Mots-clés – genre

Article

• Pauline Boschiero
  A Deal with God : analyse d’une hybridation gestuelle et musicale entre féminin et masculin [Full text]
  Published in Miranda, 28 | 2023
• Thomas Velasquez
  The Confidence-Man: His Masquerade, or the promise of “something further” [Full text]
  Published in Miranda, 19 | 2019
• Émilie Herbert
  La construction identitaire dans le cinéma de Ngozi Onwurah : (re-)stylisation du corps et stratégies de subversion [Full text]
  Published in Miranda, 17 | 2018
• Nathalie Saudo-Welby
  Visiting the Highest Heaven: Gender-Free Narration and Gender-Inclusive Reading in Olive Schreiner’s Dreams (1890) [Full text]
  Published in Miranda, 14 | 2017
• Annelie Fitzgerald
  “This rushing cosmos filled her with a bleak dismay”: The Textual/Sexual Dynamics of Speed in The Revenge for Love by Wyndham Lewis [Full text]
  Published in Miranda, 12 | 2016
• Lesley Lawton
  Reconsidering the Use of Gender Stereotypes in Medieval Romance: figures of vulnerability and of power [Full text]
  Published in Miranda, 12 | 2016
• Isabelle Richard
  Le Common Law est une femme... et quelle femme ! [Full text]
  Published in Miranda, 12 | 2016
• Christine Vandamme
  The Madwoman in the Antique:
  Body and Gaze in Conrad’s ‘The Return’ [Full text]
  Published in Miranda, 11 | 2015
• Nolwenn Corriou
  'A Woman is a Woman, if She had been Dead Five Thousand Centuries!':
  Mummy Fiction, Imperialism and the Politics of Gender [Full text]
  Published in Miranda, 11 | 2015
• Jacques Pothier
  Integrating the Narrative: Ellen Douglas's Can't Quit You Baby and the Sub-Genre of the Kitchen Drama [Full text]
  Published in Miranda, 5 | 2011
• Audrey Goodman
  The Road West, Revised Editions [Full text]
  Published in Miranda, 5 | 2011
• Céline Magot
  “Careless Talk”: Word Shortage in Elizabeth Bowen’s Wartime Writing [Full text]
  Published in Miranda, 2 | 2010
• Maggie Allison
  Roles in Conflict: The Woman War Reporter [Full text]
  Published in Miranda, 2 | 2010
• Elizabeth de Cacqueray
  New Slants on Gender and Power Relations in British Second World War Films [Full text]
  Published in Miranda, 2 | 2010
• Karen Meschia
  Naomi the Poet and Nella the Housewife: Finding a Space to Write from [Full text]
  The Wartime Diaries of Naomi Mitchison and Nella Last
  Published in Miranda, 2 | 2010
• Penny Summerfield
  Conflict, Power and Gender in Women’s Memories of the Second World War: a Mass-Observation Study [Full text]
  Published in Miranda, 2 | 2010
• Fabienne Moine
  Genre et héritage darwinien chez les poétesses victoriennes [Full text]
  Published in Miranda, 1 | 2010

Book review

• Sara El Majhad and Joséphine Grébaut
  Questioning the Margins of English-Speaking Films and Series [Full text]
  Conference Report: 28th SERCIA Conference, Université Sorbonne Paris Nord, Auvervilliers, France, September 6-8 2023. Conference organized by Céline Murillo, Nicole Cloarec, Anne-Marie Paquet-Deyris and Mehdi Achouche
  Published in Miranda, 28 | 2023
• Guilhem Billaudel and Andrés Buesa
  “Corruption in/of Cinema” [Full text]
  Conference Report: 27^th SERCIA Conference. Conference organized by Caroline Lardy and Christophe Gelly. Université Clermont-Auvergne, Clermont-Ferrand, France, September 7-9 2022
  Published in Miranda, 26 | 2022
• Costanza Salvi and Marine Soubeille
  Conference Report: 26th SERCIA Conference: "Cosmopolitan Aspirations in English-Speaking Cinema and Television" [Full text]
  Universidad de Zaragoza, Zaragoza, Spain, September 8-10 2021. Conference organized by Maria del Mar Azcona, Julia Echeverría, and Pablo Gómez
  Published in Miranda, 23 | 2021
• Karen Meschia
  Penny Summerfield, Histories of the Self. Personal Narratives and Historical Practice [Full text]
  Published in Miranda, 22 | 2021
• William C. Boles
  The Cane by Mark Ravenhill and A Very Very Very Dark Matter by Martin McDonagh [Full text]
  Performance Review
  Published in Miranda, 18 | 2019
• Raphaëlle Costa de Beauregard
  Jean-Loup Bourget, Anne-Marie Paquet-Deyris, Françoise Zamour. Histoire, légende, imaginaire : nouvelles études sur le Western [Full text]
  Published in Miranda, 17 | 2018
• Marie-Odile Bernez
  Monica Mattfeld, Becoming Centaur, Eighteenth-century Masculinity and English Horsemanship [Full text]
  Published in Miranda, 16 | 2018
• Elizabeth Mullen and Elise Pereira Nunes
  Conference report: 21^st SERCIA Conference – Masculine/Feminine: Gender in English-Language Cinema and Television [Full text]
  Artois University, Arras, (France), 3-5 September 2015
  Conference organized by Julie Assouly and Marianne Kac-Vergne
  Published in Miranda, 12 | 2016
• Zachary Baqué
  Brigitte Gauthier (dir), Kubrick, les films, les musiques. vol. 1 Kubrick, les films [Full text]
  Published in Miranda, 9 | 2014
• Fanny Robles
  Logie Barrow, François Poirier (eds), A Full-Bodied Society [Full text]
  Published in Miranda, 4 | 2011
• Isabelle Hervouet-Farrar
  Fabienne Moine, Poésie et identité féminines en Angleterre : le genre en jeu (1830-1900) [Full text]
  Published in Miranda, 3 | 2010
• Sylvie Maurel
  Susan Redington Bobby (ed.), Fairy Tales Reimagined: Essays on New Retellings [Full text]
  Published in Miranda, 2 | 2010
• Laurent Bury
  Margaret Markwick, Deborah Denenholz Morse and Regenia Gagnier (eds.), The Politics of Gender in Anthony Trollope’s Novels. New Readings for the twenty-first century [Full text]
  Published in Miranda, 1 | 2010

Index

• Authors
• Persons mentioned
• Keywords
• Ariel's Corner
• Languages

Full text issues

• 29 | 2024
  Art in Strange Places
• 28 | 2023
  Kate Bush in Between the Arts
• 27 | 2023
  Dying Still Lifes
• 26 | 2022
  Melville’s Measures
• 25 | 2022
  Camera Memoria: Photographic Memory from the Margins
• 24 | 2022
  Representing Whiteness in US Film and Television
• 23 | 2021
  Modernist Exceptions
• 22 | 2021
  Unheard Possibilities: Reappraising Classical Film Music Scoring and Analysis
• 21 | 2020
  Modernism and the Obscene
• 20 | 2020
  Staging American Nights
• 19 | 2019
  Rethinking Laughter in Contemporary Anglophone Theatre
• 18 | 2019
  War in Poetry: Breaking into Family and Everyday Life
• 17 | 2018
  David Bowie, Landscapes and Heritage
• 16 | 2018
  L’expérimental dans la littérature et les arts contemporains
• 15 | 2017
  Lolita at 60 / Staging American Bodies
• 14 | 2017
  Early American Surrealisms, 1920-1940 / Parable Art
• 13 | 2016
  Thomas Spence and his Legacy: Bicentennial Perspectives
• 12 | 2016
  Mapping gender. Old images ; new figures
• 11 | 2015
  Expressions of Environment in Euroamerican Culture / Antique Bodies in Nineteenth Century British Literature and Culture
• 10 | 2014
  Images on the Move: Circulations and Transfers in film
• 9 | 2014
  Coincidences / Circulating towards and across the British Isles
• 8 | 2013
  In Umbra Voluptatis : Shades, Shadows, and their Felicities /  Film Adaptations, New Interactions
• 7 | 2012
  Ceramics / Submorphemics
• 6 | 2012
  Marking the Land in North America
• 5 | 2011
  South and Race / Staging Mobility in the United States
• 4 | 2011
  Samuel Beckett : Drama as philosophical endgame ?
• 3 | 2010
  Lolita : Examining “the Underside of the Weave”
• 2 | 2010
  Voicing Conflict : Women and 20^th Century Warfare
• 1 | 2010
  Variations on Darwin

All issues

Presentation

• Politique éditoriale
• Comité de rédaction
• Comité Scientifique
• Soumissions
• ARIEL’s Corner
• Miranda stylesheet
• Remerciements aux rapporteur·euse·s
• Links
• Directories and labels

Information

• Contacts
• Legal information & Credits
• Publishing policies

Follow us

• RSS feed

Newsletters

• OpenEdition Newsletter

In collaboration with