Mots-clés – Aaron Shurin

Article

• Robin Tremblay-McGaw
  “A Made Up Thing” Full of Depth: The Queer Belonging of Robert Duncan and New Narrative [Full text]
  Published in Sillages critiques, 29 | 2020

Index

• Authors
• Keywords

Full text issues

• 39 | 2025
  Rocking Romanticism | Off to bed!
• 38 | 2025
  Redonner vie aux modernismes (II) : Transmissions modernistes
• 37 | 2024
  Reanimating Modernisms (I): Embracing Neophilia, Neophobia, and the Modernists’ Renaissances
• 36 | 2024
  Reception: Contemporary Perspectives
• 35 | 2023
  The Poetics of Framing, Performing Frames in the Visual Arts
• 34 | 2023
  Genre Trouble in Early Modern English Writing / Body Building
• 33 | 2022
  The Poetry Book: An Obsolete Form in the Digital Age?
• 32 | 2022
  After “1984”: Some Contemporary British Versions of Dystopia
• 31 | 2021
  Representing Recent and Immediate History on the Early Modern and Contemporary British Stages
• 30 | 2021
  Bodies, techniques, technologies / Varia
• 29 | 2020
  Robert Duncan’s Legacies: a Centennial Celebration
• 28 | 2020
  Tearing up the page
• 27 | 2019
  Taking Place
• 26 | 2019
  New perspectives on The Duchess of Malfi
• 25 | 2018
  Esthétiques de l’absence
• 24 | 2018
  Unsettling Endings
• 23 | 2017
  L'archive : horizons de la création contemporaine
• 22 | 2017
  Écriture de la violence, violence de l'écriture
• 21 | 2016
  Watching Texts, Reading Images
• 20 | 2016
  Animals on the stage
• 19 | 2015
  Trauma
• 18 | 2014
  Le Théâtre et son autre
• 17 | 2014
  Exposure / Overexposure
• 16 | 2013
  Changing Voices on the Stage
• 15 | 2013
  Actualité de Mesure pour Mesure
• 14 | 2012
  L'imitation
• 13 | 2011
  Arcadias
• 12 | 2011
  L'écart
• 11 | 2010
  Lolita
• 10 | 2009
  Artifice
• 9 | 2008
  Commentaire
• 8 | 2006
  La lettre et le fantôme
• 7 | 2005
  Poétiques de la voix
• 6 | 2004
  Crime Fictions
• 5 | 2003
  Ezra Pound and Referentiality
• 2 | 2001
  Le portrait
• 1 | 2000
  Perspectives on Modern Literary Criticism

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