Bibliographie
Blunden Edmund, Undertones of War, London, Penguin, 2000 [1928].
Bull Michael, “Into the Sounds of War: Imagination, Media and Experience”, Grimshaw-Aagaard Mark, Walther-Hansen Mads and Knakkergaard Martin (eds.), The Oxford Handbook of Sound and Imagination, Oxford, Oxford University Press, 2019, p. 175-202.
Ford Ford Madox, No More Parades, Manchester, Carcanet, 2011 [1925].
Fussell Paul, The Great War and Modern Memory, New York, Oxford University Press, 2013 [1977].
Gillespie Alexander, Letters from Flanders, London, Smith and Elder, 1916.
Graves Robert, “The Great Years of Their Lives”, The Listener, 15 July 1971, p. 74.
Habeck Mary, “Technology in the First World War: The View From Below”, Winter Jay, Parker Geoffrey and Habeck Mary (eds.) The Great War and the Twentieth Century, New Haven, Yale University Press, 2006, pp. 99-131.
Harvey Frederick, poem “A True Tale of the Listening Post”, Noakes Vivien (ed.), Voices of Silence: The Alternative Book of First World War Poetry, Stroud, The History Press, 2006, pp. 90-91.
Housman Lawrence (ed.), War Letters of Fallen Englishmen, New York, EP Dutton, 1930.
Jean Yaron, “The Sonic Mindedness of the Great War: Viewing History through Auditory Lenses”, Feiereisen Florence and Merley Hill Alexandra (eds.) Germany In the Loud Twentieth Century, New York, Oxford University Press, 2012, pp. 51-62.
Laffin John (ed.), Letters from the Front, 1914-18, London, JM Dent, 1973.
Leed Eric J, No Man’s Land: Combat and Identity in World War I, Cambridge, Cambridge University Press, 1979.
Lewis-Stempel John, Where the Poppies Blow: The British Soldier, Nature, the Great War, London, Weidenfeld & Nicolson, 2016.
Ludwig Richard M, Letters of Ford Madox Ford, Princeton, Princeton University Press, 1965.
Nash Paul, Outline. An Autobiography and Other Writings, London, Faber & Faber, 1948.
Remarque Erich Maria, All Quiet on the Western Front, London, Vintage, 1996 [1929].
Saunders Max, “Ford Madox Ford (1873-1939): Biography” (http://www.fordmadoxfordsociety.org/fords-biography.html, accessed 20 December 2019).
Thomas R George (ed.), Edward Thomas: Collected Poems, London, Faber & Faber, 2004.
Vandevelde Tom, “‘Are you Going to Mind the Noise?’: Mapping the Soundscape of Parade’s End”, Chantler Ashley and Hawkes Rob (eds.), Ford Madox Ford’s Parade’s End: The First World War, Culture, and Modernity, Amsterdam, Rodopi, 2014.
Winter Jay, “Shell-Shock and the Cultural History of the Great War”, Journal of Contemporary History, vol. 35, no. 1, 2000, pp. 7-11.
Zeepvat Charlotte (ed.), Before Action: William Noel Hodgson and the 9th Devons: A Story of the Great War, Barnsley, Pen & Sword, 2015.
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Notes
For example, Habeck Mary, “Technology in the First World War: The View From Below”, Winter Jay, Parker Geoffrey and Habeck Mary (ed.) The Great War and the Twentieth Century, New Haven, Yale University Press, 2006, pp. 103-112.
Winter Jay, “Shell-Shock and the Cultural History of the Great War”, Journal of Contemporary History, vol. 35, no. 1, 2000,p p. 7-11.
Saunders Max, “Ford Madox Ford (1873-1939): Biography” (http://www.fordmadoxfordsociety.org/fords-biography.html, accessed 20 December 2019). Quotation in Ford Ford Madox, No More Parades, Manchester, Carcanet, 2011 [1925], p. 11.
Remarque Erich Maria, All Quiet on the Western Front, London, Vintage, 1996 [1929], p. 76.
Graves Robert, “The Great Years of Their Lives”, The Listener, 15 July 1971, p. 74.
Lewis-Stempel John, Where the Poppies Blow: The British Soldier, Nature, the Great War, London, Weidenfeld & Nicolson, 2016.
Fussell Paul, The Great War and Modern Memory, New York, Oxford University Press, 2013 [1977], p. 39.
Nash Paul, Outline. An Autobiography and Other Writings, London, Faber & Faber, 1948, p. 186.
Leed Eric J, No Man’s Land: Combat and Identity in World War I, Cambridge, Cambridge University Press, 1979, p. 124.
Jean Yaron, “The Sonic Mindedness of the Great War: Viewing History through Auditory Lenses”, Feiereisen Florence and Merley Hill Alexandra (eds.) Germany In the Loud Twentieth Century, New York, Oxford University Press, 2012, pp. 53-55.
Williams JS, letter, 3 October 1915, Letters from the Front, 1914-18, Laffin John (ed.), London, JM Dent, 1973, p. 58; Blunden Edmund, Undertones of War, London, Penguin, 2000 (1928), pp. 38-39.
Ludwig Richard M, Letters of Ford Madox Ford, Princeton, Princeton University Press, 1965, p. 73.
Vandevelde Tom, “‘Are you Going to Mind the Noise?’: Mapping the Soundscape of Parade’s End”, Chantler Ashley and Hawkes Rob (eds.), Ford Madox Ford’s Parade’s End: The First World War, Culture, and Modernity, Amsterdam, Rodopi, 2014, p. 59.
Hodgson William, poem “Back to Rest”, quoted in Zeepvat Charlotte (ed.), Before Action: William Noel Hodgson and the 9th Devons: A Story of the Great War, Barnsley, Pen & Sword, 2015, p. 130.
Wilson Theodore, letter to his aunt, 27 April 1916, Housman Lawrence (ed.), War Letters of Fallen Englishmen, New York, EP Dutton, 1930, p. 296.
Harvey Frederick, poem “A True Tale of the Listening Post”, Noakes Vivien (ed.), Voices of Silence: The Alternative Book of First World War Poetry, Stroud, The History Press, 2006, pp. 90-91.
Gillespie Alexander, 24 April 1915, Letters from Flanders, London, Smith and Elder, 1916, p. 111.
Remarque, All Quiet, p. 86.
Blunden, Undertones of War, p. 93.
Thomas R George (ed.), Edward Thomas: Collected Poems, London, Faber & Faber, 2004, p. 170.
See also Bull Michael, “Into the Sounds of War: Imagination, Media and Experience”, Grimshaw-Aagaard Mark, Walther-Hansen Mads and Knakkergaard Martin (eds.) The Oxford Handbook of Sound and Imagination, Oxford, Oxford University Press, 2019, p. 182.
Fussell, The Great War, p. 235.
Sterling Robert, letter to a friend, 18 April 1915, Housman (ed.), War Letters, p. 263.
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