• Christine Reynier
  The “Obstinate resistance” of Woolf’s short story [Texte intégral]

• PART ONE THE SHORT STORY COMMITMENTS

  • Elke D’hoker
    The role of the imagination in Virginia Woolf’s short fiction [Texte intégral]
  • Charles Sumner
    Beauty and damaged life in Virginia Woolf’s short fiction [Texte intégral]
  • Kate Krueger Henderson
    Fashioning Anti-Semitism: Virginia’s Woolf’ “The Duchess and The Jeweller” and the readers of Harper’s Bazaar [Texte intégral]
  • Anne Besnault-Levita
    Speech-acts, represented thoughts and human intercourse in “The Introduction” and “Together and Apart” [Texte intégral]
  • Ann K. McClellan
    Adeline’s (bankrupt) education fund: Woolf, women, and education in the short fiction [Texte intégral]
  • Leena Kore-Schröder
    Who’s afraid of Rosamond Merridew?: Reading medieval history in “The journal of Mistress Joan Martyn” [Texte intégral]

• PART TWO BEYOND EXPERIMENTALISM: GENETICS, PHILOSOPHY, SCIENCE AND THE SHORT STORY

  • Oliver Taylor
    “What’s ‘it’ – What do you mean by ‘it’?”: Lost Readings and getting lost in “Kew Gardens” [Texte intégral]
  • Frank Stevenson
    Enclosing the Whole: Woolf’s “Kew Gardens” as Autopoetic Narrative [Texte intégral]
  • Laura Marcus
    “In the Circle of the Lens”: Woolf’s “Telescope” Story, Scene-making and Memory [Texte intégral]
  • Teresa Prudente
    “To Slip Easily From One Thing To Another”: Experimentalism And Perception in Woolf’s Short Stories [Texte intégral]

• PART THREE MUSIC, PAINTING, CINEMA AND THE SHORT STORY

  • Liliane Louvel
    Telling “by” Pictures: Virginia Woolf’s Shorter Fiction [Texte intégral]
  • Émilie Crapoulet
    Beyond the boundaries of language: music in Virginia Woolf’s “The String Quartet” [Texte intégral]
  • Abbie Garrington
    Reflections on a Cinematic Story [Texte intégral]

Navigation