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    <title>Miranda</title>
    <link>http://journals.openedition.org/miranda</link>
    <description>Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English-speaking world</description>                      
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    <title>32 | 2025 &#8211; Crises of the Universal in Anglophone Literatures and Criticism (19th-21st centuries)</title>
    <description><![CDATA[
      <ul class="summary">
        <li>
          <div class="publititle"><strong>Crises of the Universal in Anglophone Literatures and Criticism (19th-21st centuries)</strong></div>
          <div class="altertitle foreign">
            <div lang="fr">Crises de l’universel dans les littératures et la critique Anglophones (19e-21e siècles)</div>
          </div>
          <div class="director">Edited by Caroline Pollentier, Antonia Rigaud, Ronan Ludot-Vlasak and John Dewitt</div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/67198">Introduction</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Caroline Pollentier, Antonia Rigaud, Ronan Ludot-Vlasak and John DeWitt</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/67304">Universalism and Queer Entanglements</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Sandeep Bakshi</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/67357">“Of Women Born”: Motherhood and Pluralising the Universal</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Apolline Weibel</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/67443">Navigating Universality in the Anthropocene: The Contested “Anthropos” in <em>Bewilderment</em> (2021) and <em>The Red Deal</em> (2021)</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Marina Pingler</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/67618"><span xml:lang="en" lang="en">Life beyond Humanity: Exploring the “Greater Good” and Synesthetic Aesthetics in </span><span xml:lang="en" lang="en">Octavia Butler and Ursula K. Le Guin</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Loredana Filip</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/67796"><span xml:lang="en" lang="en">The universal and the environmental crisis: in search of new narrative modes</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Christine Lorre</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/67857"><span xml:lang="en" lang="en">Suspension and the Universal in Louise Glück’s </span><em><span xml:lang="en" lang="en">Winter Recipes from the Collective</span></em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Marie Olivier</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/67929">“How much satisfaction can I get from a court order for somebody to associate with me who does not wish me near them?” Accounting for Zora Neale Hurston’s Opposition to Desegragation as a Defiance of Universalism</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Carline Encarnación</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/70829">Calling attention to inclusion and exclusion in the “Black Atlantic”: M. NourbeSe Philip’s <em>Zong!</em> and Natasha Trethewey’s <em>Native Guard </em>as historiographical interventions</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Kerry Jane Wallart</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Prospero's Island</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/68015">Countering Remotisation through Community-led Place-making: A Scottish case study</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Emma Bell</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/68082">Figures du père et de ses substituts dans <em>The Two Gentlemen of Verona</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Laetitia Boaretto Dembreville</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Recensions</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/68272"><span xml:lang="en" lang="en">Elizabeth Duquette, </span><em><span xml:lang="en" lang="en">American Tyrannies in the Long Age of Napoleon</span></em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Caroline Hildebrandt</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/68365">Nawelle Lechevalier-Bekadar. <em>Brian Evenson. </em><em>Une esthétique du malaise</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Maud Bougerol</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/68432">Christine Roseeta Walker,<em> Coco Island</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Eric Doumerc</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/68458">Richard Chapman, Florence March, Paola Spinozzi, Nathalie Vienne-Guerrin (eds), <em>Facing Europe in Crisis: Shakespeare’s World and Present Challenges</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Claire Guéron</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/68568">Rédouane Abouddahab et Siobhan Brownlie, (eds). <em>L’écriture de la migration. Désir, Passages, figurations.</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Kerry-Jane Wallart</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/68694"><span xml:lang="en" lang="en">Mary Orr, </span><em><span xml:lang="en" lang="en">Sarah Bowdich Lee (1791–1856) and Pioneering Perspectives on Natural History</span></em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Laurence Talairach</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/68839">Mathilde Vialard,<em>Sensation Novels and Domestic Minds. Mental Health in Victorian Literature</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Stéphanie Richet-Drouet</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Ariel's Corner</strong></div>
          <ul class="summary">
            <li>
              <div class="publititle"><strong>Theater</strong></div>
              <div class="director">Edited by Emeline Jouve</div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/68942"><span xml:lang="en" lang="en">Staging the nation: a very short introduction to c</span><span xml:lang="en" lang="en">ontemporary Scottish theatre</span></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Jeanne Schaaf</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/69044"><em>Tempête dans un verre d’eau, partie II de la trilogie shakespearienne</em> : le théâtre d’objet immersif à « l’océan textuel » écocritique et sans quatrième mur de la Compagnie Tac Tac</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Sophie Doulut</div>
                </li>
              </ul>
            </li>
            <li>
              <div class="publititle"><strong>Music</strong></div>
              <div class="director">Edited by Marcin Stawiarski</div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/69182">The Sonic Aesthetics of Protest: From Bob Dylan to Janelle Monáe</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Antonio Francisco Alaminos-Fernández and Paloma Alaminos-Fernández</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/69322">Interview with composer Andrée Greenwell</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Marcin Stawiarski and Andrée Greenwell</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/69636"><em>Le Songe d’une Nuit d’été</em>par la Compagnie Point Zéro : la voix marionnettique de Shakespeare dans un spectacle pour enfants</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Sophie Doulut</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/69784">The legacy of early sound recording in America: Sergei Rachmaninov’s <em>Symphonic Dances</em></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Stacy Olive Jarvis</div>
                </li>
              </ul>
            </li>
            <li>
              <div class="publititle"><strong>Dance</strong></div>
              <div class="director">Edited by Samuel Cuisinier-Delorme</div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/70082"><em>Lire pour la danse. Les ballets littéraires de Roland Petit à John Neumeier (1949 à nos jours) </em>de Camille Riquier Wautier (Paris : Honoré Champion, 2025)</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Nathalie Vincent-Arnaud</div>
                </li>
              </ul>
            </li>
            <li>
              <div class="publititle"><strong>Film, TV, Video</strong></div>
              <div class="director">Edited by Vincent Jaunas</div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/70192">The Wes Anderson Exhibition at the Cinémathèque Française (March 19–June 27, 2025)</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Julie Assouly</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/70293">« Colloque international ‘Women Filmmakers. Genre and Gender in French, British and US Cinema and TV Series’ »</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Noémie Alekanian, Wendy Amiard and Erika Hamel</div>
                </li>
              </ul>
            </li>
            <li>
              <div class="publititle"><strong>American visual arts</strong></div>
              <div class="director">Edited by Lara Cox</div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/70717"><em>Vivian Maier. Au bord du Monde</em>, Maison des Douanes, Saint-Palais sur Mer, 5 avril - 2 novembre 2025.</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Frédérique Brisset</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/70896">« Triomphe, chute et renaissance : les représentations de la ville de Détroit (Michigan) et leurs sous-textes idéologiques, politiques et éthiques », colloque international, ECLLA, Université Jean Monnet, Saint-Etienne, 11, 12 et 13 juin 2025</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Jonathan Tichit and Hugo Andraud</div>
                </li>
              </ul>
            </li>
            <li>
              <div class="publititle"><strong>British visual arts</strong></div>
              <div class="director">Edited by Vanessa Alayrac</div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/70771"><sub>L’approche et le lointain : Tristan da Cunha</sub></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Muriel Adrien</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/71001">Entretien avec le photographe Richard Pak à l’occasion de son exposition « La Firme »</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Richard Pak and Muriel Adrien</div>
                </li>
              </ul>
            </li>
          </ul>
        </li>
      </ul>]]></description>
    <link>http://journals.openedition.org/miranda/67161</link>
    <dc:date>2025-10-13</dc:date>
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    <title>31 | 2025 &#8211; Museum Storytelling: Collecting Stories, Inventing Narratives</title>
    <description><![CDATA[
      <ul class="summary">
        <li>
          <div class="publititle"><strong>Museum Storytelling: Collecting Stories, Inventing Narratives</strong></div>
          <div class="altertitle foreign">
            <div lang="fr">Le musée d'histoires : collectes et inventions de récits</div>
          </div>
          <div class="director">Edited by Anne Chassagnol and Caroline Marie</div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/64047">Preface</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Jonah Siegel</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/64122">Introduction. “Museums as Storytellers: Reinventing the Art of Showing and Telling”</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Anne Chassagnol and Caroline Marie</div>
            </li>
            <li>
              <div class="publititle"><strong>Museum Storytelling and History</strong></div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/64131">The Story of a Diary: Document 22065, Imperial War Museum</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Susan Ball</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/64492">La fabrique du musée universel ou les récits en question. Accessibilité, hiérarchie et transmissions</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Marion Bertin and Marie-Alix Molinié-Andlauer</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/64182"><span xml:lang="en" lang="en">An Intimate Collection of Pocket Diaries: Material Emotions and Fragmented Narratives</span></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Anne Chassagnol, Caroline Marie, Katie Sambrook and Dylan Jonas Stone</div>
                </li>
              </ul>
            </li>
            <li>
              <div class="publititle"><strong>Museum Storytelling, Society and Communities</strong></div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/64244"><span xml:lang="en" lang="en">A </span><span xml:lang="en" lang="en">Tale of Two Cities and One Exhibition</span></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Linda Pillière</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/64297">Preserving Local Stories: Salvaging Urban Souvenirs. Why Ordinary People Matter at A Space for Us? People’s Museum in London</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Anne Chassagnol, Diana Foster and Caroline Marie</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/64397">Un musée pour les féminismes : collecter, conserver, valoriser et raconter le matrimoine des luttes féministes</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Christine Bard, Anne Chassagnol and Caroline Marie</div>
                </li>
              </ul>
            </li>
            <li>
              <div class="publititle"><strong>Museum Storytelling and Artists</strong></div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/64526">Museum Critique in Contemporary Artistic Practices: Collecting, Captioning, Displaying, Exhibiting</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Adrian Fix</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/64562"><span xml:lang="en" lang="en">The </span><span xml:lang="en" lang="en">Collection of Burgh’s House, Hampstead: A History of Local Stories</span></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Anne Chassagnol, Caroline Marie and Sophie Richards</div>
                </li>
              </ul>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Prospero's Island</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/64669">Qui a tué Gatsby ? Enquête sur un meurtre non élucidé</a> <span class="fullText">[Full text]</span></div>
              <div class="author">René Alladaye</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/64752"><span xml:lang="en" lang="en">A Buddhist Assay on Emotions:</span><span xml:lang="en" lang="en"> The Case of Edgar</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Olivia Coulomb</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/64776">« Whether it be dampnation for a man to kill hym self » (1578) : trouble dans la foi dans les documents du fonds Add. MS27632</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Irène Vilquin</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/65876">The Unquiet Man —<em>The Banshees of Inisherin</em> (Martin McDonagh, 2022) and the Aesthetics of Marginality</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Christophe Gelly</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Recensions</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/64882">Anne-Florence Gillard-Estrada, <em>Le corps grec dans la peinture victorienne : entre idéal et fantasme</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Joy Cador</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/65026">Celia A Sorhaindo, <em>Radical Normalisation</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Eric Doumerc</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/65054"><span xml:lang="en" lang="en">Taylor Nygaard, Jorie Lagerway, </span><em><span xml:lang="en" lang="en">Horrible White People: Gender, Genre, and Television’s Precarious Whiteness</span></em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Elizabeth Mullen</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/65096">Andrea Thorpe, <em>South African London. Writing the Metropolis after 1948</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Mélanie Joseph-Vilain</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/65197">Mireille Ozoux, <em>Jonathan Swift linguiste. La norme et le jeu</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Julie Neveux</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/65296">Stella Louis, <em>L’illusion du vampire : du XIX</em><sup><em>e</em></sup><em> siècle à aujourd’hui</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Marine Galiné</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/65402"><span xml:lang="en" lang="en">Naomi Mandel, </span><em><span xml:lang="en" lang="en">Disappear Here: Violence after Generation X</span></em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Raphaëlle Costa de Beauregard</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/65456">Olivier Mahéo (dir.), <em>Les minorités au musée. Réflexions franco-américaines</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Anne-Claire Faucquez</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/65497">Michaël Roy,<em>Young Abolitionists: Children of the Antislavery Movement</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Bridget Bennett</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/65614"><span xml:lang="en" lang="en">Marsha Kinder, Tara McPherson (eds.), </span><em><span xml:lang="en" lang="en">Transmedia Frictions: The Digital, the Arts, and the Humanities</span></em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Amélie Macaud</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/65657"><span xml:lang="en" lang="en">Daniel Cook &#38; Nicholas Seager (eds), </span><em><span xml:lang="en" lang="en">The Cambridge Companion to Gulliver's Travels</span></em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Jean Viviès</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Ariel's Corner</strong></div>
          <ul class="summary">
            <li>
              <div class="publititle"><strong>Theater</strong></div>
              <div class="director">Edited by Emeline Jouve</div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/66172">The Tailor of Inverness</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Jean Berton</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/66284">Hello, Dolly! at Lido 2 in Paris</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Gary Lavenia</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/66362"><em>Némésis </em>(2023),<em> </em>librement<em> </em>adapté du roman de Philip Roth pour le théâtre par Tiphaine Raffier</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Aurélie Guillain</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/66386">Autour de <em>Némésis </em>(2023)</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Aurélie Guillain</div>
                </li>
              </ul>
            </li>
            <li>
              <div class="publititle"><strong>Music, dance</strong></div>
              <div class="director">Edited by Nathalie Vincent-Arnaud</div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/67022">Dorian Gray goes Wilde: from painted to living “picture”</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Jean-Rémi Lapaire</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/65991">A playscript for dramatizing<em> The Picture of Dorian Gray</em></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Victor Ducassou, Lisa Perdoux, Joseph Adam and Jean-Rémi Lapaire</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/66052">The courage to be herself: <em>Daisy Miller</em> unbowed</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Jean-Rémi Lapaire and Raphaël Bzar</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/66387">Aux sources de la chanson réaliste folk punk de François Hadji-Lazaro : échos d’Irlande, d’Écosse et d’Amérique</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Cyril Camus</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/66422">Roméo et Juliette de Serge Prokofiev présenté par le Grand Ballet de Kiev : la chorégraphie du corrélat objectif <em>in situ</em></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Sophie Doulut</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/66494">A <span xml:lang="it" lang="it">c</span>onversation with Dr John Potter : <span xml:lang="it" lang="it">music</span>, <span xml:lang="it" lang="it">t</span>ext, and <span xml:lang="it" lang="it">performance</span> – an <span xml:lang="it" lang="it">i</span>ntermedial <span xml:lang="it" lang="it">a</span>nalysis of John Dowland’s <span xml:lang="it" lang="it">m</span>usic between <span xml:lang="it" lang="it">t</span>radition and <span xml:lang="it" lang="it">m</span>odernity</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Giuseppe Pantano</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/66541">Recension de l’anthologie discographique « Kurt Weill’s Songs » (Frémeaux &#38; Associés, FA 5695, 2018)</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Olivier Sauvage</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/66946">Poétique des voix et de l’écoute chez James A. Emanuel</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Evan Granié</div>
                </li>
              </ul>
            </li>
            <li>
              <div class="publititle"><strong>Film, TV, Video</strong></div>
              <div class="director">Edited by Vincent Jaunas</div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/65791">Compte-rendu d’exposition, « L’art de James Cameron », Cinémathèque Française de Paris, 3 avril 2024 - 5 janvier 2025</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Clémence Dumon</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/65939">« Séries télévisées américaines de network des années 2000 ».</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Jonas Fontaine</div>
                </li>
              </ul>
            </li>
            <li>
              <div class="publititle"><strong>British visual arts</strong></div>
              <div class="director">Edited by Vanessa Alayrac</div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/65731">Decolonising the British Museum: Hew Locke’s confrontation with looted objects.<em>What Have We Here?, </em>17 October 2024- 9 February 2025, British Museum, London</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Vanessa Alayrac-Fielding</div>
                </li>
              </ul>
            </li>
          </ul>
        </li>
      </ul>]]></description>
    <link>http://journals.openedition.org/miranda/64022</link>
    <dc:date>2025-05-15</dc:date>
  </item>
  <item rdf:about="http://journals.openedition.org/miranda/60592">
    <title>30 | 2024 &#8211; Portraits croisés d’Afro-Américains et de populations autochtones en Amérique du nord</title>
    <description><![CDATA[
      <ul class="summary">
        <li>
          <div class="publititle"><strong>Portraits croisés d’Afro-Américains et de populations autochtones en Amérique du nord</strong></div>
          <div class="altertitle foreign">
            <div lang="en">Intersecting portraits of African-Americans and indigenous peoples in North America</div>
          </div>
          <div class="director">Edited by Muriel Adrien and Adriana Haben</div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/60612">Introduction</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Muriel Adrien and Adriana Haben</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/60698">Les pensionnats indiens du Canada et la perpétuation de l’image du sauvage</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Franck Miroux</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/60913">Des portraits agissants, pratiques et manipulations photographiques de Jean LaMarr et Hulleah J. Tsinhnahjinnie</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Émilie Blanc</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/60925">Résister, c'est exister. Voyage à travers les œuvres photographiques des artistes autochtones Matika Wilbur et Zoe Marieh Urness.</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Aurélie Journée-Duez</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/60947">Irrévérence ou résurgence ? Au Canada Kent Monkman, artiste cri, revisite la tradition du « portrait d’Indiens »</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Corinne Bigot</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/61073">Les enjeux de la représentation et de la réception des Amérindiens dans <em>Reservation Dogs</em>, de Sterlin Harjo et Taika Waititi</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Lionel Larré and Mélanie Bourdaa</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/61173">Eudora Welty, Mississippi: le choix de l’oblique </a> <span class="fullText">[Full text]</span></div>
              <div class="author">Géraldine Chouard-Véron</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/61227"><span xml:lang="en" lang="en">Little America, a photo exhibition</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Jean Kempf</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Prospero's Island</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/61268"><span xml:lang="en" lang="en">Ambivalent theatricals, troubled memories and heuristic uncertainty in Tracey Moffatt’s </span><em><span xml:lang="en" lang="en">Nice Coloured Girls</span></em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Anne Le Guellec-Minel</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/62548"><span xml:lang="en" lang="en">God, Politics and the British Citizen-Soldier: Anthony Burgess’s Writings on Wartime Gibraltar</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Tom Williams</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Recensions</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/61982"><span xml:lang="en" lang="en">Abigail Boucher, Science, </span><em><span xml:lang="en" lang="en">Medicine, and Aristocratic Lineage in Victorian Popular Fiction</span></em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Mathilde Vialard</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/62035"><span xml:lang="en" lang="en">Louis Bayman &#38; K. J. Donnelly (eds.), </span><em><span xml:lang="en" lang="en">Folk Horror on Film. </span></em><em>Return of the British Repressed</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Anne-Lise Marin-Lamellet</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/62087"><span xml:lang="en" lang="en">Marianne Kac-Vergne, Julie </span><span xml:lang="en" lang="en">Assouly (eds), </span><em><span xml:lang="en" lang="en">From the Margins to the Mainstream: Women in Film and Television</span></em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Asma Laater</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/62168">Aude Mairey, <em>La Fabrique de l’anglais : genèse socio-culturelle d’une langue à la fin du Moyen Âge</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Alexandre Etcheheguy</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/62310">Olivier Mahéo, <em>De Rosa Parks au Black Power. Une histoire populaire des mouvements noirs, 1945-1970</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Gregory Benedetti</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/62365"><span xml:lang="en" lang="en">Matthew Sangster, </span><em><span xml:lang="en" lang="en">An Introduction to Fantasy</span></em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Yannick Bellenger-Morvan</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/62463"><span xml:lang="en" lang="en">Françoise Besson (ed.), </span><em><span xml:lang="en" lang="en">Travel Writing and Environmental Awareness</span></em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Anne-Florence Quaireau</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/62477"><span xml:lang="en" lang="en">Charles Martindale, </span><span xml:lang="en" lang="en">Lene Østermark-Johansen, Elizabeth Prettejohn eds., </span><em><span xml:lang="en" lang="en">Walter Pater and the Beginnings of English Studies</span></em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Bénédicte Coste</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/62768">Claire Guéron, <em>Allegorising Thought on the Shakespearean Stage. The Discovery of the Mind</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Nathalie Rivère de Carles</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/62852"><span xml:lang="en" lang="en">Emily Zobel Marshall, </span><em><span xml:lang="en" lang="en">Bath of Herbs</span></em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Eric Doumerc</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/62880">Anthony Castet, <em>La fabrique de l'égalité LGBTQ+ aux États-Unis. Dissension, résolution et réparation</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Audrey Haensler</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/63005">Mélanie Boissonneau, Gaspard Delon, Quentin Mazel, Thomas Pillard (eds.), <em>John Carpenter: Au-delà de l'horreur</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Christophe Chambost</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/63040">Sandrine Bédouret-Larrabu, Christine Copy, Raluca Nita (eds.), <em>Lexique et frontière de genres</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Célia Schneebeli</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/63128"><span xml:lang="en" lang="en">David Roche, </span><em><span xml:lang="en" lang="en">Meta in Film and Television Series</span></em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Julie Assouly</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/63182">Anne-Marie Smith-Di Biasio, <em>Le palimpseste mémoriel – Entendre la mémoire au fil des modernismes</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Raphaëlle Costa de Beauregard</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/63240">Jean Viviès, <em>Rugby station, Histoire, langages, cultures du rugby</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Alain Bouley</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/63467">Marie-Odile Pittin-Hédon, Camille Manfredi, Scott Hames (eds.), <em>Scottish Writing after Devolution. Edges of the New</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Philippe Laplace</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/63820">Elisabeth Angel-Perez, <em>Le Théâtre de l’oblitération : essai sur la voix photogénique dans le théâtre britannique contemporain</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Aloysia Rousseau</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/63925">Julie Assouly, <em>Wes Anderson – cinéaste transatlantique</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Christophe Gelly</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Ariel's Corner</strong></div>
          <ul class="summary">
            <li>
              <div class="publititle"><strong>Theater</strong></div>
              <div class="director">Edited by Emeline Jouve</div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/61358">Présentation de la mise en scène <em>SEULE – Paroles de soldates en Iraq</em> de Helen Benedict (2009)</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Dinah Pedarros</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/61413"><em>Duck Variations</em> de David Mamet au théâtre du Chien Blanc à Toulouse</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Sophie Maruéjouls-Koch and Jean-Paul Bibé</div>
                </li>
              </ul>
            </li>
            <li>
              <div class="publititle"><strong>Music, dance</strong></div>
              <div class="director">Edited by Nathalie Vincent-Arnaud</div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/61458">Isaac Watts and the Hymn Singing Revolution</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Colin Harris</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/61598"><em>Macbeth</em> ou la mise en scène de l’esthétique des sons de Silvia Costa</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Sophie Doulut</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/61640"><span xml:lang="en" lang="en">Rock and roll, Rubik’s Cube, rimes et rythmes </span></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Nathalie Vincent-Arnaud</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/61942">Resilience as stance: a linguistic-choreographic deconstruction</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Jean-Rémi Lapaire, Julie Neveux and Mélissa Blanc</div>
                </li>
              </ul>
            </li>
            <li>
              <div class="publititle"><strong>Film, TV, Video</strong></div>
              <div class="director">Edited by Vincent Jaunas</div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/61655">Journée d’étude « Pop, glamour et trash : la série TV selon Ryan Murphy. Entre héritage et hommage, une écriture de l'Amérique écorchée en images », Université Gustave Eiffel, vendredi 7 juin 2024.</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Stella Louis</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/61743"><em><span xml:lang="en" lang="en">Hollywood Before the Code</span></em><span xml:lang="en" lang="en"> (1921–1934), </span>Paris Sorbonne University and Paris Nanterre University, June 27-29, 2024</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Milo Farragher-Hanks and Patrick Adamson</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/61848"><span xml:lang="en" lang="en">Janet Staiger Lecture in Gender and Sexuality: Alessandra Raengo, “‘How much fuller?’ Jenn Nkiru’s Cosmic Archaeologies”, University of Texas at Austin, March 28, 2024</span></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">David Roche</div>
                </li>
              </ul>
            </li>
            <li>
              <div class="publititle"><strong>American visual arts</strong></div>
              <div class="director">Edited by Lara Cox</div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/61960">Les années amères de l’Amérique « Farm Security Administration », Laboratoire Photon et Galerie du Château d’Eau, Toulouse, du 5 avril au 28 mai 2024</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Muriel Adrien</div>
                </li>
              </ul>
            </li>
            <li>
              <div class="publititle"><strong>British visual arts</strong></div>
              <div class="director">Edited by Vanessa Alayrac</div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/62578">«Julia Margaret Cameron. Capturer la beauté », Paris, Musée du Jeu de Paume, 10 octobre 2023-28 janvier 2024</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Olivier Sauvage</div>
                </li>
              </ul>
            </li>
          </ul>
        </li>
      </ul>]]></description>
    <link>http://journals.openedition.org/miranda/60592</link>
    <dc:date>2024-09-18</dc:date>
  </item>
  <item rdf:about="http://journals.openedition.org/miranda/57587">
    <title>29 | 2024 &#8211; Art in Strange Places</title>
    <description><![CDATA[
      <ul class="summary">
        <li>
          <div class="publititle"><strong>Art in Strange Places</strong></div>
          <div class="altertitle foreign">
            <div lang="fr">L'art dans des lieux insolites</div>
          </div>
          <div class="director">Edited by Trevor Harris</div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/57603">Introduction</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Trevor Harris</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/57613"><span xml:lang="en" lang="en">Human Skin as Canvas: Tattooing and Fine Art in Edwardian Britain</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Béatrice Laurent</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/57730"><span xml:lang="en" lang="en">Heritage and Legacy: the Use of Omega Workshops Prints in Bloomsbury Group “Merch”</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Nina Eldridge</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/57802"><span xml:lang="en" lang="en">Un tapis </span><span xml:lang="en" lang="en">frontière : Baltensperger + Siepert, </span><em><span xml:lang="en" lang="en">Ways to Escape One’s Former Country / Patterns &#38; Traces</span></em><span xml:lang="en" lang="en">, 2017</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Sabine du Crest</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/57840"><span xml:lang="en" lang="en">What is poetry doing in hospitals?</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Elise Brault-Dreux</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/57887"><span xml:lang="en" lang="en">Controversial Funerary Art in British Empire War Cemeteries (1917-192</span><span xml:lang="en" lang="en">2)</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Raphaël Willay</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/57950"><span xml:lang="en" lang="en">Advertising Britain in the 1951 Festival of Britain guide </span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Susan Finding</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/58075"><span xml:lang="en" lang="en">Consuming nostalgia: the 1973 “Bike Ride” </span><span xml:lang="en" lang="en">Hovis television advertisement</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Jeremy Price</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/58162"><span xml:lang="en" lang="en">Venuses on Instagram. Survival of the </span><em><span xml:lang="en" lang="en">Figura Serpentinata</span></em><span xml:lang="en" lang="en"> in the Age of Social Media</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Ondřej Váša</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Prospero's Island</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/59928">Emblèmes et fragments emblématiques : influences et résurgences dans la poésie profane de John Donne</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Jean Du Verger</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Recensions</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/58933"><span xml:lang="en" lang="en">Stephen Mullen. </span><em><span xml:lang="en" lang="en">Glasgow Sugar Aristocracy: Scotland and Caribbean Slavery 1775–1838</span></em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Andy Cabot</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/59442">Scott Slovic. <em>Voyager pour penser. Engagement, retraite et responsabilité écocritique</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Claire Cazajous-Augé</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/58808">Laurence Cossu-Beaumont. <em>Deux agents littéraires dans le siècle américain. William et Jenny Bradley, passeurs culturels transatlantiques</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Lise Chenal</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/59330"><span xml:lang="en" lang="en">Emma Bond &#38; Michael Morris (eds.), </span><em><span xml:lang="en" lang="en">Scotland’s Transnational Heritage: Legacies of Empire and Slavery</span></em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Mélanie Cournil</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/59195">Ian McDonald. <em>Not Quite Without a Moon</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Eric Doumerc</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/59083">Caroline Marie and Anne Chassagnol. <em><span xml:lang="en" lang="en">Museums in Literature: Fictionalising Museums, World Exhibitions and Private Collections</span></em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Brigitte Friant-Kessler</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/58273">Bénédicte Coste. <em>Walter Pater, du portrait littéraire à l’étude de cas</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Xavier Giudicelli</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/58340">Michel Cieutat, Christophe Damour, Jacques Demange, Christian Viviani. <em>Actors Studio : histoire et esthétique d’une méthode, de Broadway à Hollywood</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Aurélien Gras</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/58602">Tamara Boussac. <em>L’affaire de Newburgh – Aux origines du nouveau conservatisme américain</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Quentin Lacombe</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/58998">Yohanna Alimi-Levy. <em>La démocratie américaine et les révolutions françaises de 1830 et 1848</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Guillaume Rodot</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/58687"><span xml:lang="en" lang="en">Barbara Fuchs. </span><em><span xml:lang="en" lang="en">Theater of Lockdown. Digital and Distanced Performance in a Time of Pandemic</span></em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Aloysia Rousseau</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/59223">Éliane Elmaleh, Benaouda Lebdai, Delphine Letort (eds). <em>Rémanences de l’esclavage dans les arts, les littératures et les musées</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Emilie Sanchis</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/58767">Satnam Virdee &#38; Brendan McGeever. <em>Britain in Fragments: Why things are falling apart</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Nicolas Sigoillot</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Ariel's Corner</strong></div>
          <ul class="summary">
            <li>
              <div class="publititle"><strong>Theater</strong></div>
              <div class="director">Edited by Emeline Jouve</div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/59515"><span xml:lang="en" lang="en">Behind the Curtain: The Intersection of Technical Expertise and Creative Vision in Theatre</span></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Bryony Byrne and Déborah Prudhon</div>
                </li>
              </ul>
            </li>
            <li>
              <div class="publititle"><strong>Music, dance</strong></div>
              <div class="director">Edited by Nathalie Vincent-Arnaud</div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/59557"><em>September</em><em> Cohen</em> (Éric Lareine, Nicolas Jules, Pascal Maupeu)</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Nathalie Vincent-Arnaud</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/59602"><em>La Nuit des Rois ou Tout ce que vous voulez</em> de William Shakespeare : la mise en scène de la voix de Thomas Ostermeier</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Sophie Doulut</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/59657">Retracer les pas de Beethoven </a> <span class="fullText">[Full text]</span></div>
                  <div class="author">James Strowman</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/59980">Quelques escapades musicales en Bretagne : voyage sans bateau de Belfast à Cardiff en passant par Beyrouth. Deuxième partie.</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Cyril Camus</div>
                </li>
              </ul>
            </li>
            <li>
              <div class="publititle"><strong>Film, TV, Video</strong></div>
              <div class="director">Edited by David Roche</div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/59822"><span xml:lang="en" lang="en">Janet Staiger Lecture in Gender and Sexuality: Shumona Goel</span></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">David Roche</div>
                </li>
              </ul>
            </li>
            <li>
              <div class="publititle"><strong>British visual arts</strong></div>
              <div class="director">Edited by Vanessa Alayrac</div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/59877"><em>Claudette Johnson: Presence </em></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Vanessa Alayrac-Fielding</div>
                </li>
              </ul>
            </li>
            <li>
              <div class="publititle"><strong>American visual arts</strong></div>
              <div class="director">Edited by Lara Cox</div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/60072">Arno Brignon, Us : Galerie du Château d’Eau, Toulouse, du 25 janvier au 14 avril 2024</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Muriel Adrien</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/60150"><span xml:lang="en" lang="en">An Interview with Debra Bricker Balken and Lynn Gumpert, curators of </span><em><span xml:lang="en" lang="en">Americans in Paris: Artists Working in Postwar France, 1946-1962 </span></em><span xml:lang="en" lang="en">(Grey Art Gallery, 2024)—Part Two</span></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Lara Cox</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/60223">« Elliott Erwitt. Une rétrospective », Lyon, La Sucrière, 21 octobre 2023-17 mars 2024</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Olivier Sauvage</div>
                </li>
              </ul>
            </li>
          </ul>
        </li>
      </ul>]]></description>
    <link>http://journals.openedition.org/miranda/57587</link>
    <dc:date>2024-04-18</dc:date>
  </item>
  <item rdf:about="http://journals.openedition.org/miranda/54969">
    <title>28 | 2023 &#8211; Kate Bush entre les arts</title>
    <description><![CDATA[
      <ul class="summary">
        <li>
          <div class="publititle"><strong>Kate Bush entre les arts</strong></div>
          <div class="director">Edited by Muriel Plana, Stéphane Escoubet and Xavier Cervantes</div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/54993">Introduction</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Muriel Plana, Stéphane Escoubet and Xavier Cervantes</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/55048">De chair et de sons : Kate Bush et la théâtralité sonore intime</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Marion Brachet</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/55079"><span xml:lang="en" lang="en">« Running Up That Hill » (1985)</span><span xml:lang="en" lang="en"> </span><em><span xml:lang="en" lang="en"> ad libitum </span></em><span xml:lang="en" lang="en">: chorégraphie, dramaturgie, récritures</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Nathalie Vincent-Arnaud</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/55178">« This Woman’s Work » : de la comédie romantique aux déclinaisons dystopiques</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Lucie Dumas</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/55228"><em>A </em><em>Deal</em><em> with God</em> : analyse d’une hybridation gestuelle et musicale entre féminin et masculin</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Pauline Boschiero</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/55275">Sorciérologie et (de la) hantise : de Cathy à PJ</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Emma Viguier</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/55405">« The Sensual world » de Kate Bush : une réécriture poético-musicale au/du féminin</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Muriel Plana</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Recensions</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/55450">Geoffrey Philp.<em>Archipelagos</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Eric Doumerc</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/55470">Élise Brault-Dreux (ed.). <em>L’Air du temps de 1922. Royaume-Uni et États-Unis aux rythmes d’une année</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Isabelle Brasme</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/55540">Céline Frigau Manning. <em>Ce que la musique fait à l’hypnose- Une relation spectaculaire au XIXe siècle</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Raphaëlle Costa de Beauregard</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/55700">Jean Viviès. <em>George Cheyne, médecin de son siècle, 1672-1743, Malaise dans la civilisation anglaise.</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Hélène Dachez</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/55824">Sophie Loussouarn (ed.).<em>Brexit and its aftermath</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Gilles Leydier</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/55878">Mélanie Boisseaunneau, Gilles Menegaldo, Anne-Marie Paquet-Deyris (eds). <em>Dark Recesses in the House of Hammer</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Hervé Mayer</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/55903"><span xml:lang="en" lang="en">Nathalie Vienne-</span><span xml:lang="en" lang="en">Guerrin. </span><em><span xml:lang="en" lang="en">The Anatomy of Insults in Shakespeare’s World</span></em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Claire Guéron</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Ariel's Corner</strong></div>
          <ul class="summary">
            <li>
              <div class="publititle"><strong>Theater</strong></div>
              <div class="director">Edited by Emeline Jouve</div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/55979"><span xml:lang="en" lang="en">Let’s Chat with a Perfect Stranger: Multiple Literacy and Learning the Pandemic through </span><span xml:lang="en" lang="en">Whatsapp Theatre</span></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">A.Y. Eldhose</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/57541">Rencontre avec Tim Crouch et sa traductrice Catherine Hargreaves</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Marianne Drugeon and Déborah Prudhon</div>
                </li>
              </ul>
            </li>
            <li>
              <div class="publititle"><strong>Music, dance</strong></div>
              <div class="director">Edited by Nathalie Vincent-Arnaud</div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/56028">Quelques escapades musicales en Bretagne : voyage sans bateau du Donegal aux Highlands et du pays de Galles aux Asturies. Première partie.</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Cyril Camus</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/56549">« Punk pop rock poésie » ?</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Nathalie Vincent-Arnaud</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/56565"><em>Blast!</em> : une explosion qui repousse les limites de la violence faite au corps humain</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Lucy Painter</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/56600"><span xml:lang="en" lang="en">Teaching oneself (and others) to dance, or</span><em><span xml:lang="en" lang="en"> Waltz with Me</span></em><span xml:lang="en" lang="en"> (Diane Samuels [2023])</span></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Nathalie Vincent-Arnaud</div>
                </li>
              </ul>
            </li>
            <li>
              <div class="publititle"><strong>Film, TV, Video</strong></div>
              <div class="director">Edited by David Roche</div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/56640">« Expanded Gus Van Sant »</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Tristan Terral</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/56765"><span xml:lang="en" lang="en">Questioning the Margins of English-Speaking Films and Series</span></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Sara El Majhad and Joséphine Grébaut</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/57005"><em><span xml:lang="en" lang="en">Not No Place</span></em><span xml:lang="en" lang="en">, </span><em><span xml:lang="en" lang="en">Jeppe on a Friday</span></em><span xml:lang="en" lang="en"> and representing Joburg: Excerpts from a conversation</span></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Shannon Walsh, Arya Lalloo, Bettina Malcomess and Dorothee Kreutzfeldt</div>
                </li>
              </ul>
            </li>
            <li>
              <div class="publititle"><strong>American visual arts</strong></div>
              <div class="director">Edited by Lara Cox</div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/57115"><span xml:lang="en" lang="en">An Interview with Debra Bricker </span><span xml:lang="en" lang="en">Balken and Lynn Gumpert, curators of </span><em><span xml:lang="en" lang="en">Americans in Paris: Artists Working in Postwar France, 1946-1962 </span></em><span xml:lang="en" lang="en">(Grey Art Gallery, 2024)—Part One</span></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Lara Cox</div>
                </li>
              </ul>
            </li>
            <li>
              <div class="publititle"><strong>British visual arts</strong></div>
              <div class="director">Edited by Vanessa Alayrac</div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/57293">Chris Killip, Retrospective</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Aurore Caignet</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/57349"><span xml:lang="en" lang="en">“</span><span xml:lang="en" lang="en">Style and Society: Dressing the Georgians”</span></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Alice Leroy</div>
                </li>
              </ul>
            </li>
            <li>
              <div class="publititle"><strong>Arts of the Commonwealth</strong></div>
              <div class="director">Edited by Mathilde Rogez</div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/57488">Songlines</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Laura Singeot</div>
                </li>
              </ul>
            </li>
          </ul>
        </li>
      </ul>]]></description>
    <link>http://journals.openedition.org/miranda/54969</link>
    <dc:date>2023-10-16</dc:date>
  </item>
  <item rdf:about="http://journals.openedition.org/miranda/51424">
    <title>27 | 2023 &#8211; Natures mourantes</title>
    <description><![CDATA[
      <ul class="summary">
        <li>
          <div class="publititle"><strong>Natures mourantes</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/51441">Introduction</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Claire Cazajous-Augé</div>
            </li>
            <li>
              <div class="publititle"><strong>Violent confrontations with death</strong></div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/51446"><span xml:lang="en" lang="en">Dying Still Lifes in the Works of Lawrence Durrell: Questioning the Visible</span></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Isabelle Keller-Privat</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/51479"><span xml:lang="en" lang="en">Hunting for the Sublime in Steven Rinella’s Memoirs and Still </span><span xml:lang="en" lang="en">Lifes </span></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">David Lombard</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/51719">La bête mise à mort. Diana Michener, Damien Hirst, Guillermo Vargas : trois formes d’une projection</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Vincent Lecomte</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/51851">« From Zoo. To Bot. » : putréfaction de l’animal humain et transcendance écologique dans <em>Being Dead </em>de Jim Crace.</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Marie Cazaban-Mazerolles</div>
                </li>
              </ul>
            </li>
            <li>
              <div class="publititle"><strong>Extinction and regeneration</strong></div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/51915">Poems from the interval: violence in Ted Hughes’s animal still-lifes</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Mathilde La Cassagnère</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/52039"><span xml:lang="en" lang="en">Animal Elegy in Ron Rash’s “In the Valley” (2020)</span></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Frédérique Spill</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/52145"><span xml:lang="en" lang="en">Thoreau’s Garden Politics (re-edition)</span></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Antoine Traisnel</div>
                </li>
              </ul>
            </li>
            <li>
              <div class="publititle"><strong>Dialogues</strong></div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/52260"><span xml:lang="en" lang="en">Stillness, Deep Time, &#38; the Corpse: An Ode to </span><span xml:lang="en" lang="en">Eros</span></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Aaron M. Moe</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/52335"><span xml:lang="en" lang="en">Writing About Death, Killing and Nonhuman Animals: An Interview with David Vann</span></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Claire Cazajous-Augé</div>
                </li>
              </ul>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Prospero's Island</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/53449"><span xml:lang="en" lang="en">“Soldiers in petticoats” on the British screen: a mirror to historiography</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Nicole Cloarec</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Recensions</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/52389">Claire Bourhis-Mariotti, Isaac Mason. <em>Isaac Mason, une vie d’esclave</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Sandrine Ferré-Rode</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/52429">Grégoire Halbout, <em>Hollywood Screwball Comedy, 1934-1945, Sex, Love and Democratic Ideals</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Karine Hildenbrand</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/52516">Lawrence Aje, Nathalie Dessens, Nicolas Gachon, Anne Stefani (eds). <em>Regards croisés sur la (post-)racialité aux États-Unis</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Olivier Maheo</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/52665"><span xml:lang="en" lang="en">Thomas Constantinesco, </span><em><span xml:lang="en" lang="en">Writing Pain in the Nineteenth-Century United States</span></em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Mark Niemeyer</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/52710"><span xml:lang="en" lang="en">Pat Rogers, </span><em><span xml:lang="en" lang="en">Defoe’s Tour and Early Modern Britain: Panorama of the Nation</span></em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Pierre Degott</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/52751"><span xml:lang="en" lang="en">Laura Stark and Annika Björnsdotter Teppo(eds), </span><em><span xml:lang="en" lang="en">Power and Informality In Urban Africa</span></em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Cécile Birks</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/53000"><span xml:lang="en" lang="en">Aleks Sierz, </span><em><span xml:lang="en" lang="en">Good Nights Out</span></em><span xml:lang="en" lang="en"> </span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Marianne Drugeon</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/53206">Lorna Goodison,<em> Mother Muse</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Eric Doumerc</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/53276"><span xml:lang="en" lang="en">Elizabeth Bouzonviller (ed.), </span><em><span xml:lang="en" lang="en">“Home Sweet Home”: Places of Belonging in Anglophone Narratives</span></em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Mélanie Joseph-Vilain</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/53401">Claude Chastagner. <em>Des Barrios aux bayous. Musique populaire et identités aux États-Unis</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Philippe Gonin</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Ariel's Corner</strong></div>
          <ul class="summary">
            <li>
              <div class="publititle"><strong>Theater</strong></div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/53531"><span xml:lang="en" lang="en">Hollywood or Sodom: A conversation about Charles Busch’s rich career</span></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Charalampos Keivanidis</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/53549"><span xml:lang="en" lang="en">From Spoken Word to Playwriting</span></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Agathe Faucourt and Jade Thomas</div>
                </li>
              </ul>
            </li>
            <li>
              <div class="publititle"><strong>Music, dance</strong></div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/53629"><em>Corps lumineux. De Loïe Fulle</em><em>r à Isadora Duncan</em> de Claudine Vassas (Aix-en-Provence : Presses Universitaires de Provence, 2022)</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Nathalie Vincent-Arnaud</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/53681">Des <em>barrios </em>aux bayous, l’autre musique <em>pop</em> américaine</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Claude Chastagner</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/53855">Bob Dylan, Florence Welch : figures d’une résistance poétique au chaos du monde</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Anaëlle Corée and Yaël Broueilh</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/53916"><span xml:lang="en" lang="en">29 PopBand ou le “</span><em><span xml:lang="en" lang="en">Walking Pop Show</span></em><span xml:lang="en" lang="en">” </span></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Inés Bigot</div>
                </li>
              </ul>
            </li>
            <li>
              <div class="publititle"><strong>Film, TV, Video</strong></div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/54024">« Colloque international “George A. Romero, l’œuvre dévorée ?” »</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Pablo Cabeza-Macuso and Pauline Suarez-Perut</div>
                </li>
              </ul>
            </li>
            <li>
              <div class="publititle"><strong>American visual arts</strong></div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/54064">An Interview with Hal Fischer – Paris/San Francisco, 12.11.2021</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Marthe Benoit</div>
                </li>
              </ul>
            </li>
            <li>
              <div class="publititle"><strong>British visual arts</strong></div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/54135">Compte rendu de l’exposition « Füssli, entre rêve et fantastique » au musée Jacquemart-André, 16 septembre 2022-23 janvier 2023</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Olivier Sauvage</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/54540"><em>William Morris (1834-1896) : L’Art dans tout</em></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Julien Beckaert</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/54624">Compte rendu de l’exposition « Walter Sickert. Peindre et transgresser » au Petit Palais, 14 octobre 2022-29 janvier 2023</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Olivier Sauvage</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/54841">Fragments de vies, archives et histoire des diasporas : l’exposition <em>Tiny Traces: African &#38; Asian Children</em> <em>at London’s Foundling Hospital</em></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Vanessa Alayrac-Fielding</div>
                </li>
              </ul>
            </li>
          </ul>
        </li>
      </ul>]]></description>
    <link>http://journals.openedition.org/miranda/51424</link>
    <dc:date>2023-03-21</dc:date>
  </item>
  <item rdf:about="http://journals.openedition.org/miranda/47053">
    <title>26 | 2022 &#8211; Melville’s Measures</title>
    <description><![CDATA[
      <ul class="summary">
        <li>
          <div class="publititle"><strong>Melville’s Measures</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/51203">Introduction</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Ronan Ludot-Vlasak, Édouard Marsoin and Cécile Roudeau</div>
            </li>
            <li>
              <div class="publititle"><strong>Measuring the (in)corporeal</strong></div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/47093"><span xml:lang="en" lang="en">The “Odd Inches”: </span><em><span xml:lang="en" lang="en">Moby-Dick</span></em><span xml:lang="en" lang="en">’s Fossil Record and Melville’s Admeasured Time</span></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Ryan Heryford</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/47164">Simultaneous Scales, Incommensurate Standards in <em>Pierre; or, The Ambiguities</em></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Michel Imbert</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/47223"><span xml:lang="en" lang="en">Melville’s Curves: Mathematics and the Melvillean Imagination. Measuring a Cycloid in </span><em><span xml:lang="en" lang="en">Moby-Dick</span></em></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Federico Bellini</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/47308"><span xml:lang="en" lang="en">A Jacket That Shrinks: Measuring Time on Board Melville’s </span><em><span xml:lang="en" lang="en">Neversink</span></em></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Arturo Corujo</div>
                </li>
              </ul>
            </li>
            <li>
              <div class="publititle"><strong>Scaling up and down: Melville’s textual measures</strong></div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/47354"><span xml:lang="en" lang="en">Of Figures and Letters, or the Impossible Accounting of Bartleby</span></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Beatrix Pernelle</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/47428"><span xml:lang="en" lang="en">The World in a Footnote: Examining Ahab’s Chart in Chapter 44 of </span><em><span xml:lang="en" lang="en">Moby-Dick</span></em></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Julien Nègre</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/47468"><span xml:lang="en" lang="en">Ephemeris and Celestial Navigation. Melville</span>’<span xml:lang="en" lang="en">s </span><em><span xml:lang="en" lang="en">Mardi</span></em><span xml:lang="en" lang="en"> as Astronomical Metaphor</span></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Odile Gannier</div>
                </li>
              </ul>
            </li>
            <li>
              <div class="publititle"><strong>Artistic rescaling</strong></div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/47574"><span xml:lang="en" lang="en">A Queer Domestic Space </span><span xml:lang="en" lang="en">as an Alternative to the (Re)Productive. Herman Melville’s “Jimmy Rose”</span></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Rodrigo Andrés</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/47664"><span xml:lang="en" lang="en">Melville’s Reliquary Reformations</span></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Tony McGowan</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/47706"><span xml:lang="en" lang="en">Surviving the Wreck: Herman Melville, </span><em><span xml:lang="en" lang="en">The Death of Klinghoffer</span></em><span xml:lang="en" lang="en">, and the Power of Catastrophe</span></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Mathieu Duplay</div>
                </li>
              </ul>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Prospero's Island</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/47739">Thomas Jefferson et ses choix littéraires : de l’existentialisme au libéralisme</a> <span class="fullText">[Full text]</span></div>
              <div class="author">David Bergeron</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/47832"><em><span xml:lang="en" lang="en">“</span></em><span xml:lang="en" lang="en">Oblique refractions”:</span><em><span xml:lang="en" lang="en"> </span></em><span xml:lang="en" lang="en">Simon Armitage’s poetics of commemoration in </span><em><span xml:lang="en" lang="en">Still</span></em><span xml:lang="en" lang="en">, </span><em><span xml:lang="en" lang="en">A Poetic Response to Photographs of the Somme Battlefield </span></em><span xml:lang="en" lang="en">(2016)</span></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Sarah Montin</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/47897"><em>The X-Files</em>, une série qui s’amuse parodiquement à tourner en rond</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Benjamin Campion</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/47958">Parodie à la frontière mexicaine dans <em>Machete</em> (Robert Rodriguez, 2010) et <em>Tejano</em> (David B. Garcia, 2018)</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Marine Soubeille</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/51303">De <em>The Searchers</em> (1956) à <em>Gideon’s Day</em> (1958) : un cas emblématique d’autoparodie chez John Ford</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Fabien Meynier</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Ariel's Corner</strong></div>
          <ul class="summary">
            <li>
              <div class="publititle"><strong>Theater</strong></div>
              <div class="director">Edited by Emeline Jouve</div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/48152"><em><span xml:lang="en" lang="en">Henry VIII</span></em><span xml:lang="en" lang="en"> by William Shakespeare and John Fletcher, directed by Amy Hodge (2022),</span></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Camille Vion</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/48252">De Marseille à New York : l’homme aux multiples vies. Lucien Zayan, fondateur et directeur de The Invisible Dog (USA).</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Emeline Jouve</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/50323"><span xml:lang="en" lang="en">Community Plays and Community Projects Today: British Artists Share their Experience</span></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Marianne Drugeon, Jon Oram, Ruper Creed and Mike Kenny</div>
                </li>
              </ul>
            </li>
            <li>
              <div class="publititle"><strong>Music, dance</strong></div>
              <div class="director">Edited by Nathalie Vincent-Arnaud</div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/48298"><span xml:lang="en" lang="en">Re-designing </span><em><span xml:lang="en" lang="en">Alice</span></em><span xml:lang="en" lang="en">. An interview with costume designer Karen Hobbs about her work for ballet </span></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Nathalie Vincent-Arnaud</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/48337">Interview de la danseuse Laura d’Haeseleer à propos de sa variation sur le poème "Dreamlessly" (Charles Bukowkski) et la musique "On the Nature of Daylight" (Max Richter) – Nérac, Espace d’Albret, 2 juillet 2022</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Nathalie Vincent-Arnaud</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/48377">Dix jours d’un concert à l’autre à La Nouvelle-Orléans</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Cyril Camus</div>
                </li>
              </ul>
            </li>
            <li>
              <div class="publititle"><strong>Film, TV, Video</strong></div>
              <div class="director">Edited by David Roche</div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/48448">« Repenser les disciplines à travers les séries télévisées. Perspectives épistémologiques »</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Joséphine Sourgnes</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/48469"><span xml:lang="en" lang="en">“Corruption in/of Cinema”</span></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Guilhem Billaudel and Andrés Buesa</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/51357">« Week-end Blade Runner » au CENTQUATRE-PARIS</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Chiara Salari</div>
                </li>
              </ul>
            </li>
            <li>
              <div class="publititle"><strong>American visual arts</strong></div>
              <div class="director">Edited by Lara Cox</div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/49594"><sub>Alex Majoli’s Theatre of Migrations </sub></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Clara Bouveresse</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/49667">« James McNeill Whistler (1834-1903). Chefs-d’œuvre de la Frick Collection, New York » au Musée d’Orsay, 8 février-8 mai 2022.</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Olivier Sauvage</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/49983"><span xml:lang="en" lang="en">The Year of Shirley Jaffe </span></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Lara Cox</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/50082"><em><span xml:lang="en" lang="en">Jules Tavernier and the Elem Pomo</span></em></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Lara Cox</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/50179">Les photographies américaines de Franco Fontana</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Muriel Adrien</div>
                </li>
              </ul>
            </li>
            <li>
              <div class="publititle"><strong>British visual arts</strong></div>
              <div class="director">Edited by Vanessa Alayrac</div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/48689"><span xml:lang="en" lang="en">(Non-) Beauty and the Beast--The 2022 Francis Bacon Exhibition at The Royal Academy</span></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Laurent Châtel</div>
                </li>
              </ul>
            </li>
            <li>
              <div class="publititle"><strong>Arts of the Commonwealth</strong></div>
              <div class="director">Edited by Mathilde Rogez</div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/48738">« Mirdidingkingathi Juwarnda Sally Gabori » à la Fondation Cartier</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Cédric Courtois</div>
                </li>
              </ul>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Recensions</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/50438"><span xml:lang="en" lang="en">Monica Latham, Caroline Marie, Anne-Laure </span><span xml:lang="en" lang="en">Rigeade, </span><em><span xml:lang="en" lang="en">Recycling Virginia Woolf in Contemporary Art and Literature</span></em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Nicolas Pierre Boileau</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/50559">Anne-Marie Paquet-Deyris, Dominique Sipière, <em>Vérités et mensonges dans le cinéma et les séries hollywoodiens</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Jocelyn Dupont</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/50687">Françoise Baillet, <em>Visions et divisions. Discours culturels de Punch et ordre social victorien (1850-1880)</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Bénédicte Coste</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/50763">Nathalie Dessens, Richard Marin.<em>Les mots de l’esclavage aux Amériques</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Anne-Claire Faucquez</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/50868">Judith Misrahi-Barak, <em>Entre Atlantique et océan Indien : Les voix de la Caraïbe anglophone</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">David Bousquet</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/50943">Emmanuel Plasseraud, <em>Les Spectateurs du cinéma - Histoire des théories de la réception filmique</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Raphaëlle Costa de Beauregard</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/51139">Alexis Greene,<em>Emily Mann</em>. <em>Rebel Artist of the American Theater</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Anouk Bottero</div>
            </li>
          </ul>
        </li>
      </ul>]]></description>
    <link>http://journals.openedition.org/miranda/47053</link>
    <dc:date>2022-10-14</dc:date>
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  <item rdf:about="http://journals.openedition.org/miranda/44155">
    <title>25 | 2022 &#8211; Camera Memoria: Photographic Memory from the Margins</title>
    <description><![CDATA[
      <ul class="summary">
        <li>
          <div class="publititle"><strong>Camera Memoria: Photographic Memory from the Margins</strong></div>
          <div class="altertitle foreign">
            <div lang="fr">Camera Memoria : la mémoire photographique depuis les marges</div>
          </div>
          <div class="director">Edited by Camille Rouquet and Carolin Görgen</div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/44163">Introduction</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Carolin Görgen and Camille Rouquet</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/44224">Dialectics of Remembering &#38; Forgetting: Photography, Memory &#38; US Normal Schools</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Emily Voelker and Anjuli Lebowitz</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/44374">The “Althea Hurst Scrapbook”. Discovering the Photographic Memories of Four African American Teachers’ European Tour in 1938</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Chiara Salari</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/44430">‘We Did What We Were Told’: The ‘Compulsory Visibility’ and De-Empowerment of US College Women in Nude ‘Posture Pictures,’ 1880-1940</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Kris Belden-Adams</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/44464">“As You Thumb through These Pages, Memories of”National Youth Culture in College Yearbooks: Dominant Narratives Told from the Marginalized Places of Boise, Idaho and Portland, Oregon</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Christen Bryson</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/44548">“This Show Is For Women:” photography after lesbian photography</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Ariel Evans</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/44615">“The Unseen Gulf War,” Disremembered Images and Method</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Erica Payet</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Prospero's Island</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/44684">‘Warring factions and community disputes’: Aboriginal <span xml:lang="en" lang="en">Politics in </span><em><span xml:lang="en" lang="en">Carpentaria</span></em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Xavier Pons</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/44705"><em>Eas</em><em>y Living</em> (M. Leisen, 1937) ou l’anti-Capra : l’idéal démocratique à l’épreuve</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Toufic El-Khoury</div>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Ariel's Corner</strong></div>
          <ul class="summary">
            <li>
              <div class="publititle"><strong>Theater</strong></div>
              <div class="director">Edited by Emeline Jouve</div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/45499">“Journey Up Seventh Avenue to Infamy: <em>The Cradle Will Rock</em>”</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Jeffery Kennedy</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/45593"><em>Faustus</em><em> </em>par l’AtelierCité du ThéâtredelaCité (Toulouse)</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Jeanne Mathieu</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/45673"><em>The </em><em>Severance Theory: Welcome to Respite</em> (2021) by CoAct Productions and Ferryman Collective</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Cyrielle Garson</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/45708">Mettre en scène Sam Shepard en France en 2022 : entretien avec Jean-Paul Bibé</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Sophie Maruéjouls-Koch</div>
                </li>
              </ul>
            </li>
            <li>
              <div class="publititle"><strong>Music, dance</strong></div>
              <div class="director">Edited by Nathalie Vincent-Arnaud</div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/45765">«  Vienne bientôt l’avitailleur  » : viralité fraternelle et musique en ligne en temps de COVID — le cas du ShantyTok</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Cyril Camus</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/46348">Une aventure : écrire (sur) <em>Chick Corea</em></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Ludovic Florin</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/46430"><em>Stabat Mater</em> de Karl Jenkins et œuvres de Samuel Barber, Benjamin Britten et John Rutter – Cathédrale de Lectoure, 23 octobre 2021 (chœur Les Chanteurs de Saint-Jean et orchestre symphonique du Conservatoire de Toulouse et du Département de musicologie de Toulouse-Jean Jaurès).</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Nathalie Vincent-Arnaud</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/46479"><em>Finding harmony</em>: An interview with the King's Singers after their concert at Auditorium Saint-Pierre des Cuisines in Toulouse (14<sup>th</sup> October 2021)</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Nathalie Vincent-Arnaud</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/47010">Altman et le sous-titrage musical : une autre chanson</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Sébastien Gouttefange</div>
                </li>
              </ul>
            </li>
            <li>
              <div class="publititle"><strong>Film, TV, Video</strong></div>
              <div class="director">Edited by David Roche</div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/46504">The Permanent Film Exhibit at the Kinemathek of Berlin: A Transatlantic Perspective</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">David Lipson</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/46584">“Researching the Influence of Feminist Film Theory on 21<sup>st</sup> Century Films and TV Series” (Université Toulouse - Jean Jaurès, Toulouse, France, November 18-19 2021)</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Eléa Brossier and Mikaël Toulza</div>
                </li>
              </ul>
            </li>
            <li>
              <div class="publititle"><strong>American visual arts</strong></div>
              <div class="director">Edited by Lara Cox</div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/46740">Excerpts from<em> “</em>Peripheral Paris”</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Molly Warnock</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/46949">« Tribal Canoe Journeys : Naviguer vers la souveraineté » Exposition photographique, art autochtone et entretien avec Joe <em>wahalatsu</em>? Seymour Jr.</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Sophie Gergaud</div>
                </li>
              </ul>
            </li>
            <li>
              <div class="publititle"><strong>British visual arts</strong></div>
              <div class="director">Edited by Vanessa Alayrac</div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/46824">Que fleurissent les cent fleurs. Damien Hirst à la Fondation Cartier (<em>Cerisiers en fleurs</em>, du 6 juillet 2021 au 2 janvier 2022)</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Morgan Labar</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/46883"><em>David Hockney. A Year in Normandy</em>, du 13 octobre 2021 au 14 février 2022, Musée de l’Orangerie, Paris</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Charlotte Gould</div>
                </li>
              </ul>
            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Recensions</strong></div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/44818">Sylvie Bauer, Nawelle Lechevalier-Bekadar et Florian Tréguer (eds), <em>Brian Evenson : L’empire de la cruauté</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Morgane Augris</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/44960">Antoine Traisnel,<em> Capture. American Pursuits and the Making of a New Animal Condition</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Françoise Besson</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/45083">Adam Hilton, <em>True Blues: The Contentious Transformation of the Democratic Party</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Léa Chevrollier</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/45189">Matthew Kidd, <em>The Renewal of Radicalism: Politics, Identity and Ideology in England, 1867-1924</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Alexandra Sippel</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/45229">Florian Barrière, Caroline Bertonèche, <em>Poésie et astronomie de l’Antiquité au Romantisme</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Claire Bardelmann</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/45299">Gilles Menegaldo, Maryse Petit, <em>Le Goût du noir dans la fiction policière contemporaine. Littérature et arts de l’image</em></a> <span class="fullText">[Full text]</span></div>
              <div class="author">Raphaëlle Costa de Beauregard</div>
            </li>
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/45335">Victor Oscar Freeburg, <em>L’Art de faire des films. The Art of Photoplay Making </em>(1918)</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Raphaëlle Costa de Beauregard</div>
            </li>
          </ul>
        </li>
      </ul>]]></description>
    <link>http://journals.openedition.org/miranda/44155</link>
    <dc:date>2022-04-20</dc:date>
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  <item rdf:about="http://journals.openedition.org/miranda/43568">
    <title>24 | 2022 &#8211; Representing Whiteness in US Film and Television</title>
    <description><![CDATA[
      <ul class="summary">
        <li>
          <div class="title"><a href="http://journals.openedition.org/miranda/43582">Visages blancs sur fond blanc : étudier les représentations de la blanchité à l’écran</a> <span class="fullText">[Full text]</span></div>
          <div class="author">Jules Sandeau</div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/miranda/43587">Le <em>redneck</em> au cinéma : blanchité masculine et classe sociale dans le cinéma hollywoodien à l’ère du mouvement pour les droits civiques</a> <span class="fullText">[Full text]</span></div>
          <div class="author">Claire Dutriaux</div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/miranda/43675">« Get him Grandpa » : féminité et blanchité dans <em>Get Out</em> de Jordan Peele (2017)</a> <span class="fullText">[Full text]</span></div>
          <div class="author">Hélène Charlery</div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/miranda/43730">Le Blanc et son Autre : la figure de l’Indien dans le cinéma hollywoodien contemporain</a> <span class="fullText">[Full text]</span></div>
          <div class="author">Sophie Gergaud</div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/miranda/43922">La magie (blanche) des vampires de La Nouvelle‑Orléans : reconfigurations de l’autorité blanche dans <em>The Originals</em></a> <span class="fullText">[Full text]</span></div>
          <div class="author">Maureen Lepers</div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/miranda/43961">L’appel de l’ombre: lumière et blanchité dans les films de Ryan Gosling</a> <span class="fullText">[Full text]</span></div>
          <div class="author">Jules Sandeau</div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/miranda/44125"><strong>Blanc</strong></a> <span class="fullText">[Full text]</span></div>
          <div class="author">Richard Dyer and Jules Sandeau</div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/miranda/44136">Lillian Gish : une star blanche</a> <span class="fullText">[Full text]</span></div>
          <div class="author">Richard Dyer and Jules Sandeau</div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/miranda/44140">Lumière sur la blanchité du Sud dans <em>Naissance d’une nation</em></a> <span class="fullText">[Full text]</span></div>
          <div class="author">Richard Dyer and Jules Sandeau</div>
        </li>
        <li>
          <div class="title"><a href="http://journals.openedition.org/miranda/44142">Les hommes blancs ne le sont pas vraiment</a> <span class="fullText">[Full text]</span></div>
          <div class="author">Thomas DiPiero and Maureen Lepers</div>
        </li>
      </ul>]]></description>
    <link>http://journals.openedition.org/miranda/43568</link>
    <dc:date>2022-02-19</dc:date>
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  <item rdf:about="http://journals.openedition.org/miranda/40824">
    <title>23 | 2021 &#8211; Modernist Exceptions</title>
    <description><![CDATA[<img alt="" src="http://journals.openedition.org/miranda/docannexe/file/41138/unnamed-small200.jpeg" /><ul class="summary">
        <li>
          <div class="publititle"><strong>Modernist Exceptions</strong></div>
          <div class="altertitle foreign">
            <div lang="fr">Exceptions Modernistes</div>
          </div>
          <ul class="summary">
            <li>
              <div class="title"><a href="http://journals.openedition.org/miranda/42213">Modernist Exceptions</a> <span class="fullText">[Full text]</span></div>
              <div class="author">Nicolas Pierre Boileau and Charlotte Estrade</div>
            </li>
            <li>
              <div class="publititle"><strong>Exceptional Artists and Artistic Figures</strong></div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/42228">A Nurse in the Great War: The Exceptional Voice of Mary Borden</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Isabelle Brasme</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/42260">Can Anonymous be the exception? Modernist anonymity and the challenges of literary exceptionalism</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Anne Reynes-Delobel</div>
                </li>
              </ul>
            </li>
            <li>
              <div class="publititle"><strong>Exceptional Characters and Works</strong></div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/42364">Exceptionality and the unexceptional in Jean Rhys’s interwar fiction</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Juliana Lopoukhine</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/42440">Arts and Grafts: Marianne Moore’s Poetry and the Culture of Exception</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Aurore Clavier</div>
                </li>
              </ul>
            </li>
            <li>
              <div class="publititle"><strong>Exceptional Artistic Practices and Methods</strong></div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/42498">“I saw at a glance that your case was exceptional, and that you also were Occult”: Comedy, magic and exceptional disabilities in Stella Benson’s <em>Living Alone</em> (1919)</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Leslie de Bont</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/42538">Between “The Artist” and “a Young Man”: Stephen Dedalus and the dialectics of exception in <em>A Portrait of the Artist as a Young Man</em></a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Olivier Hercend</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/42610">An Exceptional Man? Kurtz and fascination with colonialism, from Conrad to Coppola</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Naomi Toth</div>
                </li>
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            </li>
          </ul>
        </li>
        <li>
          <div class="publititle"><strong>Ariel's Corner</strong></div>
          <ul class="summary">
            <li>
              <div class="publititle"><strong>Theater</strong></div>
              <div class="director">Edited by Emeline Jouve</div>
              <ul class="summary">
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/42769">Pandemic Shakespeare: Perspectives on Early Modern Theatre Practice and Pedagogy in Lockdown</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Benjamin Blyth</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/42854">Meet 600 HIGHWAYMEN</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Emeline Jouve</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/42859">Metteurs en scène britanniques et scènes françaises dans l’objectif d’Émile Zeizig, photographe</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Émile Zeizig</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/42939">Mad Method</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Jacob Gallagher-Ross</div>
                </li>
                <li>
                  <div class="title"><a href="http://journals.openedition.org/miranda/43015">Sur la route avec Xavier Gallais - Un rêve d’Amérique</a> <span class="fullText">[Full text]</span></div>
                  <div class="author">Juliette Mezergues</div>
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              <ul class="summary">
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      </ul>]]></description>
    <link>http://journals.openedition.org/miranda/40824</link>
    <dc:date>2021-10-04</dc:date>
  </item>
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