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Primary sources

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54---. They Taught Themselves: American Primitive Painters of the 20th Century. New York: The Dial Press, 1942.

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57---. “Dalí Surrealisme Rampant at Show.” New York Times (November 22, 1934).

58---. “Despiau and Senor Dalí.” New York Times (March 26, 1939).

59---. “Fantastic Ghosts of Yesteryear.” New York Times (August 3, 1941): X7.

60---. “From Fatin-Latour to Surrealisme.” New York Times (January 17, 1932).

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63---. “Layman and Artist Cudgel Paintings and Attack the Museum of Modern Art—The Institution’s Relation to the Public.” New York Times (November 30, 1941): X9.

64---. “Museum Displays ‘Fantastic’ in Art.” New York Times (July 30, 1941).

65---. “Shock Troops in Review.” New York Times (March 8, 1936): X9.

66---. “Show Lists Works of Surrealist Art: Paintings of Rene Magritte Are Seen for First Time Here at Julien Levy Gallery.” New York Times (January 8, 1936).

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81McBride, Henry. “At the Whitney Museum.” New York Sun (January 31, 1940).

82---. “The Battle of the Surrealists.” New York Sun (December 19, 1936).

83---. “The Classic Dalí.” New York Sun (April 26, 1941).

84---. “Dalí and Miró.” New York Sun (November 11, 1941).

85---. “The Magic Realists.” The New York Sun (February 12, 1943): 19.

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89Mumford, Lewis. “Surrealism and Civilization.” The New Yorker 12:44 (December 19, 1936): 76-79.

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95---. “Paysage totémique I.” DYN 1 (April-May 1942): 46-50.

96---. “Paysage totémique II.” DYN 2 (July-August 1942): 42-47.

97---. “Paysage totémique III.” DYN 3 (Fall 1942): 27-31.

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102---. “Such Pulps as Dreams are Made Of.” VVV Almanach for 1943 1-2 (March 1943): 62-66.

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246The Booster, A Monthly in French and English. Dir. Henry Miller, Alfred Perlès and Lawrence Durrell (Paris, 1937-1938). Renamed Delta, A Monthly in French and English (Paris, 1938-1939).

247DYN. Dir. Wolfgang Paalen (Mexico, 1942-1944).

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249Hémisphères. Dir. Ivan Goll (New York, 1943-1945).

250The Little Review. Dir Margaret Anderson and Jane Heap (Chicago, New York and Paris, 1914-1929).

251Minotaure, revue artistique et littéraire. Dir. Albert Skira (Paris, 1933-1939).

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256transition. Dir. Eugene Jolas (Paris, 1927-1930 and 1932-1938).

257Tropiques, revue culturelle. Dir. Aimé Césaire (Fort de France, 1941-1945).

258Vertigral. Dir. Eugene Jolas (Paris, July 1932).

259View, Through the Eyes of Poets. Dir. Charles Henry Ford (New York, 1940-1947).

260VVV, Poetry, Plastic Arts, Anthropology, Sociology, Psychology. Dir. David Hare (New York, 1940-1942).


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274Surrealism USA. Ed. Isabelle Dervaux. New York: National Academy Museum, 2004.

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