Persons mentioned – Quentin Tarantino

Editorial

• Introduction [Full text]
  Published in Miranda, 10 | 2014

Article

• Parodie à la frontière mexicaine dans Machete (Robert Rodriguez, 2010) et Tejano (David B. Garcia, 2018) [Full text]
  Published in Miranda, 26 | 2022
• Carter Burwell’s Contribution to “the Coen touch” [Full text]
  Published in Miranda, 22 | 2021
• Les nuits américaines de Mihail Malaimare [Full text]
  Published in Miranda, 20 | 2020
• Choreographing Genre in Kill Bill Vol. 1 & 2 (Quentin Tarantino, 2003 & 2004) [Full text]
  Published in Miranda, 10 | 2014

Book review

• Conference Report: 26th SERCIA Conference: "Cosmopolitan Aspirations in English-Speaking Cinema and Television" [Full text]
  Universidad de Zaragoza, Zaragoza, Spain, September 8-10 2021. Conference organized by Maria del Mar Azcona, Julia Echeverría, and Pablo Gómez
  Published in Miranda, 23 | 2021
• Mon Top 6 des films anglophones de 2020 [Full text]
  Published in Miranda, 22 | 2021
• Variations sur le "compos-auteur" : interview de Gérard Dastugue, de la musique de film à l'Abécédaire du Noir [Full text]
  Published in Miranda, 22 | 2021
• Notre Top 5 des films anglophones de 2019 [Full text]
  Published in Miranda, 20 | 2020
• Notre Top 10 des films anglophones de 2018 [Full text]
  Published in Miranda, 18 | 2019
• Conference report: 24^th SERCIA Conference: Symbiotic Cinema – Confluences between Film and Other Media [Full text]
  Linnæus University, Växjö, Sweden, September 6-8, 2018 / Conference organized by Fátima Chinita
  Published in Miranda, 17 | 2018
• Notre Top 9 des films anglophones de 2017 [Full text]
  Published in Miranda, 16 | 2018
• Céline Murillo, Le cinéma de Jim Jarmusch [Full text]
  Published in Miranda, 16 | 2018
• Notre top 9 des films anglophones de 2015 [Full text]
  Published in Miranda, 12 | 2016

Index

• Authors
• Persons mentioned
• Keywords
• Ariel's Corner
• Languages

Full text issues

• 29 | 2024
  Art in Strange Places
• 28 | 2023
  Kate Bush in Between the Arts
• 27 | 2023
  Dying Still Lifes
• 26 | 2022
  Melville’s Measures
• 25 | 2022
  Camera Memoria: Photographic Memory from the Margins
• 24 | 2022
  Representing Whiteness in US Film and Television
• 23 | 2021
  Modernist Exceptions
• 22 | 2021
  Unheard Possibilities: Reappraising Classical Film Music Scoring and Analysis
• 21 | 2020
  Modernism and the Obscene
• 20 | 2020
  Staging American Nights
• 19 | 2019
  Rethinking Laughter in Contemporary Anglophone Theatre
• 18 | 2019
  War in Poetry: Breaking into Family and Everyday Life
• 17 | 2018
  David Bowie, Landscapes and Heritage
• 16 | 2018
  L’expérimental dans la littérature et les arts contemporains
• 15 | 2017
  Lolita at 60 / Staging American Bodies
• 14 | 2017
  Early American Surrealisms, 1920-1940 / Parable Art
• 13 | 2016
  Thomas Spence and his Legacy: Bicentennial Perspectives
• 12 | 2016
  Mapping gender. Old images ; new figures
• 11 | 2015
  Expressions of Environment in Euroamerican Culture / Antique Bodies in Nineteenth Century British Literature and Culture
• 10 | 2014
  Images on the Move: Circulations and Transfers in film
• 9 | 2014
  Coincidences / Circulating towards and across the British Isles
• 8 | 2013
  In Umbra Voluptatis : Shades, Shadows, and their Felicities /  Film Adaptations, New Interactions
• 7 | 2012
  Ceramics / Submorphemics
• 6 | 2012
  Marking the Land in North America
• 5 | 2011
  South and Race / Staging Mobility in the United States
• 4 | 2011
  Samuel Beckett : Drama as philosophical endgame ?
• 3 | 2010
  Lolita : Examining “the Underside of the Weave”
• 2 | 2010
  Voicing Conflict : Women and 20^th Century Warfare
• 1 | 2010
  Variations on Darwin

All issues

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