Ariel's Corner – Theater
Book review
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Interview with Charles BuschPublished in Miranda, 27 | 2023
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From Spoken Word to Playwriting [Full text]An Interview with Aleshea HarrisPublished in Miranda, 27 | 2023
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Performance ReviewPublished in Miranda, 26 | 2022
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InterviewPublished in Miranda, 26 | 2022
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TestimoniesPublished in Miranda, 26 | 2022
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EssayPublished in Miranda, 25 | 2022
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CritiquePublished in Miranda, 25 | 2022
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The Severance Theory: Welcome to Respite (2021) by CoAct Productions and Ferryman Collective [Full text]Show ReviewPublished in Miranda, 25 | 2022
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EntretienPublished in Miranda, 25 | 2022
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Mad Method [Full text]Shonni Enelow, In Conversation with Jacob Gallagher-RossPublished in Miranda, 23 | 2021
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EntretienPublished in Miranda, 23 | 2021
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InterviewPublished in Miranda, 23 | 2021
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EssayPublished in Miranda, 23 | 2021
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Pandemic Shakespeare: Perspectives on Early Modern Theatre Practice and Pedagogy in Lockdown [Full text]EssayPublished in Miranda, 23 | 2021
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Meet 600 HIGHWAYMEN [Full text]InterviewPublished in Miranda, 23 | 2021
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Metteurs en scène britanniques et scènes françaises dans l’objectif d’Émile Zeizig, photographe [Full text]PhotographiesPublished in Miranda, 23 | 2021
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Theatre ReviewPublished in Miranda, 22 | 2021
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EssayPublished in Miranda, 22 | 2021
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Performance Review - A comparison between the performance at the Old Vic in January 2020 and its adaptation for Old Vic in Camera in December 2020Published in Miranda, 22 | 2021
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InterviewPublished in Miranda, 22 | 2021
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Splendid’s : métaphore de notre enfermement et objet de survie. Entretien avec Xavier Gallais. [Full text]EntretienPublished in Miranda, 22 | 2021
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EntretienPublished in Miranda, 22 | 2021
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EntretienPublished in Miranda, 22 | 2021
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Quelques Tempête. s : Quatre mises en scène de La Tempête dans l’objectif d’Émile Zeizig, photographe [Full text]PhotographiesPublished in Miranda, 22 | 2021
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InterviewPublished in Miranda, 21 | 2020
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Performance ReviewPublished in Miranda, 21 | 2020
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Times of Contagion: The Social(ist) Politics of Plague in Naomi Wallace’s One Flea Spare [Full text]EssayPublished in Miranda, 21 | 2020
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Critique de spectacle/Performance reviewPublished in Miranda, 21 | 2020
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Critique de spectacle / Performance reviewPublished in Miranda, 21 | 2020
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EntretienPublished in Miranda, 21 | 2020
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Girls (2019) by Branden Jacobs-Jenkins [Full text]CritiquePublished in Miranda, 20 | 2020
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Performance ReviewPublished in Miranda, 20 | 2020
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Orlando, du collectif GWEN [Full text]CritiquePublished in Miranda, 20 | 2020
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Performance ReviewPublished in Miranda, 19 | 2019
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InterviewPublished in Miranda, 19 | 2019
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The Scarlet Letter : A comme adaptation [Full text]CritiquePublished in Miranda, 19 | 2019
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Tennessee Williams in translation : retour sur la première traduction en français de Camino Real [Full text]Retours d’expériencePublished in Miranda, 19 | 2019
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Willkommen, Bienvenue, Welcome: The Emcee and the Master of Metaphors in Bob Fosse’s Cabaret [Full text]EssayPublished in Miranda, 19 | 2019
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CritiquePublished in Miranda, 18 | 2019
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Published in Miranda, 18 | 2019
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Reparadise de Gwenaël Morin ou la dépolitisation d’un spectacle historiquement subversif. [Full text]Critique de Reparadise de Gwenaël MorinPublished in Miranda, 18 | 2019
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Performance ReviewPublished in Miranda, 18 | 2019
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Performance ReviewPublished in Miranda, 18 | 2019
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An interview with Rosalind Hoy, Performer and Creative Producer of Zoo Co Theatre CompanyPublished in Miranda, 18 | 2019
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Published in Miranda, 17 | 2018
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Published in Miranda, 17 | 2018
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Of Theatre, Stories and Experiences. [Full text]Interview with Dennis Yueh-Yeh LiPublished in Miranda, 17 | 2018
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Published in Miranda, 17 | 2018
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Interview with Bryan CampbellPublished in Miranda, 17 | 2018
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Interview with Frank Hentschker (Executive Director of the Martin E. Segal Center and founder of the Prelude Festival)Published in Miranda, 16 | 2018
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Atelier de traduction de théâtre : un projet collaboratif de l’Université Paul-Valéry (Montpellier) [Full text]Retours d’expériencePublished in Miranda, 16 | 2018
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Interview with Richard SchechnerPublished in Miranda, 16 | 2018
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In conversation with Joanne Allan, artistic director of TheatraversePublished in Miranda, 16 | 2018
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“I’m just gonna have to write it myself:” Katori Hall’s The Mountaintop by the Los Angeles Theatre Works [Full text]Performance reviewPublished in Miranda, 16 | 2018
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Interview with Glaspell scholar Cheryl BlackPublished in Miranda, 16 | 2018
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Performance ReviewPublished in Miranda, 15 | 2017
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Conversation with Katherine Brook and Shonni EnelowPublished in Miranda, 15 | 2017
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Performance ReviewPublished in Miranda, 15 | 2017
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Interview with Anna WeinsteinPublished in Miranda, 15 | 2017
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Entretien avec Aurélie Van Den Daele (Deug Doen Group)Published in Miranda, 15 | 2017
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Interview with Tom OppenheimPublished in Miranda, 14 | 2017
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Celebrating Susan Glaspell and Trifles in Spain [Full text]A Review of the Exhibition “Susan Glaspell (1876-1948): pionera del teatro experimental. Trifles, los Provincetown Players y el teatro de vanguardia” (“Susan Glaspell (1876-1948): The Pioneer of Experimental Theatre. Trifles, the Provincetown Players and the Avant-garde Theatre”)Published in Miranda, 14 | 2017
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A Decade of Performance and Cognition : Moving Towards the Integration of Cultural and Biological Studies. [Full text]Interview with Dr. Bruce McConachie.Published in Miranda, 14 | 2017
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Interview with the lead artists of The Deaf and Hearing EnsemblePublished in Miranda, 14 | 2017
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EssayPublished in Miranda, 13 | 2016
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Performance reviewsPublished in Miranda, 13 | 2016
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Interview with Andrew Schneider
New York Express (1)Published in Miranda, 13 | 2016 -
Of Theatre and Algorithm [Full text]Interview with Annie Dorsen
New York Express (2)Published in Miranda, 13 | 2016 -
Entretien avec Martin FaucherPublished in Miranda, 13 | 2016
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Interview with Mario Garcia DurhamPublished in Miranda, 13 | 2016
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Variations sur Richard III [Full text]Critique vidéo de Richard III, William Shakespeare / Thomas Jolly (2016)Published in Miranda, 13 | 2016
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Gertrude Stein au théâtre : Le monde est rond (G. Stein, L. Avignon) ; Listen to Me (G. Stein, E. Morin) [Full text]Entretien avec Lise Avignon et Emma MorinPublished in Miranda, 13 | 2016
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Interview with Tobias BianconePublished in Miranda, 13 | 2016
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Interview with Martha C. Carpentier and Barbara Ozieblo (cofounders of the Susan Glaspell Society)Published in Miranda, 13 | 2016
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Beaucoup de bruit pour Lear [Full text]EssaiPublished in Miranda, 12 | 2016
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Wilson/Beckett : Voir sa vie dans une œuvre [Full text]EssaiPublished in Miranda, 12 | 2016
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Bob Meets Sam [Full text]Rencontre autour de Robert WilsonPublished in Miranda, 12 | 2016
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Entretien avec Pieryk VanneuvillePublished in Miranda, 12 | 2016
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Interview with Mia Katigbak (co-founder and artistic producing director of NAATCO)Published in Miranda, 12 | 2016
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New York Scene: Inside Performance Space 122 [Full text]Interview with Vallejo Gantner and Jess EdkinsPublished in Miranda, 12 | 2016
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Interview with Fay SimpsonPublished in Miranda, 12 | 2016
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Performance ReviewPublished in Miranda, 12 | 2016
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Interview with Maxine Kern (co-president)Published in Miranda, 11 | 2015
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Interview with Melody Brooks (co-founder)Published in Miranda, 11 | 2015
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Critique théâtralePublished in Miranda, 11 | 2015
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American Realness Festival—January 2015 [Full text]Festival ReviewPublished in Miranda, 11 | 2015
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Performance ReviewPublished in Miranda, 11 | 2015
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Performance ReviewPublished in Miranda, 11 | 2015