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• Paul Poplawski
  “[M]y reach ends in my finger-tips”: Embodying the Relative and the Absolute, from “Christs in the Tyrol” to The Escaped Cock [Texte intégral]
• Peter Fjågesund
  D. H. Lawrence between the Relative and the Absolute: From Religion and Science to Art and Life [Texte intégral]
• Mélanie Lebreton
  “The subtle sense of the Great Absolute”:
  D. H. Lawrence and the Nomadic Godhead [Texte intégral]
• Michael Bell
  The Absolute, the Relative and the Novel [Texte intégral]
• Jonathan Long
  “The novel is […] so incapable of the absolute.” D. H. Lawrence’s Evolving Views on the Relative and the Absolute in the Novel [Texte intégral]
• Jacqueline Gouirand
  Birkin’s New Ethic of Human Relationships: the Avatars of the Absolute [Texte intégral]
• Brigitte Macadré-Nguyên
  Aphorisms in Women in Love: the Words of False Prophets [Texte intégral]
• Maria Trejling
  “Imprisoned within a limited, false set of concepts”: Posthuman Absoluteness and Relativity in Lawrence’s Women in Love [Texte intégral]
• Marina Ragachewskaya
  “Love Your Enemy”: The Relativity of Absolute Love in D. H. Lawrence’s “The Ladybird” [Texte intégral]
• Fiona Fleming
  The Absolute of Interconnectedness in “The Princess,” “Sun,” and Lady Chatterley’s Lover [Texte intégral]
• Elise Brault-Dreux
  “Creep closer in, that I am more” –Is there a “theory of human relativity” in the Poetics of Look! We Have Come Through? [Texte intégral]
• Nick Ceramella
  Blake and Lawrence between the Relative and the Absolute [Texte intégral]
• Shirley Bricout
  Review [Texte intégral]
  Kumiko Hoshi, D. H. Lawrence and Pre-Einsteinian Modernist Relativity, Cambridge Scholars Publishing, 2018, 179 p., £58,99

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