Palavras chaves – performance

Article

• Charlotte Grabli and Mary Caton Lingold
  The Musical Passage project. Interview with Mary Caton Lingold [Full text]
  Published in Esclavages & Post-esclavages, 10 | 2024
• Thomas Bertrail and Dread Scott
  “There is no Derek Chauvin kneeling on George Floyd’s neck without slavery. That’s the history and legacy of America.” An Interview with Dread Scott [Full text]
  Published in Esclavages & Post-esclavages, 7 | 2022
• Jane Taylor and Bronwyn Lace
  Staging Post [Full text]
  Performance after apartheid
  Published in Esclavages & Post-esclavages, 2 | 2020

Index

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Full text issues

• 10 | 2024
  African Approaches to the Abolition of Slavery
• 9 | 2024
  Gender in Slave and Post-Emancipation Societies
• 8 | 2023
  On a Human Scale. Individual Trajectories and Group Portraits in the History of Slavery and Post-Slavery Societies
• 7 | 2022
  Imagining the “Musical Memorial”. Music and the (re)transmission of the memory of slaveries and the slave trades
• 6 | 2022
  Black Lives Matter: a Transnational Movement?
• 5 | 2021
  Reparations and Slaveries
• 4 | 2021
  Read and Narrate Post-Slavery
• 3 | 2020
  Embedding Slavery in Digital Humanities
• 2 | 2020
  Experimenting History with Contemporary Arts
• 1 | 2019
  Citizenship and Counter-citizenship

All issues

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• Journal supported by the Institut des sciences humaines et sociales (InSHS) of the CNRS, 2023-2024
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