Instructions for authors - an article in Mise au Point

You may find here the complete instructions for authors:

https://journals.openedition.org/map/860

Below is a summary of the instructions for authors.

General text formatting, use: Times New Roman

Title font size: 18

Author’s name font size: 16

Text font size: 14

Indented quote font size: 10

Endnote font size: 10

Single spaced

The titles of articles are in between quotation marks: « Éléments de sociologie du film »

Work titles are italicized: La fabrique filmique : métiers et professions

In English, book titles are capitalized: Production Culture ou The Art of French Cinema

Be careful not to overuse capitals. For a guide on the use of upper and lower case letters : https://www.axl.cefan.ulaval.ca/monde/regles-1MAJ-MIN.htm

In French note the use of unbreakable spaces before these typographical signs: “ »”, “ !”, “ ?”, “ :”, “ ;”.and after “« ʺ

For references cited in the text: use tags (Name year, p. ). If the name of the author is mentioned in the text: (year, p. 15)

Example (Barnier 2017, p. 30) or (2017, p 27).

Bibliography:

Each reference should be listed one after the other, in alphabetical order by author. Two texts by the same author should be placed in chronological order, from oldest to newest. The date that matters here is that of the current publication, not the original publication (in other words, the date that will be in the tag). Note that the formatting must be adapted to the language of the text, and not to the language of the bibliographical reference.

Standard references in French and English:

MONOGRAPHIES

Nom Année : Prénom Nom, Titre, Ville, Éditions, Année, nombre de pages.

Name Year: First-name Name, Title, City, Publisher, Year, number of pages.

Following these two models, here are two examples of bibliographic references:

Althusser 1965 : Louis Althusser, Pour Marx, Paris, Maspero, 1965, 320 p.

Manovich 2001: Lev Manovich, Language of New Media, Cambridge, MIT Press, 2001, 400 p.

Directed collective volume and conference proceedings:

Name Year: First-name Name (ed.), Title, City, Publisher, Year, number of pages.

Following these two models, here are two examples of bibliographical references:

Lebrat 1990 : Christian Lebrat (dir.), Peter Kubelka, Paris, Paris expérimental, 1990, 250 p.

Dunkleberger and Hanson 1999: Amy Dunkleberger and Patricia K Hanson (eds.), American Film Institute Catalog of Feature Films Produced in the United States : Feature Films, 1941-1950, Berkeley, University of California Press, 1999, 476 p.

Chapter in a directed collective volume:

Name Year: First-name-A Name-A, “Title-A,” in First-name-B Name-B (ed.), Title-B, City, Publisher, Year, page numbers.

Following these two models, here are two examples of bibliographical references:

Habermas 1985 : Justine Damiens, « Siegfried Kracauer et moi », in Philippe Despoix et Peter Schöttler (dir.), Siegfried Kracauer penseur de l’histoire, Paris/Québec, Maison des sciences de l’homme/Presses de l’Université Laval, 2006, p. 192-216.

Collet 1972: Jean Collet, “No Questions Asked : Conversation with Jean-Luc Godard on Bande à part,” in Royal S. Brown (ed.), Focus on Godard, Englewood Cliffs, Prentice Hall, 1972, pp. 40-45.

Article in a journal :

Name Year: First-name Name, “Title,” Periodical’s Title, Volume, Issue, Year, page numbers.

Following these two models, here are two examples of bibliographical references:

Esquenazi 2007 : Jean-Pierre Esquenazi, « Éléments de sociologie du film », Cinémas, vol. 17, nos 2-3, 2007, p. 117-141.

Lippit 2002: Akira Mizuta Lippit, “The Death of an Animal,” Film Quarterly, vol. 56, no. 1, 2002, pp. 9-22.