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Credits: Sandrine Pincemaille

ISBN 0294-0442

• Linda Collinge-Germain, Michelle Ryan-Sautour and Emmanuel Vernadakis
  Foreword [Full text]
• Virginia Ricard
  Introduction [Full text]

• Articles

• Sarah Whitehead
  Make It Short: Edith Wharton’s Modernist Practices in Her Short Stories [Full text]
• David Malcolm
  Breaches of Realist Conventions in Edith Wharton’s Short Fiction [Full text]
• Robin Peel
  Realism and Ritual in the Italian Short Stories of Edith Wharton [Full text]
• Audrey Giboux
  The Epistolary Motif and Literary Creation in Edith Wharton’s Short Stories: Narrative, Aesthetic and Moral Issues [Full text]
• Agnès Berbinau-Dezalay
  Reading and Readers in Edith Wharton’s Short Stories [Full text]
• Joanna Scutts
  “Writing a War Story”: The Female Author and the Challenge of Witnessing [Full text]
• William Blazek
  Reading the Ruins: “Coming Home,” Wharton’s Atrocity Story of the First World War [Full text]
• Gary Totten
  Imagining the American West in Wharton’s Short Fiction [Full text]
• Nancy Von Rosk
  Prince Charming or Animal Bridegroom?: Fairy Tale Elements in Edith Wharton’s “Bunner Sisters” [Full text]
• Jennifer Haytock
  The Dogs of “Kerfol”: Animals, Authorship, and Wharton [Full text]
• Gina Rossetti
  Old Entanglements: Spectral Spouses in Edith Wharton’s “The Other Two” and “Pomegranate Seed” [Full text]
• Michael Pantazzi
  A Face of One’s Own: Edith Wharton and the Portrait in her Short Fiction [Full text]
• Brigitte Zaugg
  The Art of Irresolution in Edith Wharton’s “The Lady’s Maid’s Bell” [Full text]
• Joseph Urbas
  “Sermons in Stone”: Théophile Gautier’s Emaux et Camées and Edith Wharton’s “The Eyes” [Full text]

• Bibliography

• Virginia Ricard
  Edith Wharton: A Bibliography [Full text]

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