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Balestra, Gianfranca. “‘For the Use of the Magazine Morons’: Edith Wharton Rewrites the Tale of the Fantastic.” Studies in Short Fiction 33. 1 (1996): 13-24.

Banta, Martha. “The Ghostly Gothic of Wharton’s Everyday World.” American Literary Realism 27:1 (1994): 1-10.

Bardolph, Megan J. “‘That Strange Something Undreamt:’ Genre and Meta-Fiction in Edith Wharton’s ‘the Lady’s Maid’s Bell.’” Eureka Studies in Teaching Short Fiction 9.1 (2008): 137-146.

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Bennett, Bridget. “‘Precious Allusions’: Female Muses and Authorising Writing.” Essays and Studies 51 (1998): 140-160.

Berkove, Lawrence. “‘Roman Fever’: A Mortal Malady.” CEA Critic 56.2 (1994): 56-60.

Billy, Ted. “‘Domesticated with Horror’: Matrimonial Mansions in Edith Wharton’s Psychological Ghost Stories.” Journal of American & Comparative Cultures 25:3-4 (2002): 433-437.

Blackall, Jean Frantz. “Edith Wharton’s Art of the Ellipsis.” Journal of Narrative Technique 17.2 (1987): 145-162.

Blackford, Holly. “Haunted Housekeeping: Fatal Attractions of Servant and Mistress in Twentieth-Century Female Gothic Literature.” Lit: Literature, Interpretation, Theory 16:2 (2005): 233-261.

Blazek, William. “Trench Vision: Obscurity in Edith Wharton’s War Writings.” L’Obscur. Ed. Françoise Sammarcelli. Paris: Michel Houdiard, 2009. 66-84.

Blum, Virginia L. “Edith Wharton’s Erotic Other-World.” Literature and Psychology 33:1 (1987): 12-29.

Bowlby, Rachel. “‘I Had Barbara’: Women’s Ties and Wharton’s ‘Roman Fever.’” Differences: A Journal of Feminist Cultural Studies 17.3 (2006): 37-51.

Branson, Stephanie. “Ripe Fruit: Fantastic Elements in the Short Fiction of Ellen Glasgow, Edith Wharton, and Eudora Welty.” American Women Short Story Writers: A Collection of Critical Essays. Ed. Julie Brown. New York: Garland, 2000. 61-71.

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Burleson, Donald R. “Sabbats: Hawthorne/Wharton.” Studies in Weird Fiction 12 (1993): 12-16.

Campbell, Donna. “Edith Wharton’s ‘Book of the Grotesque’: Sherwood Anderson, Modernism and the Late Stories.” Edith Wharton Review 26.2 (2010): 1-5.

---. “‘The (American) Muse’s Tragedy’: Jack London, Edith Wharton, and the Little Lady of the Big House.” Jack London: One Hundred Years a Writer. Ed. Sara S. Hodson and Jeanne Campbell Reesman. San Marino, CA: Huntington Library, 2002. 189-216.

---. “The Short Stories of Edith Wharton.” Companion to the American Short Story. Eds. Alfred Bendixen and James Nagal. Oxford: Wiley-Blackwell, 2010. 118-132.

Campbell, Lori M. Portals of Power: Magical Agency and Transformation in Literary Fantasy. Jefferson, NC; McFarland, 2010.

Carney, Mary, et al. “Wharton’s Short Fiction of War: The Politics of ‘Coming Home.’” In Postmodern Approaches to the Short Story. Ed. Farhat Iftekharrudin. Westport, CT: Praeger, 2003. 109-120.

Carpenter, Lynette. “Deadly Letters, Sexual Politics, and the Dilemma of the Woman Writer: Edith Wharton’s ‘The House of the Dead Hand.’” American Literary Realism 24.2 (1992): 55-69.

Caws, Mary Ann. “Framing in Two Opposite Modes: Ford and Wharton.” Comparatist 10 (1986): 114-120.

Comins, Barbara. “‘Outrageous Trap’: Envy and Jealousy in Wharton’s ‘Roman Fever’ and Fitzgerald’s ‘Bernice Bobs Her Hair.’” Edith Wharton Review 17.1 (2001): 9-12.

Conn, Peter. “Edith Wharton.” The Divided Mind: Ideology and Imagination in America, 1898-1917. Cambridge: Cambridge UP, 1983. 173-196.

Crow, Charles L. “The Girl in the Library: Edith Wharton’s ‘The Eyes’ and American Gothic Traditions.” Spectral America: Phantoms and the National Imagination. Ed. Jeffrey Andrew Weinstock. Madison: Wisconsin UP, 2004. 157-168.

Dean, Sharon L. “Edith Wharton’s Early Artist Stories and Constance Fenimore Woolson.” Constance Fenimore Woolson’s Nineteenth Century. Ed. Victoria Brehn. Detroit: Wayne State UP, 2001. 225-239.

Del Fattore, Joan. “Edith Wharton.” Short Story Writers 3. Ed. Frank N. Magill. Pasadena: Salem Press, 1997. 950-958.

Donovan, Josephine. After the Fall: The Demeter-Persephone Myth in Wharton, Cather, and Glasgow. University Park: Pennsylvania State UP, 1989.

Downey, June E. “Three Stories.” Creative Imagination: Studies in the Psychology of Literature. New York: Harcourt Brace, 1929. 202-208.

Dwight, Eleanor. “Edith Wharton and ‘The Cask of Amontillado.’” Poe and Our Times: Influences and Affinities. Ed. Franklin Fisher. Baltimore: Edgar Allen Poe Society, 1986. 49-57.

Dyman, Jenni. Lurking Feminism: The Ghost Stories of Edith Wharton. New York: Peter Lang, 1996.

Eaton, Mark A. “Publicity and Authorship in ‘The Touchstone’: Or A Portrait of the Artist as a Dead Woman.” Edith Wharton Review 14:1 (1997): 4-11, 21.

Edel, Leon. “The Nature of Literary Psychology.” Journal of the American Psychoanalytic Association 29:2 (1981): 447-467.

Elbert, Monika M. “Bourgeois Sexuality and the Gothic Plot in Wharton and Hawthorne.” Hawthorne and Women. Ed. John L. Idol and Melinda M. Ponder. Amherst: U of Massacusetts P, 1999. 258-270.

---. “The Transcendental Economy of Wharton’s Gothic Mansions.” American Transcendental Quarterly 9.1 (1995): 51-67.

---. “T. S. Eliot and Wharton’s Modernist Gothic.” Edith Wharton Review 11.1 (1994): 19-25.

---. “Wharton’s Hybridization of Hawthorne’s ‘Brand’ of Gothic: Gender Crossings in ‘Ethan Brand’ and ‘Bewitched.’” American Transcendental Quarterly 17.4 (2003): 221-241.

Emmert, Scott. “Drawing-Room Naturalism in Edith Wharton’s Early Short Stories.” Journal of the Short Story in English 39 (2002): 57-71. <http://jsse.revues.org/index271.html#text>

Erlich, Gloria C. “‘Forbidden Things’: Gothic Confrontation with the Feminine in ‘The Young Gentleman’ and ‘Bewitched.’” Edith Wharton Review 11.1 (1994): 3-9.

---. “The Female Conscience in Wharton’s Shorter Fiction.” The Cambridge Companion to Edith Wharton. Ed. Millicent Bell. Cambridge: Cambridge UP, 1995. 98-116.

Fedorko, Kathy A. Gender and the Gothic in the Fiction of Edith Wharton. Tuscaloosa: U of Alabama P, 1995.

---. “Edith Wharton’s Haunted Fiction: ‘The Lady’s Maid’s Bell’ and The House of Mirth”. Haunting the House of Fiction: Feminist Perspectives on Ghost Stories by American Women. Ed. Lynette Carpenter and Wendy K. Kolmar. Knoxville: U of Tennessee P, 1991. 80-107.

---. “‘Forbidden Things’: Gothic Confrontation with the Feminine in ‘The Young Gentlemen’ and ‘Bewitched.’” Edith Wharton Review 11:1 (1994): 3-9.

Fields, Anne M. “‘Years Hence of these Scenes’: Wharton’s ‘The Spark’ and World War I.” Edith Wharton Review 19:2 (2003): 1, 5-10.

Fishbein, L. “Prostitution, Morality, and Paradox : Moral Relativism in Edith Wharton’s ‘Old New York.’” Studies in Short Fiction. 24.4 (1987). 399-406.

Fisher, Benjamin F. “Transitions from Victorian to Modern: The Supernatural Stories of Mary Wilkins Freeman and Edith Wharton.” American Supernatural Fiction: From Edith Wharton to the Weird Tales Writers. Ed. Douglas Robillard. New York: Garland, 1996. 3-42.

Fracasso, Evelyn E. Edith Wharton’s Prisoners of Consciousness: A Study of Theme and Technique in the Tales. Westport, CT: Greenwood Press, 1994.

---. “Images of Imprisonment in Two Tales of Edith Wharton.” College Language Association Journal 36.3 (1993): 318-26.

---. “The Evolution of Theme and Technique in Selected Tales of Edith Wharton.” Journal of the Short Story in English 16 (1991): 41-50.

Friedl, Bettina. “Edith Wharton: ‘Pomegranate Seed’—the verge of Being.” Die englische und amerikanische Kurzgescichte. Ed. Klaus Lubbers. Darmstadt: Wissenschaftliche Buchgesellschaft, 1990. 120-133.

Funston, Judith E. “‘Xingu’: Edith Wharton’s Velvet Gauntlet.” Studies in American Fiction 12.2 (1984): 227-234.

Gallagher, Jean. “The Great War and the Female Gaze: Edith Wharton and the Iconography of War Propaganda.” Lit: Literature Interpretation Theory 7.1 (1996): 27-49.

Gentile, Kathy Justice. “Supernatural Transmissions: Turn-of-the-Century Ghosts in American Women’s Fiction: Jewett, Freeman, Wharton, and Gilman.” Gothic Fiction: The British and American Traditions. Ed. Diane Long Hoeveler and Tamar Heller. New York, NY: Modern Language Association of America, 2003. 208-214.

Geoffroy-Menoux, Sophie. Introduction à l’étude des textes fantastiques anglo-américains. Paris: Editions du Temps, 2000.

Gerlach, John. Toward the End: Closure and Structure in the American Short Story. Tuscaloosa: U of Alabama P, 1985.

Getz, John. “Edith Wharton and the Ghost of Poe: ‘Miss Mary Pask’ and ‘Mr. Jones.’” Edith Wharton Review 21:1 (2005): 18-23.

Giorcelli, Cristina. “Plays of White and Black in Edith Wharton’s ‘A Bottle of Perrier.’” Letterature d’America 16.65 (1996): 117-36.

Going, William T. “Wharton’s ‘After Holbein.’” Explicator 10 (1951): 8.

Goldsmith, Meredith. “A ‘Ghostly Cortege’ of ‘Imaginary Guests’: Ghosts of Old New York in ‘After Holbein.’” Ghosts, Stories, Histories: Ghost Stories and Alternative Histories. Ed. Sladja Blazan. Newcastle upon Tyne: Cambridge Scholars, 2007. 32-40.

Gómez Reus, Teresa. “Revisiting ‘the Angel at the Grave’: Parallelisms between Edith Wharton and George Eliot.” Revista de Estudios Norteamericanos 2 (1993): 9-17.

Haining, Peter. Introduction. Edith Wharton: The Ghost-Feeler: Stories of Terror and the Supernatural. Ed. Peter Haining. London: Peter Owen, 1996.

---. Introduction. The Demanding Dead : More Stories of Terror and the Supernatural. Ed. Peter Haining. London: Peter Owen, 2007. 7-19.

Haytock, Jennifer. Edith Wharton and the Conversations of Literary Modernism. New York, NY: Palgrave Macmillan, 2008.

Heller, Janet Ruth. “Ghosts and Marital Estrangement: An Analysis of ‘Afterward.’” Edith Wharton Review 10.1 (1993): 18-19.

Hendry, Michael. “Two Greek Syllables in Wharton’s ‘The Pelican.’” Notes and Queries 52:2 (2010), 224-225.

Hochman, Barbara. “The Good, the Bad, and the Literary: Edith Wharton’s ‘Bunner Sisters’ and the Social Context of Reading.” Studies in American Naturalism 1:1/2 (2006): 128-143.

Hoeller, Hildegard. Edith Wharton’s Dialogue with Realism and Sentimental Fiction. Gainesville: UP of Florida, 2000.

---. “The Gains and Losses of ‘Sentimental Economies’ in Edith Wharton’s ‘The Dilettante.’” American Literary Realism 28.3 (1996): 19-29.

Horton, Rod William. Social and Individual Values in the New York Stories of Edith Wharton. New York: New York UP, 1948.

Inness, Sherrie A. “An Economy of Beauty: The Beauty System in ‘The Looking Glass’ and ‘Permanent Wave.’” Edith Wharton Review 10.1 (1993): 7-11.

---. “‘Loyal Saints or Devious Rascals’: Domestic Servants in Edith Wharton’s Stories ‘The Lady’s Maid’s Bell’ and ‘All Souls.’” Studies in Short Fiction 36.4 (1999): 337-49.

Inverso, Mary Beth. “Performing Women: Semiotic Promiscuity in ‘The Other Two.’” Edith Wharton Review 10.1 (1993): 3-6.

Jacobsen, Karen J. “Economic Hauntings: Wealth and Class in Edith Wharton’s Ghost Stories.” College Literature 35.1 (2008): 100-127.

Jirousek, Lori. “Haunting Hysteria: Wharton, Freeman, and the Ghosts of Masculinity.” American Literary Realism 32.1 (1999): 51-68.

Johnson, Alexandra. “A Forward Glance.” Nation 253.1 (1991): 59-61.

Kaplan, Amy. “Edith Wharton’s Profession of Authorship.” English Literary History 53 (1986): 433-457.

Kassanoff, Jennie A. Edith Wharton and the Politics of Race. Cambridge: Cambridge UP, 2004.

Kaye, Richard A. “‘Unearthly Visitants’: Wharton Ghost Tales, Gothic Form and the Literature of Homosexual Panic.” Edith Wharton Review 11.1 (1994): 10-18.

Killoran, Helen. “Pascal, Bronte, and ‘Kerfol’: The Horrors of A Foolish Quartet.” Edith Wharton Review 10.1 (1993): 12-17.

---. “Sexuality and Abnormal Psychology in Edith Wharton’s ‘The Lady’s Maid’s Bell.’”CEA Critic 58.3 (1996): 41-49.

---. “‘Xingu’: Edith Wharton Instructs Literary Critics.” Studies in American Humor 3.3 (1996): 1-13.

Kimbel, Ellen. “The American Short Story: 1900-1920.” The American Short Story, 1900-1945. Ed. Philip Stevick. Boston: Twayne, 1984. 33-69.

Kinman, Alice Herritage. “Edith Wharton and the Future of Fiction.” Edith Wharton Review 18.2 (2002): 3-12.

Kiran-Raw, Meltem. “Edith Wharton’s ‘The Other Two.’” The Explicator 68:1 (2010): 39-42.

Koprince, Susan. “Edith Wharton, Henry James, and ‘Roman Fever.’” Journal of the Short Story in English 25 (1995): 21-31.

Kornasky, Linda. “On ‘Listen[ing] to Spectres too’: Wharton’s ‘Bunner Sisters’ and Ideologies of Sexual Selection.” American Literary Realism 30.1 (1997): 47-58.

Kornetta, Reiner. “Das Korsett Im Kopf: Ehe und Ökonomie in den Kurzgeschichten Edith Whartons.” Düsseldorfer Beiträge aus Anglistik und Amerikanistik: 4. Frankfurt: Peter Lang, 1996.

---. “Edith Wharton’s ‘The Angel at the Grave’ and Nathaniel Hawthorne’s The House of the Seven Gables.” Edith Wharton Review 14.2 (1997): 21-25.

Kozikowski, Stanley J. “Unreliable Narration in Henry James’s ‘The Two Faces’ and Edith Wharton’s ‘The Dilettante.’” Arizona Quarterly 35 (1979): 357-372.

Lauer, Kristin O. “Is This Indeed ‘Attractive’? Another Look at the ‘Beatrice Palmato’ Fragment.” Edith Wharton Review 11.1 (1994): 26-29.

Lawson, Richard H. “Edith Wharton.” American Short-Story Writers, 1880-1910. Ed. Ellen Kimbel. Detroit: Gale, 1989. 308-323.

Leach, Nancy R. “New England in the Stories of Edith Wharton.” New England Quarterly 30.1 (1957): 90-98.

Lee, Hermione. Edith Wharton. London: Vintage Books, 2008.

Levine, Jessica. “Discretion and Self-Censorship in Wharton’s Fiction: ‘The Old Maid’ and the Politics of Publishing.” Edith Wharton Review 13.1 (1996): 4-13.

Levy, Andrew. “Edith Wharton: The Muse’s Strategy.” Genre: Forms of Discourse and Culture 24.2 (1991): 155-171.

Lewis, R.W.B. “A Writer of Short Stories.” Edith Wharton: Modern Critical Views. Ed. Harold Bloom. New York: Chelsea House, 1986. 9-28.

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---. “Introduction to The Collected Short Stories of Edith Wharton.” Women Writers of the Short Story: A Collection of Critical Essays. Ed. Heather McClave. Englewood Cliffs, NJ: Prentice-Hall, 1980. 32-49.

MacNaughton, William. “Edith Wharton’s ‘The Blond Beast’ and Friedrich Nietzsche.” Edith Wharton Review 15.2 (1999): 13-19.

Maine, Barry. “Reading ‘The Portrait’: Edith Wharton and John Singer Sargent.” Edith Wharton Review 18:1 (2002): 7-14.

Mamoli Zorzi, Rozella. “Edith Wharton, Painting, and Modernity.” Literature and the Visual Arts in Twentieth-Century America. Ed. Bottalico, Michele. Bari: Palomar, 2002. 23-33.

Margolis, Stacey. “The Public Life: The Discourse of Privacy in the Age of Celebrity.” Arizona Quarterly: A Journal of American Literature, Culture, and Theory 51.2 (1995): 81-101.

Markovits, Benjamin. “Manhattan Partings.” Times Literary Supplement 21-28 Dec. 2007: 28.

McDowell, Margaret B. “Edith Wharton’s ‘After Holbein’: ‘a Paradigm of the Human Condition.’” Journal of Narrative Technique 1 (1971): 49-58.

---. “Edith Wharton’s Ghost Stories.” Criticism 12.2 (1970): 133-152.

---. “Edith Wharton’s Ghost Tales Reconsidered.” Edith Wharton: New Critical Essays. Ed. Alfred Bendixen and Annette Zilversmit. New York: Garland, 1992. 291-314.

---. “Edith Wharton’s ‘The Old Maid’: Novella/Play/Film.” College Literature 14.3 (1987): 246-262.

---. “The Short Stories.” Edith Wharton. Boston: Twayne, 1976. 84-91.

Mortimer, Armine Kotin. “Romantic Fever: The Second Story as Illegitimate Daughter in Wharton’s ‘Roman Fever.’” Narrative 6.2 (1998): 188-198.

Murray, Margaret P. “The Gothic Arsenal of Edith Wharton.” Journal of Evolutionary Psychology 10.3-4 (1989): 315-21.

Nettels, Elsa. “Gender and First-Person Narration in Edith Wharton’s Short Fiction.” Edith Wharton: New Critical Essays. Ed. Alfred Bendixen and Annette Zilversmit. New York: Garland, 1992. 245-260.

---. “Thwarted Escapes: Ethan Frome and Jean Stafford’s ‘A Country Love Story.’” Edith Wharton Review 11.2 (1994): 6-8, 15.

Nowlin, Michael. “‘Before the Country’s Awakening’: Aesthetic Misjudgement and National Growth in ‘The Spark.’” Edith Wharton Review 19:2 (2003): 10-15.

O’Neal, Michael J. “Point of View and Narrative Technique in the Fiction of Edith Wharton.” Style 17 (1983): 270-289.

Olin-Ammentorp, Julie. “Female Models and Male Mentors in Wharton’s Early Fiction.” American Literary Mentors. Ed. Irene C. Goldman-Price and Melissa McFarland Pennell. Gainesville, FL: UP of Florida, 1999. 84-95.

---. “Not Precisely War Stories: Edith Wharton’s Short Fiction from the Great War”. Studies in American Fiction 23.2 (1995): 153-172.

Orlando, Emily. Edith Wharton and the Visual Arts. Tuscaloosa: U of Alabama P, 2009.

Pattee, Fred Lewis. Century Readings in the American Short Story. New York: Century, 1927. 424-431.

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Patten, Ann L. “The Spectres of Capitalism and Democracy in Edith Wharton’s Early Ghost Stories.” Edith Wharton Review 25.1 (2009): 1-8.

Peel, Robin. Apart from Modernism: Edith Wharton, Politics, and Fiction before World War I. Madison, NJ: Fairleigh Dickinson UP, 2005.

Pennell, Melissa McFarland. Student Companion to Edith Wharton. Westport, CT: Greenwood, 2003. 29-76.

Petrie, Paul R. “‘Fantastic Effigy’: The Masculine Construction of Womanhood in Edith Wharton’s ‘The Other Two.’” Philological Review 35.2 (2009): 13-39.

Petry, Alice Hall. “A Twist of Crimson Silk: Edith Wharton’s ‘Roman Fever.’” Studies in Short Fiction 24.2 (1987): 163-166.

Phelan, James. “Narrative as Rhetoric and Edith Wharton’s ‘Roman Fever’: Progression, Configuration and the Ethics of Surprise.” A Companion to Rhetoric and Rhetorical Criticism. Ed. Walter Jost and Wendy Olmsted. Malden, MA: Blackwell, 2004. 340-354.

Pierpont, Claudia Roth. “Cries and Whispers: How Much of Edith Wharton’s Life Is in Her Short Stories?” New Yorker 77.6 (2001): 66-71.

Plante, Patricia R. “Edith Wharton as a Short Story Writer.” Midwest Quarterly: A Journal of Contemporary Thought 4 (1963): 363-379.

Price, Alan. “Edith Wharton’s War Story.” Tulsa Studies in Women’s Literature 8.1 (1989): 95-100.

Quinn, Arthur Hobson. “Edith Wharton” American Fiction: An Historical Survey. New York: Appleton-Century, 1936. 550-581.

---. “Mrs. Wharton as a Writer of Short Stories.” Book News Monthly 26 (1907): 179-181.

Ricard, Virginia. “Legendary Spell: Edith Wharton’s Italy.” American Authors Reinventing Italy: The Writings of Exceptional Nineteenth Century Women. Ed. Sirpa Salenius. Padova: Il Prato 2009: 69-85.

Rich, Charlotte. “Fictions of Colonial Anxiety: Edith Wharton’s ‘The Seed of the Faith’ and ‘A Bottle of Perrier. ’” Journal of the Short Story in English 43. (2004): 59-74. http://jsse.revues.org/index408.html.

Robillard, Douglas. “Edith Wharton.” Supernatural Fiction Writers. Vol. 2. Ed. Everett Franklin Bleiler. New York: Scribner’s, 1985. 738-788.

Rudkin, Casey J. “Wharton’s ‘New Year’s Day (The Seventies)’” Explicator 63:1 (2004): 32-34.

Salecl, Renata. “I Can’t Love You Unless I Give You Up.” Gaze and Voice as Love Objects. Ed. Renata Salecl and Slavoj Zizek. Durham, NC: Duke UP, 1996. 179-207.

Salina, Jamil S. “Wharton’s ‘Roman Fever’” Explicator 65:2 (2007): 99.

Saltz, Laura. “From Image to Text: Modernist Transformations in Edith Wharton’s ‘The Muse’s Tragedy.’” Edith Wharton Review 19.2 (2003): 15-21.

Sasaki, Miyoko. “The Dance of Death: A Study of Edith Wharton’s Short Stories.” Studies in English Literature 51.1-2 (1974): 67-90.

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Schacchi, Anna. “Per una critica dello sguardo: due raconti di Edith Wharton.” Gioco di specchi: saggi sull’uso letterario dell’imagine dello specchio. Ed. Agostino Lombardi. Roma: Bulzoni, 1999. 403-422.

Schriber, Marysue. “Darwin, Wharton, and ‘The Descent of Man’: Blueprints of American Society.” Studies in Short Fiction 17 (1980): 31–38.

Selman, Linda. “The Influence of the Bunner Brothers on Edith Wharton’s ‘Bunner Sisters.’” Edith Wharton Review 23:1 (2007), 13-18.

Sensibar, Judith L. “‘Behind the Lines’ in Edith Wharton’s a Son at the Front: Re-Writing a Masculinist Tradition.” Wretched Exotic: Essays on Edith Wharton in Europe. Ed. Katherine Joslin and Alan Price. New York: Peter Lang, 1993. 241-256.

Shaloo, Sharon. “Making Room for the Artist in Edith Wharton’s Old New York.” The Modern American Novella. Ed. A. Robert Lee. New York: St. Martin’s, 1989. 66-84.

Shaffer-Koros, Carol. “Nietzsche, German Culture, and Edith Wharton.” Edith Wharton Review 20.2 (2004): 7-10.

---. “Wharton in New York.” Edith Wharton Review 27.2 (2011): 23-24.

Silva, Reinaldo Francisco. “Eroticizing the Other in Edith Wharton’s ‘Beatrice Palmato.’” Mentalities/Mentalites 19.1 (2005): 38-45.

Singley, Carol J. “Edith Wharton, Religion, and Moral ‘Quicksand.’” Literature and Belief 15 (1995): 75-93.

---. “Gothic Borrowings and Innovations in Edith Wharton’s ‘A Bottle of Perrier.’” Edith Wharton: New Critical Essays. Ed. Alfred Bendixen and Annette Zilversmit. New York: Garland, 1992. 271-290.

Singley, Carol and Susan Elizabeth Sweeney. “Forbidden Reading and Ghostly Writing: Anxious Power in Wharton’s ‘Pomegranate Seed.’” Women’s Studies 20.2 (1991): 177-203.

Smith, Allan Gardner. “Edith Wharton and the Ghost Story.” Edith Wharton. Ed. Harold Bloom. New York: Chelsea House, 1986. 89-97.

Stack, Allyson. “Culture, Cognition and Jean Laplanche’s Enigmatic Signifier.” Theory, Culture & Society 22.3 (2005): 63-80.

Stengel, Ellen Powers. “Dilemmas of Discourse: Edith Wharton’s ‘All Souls’ and the Tale of the Supernatural.” Publications of The Arkansas Philological Association 15.2 (1989): 85-104.

---. “Edith Wharton Rings ‘The Lady’s Maid’s Bell.’” Edith Wharton Review 7.1 (1990): 3-9.

Sterling, Charlee M. Irony in the Short Stories of Edith Wharton. Lewiston, Queenstin, Lampeter: The Edwin Mellen Press, 2005.

Sweeney, Gerard. “Wharton’s ‘Bewitched.’” Explicator 56.4 (1998): 198-201.

---. “Wharton’s ‘The Other Two.’” Explicator 59:2 (2001): 88-91.

Sweeney, Susan Elizabeth. “Edith Wharton’s Case of Roman Fever.” Wretched Exotic: Essays on Edith Wharton in Europe. Ed. Katherine Joslin and Alan Price. New York: P. Lang, 1993. 313–331.

---. “Mirror, Mirror, on the Wall: Gazing in Edith Wharton’s ‘Looking Glass.’” Speaking the Other Self: American Women Writers. Ed. Jeanne Campbell Reesman. Athens, GA: U of Georgia P, 1997. 54-75.

Thomas, Jennice G. “Spook or Spinster? Edith Wharton’s ‘Miss Mary Pask.’” Haunting the House of Fiction: Feminist Perspectives on Ghost Stories by American Women. Ed. Lynette Carpenter and Wendy K. Colmar. Knoxville: U of Tennessee P, 1991. 108-116.

Thompson, Terry W. “‘A Journey’: Edith Wharton’s Homage to F. Marion Crawford’s ‘The Upper Berth.’” South Carolina Review 40.1 (2007): 19-26.

---. “‘All Souls’: Edith Wharton’s Homage to ‘The Jolly Corner.’” Edith Wharton Review 19.1 (2003): 15-20.

---. “Old Testament Sourcing in Edith Wharton’s ‘All Souls.’” ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews 19.4 (2006): 47-52.

---. “Wharton’s ‘Bewitched.’” Explicator 61.3 (2003): 155-58.

---. “‘With Every Practical Appliance’: Edith Wharton’s ‘All Souls’.’” English Language Notes 42.2 (2004): 68-74.

Tintner, Adeline. “Fiction is the Best Revenge: Portraits of Henry James by Four Women Writers” Turn-of-the-Century Women 2 (1985): 42-49.

---. “Louis Auchincloss’s Four ‘Edith’ Tales: Some Rearrangements and Reinventions of Her Life.” Edith Wharton Review 13.2 (1996): 9-14.

---. “Louis Auchincloss Reinvents Edith Wharton’s ‘After Holbein.’” Studies in Short Fiction 33.2 (1996): 275-277.

---. “Mothers vs. Daughters in the Fiction of Edith Wharton and Henry James.” AB Bookman’s Weekly (1983): 4324, 4326-4329.

---. “‘The Hermit and the Wild Woman’: Edith Wharton’s ‘Fictioning’ of Henry James.” Journal of Modern Literature 4 (1974): 32-42.

---. “The Narrative Structure of Old New York: Text and Pictures in Edith Wharton’s Quartet of Linked Short Stories.” Journal of Narrative Technique 17.1 (1987): 76-82.

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