Bibliografia
Bibliography
Antropologia kultury – antropologia literatury. Na tropach koligacji, red. E. Kosowska, A. Gomóła, E. Jaworski, Katowice 2007.
Conrad between the lines: Documents in a life, red. G.M. Moore, A. Simmons, and J.H. Stape, “The Conradian”, vol. 25, 2000.
Conrad J., A Personal Record. Some Reminiscences, New York-London 1912, też: https://www.gutenberg.org/files/687/687-h/687-h.htm#link2H_4_0001.
Conrad J., A Set of Six, https://www.gutenberg.org/files/2305/2305-h/2305-h.htm
Conrad J., An Outcast of the Islands, https://www.gutenberg.org/files/638/638-h/638-h.htm#link2H_4_0001.
Conrad J., Lord Jim, https://www.gutenberg.org/files/5658/5658-h/5658-h.htm.
Conrad J., Nostromo. A Tale of the Seaboard, https://www.gutenberg.org/files/2021/2021-h/2021-h.htm#link2H_4_0001.
Conrad J., Heart of Darkness, red. O. Knowles, A. H. Simmons, Cambridge 2018.
Conrad J., The Mirror of the Sea. Memories and Impressions, Edinburgh-London 1925.
Conrad J., Youth and Gaspar Ruiz, London-Toronto 1920, też: https://babel.hathitrust.org/cgi/pt?id=mdp.39015048717071&view=1up&seq=173.
De Man P., Aesthetic ideology, ed. and introduction by A. Warminski, Minneapolis- London, Minnesota 1996.
De Man P., The rhetoric of Romanticism, New York 1984.
Foucault M., The order of things. An archaeology of the human sciences, London 1970.
Foucault M., Słowa i rzeczy. Archeologia nauk humanistycznych, tłum. T. Komendant, Gdańsk 2005.
Genette G., Palimpsests: literature in the second degree, transl. Ch. Newman and C. Doubinski, Lincoln- London, Nebraska 1997,
GoGwilt C., The invention of the West: Joseph Conrad and the double-mapping of Europe and Empire, Stanford 1995.
Hall E.T., Beyond culture, Garden City-New York 1976.
Kierkegaard S., Prefaces. Light reading for people in various estates, according to time and opportunity by Nicolaus Notabene, Princeton 2016.
Lévi-Strauss C., Eribon D., Conversations with Claude Lévi-Strauss, transl. P. Wissing, Chicago 1991.
Linton R., The cultural background of personality, New York-Michigan 1945.
Łotman J., The structure of the artistic text, transl. by R. Vroon, Ann Arbor-Michigan 1977
Modern essays, wyb. Ch. Morley, New York 1921.
Modrzewski S., Conrad a konwencje: autorska świadomość systemów a warsztat literacki pisarza, Gdańsk 1992.
Najder Z., Conrad in perspective. Essays on art and fidelity, Cambridge 1997.
Najder Z., Życie Conrada-Korzeniowskiego, Lublin 2006.
Ocieczek R., O literackiej ramie wydawniczej w książkach dawnych, Katowice 1990.
Pacukiewicz M., Dyskurs antropologiczny w pisarstwie Josepha Conrada, Kraków 2008.
Prorok L., Inicjacje Conradowskie, Kraków 1987.
Przedmowa w książce dawnej i współczesnej, red. R. Ocieczek przy wsp. R. Ryby, Katowice 2002.
Romantyczne przemowy i przedmowy, red. J. Lyszczyna i M. Bąk, Katowice 2010.
Said E., Joseph Conrad and the fiction of autobiography, Cambridge, Massachusetts 1966.
Sir James Frazer and the literary imagination. Essays in affinity and influence, ed. R. Fraser, Houndmills-Basingstoke-Hampshire-London 1990.
Starosta A., Conrad’s ‘Author’s notes’: Between text and reader, “Yearbook of Conrad Studies” (Poland) 2007, vol. III, Kraków 2008.
Tennant R., Joseph Conrad. A biography, London 1981.
The Foucault reader, ed. P. Rabinow, Harmondsworth 1984.
Góra strony
Przypisy
J. Conrad, A Familiar Preface, in: idem, A Personal Record. Some Reminiscences (New York-London: 1912), p. 4; cf. https://www.gutenberg.org/files/687/687-h/687-h.htm#link2H_4_0001. [Polish version: J. Conrad, Dzieła [Works], vol. XIII (Warsaw: 1972), p. 16. All Polish quotations after edition: J. Conrad, Dzieła, vol. I-XXVII, ed. Z. Najder (Warsaw: 1972-1976)].
J. Conrad, Author’s note (1919), in: idem, The Mirror of the Sea. Memories and Impressions (Edinburgh-London: 1925), p. XI, cf. Notes on My Books: https://www.gutenberg.org/files/20150/20150-h/20150-h.htm, also: https://en.wikisource.org/wiki/Notes_on_My_Books/Mirror_of_the_Sea.
Ibid.
Ibid., p. X.
S. Modrzewski, Conrad a konwencje: autorska świadomość systemów a warsztat literacki pisarza [Conrad and conventions: author's awareness of systems and the writer's literary workshop] (Gdańsk: 1992), p. 134.
See: ibid., pp. 137-138.
J. Conrad, A Familiar Preface, p. 16; cf. https://www.gutenberg.org/files/687/687-h/687-h.htm#link2H_4_0001.
See: S. Modrzewski, Conrad a konwencje…, p. 138.
Z. Najder, Conrad in perspective. Essays on art and fidelity (Cambridge: 1997), p. 107 [Polish version: idem, Sztuka i wierność. Szkice o twórczości Josepha Conrada, transl. H. Najder (Opole: 2000)].
E. Said, Joseph Conrad and the fiction of autobiography (Cambridge, Mass.: 1966), pp. 10-11.
S. Kierkegaard, Prefaces. Light reading for people in various estates, according to time and opportunity by Nicolaus Notabene (Princeton: 2016) [from the opening paragraph (marked V6)].
See: A. Starosta, “Conrad’s ‘Author’s notes’: Between text and reader”, in: Yearbook of Conrad Studies (Poland) 2007, vol. III (Cracow: 2008), p. 33.
Ibid.
See: C. GoGwilt, The invention of the West: Joseph Conrad and the double-mapping of Europe and Empire, (Stanford: 1995), pp. 130-49.
L. Prorok, Inicjacje Conradowskie [Conrad initiations] (Cracow: 1987), pp. 66-69.
Cf. G. Genette, Palimpsests: literature in the second degree, transl. from the French Ch. Newman and C. Doubinski (Lincoln-London, Nebraska: 1997), passim at p. 128.
Z. Najder, Życie Conrada-Korzeniowskiego [The life of Conrad-Korzeniowski], vol. II (Lublin: 2006), p. 303. Referring to Jocelyn Baines’ defence of Conrad against the ‘accusations of pathological lying’, Najder stresses that the author had the right to be a mythomaniac.
R. Tennant, Joseph Conrad. A biography (London: 1981), p. 227.
Z. Najder, Życie Conrada-Korzeniowskiego, vol. II, p. 314.
See: R. Ocieczek, “O różnych aspektach badań literackiej ramy wydawniczej w książkach dawnych” [On various aspects of research into the literary publishing framework in old books], in: eadem, O literackiej ramie wydawniczej w książkach dawnych [About the literary publishing frame in old books] (Katowice: 1990). (I am indebted to Teresa Banaś-Korniak, PhD, for drawing my attention to the abovementioned term.)
A. Dziadek, “Przypisy Aleksandra Wata w tomie ‘Ciemne świecidło’” [Aleksander Wat's footnotes in the volume ‘Dark Shining’], in: Przedmowa w książce dawnej i współczesnej [Preface in an old and contemporary book], ed. R. Ocieczek, with contributions from R. Ryba, (Katowice: 2002), p. 205.
M. Stanisz, “Przeszłość i przyszłość ‘prefacjologii’ literackiej. Przegląd zagadnień, perspektywy badawcze” [The past and the future of literary ‘prefaceology’. Review of issues, research perspectives], in: Romantyczne przemowy i przedmowy [Romantic speeches and prefaces], eds J. Lyszczyna and M. Bąk (Katowice: 2010), p. 13.
E. Kasperski, “Parateksty zamiast przedmów. Zarys poetyki paratekstów w twórczości Norwida” [Paratexts instead of prefaces. An outline of the poetics of paratexts in Norwid’s works], in: Romantyczne przemowy i przedmowy, p. 115.
W. Hamerski, “ Zmylić trop ‘zawczasu, raz jeszcze i raz na zawsze’? Przedmowy do powieści współczesnych Józefa Ignacego Kraszewskiego” [Confuse the track ‘in advance, again and again’? Prefaces to contemporary novels by Józef Ignacy Kraszewski], in: Romantyczne przemowy i przedmowy, p. 260.
Ibid., s. 261.
J. Lotman, The structure of the artistic text, transl. from the Russian by R. Vroon, Series Michigan Slavic Contributions, no. 7 (Ann Arbor-Michigan: 1977), p. 201, chap. 8: “The composition of the verbal work of art. The frame”, p. 209.
M. Stanisz, “Przeszłość i przyszłość...”, p. 14. I refer to ‘discourse’ here strictly in the sense given to the term by Michel Foucault – a concept that assumes a relationship between the literary work and reality through the ‘function of the author’. (This concept is referred to below as well.)
J. Conrad, Tales of Unrest (1898), cf. https://www.gutenberg.org/files/20150/20150-h/20150-h.htm, also https://en.wikisource.org/wiki/Notes_on_My_Books.
J. Conrad, Author’s note to Typhoon and Other Stories (1919), cf. https://www.gutenberg.org/files/20150/20150-h/20150-h.htm, also https://en.wikisource.org/wiki/Typhoon.
J. Conrad, Author’s note to Youth (1917), cf. https://www.gutenberg.org/files/5658/5658-h/5658-h.htm#link2H_4_0001.
J. Conrad, Author’s note to Lord Jim (1917), cf. https://www.gutenberg.org/files/5658/5658-h/5658-h.htm#link2H_4_0001 [Polish version: J. Conrad, Dzieła, vol. V, p. 9].
J. Conrad, Lord Jim (1899-1900), cf. https://www.gutenberg.org/files/5658/5658-h/5658-h.htm#link2H_4_0001 [Polish version: J. Conrad, Dzieła, vol. V, p. 439].
J. Conrad, Author’s note to An Outcast of the Islands (1919); cf. https://www.gutenberg.org/files/638/638-h/638-h.htm#link2H_4_0001, also https://en.wikisource.org/wiki/Notes_on_My_Books/An_Outcast_of_the_Islands [Polish version: J. Conrad, Dzieła, vol. II, p. 9-10].
J. Conrad, Author’s note to Heart of Darkness (1917), cf. https://www.cambridge.org/core/books/abs/heart-of-darkness/authors-note-1917/06ABA8A47B3EA70A79C186CE8156C5F2; also, cf. Notes on My Books: https://www.gutenberg.org/files/20150/20150-h/20150-h.htm#YOUTH [Polish version: J. Conrad, Dzieła, vol. VI, p. 7-8].
J. Conrad, Author’s note to Nostromo. A Tale of the Seaboard (1917), cf. https://www.gutenberg.org/files/2021/2021-h/2021-h.htm#link2H_4_0001; also Notes on My Books: https://www.gutenberg.org/files/20150/20150-h/20150-h.htm [Polish version: J. Conrad, Dzieła, vol. VIII, p. 11].
J. Conrad, Author’s note to Chance (1920), cf. Notes on My Books: https://www.gutenberg.org/files/20150/20150-h/20150-h.htm, also https://en.wikisource.org/wiki/Notes_on_My_Books.
J. Conrad, Author’s note to A Set of Six (1920), cf. Notes on My Books: https://www.gutenberg.org/files/2305/2305-h/2305-h.htm.
Ibid.
Ibid.
R. Hampson, “Frazer, Conrad and the ‘pruth of primitive passion’”, in: Sir James Frazer and the literary imagination. Essays in affinity and influence, ed. R. Fraser, (Houndmills-Basingstoke-Hampshire-London: 1990), p. 175.
J. Conrad, Author’s note to Within the Tides (1920), cf. Notes on My Books: https://www.gutenberg.org/files/20150/20150-h/20150-h.htm, also https://en.wikisource.org/wiki/Notes_on_My_Books [Polish version: J. Conrad, Dzieła, vol. XVII, p. 7].
J. Conrad, Author’s note to Twixt Land and Sea (1920), cf. Notes on My Books: https://www.gutenberg.org/files/20150/20150-h/20150-h.htm, also https://en.wikisource.org/wiki/Notes_on_My_Books.
E.T. Hall, Beyond culture (Garden City-New York: 1976), pp. 35-36. This American anthropologist takes into account, in this case, primarily the proxemic interaction, which however translates into internalised models of behaviour, attitudes, values, and reactions, all forming the basis of a condensed vision of the marine/naval ‘us’ as constantly (re)presented by Conrad.
See: M. Pacukiewicz, Dyskurs antropologiczny w pisarstwie Josepha Conrada [Anthropological discourse in the writings of Joseph Conrad] (Cracow: 2008), section entitled “The fiction of culture. A touch of the Antipodes”.
J. Conrad, Author’s note to The Secret Agent (1920), cf. Notes on My Books: https://www.gutenberg.org/files/20150/20150-h/20150-h.htm also https://en.wikisource.org/wiki/Notes_on_My_Books.
Ibid.
Ibid.
Ibid.
J. Conrad, Author’s note to Gaspar Ruiz; see: idem, Youth and Gaspar Ruiz (London-Toronto: 1920), p. 167, cf. https://babel.hathitrust.org/cgi/pt?id=mdp.39015048717071&view=1up&seq=173 [Polish version: J. Conrad, Dzieła, vol. XXV, p. 110].
J. Conrad, To my readers in America in Nigger of the ‘Narcissus’. (1914), cf. Notes on My Books: https://www.gutenberg.org/files/20150/20150-h/20150-h.htm, also https://en.wikisource.org/wiki/Notes_on_My_Books.
J. Conrad, Preface to The Nigger of the ‘Narcissus’ (1897), cf. Notes on My Books: https://www.gutenberg.org/files/20150/20150-h/20150-h.htm, also https://en.wikisource.org/wiki/Notes_on_My_Books.
J. Conrad, Author’s note to The shadow-line (1920), cf. Notes on My Books: https://www.gutenberg.org/files/20150/20150-h/20150-h.htm, also https://en.wikisource.org/wiki/Notes_on_My_Books.
J. Conrad, Preface to The Nigger of the ‘Narcissus’ (1897), cf. Notes on My Books: https://www.gutenberg.org/files/20150/20150-h/20150-h.htm, also https://en.wikisource.org/wiki/Notes_on_My_Books.
Ibid.
A. Starosta, “Conrad’s ‘Author’s Notes’…”, p. 37.
J. Conrad, Preface to The Nigger of the ‘Narcissus’ (1897), cf. https://en.wikisource.org/wiki/Notes_on_My_Books, also Notes on My Books: https://www.gutenberg.org/files/20150/20150-h/20150-h.htm.
J. Conrad, A Familiar Preface, p. 10, cf. Notes on My Books: https://www.gutenberg.org/files/687/687-h/687-h.htm#link2H_4_0001.
Ibid., p. 14.
Ibid.
Ibid., p. 13-14 [Polish version: J. Conrad, Dzieła, vol. XIII, p. 22].
J. Conrad, Author’s note to Within the Tides (1920), cf. Notes on My Books: https://www.gutenberg.org/files/687/687-h/687-h.htm#link2H_4_0001.
J. Conrad, A Familiar Preface, p. 2, cf. Notes on My Books: https://www.gutenberg.org/files/687/687-h/687-h.htm#link2H_4_0001.
See: P. de Man, “The concept of irony”, in: idem, Aesthetic ideology, ed. and with an introduction by A. Warminski (Minneapolis-London, Minnesota: 1996), p. 179.
J. Conrad, Author’s note to Chance (1920), cf. Notes on My Books: https://www.gutenberg.org/files/20150/20150-h/20150-h.htm, also https://en.wikisource.org/wiki/Notes_on_My_Books.
J. Conrad, Preface to The Nigger of the ‘Narcissus’ (1897), cf. Notes on My Books: https://www.gutenberg.org/files/20150/20150-h/20150-h.htm, also https://en.wikisource.org/wiki/Notes_on_My_Books.
Ibid.
J. Conrad, A Familiar Preface, p. 8, cf. https://www.gutenberg.org/files/687/687-h/687-h.htm#link2H_4_0001.
J. Conrad, [Preface to] The Arrow of Gold (1920); cf. Conrad between the lines: Documents in a life, eds G.M. Moore, A. Simmons, and J.H. Stape (2000), Series The Conradian, vol. 25:2, p. 198.
See: M. Foucault, “What is an author?” [Qu'est-ce qu'un auteur?], in: The Foucault reader, ed. P. Rabinow (Harmondsworth: 1984), p. 113.
E. Kosowska, “Kulturowa antropologia literatury. Wprowadzenie” [Cultural anthropology of literature. Introduction], in: Antropologia kultury – antropologia literatury. Na tropach koligacji [Cultural anthropology – literary anthropology. On the trail of affinity], eds E. Kosowska, A. Gomóła, and E. Jaworski (Katowice: 2007), p. 22.
J. Conrad, Author’s note to Notes on Life and Letters (1920), cf. https://www.gutenberg.org/files/1143/1143-h/1143-h.htm, also https://en.wikisource.org/wiki/Notes_on_My_Books.
P. de Man, “Autobiography as de-facement”, in: idem, The rhetoric of Romanticism (New York: 1984), p. 81.
R. Linton, The cultural background of personality (New York-Michigan: 1945), p. 38.
Ibid., p. 115.
J. Conrad, Author’s Note to Typhoon and Other Stories (1919), cf. https://www.gutenberg.org/files/20150/20150-h/20150-h.htm, also https://en.wikisource.org/wiki/Typhoon.
C. Lévi-Strauss and D. Eribon, Conversations with Claude Lévi-Strauss, transl. from the French P. Wissing (Chicago: 1991), p. 140.
At this point, it needs to be resolutely stressed that in Conrad’s writing, mythological thinking manifests itself in the expression rather than the content – in contrast to, e.g., the Polish Romanticist poet Juliusz Słowacki (cf. A. Ziętek-Ptak, “Tragik czy ironista? Kreacja autorskiego mitu w listach dedykacyjnych do ‘Balladyny” i ‘Lilli Wenedy’” [Tragedian or ironist? Creation of an original myth in dedication letters to ‘Balladyna’ and ‘Lilla Weneda’], in: Romantyczne przemowy i przedmowy.
J. Lotman, The structure of the artistic text, p. 211.
This generalised opinion is based on the study on early and modern book prefaces: Przedmowa w książce dawnej i współczesnej (I am grateful to Marzena Walińska, PhD, for recommending this book to me and for suggesting a historical research perspective in my approach.)
M. Stanisz, ”Przeszłość i przyszłość...”, p. 18.
M. Foucault, Słowa i rzeczy. Archeologia nauk humanistycznych, vol. II, transl. from the French T. Komendant (Gdańsk 2005), p. 36 [idem, The order of things. An archaeology of the human sciences (London: 1970), p. 252].
S. Kierkegaard, Prefaces…, [from the opening paragraph (marked V6)].
Cf. M. Foucault. Słowa i rzeczy…, p. 208-213.
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