Selective Bibliography
Outline
Top of pageFull text
Collections or Selections of Stories Under Study
1Donoghue, Emma. The Woman Who Gave Birth to Rabbits. London: Virago Press, 2002. Print.
2Donovan, Gerard. Country of the Grand. London: Faber & Faber, 2008. Print.
3Enright, Anne. The Portable Virgin. London: Secker & Warburg. 1991. Print.
4---. Taking Pictures. London: Jonathan Cape Random House, 2008. Print.
5---. Yesterday's Weather. London: Jonathan Cape Random House, 2009. Print.
6Gough, Julian. Jude: Level 1. Dublin: Old Street, 2007. Print.
7Keegan, Claire. Antarctica. London: Faber and Faber, 1999. Print.
8---. Foster. London: Faber and Faber, 2010. Print.
9---. Walk The Blue Fields. London: Faber and Faber, 2007. Print.
10McCann, Colum. “Aisling.” New Irish Short Stories. Ed. Joseph O’Connor. London: Faber & Faber, 2011. Print.
11Ní Dhuibhne, Éilís. The Shelter of Neighbours. Belfast: Blackstaff Press, 2012. Print.
12O’Brien, Edna. Saints and Sinners. London: Faber and Faber, 2011. Print.
13Ridgway, Keith. Standard Time. London: Faber and Faber, 2001. Print.
14Toibin Colm. The Empty Family. London: Viking, 2011. Print.
15Trevor, William. A Bit on The Side. London: Penguin Books, 2005. Print.
Studies of the Irish Short Story
16Bourke, Angela et al eds. Field Day Anthology of Irish Writing, Vol. IV & V: Irish Women’s Writing and Traditions. Cork: Cork University Press, 2002. Print.
17Brewster, Scott and Michael Parker, eds. Irish Literature Since 1990: Diverse Voices. Manchester: Manchester UP, 1995. Print.
18Brown, Terence and Patrick Rafroidi, eds. The Irish Short Story. Gerrards Cross: Colin Smythe, 1979. Print.
19Cahalan, James M. Double Visions. Women and Men in Modern and Contemporary Irish Fiction. Syracuse (NY): Syracuse University Press, 1999. Print.
20Cleary, Joe. Outrageous Fortune. Capital and Culture in Modern Ireland. Dublin, Field Day, 2006. Print.
21Conlon, Evelyn and Hans-Christian Oeser, eds. Cutting the Night in Two. Short Stories by Irish Women Writers. Dublin: New Island, 2001. Print.
22Ingman, Heather. A History of the Irish Short Story. Cambridge: Cambridge University Press, 2009. Print.
23---. Twentieth-Century Fiction by Irish Women: Nation and Gender. Ashgate: Hampshire, 2007. Print.
24Kearney, Richard. Transitions: Narratives in Modern Irish Culture. Manchester: Manchester University Press, 1988. Print.
25Kelleher, Margaret and Philip O’Leary, eds. The Cambridge History of Irish Literature. Volume 2: 1890-2000. Cambridge: Cambridge University Press, 2006. Print.
26Kenneally, Michael, ed. Cultural Contexts and Literary Idioms in Contemporary Irish Literature. Gerrards Cross: Colin Smythe Limited, 1988. Print.
27Kiberd, Declan. The Irish Writer and the World. Cambridge: Cambridge University Press, 2005. Print.
28Kilroy, James. The Irish Short Story: A Critical History. Berkeley, CA: Twayne Publishers, 1984. Print.
29O’Connor, Frank. The Lonely Voice. A Study of the Short Story. New York: Harper & Row, 1963. Print.
30O’Faolain, Sean. The Short Story. London: Collins, 1948. Print.
31Roche, Anthony, ed. Irish University Review. Special Issue on Contemporary Irish Fiction. 30.1. Spring/Summer 2000. Print.
32Ryan, Catriona, ed. Writing from the Margins. The Aesthetics of Disruption in the Irish Short Story. Cambridge: Cambridge Scholars Publ, 2014. Print.
33Smyth, Gerry. The Novel and the Nation: Studies in the New Irish Fiction. London: Pluto Press, 1997. Print.
34Winther, Per, Jakob Lothe and Skei Hans H., eds. The Art of Brevity: Excursions in Short Fiction Theory and Analysis. Columbia: University of South Carolina Press, 2004. Print.
References
Bibliographical reference
Bernard Cardin, “Selective Bibliography”, Journal of the Short Story in English, 63, Autumn 2014, 257-259.
Electronic reference
Bernard Cardin, “Selective Bibliography”, Journal of the Short Story in English [Online], 63 | Autumn 2014, Online since 01 December 2016, connection on 29 March 2024. URL: http://journals.openedition.org/jsse/1541
Top of pageCopyright
The text only may be used under licence CC BY-NC-ND 4.0. All other elements (illustrations, imported files) are “All rights reserved”, unless otherwise stated.
Top of page