• Rethinking Laughter in Contemporary Anglophone Theater

  Le Théâtre anglophone contemporain et les nouveaux enjeux du rire
  Edited by Sophie Maruejouls-Koch and Emeline Jouve
  • Sophie Maruejouls
    Rethinking Laughter in Contemporary Anglophone Theatre [Full text]
  • Elisabeth Angel-Perez
    “'In the heart of each joke hides a little holocaust' (George Tabori): Horrendhilarious Wit on the British Contemporary Stage" [Full text]
  • Marianne Drugeon
    Hand to God: The Irreverent Laughter of Robert Askins - “Laugh, motherfuckers, that shit’s funny” (Askins 31) [Full text]
  • Claire Hélie
    Laughing Out Young: Laughter in Evan Placey’s Girls Like That and Other Plays for Teenagers (2016) [Full text]
  • Xavier Lemoine
    « Naissance des comiques gays et lesbiens américains : le rire queer comme performance esthético-politique » [Full text]
  • Emmanuel Vernadakis
    Anasyrma et la hantise du rire dans le théâtre de Tennessee Williams [Full text]

• Prospero's Island

  • Jean-Daniel Collomb
    Pushing for Efficiency: Gifford Pinchot and the First National Parks [Full text]
  • Thomas Velasquez
    The Confidence-Man: His Masquerade, or the promise of “something further” [Full text]
  • Géraldine Castel
    Humanités numériques et études anglophones : Comprendre et explorer [Full text]
  • Gerrard Carter
    The Shulamite of Sodom: Wilde’s Subversion of the Song of Songs and the Birth of the Monstrous-Feminine [Full text]

• Ariel's Corner

  • Theater

    Edited by Emeline Jouve
    • William C. Boles
      The Snapper by Roddy Doyle and Alys, Always by Lucinda Coxon [Full text]
      Performance Review
    • Alice Clapie
      Textures and Layers of Sound: An Interview with Marcus Fischer [Full text]
      Interview
    • Aliette Ventéjoux
      The Scarlet Letter : A comme adaptation [Full text]
      Critique
    • Bertrand Augier
      Tennessee Williams in translation : retour sur la première traduction en français de Camino Real [Full text]
      Retours d’expérience
    • Gerrard Carter
      Willkommen, Bienvenue, Welcome: The Emcee and the Master of Metaphors in Bob Fosse’s Cabaret [Full text]
      Essay

  • Music, dance

    Edited by Nathalie Vincent-Arnaud
    • Nathalie Vincent-Arnaud
      Regard sur Holy de la compagnie Affari Esteri [Full text]
      Festival Le Temps d’Aimer la Danse, Biarritz, Le Colisée, 7 septembre 2019
    • Alejandro Gouin
      Singing to the Most High for those below: the construction of gay male identity and the motifs in Josiah Wise’s “cherubim” [Full text]
    • Nathalie Vincent-Arnaud
      Three Ballerinas: A Moving Sketch (Jellybean Dance Collective, 2019) [Full text]
      An interview with dancer and choreographer Victoria Niblett
    • Jean-Rémi Lapaire
      Breaking Virginia’s Waves (1931): from page to stage [Full text]

  • Film, TV, Video

    Edited by David Roche
    • Cristelle Maury and David Roche
      Interview with Maria Giese, April 16, 2019 [Full text]
    • Sophie Chadelle and Mikaël Toulza
      Conference Report: 25th SERCIA Conference: “Trouble on Screen” [Full text]
      Université de Bretagne Occidentale, Brest, France, September 4-6 2019 - Conference organized by Elizabeth Mullen and Nicole Cloarec

  • British visual arts

    Edited by Vanessa Alayrac
    • Alice Leroy
      Elizabethan Treasures, Miniatures by Hilliard and Oliver [Full text]
      Exhibition review - National Portrait Gallery, London, 21 February - 19 May 2019

• Recensions

  Edited by Isabelle Keller-Privat and Candice Lemaire
  • Christine Dualé
    François-René de Chateaubriand, Voyage en Amérique. Édition de Sébastien Baudoin. [Full text]
  • Mathieu Duplay
    Julien Nègre. L’Arpenteur vagabond. Cartes et cartographies dans l’œuvre de Henry David Thoreau. [Full text]
  • Mark Niemeyer
    Édouard Marsoin, Melville et l’usage des plaisirs. [Full text]
  • Claire Cazajous-Augé
    Rick Darke and Piet Oudolf, Gardens of the High Line: Elevating the Nature of Modern Landscapes. [Full text]
  • Eric Doumerc
    Roy McFarlane. The Healing Next Time. [Full text]
  • Armelle Sabatier
    Jean-Pierre Richard, Shakespeare Pornographe. Un théâtre à double fond [Full text]
  • Claire Guéron
    Julie Neveux. John Donne. Le Sentiment dans la langue. [Full text]
  • Rachel Rogers
    Carine Lounissi, Thomas Paine and the French Revolution. [Full text]
  • Alexandra Sippel
    Ophélie Siméon, Robert Owen’s Experiment at New Lanark; From Paternalism to Socialism. [Full text]
  • Fiona McMahon
    Xavier Kalck,“We said Objectivist”. Lire les poètes Lorine Niedecker, George Oppen, Carl Rakosi, Charles Reznikoff, Louis Zukofsky. [Full text]
  • Béatrice Duchateau
    James Gifford. A Modernist Fantasy: Modernism, Anarchism, and the Radical Fantastic. [Full text]
  • Sara Strauss
    Silvia Pellicer-Ortín, Julia Tofantšuk (eds.), Women on the Move. Body, Memory and Femininity in Present-Day Transnational Diasporic Writing. [Full text]
  • Françoise Besson
    Rachel Bouvet et Rita Olivieri-Godet, Géopoétique des confins [Full text]

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