Primary Sources

Short Stories and Inspirational Wartime Stories (50/11)

Uncollected Early Stories (3)

1“Terror.” The Bystander 26 Dec. 1928: 678-79. Print.

2“A Man of Straw.” The Bystander 27 Nov. 1929: 482-84, 488. Print.

3“Portrait of an Actress.” The Saturday Review 23 May 1931: 753-54. Print.

Early Stories Published Separately, then Collected in Later Volumes (5)

4“And His Letters Grew Colder.” Hearst’s International Combined with Cosmopolitan Sept. 1931: 56-59, 180-81. Rpt. as “A Symphony on Paper,” with illust. by Erté, in Nash’s Pall Mall Magazine 88.463 (Dec. 1931): 54-57, 115-16. Also rpt. in The Doll: Short Stories. London: Virago, 2011. 159-77. Print.

5“The Happy Valley.” The Illustrated London News Christmas 1932: 35-38. Rpt. in The Doll: Short Stories. London: Virago, 2011. 147-58. Print.

6“The Doll.” The Editor Regrets... London: Michael Joseph, 1937. 257-75. Rpt. in The Doll: Short Stories. London: Virago, 2011. 13-30. Print.

7“The Escort.” The Queen’s Book of the Red Cross. n.p.: Hodder and Stoughton, 1939. 91-101. Rpt. in Harper’s Bazaar 2737 (May 1940). Also rpt. as “Escort” in Argosy Oct. 1940: 3-16; in Magpie, the Complete Story Magazine 1.7 (Oct. 1951): 3-18; and in The Rendezvous and Other Stories. London: Virago, 2005. 156-74. Print.

8Happy Christmas. New York: Doubleday, Doran & Co, 1940; London: Todd, 1943. Also rpt. in The Fireside Book of Christmas Stories. Indianapolis and New York: Bobbs-Merrill, 1945. 459-68. Print.

Later Stories Originally Published in Collected Volumes (42)

9The Apple Tree: A Short Novel and Several Long Stories. London: Gollancz, 1952. Print. Contains six stories: “Monte Verità,” “The Birds,” “The Apple Tree,” “The Little Photographer,” “Kiss Me Again, Stranger,” and “The Old Man.”

10Kiss Me Again, Stranger: A Collection of Eight Stories Long and Short. Garden City, NY: Doubleday, 1953. Print. Contains two new stories on top of the six in the British ed. of The Apple Tree: “The Split Second” and “No Motive.”

11Early Stories. London: Todd, 1954 (no illustrations); London: Todd, 1955 (with illustrations). Print. Contains eighteen stories: “Panic,” “La Sainte-Vierge,” “A Difference in Temperament,” “And Now to God the Father,” “Adieu Sagesse,” “Frustration,” “Piccadilly,” “Tame Cat,” “Mazie,” “The Supreme Artist,” “Angels and Archangels,” “Indiscretion,” “Fairy Tale,” “The Closing Door,” “The Lover,” “Leading Lady,” “Nothing Hurts for Long,” and “Week-End.”

12The Breaking Point. London: Gollancz, 1959. Print. Contains eight stories: “The Alibi,” “The Blue Lenses,” “Ganymede,” “The Pool,” “The Archduchess,” “The Menace,” “The Chamois,” and “The Lordly Ones.”

13The Breaking Point. Garden City, NY: Doubleday, 1959. Contains one new story on top of the eight in the British ed.: “The Limpet,” rpt. in The Doll: Short Stories. London: Virago, 2011. Print.

14Not After Midnight: Five Long Stories. London: Gollancz, 1971. Print. Contains five new stories: “Don’t Look Now,” “Not After Midnight,” “A Border-Line Case,” “The Way of the Cross,” “The Breakthrough.”

15The Rendezvous and Other Stories. London: Gollancz, 1971. Print. Contains one new story, “The Rendezvous,” and the hard-to-find “Escort,” on top of twelve easily available stories.

16The Rebecca Notebook and Other Memories. Garden City, NY: Doubleday, 1980; London: Gollancz, 1981. Print. Contains one new story, “East Wind,” on top of “The Rendezvous” and ten other previously published stories.

Inspirational Wartime Stories (11)

17Come Wind, Come Weather. 1^st ed. London: Heinemann, Aug. 1940; 2^nd ed. London: Heinemann, Nov. 1940; first US ed. New York: Doubleday, 1941. Print. The first UK ed. contains an introduction, ten stories (“The Admiralty Regrets…,” “George and Jimmy,” “Over the Ration Books,” “A Nation’s Strength,” “A Miner’s Tale,” “‘Physician, Heal Thyself,’” “Spitfire Megan,” “The Revolutionary,” “London, 1940?” and “Mrs. Hill and the Soldiers”), and an epilogue. The 2^nd UK ed. adds an eleventh story (“In a London Air-Raid Shelter”). The first US ed. opens with a preface, “A Word to America.”

Novels (17)

18The Loving Spirit. London: Heinemann, 1931. Print.

19I’ll Never Be Young Again. London: Heinemann, 1932. Print.

20The Progress of Julius. London: Heinemann, 1933. Print.

21Jamaica Inn. London: Gollancz, 1936. Print.

22Rebecca. London: Gollancz, 1938. Print.

23Frenchman’s Creek. London: Gollancz, 1941. Print.

24Hungry Hill. London: Gollancz, 1943. Print.

25The King’s General. London: Gollancz, 1946. Print.

26The Parasites. London: Gollancz, 1949. Print.

27My Cousin Rachel. London: Gollancz, 1951. Print.

28Mary Anne. London: Gollancz, 1954. Print.

29The Scapegoat. London: Gollancz, 1957. Print.

30Castle Dor. With Sir Arthur Quiller-Couch. London: Dent, 1962. Print.

31The Glass-Blowers. London: Gollancz, 1963. Print.

32The Flight of the Falcon. London: Gollancz, 1965. Print.

33The House on the Strand. London: Gollancz, 1969. Print.

34Rule Britannia. London: Gollancz, 1972. Print.

Biographies and Autobiographies (7)

35Gerald: A Portrait. London: Gollancz, 1934. Print.

36The du Mauriers. London: Gollancz, 1937. Print.

37The Young George du Maurier: A Selection of his Letters, 1860-1867. London: Peter Davies, 1951. Print.

38The Infernal World of Branwell Brontë. London: Gollancz, 1961. Print.

39Golden Lads: Sir Francis Bacon, Anthony Bacon and their Friends. London: Gollancz, 1975. Print.

40The Winding Stair: Francis Bacon, His Rise and Fall. London: Gollancz, 1976. Print.

41Growing Pains: The Shaping of a Writer [Myself When Young in the US ed.]. London: Gollancz, 1977. Print.

Plays (3)

42Rebecca. London: Gollancz, 1940. Print.

43The Years Between. London: Gollancz, 1945. Print.

44September Tide. London: Gollancz, 1949. Print.

Memoirs, Memories, and Letters (4)

45Vanishing Cornwall. With photographs by Christian Browning. Garden City, NY: Doubleday, 1966; London: Gollancz, 1967. Print.

46The Rebecca Notebook and Other Memories. Garden City, NY: Doubleday, 1980; London: Gollancz, 1981. Print. Besides three poems, contains “The Rebecca Notebook,” “The Rebecca Epilogue,” “The House of Secrets,” “The Young George du Maurier,” “The Matinee Idol,” “Sylvia’s Boys,” “My Name in Lights,” “Romantic Love,” “This I Believe,” “Death and Widowhood,” “Moving House,” “A Winter’s Afternoon, Kilmarth,” and “Sunday.”

47Daphne du Maurier – Enchanted Cornwall: Her Pictorial Memoir. Harmondsworth: Michael Joseph/Pilot, 1989. Print.

48Daphne du Maurier: Letters from Menabilly. Ed. Oriel Malet. London: Weidenfeld and Nicolson, 1992. Print.

Archives

49The main archive is housed in the Special Collections of the University of Exeter.

50The library holds the following papers relating to Daphne du Maurier and her family: EUL MS 144, 206, 207, 276, 301, 307, 341, 342, 346, 348, 351, 354, 359, 363, 380, 400, 462.

51Other Daphne du Maurier papers, particularly her letters, are held at various repositories, including:

52British Library Department of Manuscripts: Phyllis Bottome Papers. Correspondence with Daphne du Maurier; 1955-1964, n.d. Partly typewritten and signed. Vol. XXX. (ff. 201). 2. ff. 34-53.

53Cambridge University Library, Department of Manuscripts and University Archives: Daphne du Maurier, novelist: letters to Régis Bouis 1957-68. Add 9395.

54Manchester University (John Rylands Library): Basil Dean Papers. Correspondence with Basil Dean (1948-49). 1/1/654-737: D.

55National Library of Ireland Manuscripts and Special Collection Division: Daphne du Maurier, novelist: research material for Hungry Hill. MS 51,369 and MS 42,725.

56Princeton University Library Manuscripts Division, USA: Ellen McCarter Doubleday Papers, 1930s-1978, letters from Daphne du Maurier to Ellen Doubleday. C0747.

57University of Warwick (Modern Records Centre): Papers of Sir Victor Gollancz (1893-1967), publisher and humanitarian campaigner. MS 157.

58West Yorkshire Archive Service: Notebooks on life of Branwell Brontë (1970s-80). West Yorkshire Archive Service, Bradford. 26D93.

Secondary Sources

Monographs

59Auerbach, Nina. Daphne du Maurier: Haunted Heiress. Philadelphia: U of Pennsylvania P, 2000. Print.

60Bourget, Jean-Loup. Rebecca d’Alfred Hitchcock. Paris: Vendémiaire, 2017. Print.

61Doe, Helen. Jane Slade of Polruan. Truro: Truran, 2002. Print.

62Goodman, Gemma. “Cornwall: An Alternative Construction of Place.” Diss. U of Warwick, 2010. Print.

63Habibi, Helena. “‘Restless Birds’: Avian Encounters in the Fiction of the Brontës and Daphne du Maurier.” Diss. Durham U, 2020. Print.

64Hall, Anne. “L’ascendance anglaise de Daphne du Maurier.” L’ascendance française et anglaise de Daphne du Maurier. Ed. Lionel Royer. Saint-Christophe-sur-le-Nais: Histoire et Patrimoine, 2007. 15-27. Print.

65---. “Daphne du Maurier et Saint-Christophe.” Saint-Christophe-sur-le-Nais, un Beau Village de Touraine. Ed. Lionel Royer. Saint-Christophe-sur-le-Nais: Histoire et Patrimoine, 2011. n. pag. Print.

66---. Four French Holidays: Daphne du Maurier, Stella Gibbons, Rumer Godden, Margery Sharp and their Novels Inspired by France. London: Unicorn, 2023. Print.

67Harris, Martin. The Official Guide to Daphne du Maurier in Cornwall. Paignton: Creative Media, 2011. Print.

68Heeley, Melanie Jane. “Resurrection, Renaissance, Rebirth: Religion, Psychology and Politics in the Life and Works of Daphne du Maurier.” Diss. Longborough U, 2007. Print.

69Hoppen, Anne. “Literary Places and Tourism: A Study of Visitors’ Motivations at the Daphne du Maurier Festival of Arts & Literature.” Diss. Bournemouth U, 2011. Print.

70Horner, Avril, and Sue Zlosnik. Daphne du Maurier: Writing, Identity and the Gothic Imagination. Basingstoke: Macmillan, 1998. Print.

71Kelly, Richard. Daphne du Maurier. Boston: Twayne Publishers, 1987. Print.

72Kittow, Sue. Walks in the Footsteps of Daphne du Maurier. Ammanford: Sigma Leisure, 2018. Print.

73Light, Alison. Forever England: Femininity, Literature and Conservatism between the Wars. Oxon: Routledge, 1991. Print.

74Paglia, Camille. The Birds. BFI Film Classics. London: British Film Institute, 1998. Print.

75Petersen, Teresa. Daphne du Maurier: Looking Inward. London: Austin Macauley, 2017. Print.

76Pracha, Setara. “A Pathology of Desire: The Dismembered Self in the Short Stories of Daphne du Maurier.” Diss. U of Buckingham, 2016. Print.

77---. The Pathology of Desire in Daphne du Maurier’s Short Stories. Lanham, MD: Lexington Books/Fortress Academic, 2023. Print.

78Radway, Janice. Reading the Romance: Women, Patriarchy and Popular Literature. Chapel Hill: U of North Carolina P, 1984. Print.

79Sullivan, Ashleigh Taylor. “Daphne du Maurier: Gendering the Gothic.” Diss. Swansea U, 2022. Print.

80Trask, Alexandra Helen. “Chapter Four – Daphne du Maurier: Romance and the First World War.” “The Afterlives of War: Middlebrow Literature, Memory and the First World War.” Diss. U of London, 2021. 240-84. Print.

81Wade, Christopher, and Diana Wade. The du Mauriers: A Hampstead Family. London: Hampstead Museum, 1984. Print.

82Westland, Ella. Cornwall: The Cultural Construction of Place. Penzance: Patten P, 1997. Print.

83---. Reading Daphne: A Guide to the Writing of Daphne du Maurier for Readers and Book Groups. Truro: Truran, 2007. Print.

84White, Patricia. Rebecca. BFI Film Classics. London: British Film Institute, 2021. Print.

Collections of Critical Essays

85Cloarec, Nicole, Anne Hall, and Xavier Lachazette, eds. The Enduring Appeal of Daphne du Maurier’s Fiction – New Critical Perspectives. Spec. issue of Revue LISA/LISA e-journal 20.52 (2021). Web. Contains an introduction by N. Cloarec, A. Hall and X. Lachazette; nine articles, by J.-L. Bourget (“Enter Sir Alfred, or Hitchcock’s Three du Mauriers,” Ch. 2), N. Cloarec (“Gender and Generic Clashes in The Years Between [Compton Bennett, 1946],” Ch. 6), H. Habibi (“‘Soaring Towards the Sun’: The Icarus Complex in Daphne du Maurier’s The Flight of the Falcon,” Ch. 7), M. Hain (“Looking for ‘I’: Casting the Unnamed Heroine in Alfred Hitchcock and David O. Selznick’s Adaptation of Rebecca,” Ch. 3), X. Lachazette (“‘Other Books Like Rebecca? Are There Any?’: The Singular Fate of a Novel,” Ch. 1), E. Leung (“The Beginning of the End: The Prologue and Epilogues of Hungry Hill and The Glass-Blowers,” Ch. 8), A. Parey (“On the Afterlives of Daphne du Maurier’s Rebecca: Spinoffs and Transfictions,” Ch. 4), G. Wisker (“Undermining the Everyday: Daphne du Maurier’s Gothic Horror,” Ch. 5), E. Westland (“Rule Britannia, Brexit and Cornish Identity,” Ch. 9); and a full-length critical bibliography by X. Lachazette.

86Lachazette, Xavier, ed. Sundered Selves and Opaque Others: The Short Stories of Daphne du Maurier. Spec. issue of Journal of the Short Story in English 78 (Spring 2022). Print. Contains articles by L.B. Huggett (“Misreading the Body: Mutants and Masks in Three of Daphne du Maurier’s Post-War Stories: ‘The Little Photographer,’ ‘Kiss Me Again, Stranger’ and ‘The Blue Lenses’”), X. Lachazette (“Rediscovering Three Short Stories by Daphne du Maurier: ‘Terror,’ ‘A Man of Straw,’ and ‘Portrait of an Actress’”), F. Pierini (“Venice and the Novella: the Construction of Cultural Otherness in Daphne du Maurier’s ‘Don’t Look Now’ and Ian McEwan’s The Comfort of Strangers”), A.T. Sullivan (“Gothic Hauntings and Representations of Gender in Daphne du Maurier’s ‘The Apple Tree’ [1952]”), E. Vernadakis (“Tourists in Lands of Myths: Daphne du Maurier’s Touring of Venice and Crete in ‘Ganymede’ and ‘Not After Midnight’”), T. White (“Simultaneous Immediacy in Two Stories by Daphne du Maurier: ‘The Birds’ and ‘The Split Second’”), G. Wisker (“Filtering the Truth through Gothic Lenses: The Undermining of Relationships and Realities in Daphne du Maurier’s Short Stories”), and an updated critical bibliography.

87Munford, Rebecca, and Helen Taylor, eds. Daphne du Maurier. Spec. issue of Women, a Cultural Review 20.1 (2009). Print. Contains articles by G. Carpenter (“Review of Justine Picardie’s Daphne,” 89-96), H. Doe (“‘I too would find my ship’: Daphne du Maurier’s Passion for the Sea,” 74-88), M.J. Heeley (“‘Greece as Inscape’ in Daphne du Maurier’s The Flight of the Falcon,” 42-56), M.E. Mitchell (“‘Beautiful Creatures’: The Ethics of Female Beauty in Daphne du Maurier’s Fiction,” 25-41), R. Munford and H. Taylor (“Introduction,” 1-8), C. Pittard (“‘We are seeing the past through the wrong end of the telescope’: Time, Space and Psychogeography in Castle Dor,” 57-73), S. Zlosnik and A. Horner (“Myself When Others: Daphne du Maurier and the Double Dialogue with ‘D,’” 9-24).

88Taylor, Helen, ed. The Daphne du Maurier Companion. London: Virago, 2007. Print. Contains articles by N.  Auerbach (“Tales of Awe and Arousal: Animals Invade,” 233-41), S. Beauman (“Rebecca,” 47-60), C. Berry and J. Gardner (“Who I Am: Adventures in the du Maurier Family Archive,” 105-13), M. Di Battista (“Daphne du Maurier and Alfred Hitchcock,” 320-29), M. Forster (“Gerald: A Portrait,” 249-53), A. Fraser (“Rebecca’s Story, with an epilogue by Daphne du Maurier,” 92-101), H. Hanson (“‘Last Night I Dreamt I Read Rebecca Again’: Reading, Watching and Engaging with Rebecca in Fiction and Film,” 330-40), M. Heeley (“Christianity Versus Paganism: Daphne du Maurier’s Divided Mind,” 122-32), A. Horner and S. Zlosnik (“Glimpses of the Dark Side,” 242-48), M. Jancovich (“Rebecca’s Ghost: Horror, the Gothic and the du Maurier Film Adaptations,” 312-19), A. Light (“The Rebecca Notebook and Other Memories,” 61-67 and “Hitchcock’s Rebecca: A Woman’s Film?,” 295-304), R. Munford (“Spectres of Authorship: Daphne du Maurier’s Gothic Legacy,” 68-74), H. Taylor (“Rebecca’s Afterlife: Sequels and Other Echoes,” 75-91), D. Thomson (“Du Maurier, Hitchcock and Holding an Audience,” 305-11), M. Wandor (“Drama in Daphne du Maurier: Spirit and Letter,” 341-47), E. Westland (“The View From Kilmarth: Daphne du Maurier’s Cornwall,” 114-21).

Individual Critical Essays

89Abbs, Annabel. “The Weight of Complexity: Clara Vyvyan with Help from Daphne du Maurier.” Windswept: Why Women Walk. London: Two Roads, 2021. 117-39. Print.

90Abi-Ezzi, Nathalie. “Daphne du Maurier.” The Double in the Fiction of R.L. Stevenson, Wilkie Collins and Daphne du Maurier. Oxford: Peter Lang, 2003. 199-276. Print.

91Allen, Richard. “Daphne du Maurier and Alfred Hitchcock.” A Companion to Literature and Film. Eds. Robert Stam and Alessandra Raengo. Malden, MA: Wiley-Blackwell, 2007. 298-325. Print.

92Arias, Rosario. “Personal Trauma, Romance and Ghostly Traces in Justine Picardie’s Daphne.” Trauma and Romance in Contemporary British Literature. Eds. Jean-Michel Ganteau and Susana Onega. New York: Routledge, 2013. 51-67. Print.

93Armstrong, Dianne. “The Inverse Gothic Invasion Motif in Daphne du Maurier’s Jamaica Inn: The National Body and Smuggling as Disease.” Women’s Studies: An Inter-Disciplinary Journal 38.1 (2008): 23-42. Print.

94Auerbach, Nina. “Daphne du Maurier.” British Writers Series, Supplement III. Eds. George Stade and Carol Howard. New York: Charles Scribner’s Sons, 1996. 133-49. Print.

95Auffret-Bouce, Hélène. “Rebecca ou ‘le péril en la demeure.’” Caliban 33 (1996): 93-100. Print.

96Austin, Andrea. “Details: Hitchcock Reads Rebecca.” Empowerment versus Oppression: Twenty-First Century Views of Popular Romance Novels. Ed. Sally Goade. Newcastle upon Tyne: Cambridge Scholars, 2007. 65-80. Print.

97Baxter, Beverley. “It Might Have Been So Good: The Years Between—Daphne du Maurier.” First Nights and Noises Off, a Selection of Dramatic Criticisms. London: Hutchinson, 1949. 111-14. Print.

98Bellanca, Mary Ellen. “The Monstrosity of Predation in Daphne du Maurier’s ‘The Birds.’” Interdisciplinary Studies in Literature and Environment 18.1 (2011): 26-46. Print.

99Berglund, Birgitta. “Mrs. Radcliffe and Rebecca.” Studia Neophilologica 68 (1996): 73-81. Print.

100Bertrandias, Bernadette. “Daphne du Maurier’s Transformation of Jane Eyre in Rebecca.” Re-Writing Jane Eyre. Ed. Armelle Parey. Revue LISA/LISA e-journal 4.4 (2006): 22-31. Web. 1 Feb. 2023.

101---. “Péril en la demeure: l’hostis dans My Cousin Rachel, de Daphne du Maurier.” L’Etranger dans la maison: figures romanesques de l’hôte. Ed. Bernadette Bertrandias. Clermont-Ferrand: PU Blaise Pascal, 2003. 265-76. Print.

102Birks, Harold. “Jamaica Inn: The Creation of Meanings on a Tourist Site.” The Cultural Construction of Place. Ed. Ella Westland. Penzance: Patten P, 1997. 137-42. Print.

103Bishop, Kyle William. “The Threat of the Gothic Patriarchy in Alfred Hitchcock’s The Birds.” Rocky Mountain Review 65.2 (Fall 2011): 135-47. Print.

104Blackford, Holly. “Haunted Housekeeping: Fatal Attractions of Servant and Mistress in Twentieth-Century Female Gothic Literature.” LIT (Literature Interpretation Theory) 16.2 (2005): 233-61. Print.

105Bold, Valentina, and Pauline Greenhill. “Frenchman’s Creek and the Female Sailor: Transgendering Daphne du Maurier.” Western Folklore 71.1 (Winter 2012): 47-67. Print.

106Brazzelli, Nicoletta. “Manderley in Rebecca by Daphne du Maurier: A Haunted House.” ACME (Annali della Facoltà di Studi Umanistici dell'Università degli Studi di Milano) 73.2 (2020): 141-60. Print.

107Bromley, Roger. “The Gentry, Bourgeois Hegemony and Popular Fiction: Rebecca and Rogue Male.” Popular Fictions: Essays in Literature and History. Eds. Peter Humm, Paul Stigant, and Peter Widdowson. London: Methuen, 1986. 151-72. Print.

108Browning, Christian. “Daphne du Maurier and Her Love of Cornwall.” Cream of Cornish Writers. Ed. ‘Wood nee Hughes.’ Lostwithiel: Domain Publishing, 1994. 11-15. Print.

109Bunting, Kirsty. “‘The imprint of what-has-been’: Arthur Quiller-Couch, Daphne du Maurier and the Writing of Castle Dor.” Cornish Studies: Journal of the Institute of Cornish Studies 21.1 (2013): 260-75. Print.

110Busby, Graham, and Zoë Hambly. “Literary Tourism and the Daphne du Maurier Festival.” Cornish Studies: Journal of the Institute of Cornish Studies 8 (2000): 197-212. Print.

111Busby, Graham, and Patrick Laviolette. “Narratives in the Net: Fiction and Cornish Tourism.” Cornish Studies: Journal of the Institute of Cornish Studies 14.1 (2006): 142-63. Print.

112Carcy, Rebecca A. “J.M. Barrie and the du Mauriers.” Mythlore 15.4 (Summer 1989): 40-42. Print.

113Christensen, Peter G. “Daphne du Maurier and Arthur Quiller-Couch’s Castle Dor: History, Romance and Recurrence.” Tristania: A Journal Devoted to Tristan Studies 22 (2003): 67-84. Print.

114Cloarec, Nicole. “Alter Egos and Alternatives in The Scapegoat: Daphne du Maurier’s Novel, Robert Hamer’s and Charles Sturridge’s Adaptations.” Adapting Endings from Book to Screen: Last Pages, Last Shots. Eds. Armelle Parey and Shannon Wells-Lassagne. Oxon: Routledge, 2020. 127-39. Print.

115Codaccioni, Marie-José. “L’étrangère dans le temps (‘Split Second’ de Daphne du Maurier).” L’étranger dans la littérature et la pensée anglaises. Ed. N.J. Rigaud. Aix-en-Provence: U de Provence, 1989. 237-45. Print.

116Cousins, A.D. “Daphne du Maurier’s ‘Ganymede.’” The Explicator 71.3 (2013): 218-20. Print.

117Davies, Rosamund. “Don’t Look Now: The Screenwork as Palimpsest.” Journal of Screenwriting 4.2 (2013): 163-77. Print.

118Denisoff, Dennis. “Where the Boys Are: Daphne du Maurier and the Art of Unremarkability.” Sexual Visibility from Literature to Film, 1850-1950. Basingstoke: Palgrave Macmillan, 2004. 121-53. Print.

119Derisi, Stephanie. “Objects of Power: The Threat of the Domestic Environment in Daphne du Maurier’s Rebecca.” Space and Place: Diversity in Reality, Imagination, and Representation. Eds. Brooke L. Rogers and Anna Sugiyama. Leiden: Brill, 2013. 187-97. Print.

120D’Monte, Rebecca. “Origin and Ownership: Stage, Film and Television Adaptations of Daphne du Maurier’s Rebecca.” Adaptation in Contemporary Culture: Textual Infidelities. Ed. Rachel Carroll. London: Continuum, 2009. 163-73. Print.

121Dodd, Philip. “Gender and Cornwall: Charles Kingsley to Daphne du Maurier.” The Regional Novel in Britain and Ireland, 1800-1990. Ed. K.D.M. Snell. Cambridge: Cambridge UP, 1998. 119-35. Print.

122Dodge Robbins, Dorothy. “R is for Rebecca: A Consonant and Consummate Haunting.” Names: A Journal of Onomastics 64.2 (June 2016): 69-77. Print.

123Dolan, Josephine. “Anchorage and Play in Frenchman’s Creek: Children, Gender, and National Identity.” Yearbook of English Studies 32 (2002): 95-109. Print.

124Drake, Robert Y., Jr. “Manderley Revisited.” The Mississippi Quarterly 12.2 (Spring 1959): 86-91. Print.

125Driver, Olive. “Daphne du Maurier’s Golden Lads and the Plays of Shakespeare.” Baconiana 76.193 (1996): 7-12. Print.

126Edwards, Kyle Dawson. “Brand-Name Literature: Film Adaptation and Selznick International Pictures’ Rebecca (1940).” Cinema Journal 45.3 (Spring 2006): 32-58. Print.

127Faunch, Christine. “Archives of Written Lives: A Case Study of Daphne du Maurier and Her Biographer, Margaret Forster.” British Records Association 35.122 (Apr. 2010): 28-34. Print.

128Forster, Margaret. “Queen of Menacing Romance. Obituary.” Sunday Times 23 Apr. 1989, G8. Print.

129---. “Rebecca’s Ghost.” Lives for Sale: Biographers’ Tales. Ed. Mark Bostridge. London: Continuum, 2004. 52-56. Print.

130Frank, Bernhard. “Du Maurier’s Rebecca.” The Explicator 63.4 (2005): 239-41. Print.

131Galli Mastrodonato, Paola Irene. “Counter-Revolution or Resistance? Representing Vendée in Fiction, from Charlotte Corday to Daphne du Maurier.” IiRCO (Institut international de recherche sur la conflictualité). Université de Limoges, 2016. Web. 1 Feb. 2023.

132Giles, Judy. “‘A Little Strain with Servants’: Gender, Modernity and Domesticity in Daphne du Maurier’s Rebecca and Celia Fremlin’s The Seven Chars of Chelsea.” Literature and History: A New Journal for the Humanities 12.2 (Autumn 2003): 36-50. Print.

133Gomez-Galisteo, M. Carmen. “Last Night I Dreamt I Saw Rebecca Again: Lesbianism, Female Sexuality and Motherhood in Rebecca by Daphne du Maurier, Mrs. de Winter by Susan Hill and Rebecca’s Tale by Sally Beauman.” A Successful Novel Must Be in Want of a Sequel: Second Takes on Classics from the Scarlet Letter to Rebecca. Jefferson: McFarland, 2018. 139-52. Print.

134Goodman, Gemma. “Women at Sea: Locating and Escaping Gender on the Cornish Coast in The Loving Spirit and Frenchman’s Creek.” Sea Narratives: Cultural Responses to the Sea, 1600-Present. Ed. Charlotte Mathieson. Basingstoke: Palgrave Macmillan, 2016. 171-93. Print.

135Gott, Patricia. “‘There is always the other side…’: The ‘Other Women’ of Charlotte Brontë’s Jane Eyre.” Revue LISA/LISA e-journal 4.4 (2006): 49-63. Web. 1 Feb. 2023.

136Habermann, Ina. “Daphne du Maurier: (De-)Familiarizing the Nation.” Myth, Memory and the Middlebrow: Priestley, du Maurier and the Symbolic Form of Englishness. Basingstoke: Palgrave Macmillan, 2010. 147-210. Print.

137Hall, Anne. “Le ‘nouveau départ’ de George du Maurier.” Le Départ à l’Epoque Victorienne. Ed. Marielle Seichepine. Actes de la journée d’études tenue à Metz le 22 mars 2002. Metz: Centre d’études de la traduction, 2002. 47-57. Print.

138---. “Peter Ibbetson and du Maurier’s ‘French Voice.’” George du Maurier: Illustrator, Author, Critic. Beyond Svengali. Eds. Simon Cooke and Paul Goldman. London: Routledge, 2019. 103-14. Print.

139Hall, Lucy. “Men of the House: Oppressive Husbands and Displaced Wives in Interwar, War and Postwar Women’s Fiction (Daphne du Maurier, Dorothy Whipple, Elizabeth Taylor).” British Women’s Writing, 1930 to 1960: Between the Waves. Eds. Sue Kennedy and Jane Thomas. Liverpool: Liverpool UP, 2020. 161-78. Print.

140Hallett, Nicky. “Did Mrs Danvers Warm Rebecca’s Pearls? Significant Exchanges and the Extension of Lesbian Space and Time in Literature.” Feminist Review 74 (July 2003): 35-49. Print.

141Harbord, Janet. “Between Identification and Desire: Rereading Rebecca.” Feminist Review 53 (July 1996): 95-107. Print.

142Harrington, Louise. “Imperialism, Class, and the English Country House in Howards End and Rebecca.” English 56 (Autumn 2007): 283-98. Print.

143Hodges, Sheila. “Editing Daphne du Maurier.” Women’s History 11.2 (2002): 293-307. Print.

144Hollinger, Karen. “The Female Oedipal Drama of Rebecca from Novel to Film.” Quarterly Review of Film and Video 14.4 (1993): 17-30. Print.

145Horner, Avril, and Sue Zlosnik. “A ‘Disembodied Spirit’: The Letters and Fiction of Daphne du Maurier.” Prose Studies 19.2 (1996): 186-99. Print.

146---. “Daphne du Maurier and Gothic Signatures: Rebecca as Vamp(ire).” Body Matters: Feminism, Textuality, Corporeality. Eds. Avril Horner and Angela Keane. Manchester: Manchester UP, 2000. 209-22. Print.

147---. “Daphne du Maurier: Sex and Death the Italian Way.” Haunted Europe: Continental Connections in English-Language Gothic Writing, Film and New Media. Eds. Michael Newton and Evert Jan van Leeuwen. New York: Routledge, 2020. 107-22. Print.

148---. “Daphne du Maurier: The French Connection.” Theme Parks, Rainforests and Sprouting Wastelands: European Essays on Theory and Performance in Contemporary British Fiction. Eds. Richard Todd and Luisa Flora. Amsterdam: Rodopi, 2000. 173-84. Print.

149---. “Dame Daphne du Maurier.” The Literary Encyclopedia. The Literary Dictionary Co., 2001. Web. 1 Feb. 2023.

150---. “Deaths in Venice: Daphne du Maurier’s ‘Don’t Look Now.’” Spectral Readings: Towards a Gothic Geography. Eds. Byron Glennis and David Punter. Basingstoke: Palgrave Macmillan, 1999. 219-32. Print.

151---. “‘Extremely Valuable Property’: The Marketing of Rebecca.” Writing: A Woman’s Business. Eds. Judy Simons and Kate Fullbrook. Manchester: Manchester UP, 1998. 48-65. Print.

152---. “‘I For This and This For Me’: Daphne du Maurier and ‘Regional’ Writing.” ESRI Working Papers in Literary and Cultural Studies 13. Manchester: U of Salford College of Arts and Social Sciences, 1994. Print.

153---. “Keeping It in the Family: Incest and the Female Gothic Plot in du Maurier and Murdoch.” The Female Gothic: New Directions. Eds. Diana Wallace and Andrew Smith. Basingstoke: Palgrave Macmillan, 2009. 115-32. Print.

154---. “‘Moving pictures’: Family Portraits, Gothic Anxieties and Daphne du Maurier’s Rebecca.” Fictions of Unease: The Gothic from Otranto to The X-files. Eds. Andrew Smith, Diane Mason, and William Hughes. Bath: Sulis P, 2002. 170-82. Print.

155---. “‘Those Curious Sloping Letters’: Reading the Writing of du Maurier’s Rebecca.” Barcelona English Language and Literature Studies 7 (1996): 105-15. Print.

156Hovey, Jaime. “In Rebecca’s Shoes: Lesbian Fetishism in Daphne du Maurier’s Rebecca.” Footnotes: On Shoes. Eds. Shari Benstock and Suzanne Ferriss. New Brunswick: Rutgers UP, 2001. 156-76. Print.

157Huggett, Laurie Bernadette. “Imagined Pasts and Invading Presents: The Myth of Experience in Daphne du Maurier’s My Cousin Rachel and The Scapegoat.” Middlebrow Gothic: Dark Domesticity in British Popular Fiction, 1930-1960. Ed. Christopher Yiannitsaros. Cardiff: U of Wales P, 2023. Print.

158Hughes, Helen. “A Silent, Desolate Country: Images of Cornwall in Daphne du Maurier’s Jamaica Inn.” Cornwall: The Cultural Construction of Place. Ed. Ella Westland. Penzance: Patten P, 1997. 68-75. Print.

159Ismael, Zaid Ibrahim, and Sabah Atallah Khalifa Ali. “Women Pacifist Voices: The Anti-War Fiction of Elizabeth Bowen and Daphne du Maurier.” Surra Man Ra’a 16.63 (May-June 2020): 1039-54. Print.

160Jagose, Annamarie. “First Wife, Second Wife: Sexual Perversion and the Problem of Precedence in Rebecca.” Inconsequence: Lesbian Representation and the Logic of Sexual Sequence. Ithaca: Cornell UP, 2002. 101-21. Print.

161Joannou, Maroula. “Englishness as History.” Women’s Writing, Englishness and National and Cultural Identity: The Mobile Woman and the Migrant Voice, 1938-1962. London: Palgrave Macmillan, 2012. 64-80. Print.

162Kent, Alan M. “Cornish Nationalism and Women: from Daphne du Maurier to Helen Charles.” “Wives, Mothers and Sisters”: Feminism, Literature and Women Writers in Cornwall. Penzance: Patten P/Hypatia Trust, 1998. 35-41. Print.

163Kim, Youngjoo. “Romance with Daphne du Maurier: Revisiting the Ruins of Englishness in Rebecca.” Korean Society for Feminist Studies in English Literature 19.3 (2011): 5-44. Print.

164Kluwick, Ursula. “The Coast as a Site of Ecological Haunting in Iris Murdoch’s The Sea, The Sea and Daphne du Maurier’s Rebecca.” Navigating Cultural Spaces: Maritime Places. Eds. Anna-Margaretha Horatschek, Yvonne Rosenberg and Daniel Schäbler. Leiden: Brill, 2014. 237-55. Print.

165Korkut-Nayki, Nil. “A Hauntological Reading of Daphne du Maurier’s Rebecca.” English Studies at NBU 7.1 (June 2021): 21-36. Print.

166---. “The Supernatural and the Functions of the Gothic in Daphne du Maurier’s ‘The Birds’ and ‘Don’t Look Now.’” The Gothic: Studies in History, Identity and Space. Ed. Katarzyna Wieckowska. Freeland: Inter-Disciplinary P, 2012. 127-33. Print.

167Korosi, Marta. “‘Disembodied Spirits’ Revisiting Manderley: The Construction of Female Subjectivity in du Maurier’s Rebecca.” AnaChronisT 8 (2002): 164-79. Print.

168Lachazette, Xavier. “A Desperate Attempt at Conflict Resolution: Daphne du Maurier, Moral Re-Armament, and World War II.” Représentations de conflits en littérature et dans les arts visuels. Eds. Eliane Elmaleh and Xavier Lachazette. Spec. issue of Quaina 10 (July 2020): n. pag. Web. 1 Feb. 2023.

169---. “L’humiliation du pèlerin dans ‘The Way of the Cross’ de Daphne du Maurier.” Strangers and Pilgrims: Métamorphoses Spatiales du Religieux dans les Mondes Anglophones (XVIIe- XXIe Siècles). Eds. Cyril Selzner, Rémy Bethmont and Yannick Deschamps. Paris: Atlande, 2021. 155-68. Print.

170---. “Jardin et connaissance dans les nouvelles ‘The Pool’ et ‘The Apple Tree’ de Daphne du Maurier.” Le Jardin et ses Mythes aux États-Unis et en Grande-Bretagne. Eds. Gelareh Yvard, Jean-Michel Yvard and Emmanuel Vernadakis. Rennes: PUR, 2017. 217-29. Print.

171---. “Using Animal Retribution Fiction for the Promotion of Environmental Awareness: The Case for a Reinterpretation of Daphne du Maurier’s ‘The Birds.’” Understanding, Acknowledging, Representing Environmental Emergency. Eds. Sylvie Nail and Camille Manfredi. Spec. issue of E-rea, Revue électronique d’études sur le monde anglophone 18.2 (June 2021): n. pag. Web. 1 Feb. 2023.

172---. “Vanishing Cornwall de Daphne du Maurier et Kits Browning: La Cornouailles comme Engagement et comme Repli.” La Culture de l’Engagement au Cinéma. Eds. Delphine Letort et Antoine Fraile. Rennes: PUR, 2015. 217-29. Print.

173Light, Alison. “Daphne du Maurier’s Romance with the Past.” Forever England: Femininity, Literature and Conservatism between the Wars. Oxon: Routledge, 1991. 156-207. Print.

174---. “Hitchcock’s Rebecca: A Woman’s Film?” The Daphne du Maurier Companion. Ed. Helen Taylor. London: Virago, 2007. 295-304. Print. Rpt. in Alison Light, Inside History: From Popular Fiction to Life-Writing. The Feminist Library. Edinburgh: Edinburgh UP, 2021. 124-30. Print.

175---. “Rebecca.” Sight and Sound 6.5 (1996): 28-31. Print.

176---. “‘Returning to Manderley’: Romance Fiction, Female Sexuality and Class.” Feminist Review 16.1 (1984): 7-25. Rpt. in British Feminist Thought: A Reader. Ed. Terry Lovell. Oxford: Blackwell, 1990. 325-44. Rpt. in Alison Light, Inside History: From Popular Fiction to Life-Writing. The Feminist Library. Edinburgh: Edinburgh UP, 2021. 19-41. Print.

177Linkin, Harriet Kramer. “The Deceptively Strategic Narrator of Rebecca.” Journal of Narrative Theory 46.2 (2016): 223-53. Print.

178Lloyd Smith, Allan. “The Phantoms of Drood and Rebecca: The Uncanny Reencountered through Abraham and Torok’s ‘Cryptonomy.’” Poetics Today 13.2 (Summer 1992): 285-308. Print.

179Love, Heather. “Living (And Dying) in the Other.” Grey Room 24 (Summer 2006): 16-25. Print.

180Marchbanks, Paul. “Jane Air: The Heroine as Caged Bird in Charlotte Brontë’s Jane Eyre and Alfred Hitchcock’s Rebecca.” Revue LISA/LISA e-journal 4.4 (2006): 118-30. Web. 1 Feb. 2023.

181Marshall, Ann Herdon. “Act Natural: Dubious Proposals in The Mill on the Floss, The Pastor’s Wife, Vera and Rebecca.” Women, a Cultural Review 28.1-2 (2017): 115-29. Print.

182Maurel, Sylvie. “‘I am another woman’: Tropes and the Metamorphosis of Gender Roles in Rebecca by Daphne du Maurier.” Études britanniques contemporaines 25 (2003): 103-14. Print.

183---. “Romantic Ghosting in Daphne du Maurier’s Rebecca.” Anglophonia: French Journal of English Studies 15 (2004): 131-40. Print.

184Miquel-Baldellou, Marta. “Caught Up in between Doublets: Neo-Victorian (Trans)Positions of Victorian Femininities and Masculinities in Jane Eyre and Rebecca.” Revue LISA/LISA e-journal 7.4 (2009): 87-104. Web. 1 Feb. 2023.

185---. “Disrupting Dictates of Gender and Ageing through Creativity: Daphne du Maurier’s Writing Persona in The Breaking Point.” Frame 30.1 (May 2017): 49-66. Print.

186---. “‘I wanted to be old’: Gender and Ageing in Daphne du Maurier’s Rebecca and Susan Hill’s Mrs de Winter.” 1616 Anuario de Literatura Comparada 8 (Jan. 2018): 87-105. Print.

187---. “The Myth of Apollo and Daphne as a Metaphor of Personal Crisis in Daphne du Maurier’s ‘The Apple.’” Myths in Crisis: The Crisis of Myth. Eds. José Manuel Losada and Antonella Lipscomb. Cambridge: Cambridge Scholars Publishing, 2015. 120-28. Print.

188---. “‘This is the nineteenth century, you know’: Traces of the Victorian Gothic Romance in Daphne du Maurier’s Jamaica Inn.” The Grove, Working Papers on English Studies 20 (Jan. 2013): 81-97. Print.

189---. “‘The whole aspect of age is full of possibilities!’ Traces of Ageing, Memory, and Sexuality in Daphne du Maurier’s ‘Don’t Look Now.’” Traces of Ageing. Eds. Marta Cerezo Moreno and Nieves Pascual Soler. Bielefeld: Verlag, 2016. 65-90. Print.

190Mitchell, Donna. “Monstrous Femininity and Objectified Masculinity in Daphne du Maurier’s ‘The Doll.’” The Female Fantastic: Gendering the Supernatural in the 1890s and 1920s. Eds. Lizzie Harris McCormick, Jennifer Mitchell and Rebecca Soares. New York: Routledge, 2019. 22-33. Print.

191Modleski, Tania. “ʻNever to Be Thirty-Six Years Oldʼ: Rebecca as Female Oedipal Drama.” Wide Angle 5.1 (1982): 34-41. Print.

192Murphy, Terence Patrick. “Opening the Pathway: Plot Management and the Pivotal Seventh Character in Daphne du Maurier’s ‘Don’t Look Now.’” Journal of Literary Semantics 37.2 (Dec. 2008): 151-68. Print.

193Newman, John. “The Linguistics of Imaginary Narrative Spaces in Daphne du Maurier’s Rebecca.” East European Journal of Psycholinguistics 5.2 (2018): 42-61. Print.

194Nigro, Kathleen Butterly. “Rebecca as Desdemona: ‘a maid that paragons description and wild fame.’” College Literature 27.3 (Fall 2000): 144-57. Print.

195Nungesser, Verena-Susanna. “From Thornfield Hall to Manderley and Beyond: Jane Eyre and Rebecca as Transformations of the Fairy Tale, the Novel of Development, and the Gothic Novel.” A Breath of Fresh Eyre: Intertextual and Intermedial Reworkings of Jane Eyre. Eds. Margarete Rubik and Elke Mettinger-Schartmann. Amsterdam: Rodopi, 2007. 209-26. Print.

196Paddy, David Ian. “Home Is Where the Dark Is: A Literary Geography of Daphne du Maurier’s Disturbing Genres.” Space(s) of the Fantastic: A 21st-Century Manifesto. Eds. David Punter and C. Bruna Mancini. London: Routledge, 2020. 96-114. Print.

197Parey, Armelle. “Susan Hill’s Mrs de Winter and Sally Beauman’s Rebecca’s Tale: ‘Re-visions’ of Daphne du Maurier’s Rebecca?” Odisea, Revista de estudios ingleses 17 (2016): 7-17. Print.

198Petersen, Teresa. “Daphne du Maurier’s Rebecca: The Shadow and the Substance.” AUMLA: Journal of the Australasian Universities Modern Language Association 112 (Nov. 2009): 53-66. Print.

199---. “Daphne du Maurier and Incest: Biographical Recognition and Evasion.” Spec. issue of AUMLA: Journal of the Australasian Universities Modern Language Association (Dec. 2007): 63-71. Print.

200---. “Daphne du Maurier’s My Cousin Rachel: in the Looking Glass.” Spec. issue of AUMLA: Journal of the Australasian Universities Modern Language Association (Dec. 2009): 167-76. Print.

201---. “Daphne du Maurier’s Short Stories: Horror, the Macabre and the Bizarre.” AUMLA: Journal of the Australasian Universities Modern Language Association 118 (Nov. 2012): 51-72. Print.

202Pons, Auba Llompart. “Patriarchal Hauntings: Re-reading Villainy and Gender in Daphne du Maurier’s Rebecca.” Atlantis 35.1 (June 2013): 69-83. Print.

203Pracha, Setara. “Apples and Pears: Symbolism and Influence in Daphne du Maurier’s ‘The Apple Tree’ and Katherine Mansfield’s ‘Bliss.’” Katherine Mansfield and Psychology. Eds. Clare Hanson, Gerri Kimber and W. Todd Martin. Edinburgh: Edinburgh UP, 2016. 172-86. Print.

204---. “‘Kiss Me Again, Stranger’: Daphne du Maurier and the Danse Macabre.” The Graveyard in Literature: Liminality and Social Critique. Ed. Aoileann Ní Éigeartaigh. Cambridge: Cambridge Scholars Publishing, 2022. 52-65. Print.

205Purves, Maria. “‘Don’t Look Now’: Disguised Danger and Disabled Women in Daphne du Maurier’s Macabre Tales.” Demons of the Body and Mind: Essays in Disability in Gothic Literature. Ed. Ruth Bienstock Anolik. Jefferson: McFarland, 2010. 181-96. Print.

206Pyrhonen, Heta. “Bluebeard’s Accomplice: Rebecca as a Masochistic Fantasy.” Mosaic: A Journal for the Interdisciplinary Study of Literature 38.3 (Sept. 2005): 149-65. Print.

207Radovic, Stanka. “Outside Within: Natural Environment and Social Place in Daphne du Maurier’s Rebecca.” Ecocriticism and Geocriticism: Overlapping Territories in Environmental and Spatial Literary Studies. Eds. R.T. Tally and C.M. Battista. New York: Palgrave Macmillan, 2016. 137-53. Print.

208Rance, Nicholas. “Not Like Men in Books, Murdering Women: Daphne du Maurier and the Infernal World of Popular Fiction.” Creepers: British Horror and Fantasy in the 20th Century. Ed. Clive Bloom. London: Pluto P, 1993. 86-98. Print.

209Reginald, Robert. “Beware of the House: The Nature of Reality in Daphne du Maurier’s Fantasy.” Xenograffiti: Essays on Fantastic Literature. I.O. Evans Studies in the Philosophy and Criticism of Literature 33 (Dec. 1996): 24-26. Print.

210Reynier, Christine. “The Outrageousness of Outrage: Daphne du Maurier’s ‘Monte Verità.’” Études britanniques contemporaines 45 (2013): n. pag. Web. 1 Feb. 2023.

211---. “Beyond Cinema: Daphne du Maurier’s Intermedial Experiments in ‘The Little Photographer’ (1952).” Short Fiction in Theory and Practice 8.1 (Sept. 2018): 89-97. Print.

212Richter, Virginia. “Tourists Lost in Venice: Daphne du Maurier’s ‘Don’t Look Now’ and Ian McEwan’s The Comfort of Strangers.” Venetian Views, Venetian Blinds: English Fantasies of Venice. Eds. Manfred Pfister and Barbara Schaff. Amsterdam: Rodopi, 1999. 181-94. Print.

213Schrage-Früh, Michaela. “Blurring the Boundaries: Dreaming Children in Katherine Mansfield’s ‘Sun and Moon’ and Daphne du Maurier’s ‘The Pool.’” Journal of the Short Story in English 69 (Autumn 2017): 15-36. Print.

214Schroder, Gottfried. “Don’t Look Now: Daphne du Maurier’s Story and Nicolas Roeg’s Film.” Literatur in Wissenschaft und Unterricht 20.1 (1987): 232-45. Print.

215Schülting, Sabine. “‘Dream Factories’: Hollywood and Venice in Nicolas Roeg’s Don’t Look Now.” Venetian Views, Venetian Blinds: English Fantasies of Venice. Eds. Manfred Pfister and Barbara Schaff. Amsterdam: Rodopi, 1999. 195-212. Print.

216Simmons, Judy. “Rewriting the Love Story: The Reader as Writer in Daphne du Maurier’s Rebecca.” Fatal Attractions: Re-Scripting Romance in Contemporary Literature and Film. Eds. Lynne Pearce and Gina Wisker. London: Pluto P, 1998. 112-27. Print.

217Sipière, Dominique. “Le Vol des Oiseaux: Statut et Interprétation de l’Espace chez du Maurier et Hitchcock.” Licorne 28 (1994): 231-48. Print.

218Sivinski, Stacy. “‘An invention… that bottled up a memory, like scent’: Phantom Fragrances in Daphne du Maurier’s Rebecca.” Journal of Gender Studies 29.8 (Nov. 2020): 860-69. Print.

219Skal, Ewa. “Crisis of Identity in Daphne du Maurier’s Rebecca.” Faces of Crisis in 20th- and 21st-Century Prose: An Anthology of Criticism. Eds. Katarzyna Biela, Aleksandra Kamińska, Alicja Lasak, Kinga Latała and Sabina Sosin. Krakow: Jagiellonian UP, 2020. 51-59. Print.

220Soles, Carter. “‘And No Birds Sing’: Discourses of Environmental Apocalypse in The Birds and Night of the Living Dead.” Interdisciplinary Studies in Literature and Environment 21.3 (Summer 2014): 526-37. Print.

221Tatar, Maria. “‘Have You Ever Really Been Afraid?... of A Man?... of A House?... of Yourself?’: Charlotte Brontë’s Jane Eyre, Daphne du Maurier’s Rebecca, and Modern Gothics.” Secrets beyond the Door: The Story of Bluebeard and His Wives. Princeton: Princeton UP, 2006. 67-88. Print.

222Taylor, Helen. “‘What will survive of us are manuscripts’: Archives, Scholarship and Human Stories.” The Boundaries of the Literary Archive: Reclamation and Representation. Eds. Carrie Smith and Lisa Stead. London: Routledge, 2016. 189-202. Print.

223Teahan, Sheila. “Untimely Returns: Shoring Fragments against Ruins in Daphne du Maurier’s Rebecca.” Ruins in the Literary and Cultural Imagination. Eds. Mitsi Efterpi et al. Cham, Switz.: Palgrave Macmillan, 2019. 93-110. Print.

224Templeton, Wayne. “Daphne du Maurier.” British Novelists between the Wars. Ed. George M. Johnson. Detroit: Gale, 1998. 85-94. Print.

225Théry, Michèle. “Ni tout à fait la même, ni tout à fait une autre : Mrs de Winter de Susan Hill et Rebecca de Daphne du Maurier.” Études britanniques contemporaines 8 (1995): 13-36. Print.

226Thompson, Terry W. “Sourcing Arthur’s Last Stand in du Maurier’s ‘The Birds.’” ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 23.1 (July 2010): 51-55. Print.

227Turner, Katherine. “Daphne du Maurier’s Mary Anne: Rewriting the Regency Romance as Feminist History.” U of Toronto Quarterly 86.4 (Fall 2017): 54-77. Print.

228Varnam, Laura. “Coarseness, Power and Masculinity in Daphne du Maurier’s The Infernal World of Branwell Brontë.” Brontë Studies 44.1 (Jan. 2019): 109-22. Print.

229Von der Lippe, George B. “Death in Venice in Literature and Film: Six 20th-Century Versions.” Mosaic: A Journal for the Interdisciplinary Study of Literature 32.1 (Mar. 1999): 35-54. Print.

230Watson, Daphne. “Reader, I Married Him: The Novels of Daphne du Maurier and Mary Stewart.” Their Own Worst Enemies: Women Writers of Women’s Fiction. London: Pluto P, 1995. 16-36. Print.

231Watson, Nicola J. “Daphne du Maurier, Rebecca.” The Popular and the Canonical: Debating Twentieth-Century Literature, 1940-2000. Ed. David Johnson. London: Routledge/Open U, 2005. 13-56. Print.

232Westland, Ella. Introduction. Rule Britannia. By Daphne du Maurier. London: Virago, 2004. vii-xiv. Print.

233---. “The Passionate Periphery: Cornwall and Romantic Fiction.” Peripheral Visions: Images of Nationhood in Contemporary British Fiction. Ed. Ian A. Bell. Cardiff: U of Wales P, 1995. 153-72. Print.

234Wilson, Kristi. “Time, Space and Vision: Nicolas Roeg’s Don’t Look Now.” Screen 40.3 (Autumn 1999): 277-94. Print.

235Wings, Mary. “Rebecca Redux: Tears on a Lesbian Pillow.” Daring to Dissent: Lesbian Culture from Margin to Mainstream. Ed. Liz Gibbs. London: Cassell, 1994. 11-33. Print.

236Wisker, Gina. “Dangerous Borders: Daphne du Maurier’s Rebecca: Shaking the Foundations of the Romance of Privilege, Partying and Place.” Journal of Gender Studies 12.2 (2003): 83-97. Print.

237---. “‘Don’t Look Now’: the Compulsions and Revelations of Daphne du Maurier’s Horror Writing.” Journal of Gender Studies 8.1 (1999): 19-33. Print.

238---. “Starting Your Journey in the Past, Speculating on Time and Place: Daphne du Maurier’s The House on the Strand, ‘Split Second,’ and the Engaged Fiction of Time Travel.” Journal of the Fantastic in the Arts 24.3 (2013): 467-82. Print.

239Wolfreys, Julian. “Venice Imagined: The Invisible and Imaginary City, or, ‘Les Lieux de là.’” The Idea of the City: Early-Modern, Modern and Post-Modern Locations and Communities. Ed. Joan Fitzpatrick. Newcastle upon Tyne: Cambridge Scholars, 2009. 93-107. Print.

240Wright, Helen. “Character as Creative Citation: Daphne du Maurier’s Rebecca and Elizabeth von Arnim’s Vera.” Notes and Queries 60.2 (15 June 2013): 288-91. Print.

241Yanal, Robert J. “Rebecca’s Deceivers.” Philosophy and Literature 24 (Apr. 2000): 67-82. Print.

242Žižek, Slavoj. “Are We Allowed to Enjoy Daphnée [sic] du Maurier?” Lacan.com. 2005. Web. 1 Feb. 2023 [rejected by Virago as an introduction to the Modern Classics ed. of The Birds and Other Stories].

Biographical Writings

243Browning, Christian. “Vanishing Cornwall.” The Daphne du Maurier Companion. Ed. Helen Taylor. London: Virago, 2007. 18-21. Print.

244Cook, Judith. Daphne: A Portrait of Daphne du Maurier. London: Bantam P, 1991. Print.

245Dudgeon, Piers. Captivated: J.M. Barrie, Daphne du Maurier and the Dark Side of Neverland. London: Vintage, 2009. Print.

246Du Maurier, Angela. It’s Only the Sister. 1951. Truro: Truran, 2003. Print.

247---. Old Maids Remember. London: Peter Davies, 1966. Print.

248Dunn, Jane. Daphne du Maurier and Her Sisters: The Hidden Lives of Piffy, Bird and Bing. London: Harper P, 2013. Print.

249Forster, Margaret. Daphne du Maurier. London: Chatto and Windus, 1993. Print.

250Hall, Anne. The du Mauriers Just As They Were. London: Unicorn, 2018. Print.

251---. Au Pays des Souffleurs de Verre: Sur les Pas de Daphne du Maurier. Vendôme: Cherche-Lune, 2010. Print.

252Kelly, Richard. Daphne du Maurier. Boston: Twayne Publishers, 1987. Print.

253Leng, Flavia. Daphne du Maurier: A Daughter’s Memoir. Edinburgh: Mainstream Publishing, 1994. Print.

254Macaskill, Hilary. Daphne du Maurier At Home. London: Frances Lincoln, 2013. Print.

255Rosnay, Tatiana de. Manderley Forever: The Life of Daphne du Maurier. Trans. Sam Taylor. Crows Nest: Allen and Unwin, 2017. Print.

256Rowse, A.L. “Daphne du Maurier: Fortune and Romance.” Friends and Contemporaries. By A.L. Rowse. London: Methuen, 1989. 261-86. Print.

257Shallcross, Martyn. Daphne du Maurier Country. Bodmin: Bossiney, 1987. Print.

258---. The Private World of Daphne du Maurier. London: Robson, 1991. Print.

259Stanley, Louis T. “Daphne du Maurier.” People, Places and Pleasures. London: Macdonald, 1965. 236-37. Print.

260Taylor, Helen. “Daphne du Maurier’s Children Talk about Their Mother.” The Daphne du Maurier Companion. Ed. Helen Taylor. London: Virago, 2007. 3-17. Print.

261---. “Interview with Sheila Hodges, Daphne du Maurier’s Editor, 1943-1981.” The Daphne du Maurier Companion. Ed. Helen Taylor. London: Virago, 2007. 22-24. Print.

262Welch, Noël. “The du Mauriers” and “Kilmarth: The Last Home of Daphne du Maurier.” A Personal View: The du Mauriers, Dod Procter, Bernard Leach and Barbara Hepworth. Axminster: Samphire, 2012. 1-20. Print.

263Williams, Michael. The Three du Maurier Sisters: Daphne, Angela and Jeanne. Clifton-upon-Teme: Polperro Heritage P, 2012. Print.