Ouvrages, articles

Abercrombie P., Forshaw, J., County of London Plan 1943, Londres, Macmillan, 1943.

Aldgate, A., Richards J., Britain Can Take It : British Cinema in the Second World War, Londres, I.B. Tauris, nouv. édition, 2007.

Anderson, L., « Only Connect : Some Aspects of the Work of Humphrey Jennings », Sight and Sound, 23/4, printemps 1954.

Anderson, L., « Postscript to ‘Only Connect’ » (1982), in Paul Ryan, ed., Never Apologise.

Anderson, L., Lindsay Anderson : The Collected Writings, Londres, Plexus, 2004.

Anderson, R., « Circa 1951 : Presenting Science to the British Public », paper given to conference at Oregon State University, The Scientist as Educator and Public Citizen : Linus Pauling and His Era », October 29 and 30, 2007, consulté le 14 septembre 2018.

Anonyme, A London Inheritance. The Festival of Britain, http://alondoninheritance.com/eventsandceremonies/the-festival-of-britain-south-bank-exhibition/ consulté le 16 août 2018.

Arts Council of Great Britain, The First Ten Years. The Eleventh Annual Report of the Arts Council of Great Britain, 1955-1956, consulté en ligne le 30/10/2018.

Atkinson, H., The Festival of Britain : A Land and Its People, London, I.B.Tauris, 2012.

Baillon, J.-F., « Le village ambigu : le Londres des studios Ealing », Positif n° 610, décembre 2011, p. 96-98.

Balcon, M., The Pursuit of British Cinema, New York, The Museum of Modern Art, 1984.

Banham, M., Hillier, B., (eds.), A Tonic to the Nation, The Festival of Britain 1951, Thames & Hudson, London, 1976.

Barr, C., Ealing Studios, Moffat, Cameron & Hollis, 1998 (1977).

Barry, Gerald, « The Festival of Britain 1951 », Journal of the Royal Society of Arts, C, 4880, 1952.

Beattie, K., Humphrey Jennings, Manchester and New York, Manchester University Press, 2010.

Bonnemaison, S., Massy, C., (dir.) Festival Architecture, Routledge, 2007.

Booth, Charles, Life and labour of the People of London, Second Series, Londres, Macmillan, 1902-1903, https://booth.lse.ac.uk/.

Box, M., Odd Woman Out. An Autobiography, Londres, Leslie Frewin, 1974.

Briggs, A., « Exhibiting Britain : 1851, 1951 and 2000 », Bulletin de la SAES [Société des anglicistes de l’Enseignement supérieur], no. 58, mars 2001, p.5-20.

British Council, From Destruction to Abstraction British Art in the 1940s and 1950s, consulté le 16 août 2018.

Burstow, R., Symbols for ’51, the Royal Festival Hall, Skylon and Sculptures for the Festival of Britain, The Ballroom, Main Foyer, Royal Festival Hall, London, 2 March – 21 April 1996.

Burton, A., « Seeing is believing : The Magic Box », in A. Burton, T. O’Sullivan, P. Wells, (eds.), The Family Way. The Boulting Brothers and Postwar British Film Culture, Trowbridge, Flicks Books, 2000.

Calder, Angus, The People's War: Britain, 1939–45, Londres : Jonathan Cape, 1969.

Carpenter, Humphrey, The Envy of the World : Fifty Years of the BBC Third Programme and Radio 3, 1946-1996, London, Phoenix, Orion Books, 1997.

Churchill, Randolph S. (dir.) Stemming the Tide: Speeches 1951 and 1952 by Winston S. Churchill. London : Cassell & Co., 1953.

Coe, J., Expo 58, Londres, Viking Penguin, 2013.

Conekin, B., E., The Autobiography of a Nation: The 1951 Festival of Britain (Studies in Design & Material Culture), Manchester, Manchester University Press, 2003.

Cooke, R., Her Brilliant Career. Ten Extraordinary Women of the Fifties, New York, HarperCollins, 2014.

Corfield, J., « Festival of Britain », Encyclopaedia of the Industrial Revolution in World History, K., E., Hendrikson III (dir.), Rownam & Littlefield, Lanham, Maryland, vol. 3, p.322-323.

Council of Industrial Design, Design '46 : Survey of British Industrial Design as Displayed at the "Britain Can Make It" Exhibition, Londres, H.M.S.O., 1946.

Cox, I., The South Bank Exhibition, A Guide to the Story It Tells, (London 1951, Festival of Britain Guide, Price 2/6), H.M. Stationery Office, 1951, 96p., lxiv p.

Dickinson, Peter. The Music of Lennox Berkeley, Woodbridge, The Boydell Press, 2003.

Dicks, B., Culture on Display, Open University Press, 2004.

Doustaly, Cécile. « Le rôle de l’action publique dans la renaissance musicale anglaise (1940-1960) ». Revue Française de Civilisation Britannique, Musique, Nation et Identité : la Renaissance de la musique anglaise, formes et conditions. Gilles Couderc & Jean-Philippe Heberlé (dirs.) Volume XVII, n° 4, décembre 2012.

Drazin, C., The Finest Years : British Cinema of the 1940s, Londres, I.B. Tauris, 1998.

E.C., « Women at the Top », Sunday Times, 30 juin 1968.

Eden, David & Saremba, Meinhard (dirs.). The Cambridge Companion to Gilbert & Sullivan. Cambridge, CUP, 2009.

Finding, S., « Londres 1911 : celebrating the imperial », Observatoire de la société britannique, 10, 2012, Londres, capitale internationale, multiculturelle et olympique, p.21-37.

Finding, S., « Staging the memory of cities : the museography of British seaports », dans Susan Finding, Logie Barrow, François Poirier, (dir.), Keeping the lid on, Urban eruptions and social control since the 19th century, Newcastle, Cambridge Scholars, 2010, pp. 93-114.

Games A. (Estate of) « A Selection of Abram Games most iconic posters » The Telegraph https://www.telegraph.co.uk/culture/art/11046109/A-selection-of-Abram-Games-most-iconic-posters.html.

Getz, D., « The Nature and Scope of Festival Studies », International Journal of Event Management Research, Volume 5, Number 1, 2010, pp.1-47.

Gilbert M., Winston Churchill, vol.8., Never Despair, London: Heinemann, 1988.

Gilles Couderc. « ‘Move over, Handel !’ The English Musical Renaissance and the Quest for New Musical Heroes » in Haendel après Haendel : Construction, renommée, influence de Haendel et de la figure haendélienne. Musicorum, N°14, 2013, Université François-Rabelais, Tours, pp. 193-204.

Gray, Clive, The Politics of the Arts in Britain, London, Palgrave Macmillan, 2000.

Harper, S., Porter, S., British Cinema of the 1950s. The Decline of Deference, Oxford University Press, 2007.

Haweis, Hugh Reginald, Music and Morals, [Londres, Strahan & Co., 1871], Cambridge, CUP, 2011.

Hemingway, J., & W., et al., Southbank Centre celebrates 1951-2011 Festival of Britain, (Souvenir programme) 2011.

Hepburn, W., « Glasgow’s Forgotten Exhibition: The Festival of Britain at Kelvin Hall, 1951 », April 6, 2016.

Hennessy, P., Never Again. Britain 1945-1951, London, Cape, 1992.

Hewison, R., Culture and Consensus: England, Art and Politics since 1940, London, Routledge, 1995.

Hughes, Meirion & Stradling, Robert, The English Musical Renaissance 1840-1940 : Constructing a National Music, Manchester University Press, 2001.

Jackson, K., (ed.), The Humphrey Jennings Film Reader, Manchester, Carcanet, 1993.

Kennedy, Michael, The Works of Ralph Vaughan Williams, Clarendon Paperbacks, Oxford, OUP, 1992.

Kynaston, D., Austerity Britain 1945-1951, London, Bloomsbury, 2007.

Kynaston, D., Family Britain 1951-57, London, Bloomsbury, 2010 (2009).

Landy, M., British Genres. Cinema and Society, 1930-1960, Princeton, Princeton University Press, 1991.

Lebrecht, Norman, Covent Garden, the Untold Story : Dispatches from the English Culture Wars, 1945-2000, Boston, Northeastern University Press, 2000.

Leventhal, F., “A Tonic to the Nation” : The Festival of Britain, 1951. Albion, 1995, 27(3), 445-453. doi:10.2307/4051737.

Lew, Nathaniel G., Tonic to the Nation : Making English Music in the Festival of Britain, New York, Routledge, 2017.

London County Council, Survey of London: Volumes 43 and 44, Poplar, Blackwall and Isle of Dogs, Londres, Hermione Hobhouse, 1994.

MacDonald, S., ‘Exhibitions of Power and Powers of Exhibition’, in MacDonald, S., (ed.) The Politics of Display, Museums, Science, Culture, London, Routledge, 1998, 1-24.

Mackerness, E. D., A Social History of English Music, Studies in Social History, London, Routledge & Kegan Paul, 1964.

Martin, Theodore, The Life of His Royal Highness the Prince Consort, Londres, Smith, Elder & Co., 1876.

McBrinn, Joseph, « Festival of Britain in Northern Ireland, 1951 », Perspective, pp.16-17, 26-27, n.d.

McKean, John, The Royal Festival Hall, Londres, Phaidon, 1992.

Merz, C., « The Tension of Genre : Wendy Toye and Muriel Box », in Wheeler Winston Dixon, ed., Re-Viewing British Cinema, 1900-1992 : Essays and Interviews, Albany, State University of New York Press, 1994.

mima (Middlesborough Institute of Modern Art), Art and Optimism in1950s Britain, Design/Fine Art/Sculpture, Exhibition guide, 2014, http://www.visitmima.com/wp-content/uploads/2013/09/Art-Optimism-Gallery-Guides1.pdf.

Parry, C., Hubert H., The Art of Music, [London, Kegan & Co. 1894], Cambridge, Cambridge University Press, 2010.

Richardson, R. C. « Cultural Mapping in 1951: The Festival of Britain Regional Guidebooks », Literature and History, November 2015, Vol. 24 : 2, pp. 53-72.

Riley, Matthew (dir.). British Music and Modernism, 1895-1960, Farnham, Ashgate, 2010.

Schmitz, Oscar A. H., Das Land ohne Musik : Englische Gesellschaftsprobleme, Munich : Georg Müller, 1914. (The Land Without Music, trad. H. Herzl, London : Jarrolds, 1926).

Scott, Walter Sidney, Green Retreats. The Story of Vauxhall Gardens, 1661–1859, Londres, Odhams Press, 1955.

Siambani, E. V. K., Humphrey Jennings, le poète du cinéma britannique, Paris, L’Harmattan, 2008.

Sinfield, Alan. Literature, Politics and Culture in Postwar Britain, London, The Athlone Press, 1997.

Stott, M., « Feminist and feminine », Guardian, 22 juin 1967.

Trouvé Finding, S., « La cité idéale de William Morris. Le rêve réalisé ? Londres imaginaire dans ‘Nouvelles de Nullepart’’, in La ville imaginaire, regards croisés, G. et H. Menegaldo (dir.), Rennes, PUR, 2007, pp.169-183.

Turner, B., Beacon for Change: How the 1951 Festival of Britain Shaped the Modern Age, London, Aurum Press, 2011.

Vervaecke, Philippe, « L’invention du patriotisme impérial : usages politiques des fêtes d’Empire en Grande-Bretagne, 1877-1938 », Histoire@Politique, vol. 11, no. 2, 2010, pp.1-4.

Vincendeau, G., « Obituary : Muriel Box », Guardian, 23 mai 1991.

Wilton, I., ‘Winston Churchill and the 1951 Festival of Britain’, Finest Hour – The Journal of Winston Churchill and his Times, 174, Autumn 2016, p.22.

Woodham, J., Design and Cultural Politics in Postwar Britain, Leicester, Leicester U.P., 1997.

Woodham, J., « Design and Everyday Life at the Britain Can Make It Exhibition, 1946 », Journal of Architecture, 9, 4, 2004, pp. 463-476.