• Linda Collinge-Germain
  Foreword [Texte intégral]
• Liliane Louvel
  “A Skilful Artist has Constructed a Tale” Is the short story a good instance of “word/image”? Towards intermedial criticism [Texte intégral]
• Shannon Wells-Lassagne
  “Disjected Snapshots”: Photography in the Short Stories of Elizabeth Bowen [Texte intégral]
• Ailsa Cox
  “Sight Unseen” – The Visual and Cinematic in “Ivy Gripped the Steps” [Texte intégral]
• Michelle Ryan-Sautour
  Intermediality and the Cinematographic Image in Angela Carter’s “John Ford’s’Tis Pity She’s a Whore” (1988) [Texte intégral]
• Karima Thomas
  The Urge for intermediality and creative reading in Angela Carter’s “Impressions: the Wrightsman Magdalene” [Texte intégral]
• Martine Hennard Dutheil de la Rochère
  The Interplay of Text and Image, from Angela Carter’s The Fairy Tales of Charles Perrault (1977) to The Bloody Chamber (1979) [Texte intégral]
• Peter Gibian
  The Image and its Discontents: Hawthorne, Poe, and the Double Bind of ’Iconoclash’ [Texte intégral]
• Claude Maisonnat
  The Ineluctable Modalities of the Visible in Daniel Corkery’s “The Stones”: Eye, Gaze and Voice [Texte intégral]
• Lhorine François
  The image, the inexpressible and the shapeless in two short stories by Elizabeth Bishop [Texte intégral]
• M’hamed Bensemmane
  Conrad’s Picture of Irony in “An Outpost of Progress” [Texte intégral]
• Xavier Lachazette
  Images and the Colonial Experience in W. Somerset Maugham’s The Casuarina Tree (1926) [Texte intégral]

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