5 | 2003
Ezra Pound and Referentiality
Published with the support of the 19th International Ezra Pound Conference, the Centre de recherches “Texte et Critique du Texte”, the École doctorale IV (Université de Paris Sorbonne) and the Conseil scientifique de l’Université de Paris-Sorbonne (Paris IV).
Acknowledgements: Grateful acknowledgement for permissions to quote Ezra Pound material is offered to New Directions Publishing Corp. All unpublished Pound material quoted in this volume: Copyright © 2003 by Omar S. Pound and Mary de Rachelwitz.
“Sequel Lines” Copyright © 2003 by Tony Lopez.
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Preface. Ezra Pound and Referentiality [Full text]
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Part. I. The Cantos as Reference: new and comparative readings
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“2 doits to a boodle”: reckoning with thrones [Full text]
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Pound And/Or Benjamin [Full text]
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Part. II. The Aesthetic Referent: Ezra Pound to the artist
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MEMOIRS/WHOSE MEMOIRS? [Full text]
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FROM ROSSETTI TO RADIO: POUND’S OPERA CAVALCANTI [Full text]
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POUND, PICABIA, AND SURREALISM [Full text]
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THE MODERN PUBLIC AND VORTOGRAPHY [Full text]
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Part. III. Issues and Referentiality: presence(s)
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Ezra Pound: Presenza and Presentation [Full text]
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