Leblond.
Guest Editors: Catherine Bernard and Clémence Folléa
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Ubiquitous Visuality: Towards a Pragmatics of Visual Experience
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Introduction [Texte intégral]
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New Modes of Visual Immersion
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Dealing with Long Duration: TV Series, Aesthetics and Close Analysis [Texte intégral]
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Experiencing, Experimenting with, and Performing Visual Narratives [Texte intégral]Large- and Small-Scale Stories in AAA Action-Adventure Game Franchises
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Contemporary Text Experiences and Storytelling [Texte intégral]
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Gazing In / Gazing Out at Bodies
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Selfies, Digital Self-Portraits, and the Politicization of Intimacy [Texte intégral]
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A Portrait of a ‘Selfie’ in the Making [Texte intégral]An Iconological Analysis of Roberto Schmidt's Photograph of Three World Leaders Taking a Selfie
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Screen resistance: New Anatomies of Beauty? [Texte intégral]
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Ways of Seeing Animals [Texte intégral]Documenting and Imag(in)ing the Other in the Digital Turn
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Touch and See? Regarding Images in the Era of the Interface [Texte intégral]
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The Near and the Far: Reinventing the Geography of Vision
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Postcards from Google Earth [Texte intégral]Re-mediated Maps and Artistic Appropriations Between Personal Collections and the Global Archive
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Britain’s Pop Ups [Texte intégral]Guerrilla Exhibiting, Disrupting, Occupying and Gentrifying at the Intersection of Art and Business
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Book Reviews
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Kim Wilkins, American Eccentric Cinema [Texte intégral]New York: Bloomsbury, 2019, 224 pages
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Dannagal Goldthwaite Young, Irony and Outrage: The Polarized Landscape of Rage, Fear, and Laughter in the United States [Texte intégral]Oxford: Oxford University Press, 2020, 288 pages
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Conference and Seminar Reviews
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The Body in Motion – AIDOC Study Day [Texte intégral]September 10, 2020, Maison de la Recherche Germaine Tillion, University of Angers
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Man Ray et la mode, Musée du Luxembourg, Paris, curators: Xavier Rey, Alain Sayag, Catherine Örmen
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