Mots-clés – visible/invisible

Article

• Elisabeth Angel-Perez
  Eloge de l’ombre : les paradoxes du corps spectral dans le théâtre anglais contemporain [Full text]
  Published in Miranda, 8 | 2013

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• 29 | 2024
  Art in Strange Places
• 28 | 2023
  Kate Bush in Between the Arts
• 27 | 2023
  Dying Still Lifes
• 26 | 2022
  Melville’s Measures
• 25 | 2022
  Camera Memoria: Photographic Memory from the Margins
• 24 | 2022
  Representing Whiteness in US Film and Television
• 23 | 2021
  Modernist Exceptions
• 22 | 2021
  Unheard Possibilities: Reappraising Classical Film Music Scoring and Analysis
• 21 | 2020
  Modernism and the Obscene
• 20 | 2020
  Staging American Nights
• 19 | 2019
  Rethinking Laughter in Contemporary Anglophone Theatre
• 18 | 2019
  War in Poetry: Breaking into Family and Everyday Life
• 17 | 2018
  David Bowie, Landscapes and Heritage
• 16 | 2018
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• 15 | 2017
  Lolita at 60 / Staging American Bodies
• 14 | 2017
  Early American Surrealisms, 1920-1940 / Parable Art
• 13 | 2016
  Thomas Spence and his Legacy: Bicentennial Perspectives
• 12 | 2016
  Mapping gender. Old images ; new figures
• 11 | 2015
  Expressions of Environment in Euroamerican Culture / Antique Bodies in Nineteenth Century British Literature and Culture
• 10 | 2014
  Images on the Move: Circulations and Transfers in film
• 9 | 2014
  Coincidences / Circulating towards and across the British Isles
• 8 | 2013
  In Umbra Voluptatis : Shades, Shadows, and their Felicities /  Film Adaptations, New Interactions
• 7 | 2012
  Ceramics / Submorphemics
• 6 | 2012
  Marking the Land in North America
• 5 | 2011
  South and Race / Staging Mobility in the United States
• 4 | 2011
  Samuel Beckett : Drama as philosophical endgame ?
• 3 | 2010
  Lolita : Examining “the Underside of the Weave”
• 2 | 2010
  Voicing Conflict : Women and 20^th Century Warfare
• 1 | 2010
  Variations on Darwin

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