Présentation
Italique focuses on the Italian poetry of the Renaissance from Petrarch to the Baroque era: a truly golden age, from the great model of the Rerum Vulgarium fragmenta to the lyrics of the sixteenth century. But it was also an age full of contradictions, in strong conflict with Latin humanism during the “century without poetry” from the death of Petrarch to the reign of Lorenzo the Magnificent. At the end of the sixteenth century, Tasso, Chiabrera and Marino undermined the foundations of the classical models, exploding the lyric forms of Petrarchan inspiration. This Italian poetry, in Latin and the vernacular, stood for centuries as European poetry par excellence, the model for all nations. The intense mannerism, harmonious cadence and stylized diction which once constituted its value and prestige make it often remote from a contemporary taste eager for originality.
The aim of Italique is to contribute to a modern rereading of this extraordinary legacy. The title of the journal alludes to the cursive typography that was one of the great inventions of the Italian Cinquecento. And the journal has an ideal base in the fine collection of rare books that forms the nucleus of the Barbier-Mueller Foundation for the Study of Italian Renaissance Poetry, established in 1997 at the Faculty of Letters of the University of Geneva. Contributions are welcome from all specialists, advanced students as well as senior scholars, in Italian, French, and English. The journal is published annualy, the first volume was published in the fall of 1998.
Latest issue
XXV | 2022
Ricezione dei classici
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In memoriam Thierry Barbier-Mueller (1960-2023) [Full text]
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Ricezione dei classici
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Ricezione dei classici. Introduzione [Full text]
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Trois notes sur les traductions (volgarizzamenti) en vers au Cinquecento [Full text will be published on December 2024]
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Virgilio Zavarise, poète humaniste véronais et traducteur des chants I et VII de l’Iliade [Full text will be published on December 2024]
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La traduction comme art de l’offrande poétique : les « couronnes » épigrammatiques de Giovanni Battista Pio tirées de l’Anthologie de Planude [Full text will be published on December 2024]
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Ritmo giambico e ritmo trocaico nella poetica (e nelle Rime) di Giovan Giorgio Trissino [Full text will be published on December 2024]
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L’endecasillabo sciolto come metro traduttivo del corpus Theocriteum nel Cinquecento [Full text will be published on December 2024]
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La traduzione di Ludovico Dolce dell’Epitalamio di Peleo e Tetide di Catullo [Full text will be published on December 2024]
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« Il poema è di chi traduce, non di chi compone » : l’estensione del dominio della traduzione [Full text will be published on December 2024]Note su Lodovico Dolce traduttore di Virgilio e Ovidio
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L’orazio satirico di Lodovico Dolce [Full text will be published on December 2024]
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Tradurre «per ischerzo»: sull’Eneide del Caro nella storia dei volgarizzamenti virgiliani [Full text will be published on December 2024]
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Varia
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I Poeti latini del cinquecento. Esperienze di un commento [Full text will be published on December 2024]
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Soldati e atleti nell’immaginario di corte : le canzoni di Gabriello Chiabrera sul calcio fiorentino [Full text will be published on December 2024]
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Per una descrizione delle Rime tripartite di Girolamo Gualdo (1569) [Full text will be published on December 2024]
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Al di là dell’orrore. Il tempo del ‘re giusto’ nella tragedia Semiramis di Muzio Manfredi (1593) [Full text will be published on December 2024]
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Tavole delle annate di Italique [Full text will be published on December 2024]
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